Jake Detharidge is the former head story analyst in the story department at WME where he oversaw the entire literary catalogue for the agency as well as all coverage and submissions. After WME, Jake moved on to run development for director Luke Greenfield. Here, Jake helped Luke develop his studio feature Let's be Cops with Simon Kinberg producing and shot through 20th Century Fox. He became Head of Development at 3311 Productions and is now an independent producer. Jake began his career at Marty Katz Productions as a development exec, transition next to the then newly formed WME. At WME, Jake became the head story analyst in the story department, overseeing the entire literary catalogue for the agency as well as all coverage and submissions. During this period he began working with Eric Reid in the Film/TV Rights department and eventually oversaw all property rights for the Beverly Hills office. After WME, Jake moved on to run development for director Luke Greenfield (The Animal, Girl Next Door, Role Models, Something Borrowed) and WideAwake Inc. Here, Jake helped Luke develop his studio feature Let's be Cops with Simon Kinberg producing and shot through 20th Century Fox. Jake also worked on the 2012 ABC pilot Prairie Dogs, as well as 3 other studio features. Still hoping to broaden his horizons, Jake then moved on the newly formed financing company, 3311. During his time at 3311 Jake has helped oversee the post-production and sale of their first two feature films as well as the development of six other projects in various stages of pre-production. Mr. Detharidge's experiences have given him a unique opportunity to sample material from all areas and arenas of the industry, as well as providing him with a wealth of contacts and information. Full Bio »
Learn directly from Jake Detharidge, Producer and former Head of Story for WME and Head of Development and Production at 3311 Productions (In A World... starring Lake Bell, Eva Longoria and Big Sur starring Kate Bosworth)
Now, more than ever a strong female protagonist is in the spotlight. When we speak with executives that work with Stage 32 they are thrilled with the evolution of multidimensional female characters who are winning over audiences. To be able to write strong female characters, you need to know the current industry landscape for female driven content so you can understand how to analyze, create and execute genuine female characters.
We have brought in one of the leading Development and Production Executives - Jake Detharidge from 3311 Productions - who will be teaching our Stage 32 writers how to write strong female characters in an exclusive 90 minute live and interactive online webinar. Having worked on films with Kate Bosworth, Lake Bell, Eva Longoria and many more, Jake knows what it takes to truly make your female characters stand out on the page and on the screen. Jake received a 99% satisfaction rate when he taught previous webinars for Stage 32, so we had to bring him back!
Jake will focus mainly on the deeply ingrained, cultural, spiritual and philosophical ideology surrounding female characters so you can learn how to properly write them into your stories. In addition, he will walk you through how the current gatekeepers and power players view female characters and content, how and why that point of view is in place, and what you can do to execute or transcend the status quo. You will go through the current pitfalls, triumphs, and - most importantly - philosophical ideologies at play in today’s marketplace.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Jake's feedback is so valuable. I enjoy everything webinar and class Jake does. He's always informative and always presents information in a very smart and succinct way. Great webinars/classes..." - R. Canty
"Great information. So many take-aways. I learned things I never knew before about how the studios and execs work. It was sobering." - C. Joseph
"Seldom have I met execs in LA who know what they're talking about but don't throw around their ego. Jake loves the process, nice perspective with a positive spin." - N. Kellis
"This was one of the more beneficial seminars with current relative information in the industry. Really enjoyed it." - M. McLinn
"Very informative and well presented. Lots of food for thought. Jake presents in a conversational manner and seems to be speaking one on one."- G. DeSomber
"Jake was incredibly knowledgeable and did a great job getting through his presentation while also answering a ton of questions." - C. Krapf
"Good presenter. Enthusiastic and knowledgeable." - G. Nicholson
"Terrific content and very insightful - Jake's "Think outside the box!" approach is empowering and he gave really clear examples on how to do this." - F. Burst
"Enormous amount of truth, honesty and street smarts you gave. Blew four major misconceptions I had about selling a limited series. Felt like I was right in the game, hearing you talk about it." - K. Belsky
"Jake was fantastic. I love his passion and generosity. Really appreciate how much valuable, first-hand experience he shared (including specifics about his own projects) as well as his candid opinion." - L. Curney
"Thanks for an informative, no bullsh*t session with real life examples. I especially appreciated your honesty about how there's no definitive way to pitch, or to package and sell a miniseries. At the same time, you gave great advice about pitfalls to avoid. I feel smarter and more prepared. It was worth the price of admission!" - S. Satterfield
4 part class taught by Jake Detharidge, Head of Development at 3311 Productions (In A World... starring Lake Bell, Eva Longoria and Big Sur starring Kate Bosworth)! AVAILABLE ON DEMAND! Writers writing in this space so often struggle with keeping these stories character driven and grounded while also creating a hook and blending the comedy and drama. So many executives are on the hunt for the next Silver Linings Playbook and Little Miss Sunshine, but it's getting harder and harder to sift through the mountains of scripts to find distinct dramedies with commercial appeal. Stage 32 Happy Writers is excited to bring you the previously-recorded 4 part class: How to Write Indie Dramedies That the Industry Will Embrace – Writing the Next Breakout Hit taught by Jake Detharidge, Head of Development at 3311 Productions. Learn what it takes to make your indie dramedy stand out and capture the industry's attention. Purchasing gives you access to the previously-recorded live class.Although Jake is no longer reviewing the assignments, we still encourage all listeners to participate!
Learn directly from Development & Production Executive Jake Detharidge, a feature film executive that has recently made a splash into the mini-series space with projects set up at History Channel, Spike, and MGM! "Jake's feedback is so valuable. I enjoy every webinar and class Jake does. He's always informative and always presents information in a very smart and succinct way. Great webinars/classes..." - R. Canty "Seldom have I met execs in LA who know what they're talking about but don't throw around their ego. Jake loves the process, nice perspective with a positive spin." N. Kellis "This was one of the more beneficial seminars with current relative information in the industry. Really enjoyed it." - M. McLinn In this Stage 32 Webinar, host Jake Detharidge will first take you through a brief history of the ‘Mini Series’ in the US, along with analyzing the current television marketplace (Event Series vs. Limited Series vs. Mini Series), and why this platform is experiencing resurgence. After, Jake will break down the creative and development process for several different, current projects, to help you understand and identify the right stories, IP and general concepts that are viable right now. This will make up the bulk of the webinar, breaking down the creative/development/packaging process, in hopes that any and all who attend will leave with a formidable understanding of how they might create their very own compelling Mini-Series project. Don’t get confined to one narrative structure, feature or TV series, look for bold new ways to tell stories – the possibilities are endless! You Will Leave The Webinar Knowing: What exactly is a Mini-Series, versus a Limited Series and Event Series and why each is unique? Why did the ‘Mini-Series’ disappear for the most part from US television and why is it now making a strong comeback? What is the current landscape for this platform – the nuts and bolts. The major companies and players around town currently looking for these types of projects and what moves the needle for them. Narrative Basics – what and why certain stories, ideas and concepts are better suited for a mini-series versus the traditional feature film or scripted television series. What types of IP you should be looking for and how you can obtain the rights to potentially develop it. Developing – what goes into this step and exactly how much…or how little…do you need before trying to sell, and where to sell. Packaging – what the process is for a mini-series, and what elements you can attach to add value that are obtainable. Outside the box ideas!' Your host Jake Detharidge will take you through the realities and pitfalls of navigating the exciting resurgence of a classic narrative platform. Jakes comes primarily from a feature film background, but he recognized – along with the rest of the industry – the creative domination currently taking place in television and forged a way to put his skill sets to work. He has developed, packaged and set up half a dozen mini-series projects with more on the way. Through his unique viewpoint on narrative structure and current audience viewing trends, Jake believes the Mini-Series resurgence is only just beginning.
Learn directly from Jake Detharidge, Head of Development and Production at 3311 Productions (In A World... starring Lake Bell, Eva Longoria and Big Sur starring Kate Bosworth) In times of financial crisis, people will still go and see movies - it will always be an affordable luxury. Most scholars and critics will say the golden age of the studios was in the late 20’s through early 30’s, some say it was post WW2 through the 50’s…but the real ‘Golden Age’ was circa 1998 – 2008. Studios were spending at an all-time high and had a strangle hold on domestic theatrical distribution. Meaning: you either made a movie through a studio, or your movie wasn’t ever seeing the light of day in the states. There were the few small (literally, small) exceptions, but for the most part it was working with a Big Major - or nothing. Now, however, we’re in this new frontier of feature films. There are literally dozens upon dozens of film financiers and sales agents all over the world with more money looking to invest in film than there are actual, legitimate film projects to be made. With more financiers then ever before, how do you navigate the roaring waters of getting your ‘independent’ movie made? What are the budget levels you should realistically be considering, and how does that directly relate to the finished product that you hope to achieve? In this Stage 32 Next Level Webinar, Jake Detharidge will go into detail describing the current market place of independent film financing, how it is shifting, and how to apply that to your specific project. You will learn how and why independent financing, investing, packaging and distribution are the future of feature films in the US, and the world.
If you’re reading this and you’re an aspiring storyteller, you’re probably well aware that no path in this business follows a straight line. There’s no recognizable ladder to climb. No standardized “five-year” plan. There are so many questions – How do I get my start? How do I tell stories that inspire me? What’s the right story to tell? How do I find an audience? How do I get recognized? So many questions and no hard and fast “right” answer. With the rise of digital technology, storytellers now have access to a new and incredibly valuable set of tools to help sell their ideas. Shooting a compelling short film, web series, or proof of concept has never been easier – and it is one of the most effective ways to practice your craft, showcase your voice and set your work apart from the rest of the pack. But there’s a catch – the increased accessibility of these tools has lead to a dramatic increase in the amount of content created and it has become much harder to cut through the noise and really stand out. We've brought in studio director, writer & producer Tyler Gillet to share his own path and how utilizing these tools helped him move from directing zero-budget digital shorts to directing and producing feature films and TV. Along the way, we’ll discuss how to conceptualize and create low-budget, high-quality short-form content that will wow financiers and producers and help you sell yourself and your ideas to a larger audience.
Your host, Wes Ambrecht, has helped sell projects to FX, HBO and Amazon and previously worked with Gersh! So you’ve finished your pilot, congratulations! The first step is out of the way. Now, it’s time to get things into shape. Very rarely does a first draft come out like a golden egg. In fact, by the time you actually see something on TV, it’s probably been through upwards of twenty drafts. From initial notes and revisions to producer notes, studio notes, network notes and maybe even a note or two from an actor who thinks there’s a better way to word that one line. In this webinar, Wes Ambrecht will walk you through the process of getting your pilot to a place where it’s ready to be looked at by representation and producers. A writer, producer and former development exec, Wes has been on both sides of the table. This class will offer an unabashed look at the development process and help students see their pilot not just for its story but also its component parts.
Many of us are familiar with the tropes made popular by screenplay gurus like Syd Field and Blake Snyder. Yes, it's true that many great films can be broken down into three clean acts or thirteen story beats. But the same can be said for many unwatchable films too. What are the elements that differentiate the great screenplays from the purely mediocre? In this Stage 32 Next Level Webinar, creative executive from Zucker Productions (director Jerry Zucker's production company), Farrell Ingle will define the importance of the ever imposing first act of a feature screenplay. He will show you how much of the groundwork for your story needs to be laid in the first act of your screenplay. If those early pages aren't up to snuff, the rest of your story will suffer, no matter how fantastic the ending is. Your host, Farrell will lay out the many pitfalls writers stumble into without necessarily realizing it while they craft the set-up of their story. Using examples of classic films, you will understand how top notch writing creates multitudes of subtext, character development, and plot advancement with each scene. We will also discuss what constitutes an "act" and why it's so very dangerous to hold yourself within the box of a rigid structure. By the end of this lecture, you should be able to go back through your own writing and break down each scene in your script to ensure that you're putting yourself in a position to succeed. After all, the first act is the most important act for readers and executives when evaluating your ability as a screenwriter. Plus, you will break down the first acts beats of well-known movie scripts as Farrell leads you through an in-depth analysis of films such as Raiders of the Lost Ark, The Professional, Die Hard and more!