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Seeking screenwriters in Ottawa, Canada, Los Angeles, California and Brooklyn, New York
Hey Stage 32, I just got a response from a top Hollywood management company after sending a query for my original TV pilot - a youth/teen concept that blends grounded storytelling with time-travel and animated elements (think Zootopia meets Harriet the Spy). The concept is designed with strong franchise and series potential, and centers on a young protagonist inspired by a fast-rising real-life teen star (not attached yet, but aligned with the project’s energy and audience). The manager responded asking if I have a feature version of the project. While this was always envisioned as a TV series, I see this as a unique opportunity - and a strategic next step to get the project repped. I’m looking to collaborate with a seasoned, passionate screenwriter - someone who’s navigated features and/or TV and loves crafting youth-centered, world-building stories. Ideally someone excited by the idea of shaping this into a powerful feature while still preserving the bigger long-term vision. Reps are the goal, but a great script is the gateway. If you’re experienced, collaborative, and hungry to build something meaningful, let’s connect. Nathaniel (Ottawa-based creator, open to remote collaboration)
Seeking attorney (entertainment)s in Chicago, Illinois
I’m F. Gardner, author of “Horror’s Call” a 17-book horror series that can be read in any order. Horror’s Call takes place in Chicago and all of the novels are self-contained and have recurring characters. It has a cult following and has been featured on many famous podcasts dedicated to conspiracy theories. My series keeps predicting real-world event. Here are a few examples: A Pope from Chicago (Call of the Cherokee) - predicted years before it became reality. The novel accurately predicted that the first ever American Pope would be from Chicago. The Pope is the villain in this novel. Synagogue tunnels (Kabbalah of the Crocodile) - long before major headlines broke. The series predicted a cult of rabbis who built tunnels under their synagogue. In the novel, their tunnels are used for sinister purposes which involve child sacrifice and devil worship. Many podcasts have had me on, because the plot of this predicted the mysterious synagogue tunnel news in real life. The novel even has police and news crews showing up outside of the synagogue – just like what later happened in real life. Zoos using fake animals - Horror’s Call featured it long before the viral zoo scandal in China. VR mind control through social media - “Reptilian Odyssey” featured the premise first – long before social media companies used VR. An assassination plot which many readers have compared to the Trump assassination attempt that later happened in real life. The plot involved conspiracy theories about the “Mark of the Beast” in the plot. This isn’t just another pitch. The audience is already there - and growing. I’ve been interviewed on many major podcast networks about events my horror series has predicted, and my fanbase is getting bigger. My series is dark, controversial and known for twist endings. I'm looking to sell the rights to the entire series, including film/TV adaptations. But it needs to have the right buyer, agent, producer or entertainment attorney. I am seeking the right fit and offer. Manuscripts available on request. Here’s a link to my X profile with lots of details: https://x.com/f_gardner_1?s=21
Seeking production assistants in Los Angeles, California
Seeking MOTIVATED PRODUCING INTERN eager to acquire the various skills and contacts needed to become an effective producer. Will work directly with CEO/Lead Producers at a startup studio streamer, and on prepping some film projects. The "job" listing says "production assistant" because S32's drop down list doesn't have anything else close. WHO YOU ARE: smart, articulate, concise writer, clear communicator, excellent listener and superior note taker.enduring interest in film and theatre.serious aspirations to make your living and contribute to the industry in a studio (ie. business) environment.fearless, willing to fail and get up again, eager to try many things and learn through experience.positive attitude, detached from divisive politics and political correctness.have 4 to 20 hours a week, in 2+ hour blocks, to work remotely or at our offices downtown Los Angeles. YOU WILL GET: Initially, unpaid, with opportunities to move into responsible paid positions.exposure to the inside of the independent film industry.insight into film development, marketing, entertainment law, finance and production.to work on and contribute to unique film and distribution projects.mentoring on entertainment & film business.your own connections in a growing network of independent industry professionals. This is for a serious aspiring producer - someone who knows they want to help create important work and lasting structures in place for other creators. Someone who is committed to the path but knows they need so see how experienced people do it, so that they can move forward faster and more effectively. You will be required to interview. You will be required to sign a confidentiality agreement before you start. We don't care about your social media presence or your upbringing, gender, ethnicity or socio-economic class. We care that you integrate well with us and that you feel truly inspired to do this.
Seeking producers in Mobile, Alabama and New Orleans, Louisiana
Hello Stage32 family, I'm currently developing Sweet Marie, a female-driven, sci-fi/psychological horror rooted in the heart of New Orleans. The film is a rich blend of myth and mood. Think the Southern Gothic poetry of Eve’s Bayou meets the slow-burning dread of Hereditary, all contrasted with the mystical vibrancy of NOLA’s spiritual underworld. We’re assembling the producing team and are looking for a Co-Producer or Associate Producer who is: Experienced in development, packaging, or physical production Familiar with indie-level financing, pitch decks, or early budgeting Passionate about genre storytelling with depth, family legacy, and folklore Collaborative, reliable, and has strong communication skills This is a credit + backend opportunity for now, with partnership potential as we gain traction. If you’ve got experience helping projects move from script to packaging, or you’re a serious up-and-comer with real grit, let’s talk. DM me if interested or tag someone who might be. Thanks so much!
Seeking screenwriters in New York City, New York, Warsaw, Poland, London, England and 1 more
Join Polot Media: Craft the Next Viral Vertical Drama Series Company: Polot Media Location: Remote (Europe-based projects) Deadline: June 11, 2025 Compensation: Starting from $6,000 per completed series About Polot Media Polot Media is a leading European production company specializing in innovative, high-quality content for digital platforms. With a robust portfolio spanning various genres and formats, we are committed to delivering captivating stories that engage global audiences. Project Overview We are launching a new slate of vertical short-form drama series tailored for mobile-first platforms. Each series will consist of 70–80 episodes, with each episode lasting between 60–120 seconds. Submission requirements:Initial Submission: First 10 episodes and a comprehensive story outline.All submissions will be reviewed by our internal team of showrunners. Only selected pitches will move forward into development.⚠️ Please note: this initial submission is unpaid and used strictly for evaluation purposes. Writers whose concepts are shortlisted will be invited to sign a contract and proceed to the paid development stages. Selected projects will continue through a structured workflow with staged feedback and payment milestones, ensuring creative support and clear expectations throughout the process.Development Milestones: -Upon completion of 20 episodes: 20% of the script fee paid -Upon completion of 40 episodes: Additional 40% paid -Upon final delivery: Remaining balance settled What We're Looking For Genres: Urban Romance: Fast-paced narratives involving complex relationships, power dynamics, and emotional twists. Crime Thrillers: Modern stories with unique settings, clear plotlines, and elements of suspense and revenge - with a strong female appeal, featuring emotionally complex heroines, personal stakes, and relationship-driven tension that keeps the audience hooked. Storytelling Elements: Engaging Hooks: Each episode should start with a compelling hook to immediately capture attention Cliffhangers: Incorporate suspenseful endings to encourage continued viewing Character Arcs: Develop protagonists with rich emotional journeys and formidable antagonists to enhance conflict Emotional Resonance: Craft narratives that evoke strong emotions, fostering a deep connection with the audience Innovative Storytelling: Employ unique narrative techniques and character designs, integrating humor where appropriate Logical Progression: Ensure each event and decision serves the protagonist's journey, incorporating unexpected gains in assets, abilities, or influence Submission Guidelines Script Requirements: Language: English Episodes: 70–80 Word Count: 40,000–60,000 words Episode Duration: 60–120 seconds Review Time: 3–5 working days (weekend submissions processed on the next working day) Script Standards: Clear and focused storyline Tight narrative structure Engaging opening scenes Genres We Are Not Prioritizing at This Time Narratives set in academic environments or focused primarily on student life. Projects heavily reliant on CGI, special effects, or elaborate, resource-heavy settings Large-scale disaster stories that require extensive destruction scenes or high-end production logistics. Lighthearted comedies, musicals, or traditional sci-fi genres. Multi-protagonist formats, anthology-style stories, or non-linear narratives. Period dramas, historical biographies, or tales centered on war heroes. Stories rooted in cultivation fantasy, divine medicine themes, or similar genre-specific frameworks. Content with strong political undertones or elements that may be culturally or religiously insensitive. Restricted Genres: Alpha/Beta/Omega-male-centric stories. Additional Information Copyright: Submitted scripts must be original and unpublished. Collaboration & Development: Talented screenwriters may receive long-term collaboration offers or further training to build a stable creative team. Submission Email: anton.zhuk@polotmedia.pl Be sure to include a brief personal introduction and a portfolio of your previous work - this helps us better understand your voice and experience. We look forward to your creative contributions to shape the future of vertical storytelling! -Polot Media
Seeking screenwriters in Burnsville, Minnesota
I need help with making my ideas into features, I have plenty of ideas in loglines, and with them to do some good. Like sending proceeds to causes that help others, and here is something I posted: "With my ideas I want to see good come from them, like for example with one idea I would like some proceeds to go to the Covenant House, and ASPCA. I really feel for some of those people and abused animals. As well as raise awareness for issues like bullying, harassment, and relationship/domestic abuse. Including issues like gang violence, drug abuse and trafficking. I need help in doing this, and ask if anyone can help me, please do so." So, please any writers and those who have experience please help me. Contact me at Kchager1@aol.com, and I am willing to work with others. I ask you to be patient and understanding with me, as I have Asperger Syndrome and Multiple Sclerosis. Thank you for your time.
Seeking screenwriters in Los Angeles, California and Toronto, Canada
Job SummaryWe are seeking skilled screenwriters to develop serialized vertical drama scripts designed for mobile-first audiences. These stories must feature frequent cliffhangers, emotional stakes, and tight pacing to drive continuous viewer engagement. Writers will be adapting existing IP from Chinese series into fast-moving, short-form content for Western audiences. Key Responsibilities: Write a 70–80 page script, broken into 60–65 episodes (each 60–120 seconds in length)Build stories around strong cliffhangers, hooks, and emotional payoffs in every 1–2 episode arcAdapt existing IP with sensitivity to cultural tone and pacing, reworking it for a Western vertical formatFormat all scripts for mobile viewing and vertical video best practicesImplement creative notes quickly and accuratelyDeliver work on deadline with minimal oversight Qualifications: Proven experience writing for vertical video formats is a strong assetStrong portfolio demonstrating serialized, emotionally-driven storytellingDeep understanding of episodic structure and hook-based writingActive consumer of vertical episodics Ability to adapt source material while preserving its core themes and emotional arcsFamiliarity with Chinese drama content or fluency in Chinese is a strong assetExcellent time management and communication skillsComfortable working independently and responding quickly to feedback Compensation:Competitive, based on experience and scope. Paid per project. To Apply:Send your CV, relevant writing samples, and a brief cover note highlighting relevant experience to reangseiphos@gmail.com Job Type: Contract Schedule: Choose your own hours, just need to hit deadlines Work Location: Remote
Seeking directors, screenwriters and producers in New York City, New York, London, England, Atlanta, Georgia and 2 more
We specialize in creating killer pitch decks and eye-catching look books that stand out in today’s competitive entertainment landscape. Whether you’re pitching a feature film or a TV series, we’ve got you covered with professional designs that bring your vision to life! Here’s the deal: ✅ $500 for 8 slides or less ✅ $600 for 10 slides or less ✅ $750 for 15 slides or less Your pitch deck will be ready to go in just 2 weeks. Time to make an impact! ⏰ Don't forget to check out our amazing samples online and see what we can do: https://oldhatdesigns.org/work... We now create graphics for crowdfunding campaign landing pages! Stand out and raise the funds you need with visually engaging designs! Get started today and bring your story to life with a pitch deck that gets results! Contact: Christian.elder@gmail.com
Seeking production coordinators in Los Angeles, California
I'm a West Los Angeles-based screenwriter seeking a representative of Hallmark to produce my award-winning feel-good short script called AN ACT OF KINDNESS. Inspired by a true story, a high school bully, who continually harasses his teacher, learns a lesson the hard way when his teacher donates her kidney to save his life.
Seeking managers in Los Angeles, California
I'm a West Los Angeles-based writer seeking a literary agent or manager to represent my award-winning feature screenplay, JUST ONE INCH. This epic (Spielberg-type) historical drama is inspired by the true story of my ancestors which includes my great grandfather who was the scribe for Tsar Nicholas II. JUST ONE INCH has won 19 awards so far including the Page International Awards, Francis Ford Coppola’s American Zoetrope, and the Golden Script Screenwriting Awards. I also have 11 other award-winning scripts of various genres and 3 educational manuscripts ready to be published. If you have access to A-list actors, directors, producers, and educational publishers, please message me.
Seeking producers in White Plains, New York and Long Island City, Queens County, New York
I'm looking for a producer who I can pay in once when I have raised the right funds for the price of the producer, who can also pay the feature film production services from Augustus Films and/or MOAI Films.