Purchase TV Pilot Read + 30 Minute Talk with an Executive

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○ Prepping for a contest or working under deadline? Please check our turnaround time.

○ Trying to decide which service or executive from our roster is right for you? Email writerhelp@stage32.com for help!

○ Ready to resubmit the newest draft of your script? Be sure to email writerhelp@stage32.com for your resubmission discount code!

Choose your Genre & Executive

Available Executives for Faith

Karolina B.

Literary Coordinator, Storied Media Group & WhtNow?

Fully Booked - check back soon

Credits include:

TRADING PAINT with Oscar-nomineee John Travolta, KAREN for BET, and THROUGH THE GLASS DARKLY

Tuesday Lewis-Harris

Creative Executive, Autumn Bailey Entertainment

Fully Booked - check back soon

Will Rosenfeld

Independent Producer

View credits and bio »

Credits include:

BLACK TAX, INCONCEIVABLE

Luke Rous

Award-Winning Producer (South Africa based), Rous House Productions

View credits and bio »

Tessa Shaffer

Literary Manager, Corvisiero Literary Agency

Fully Booked - check back soon

Brad Wilson

Producer/Co-Founder, Higher Purpose Entertainment

View credits and bio »

Katie Z.

Office of Senior Partner, Artists First

View credits and bio »

Show 7 executives specializing in Faith

Available Executives for For Actors

Credits include:

Arrow, Lights Out, The Last Ship, Another Happy Day, Trust, Hart of Dixie, Political Animals, NCIS: Los Angeles, Law & Order: SVU

David Chien

Manager, Art/Work Entertainment

View credits and bio »

Credits include:

Benefit of the Doubt

Jonathan Heap

Oscar-Nominated Director, Gathering Productions

View credits and bio »

Michael Wormser (P.G.A. Member)

Co-Founder, Producer, Cinemand

Fully Booked - check back soon

Credits include:

Arrow, Lights Out, The Last Ship, Another Happy Day, Trust, Hart of Dixie, Political Animals, NCIS: Los Angeles, Law & Order: SVU

Spencer Robinson

Manager, Art/Work Entertainment

View credits and bio »

Show 5 executives specializing in For-Actors

Available Executives for For-Filmmakers

Credits include:

Forensic Files, Copycat Killers, Pearl Harbor: Into the Arizona

Phil Claroni

Executive Producer, Story House Productions

View credits and bio »

Credits include:

Berlin, I Love You, World War Z, 360, Chatroom, Rush,

Ewan Dunbar

Development, Sales, Acquisitions, Disrupting Influence (UK-based)

View credits and bio »

Credits include:

Benefit of the Doubt

Jonathan Heap

Oscar-Nominated Director, Gathering Productions

View credits and bio »

Credits include:

HitRECord on TV, Escape the Night, Todrick, Walk of Shame Shuttle

Catherine Keithley

Vice President of Current & Development, Brian Graden Media (Emmy Winner!)

View credits and bio »

Credits include:

Rosewell, Jem and the Holograms, Lincoln Heights, Abby Normal, Operation: Endgame, Kickin' It,

Andrew Kersey

Manager, Kersey Management

Fully Booked - check back soon

Carmen Knox

Manager & Producer, CK Artists

View credits and bio »

Michael Wormser (P.G.A. Member)

Co-Founder, Producer, Cinemand

Fully Booked - check back soon

Credits include:

Flight, The Help, The Best Exotic Marigold Hotel, Contagion

Jason Mirch

Producer & Director of Script Services, Stage 32

View credits and bio »

Helene Nash

Producer and Development Executive

Fully Booked - check back soon

Credits include:

Arrow, Lights Out, The Last Ship, Another Happy Day, Trust, Hart of Dixie, Political Animals, NCIS: Los Angeles, Law & Order: SVU

Spencer Robinson

Manager, Art/Work Entertainment

View credits and bio »

Credits include:

The Merchant of Venice, Stander, The Breed, Two Jacks, Born of War, The Ninth Cloud, Riding the Bullet, The Least Among You

Julia Verdin

Producer & Manager, Rough Diamond Productions & Management

View credits and bio »

Show 11 executives specializing in For-Filmmakers

TV Pilot Read + 30 Minute Talk with an Executive

A one-on-one development discussion with the industry executive of your choice

Which of these best describes you?

- You've already received Written Notes on your script. You have made the changes. Now you want to have a conversation to discuss how to best polish up your script. You know that your script is close to being ready for the market. It is time to speak with an Industry Professional who has made a career in developing, producing, or selling Television Series.

- Your Pilot and Series are ready for the market. Discuss a strategy for selling your project with Professionals who have been on both sides of the table. If you don't have a solid sales strategy for your script, it can feel like you're just throwing darts in the dark.

- You are ready for Representation. You have more than one project that is ready for sale. You need the guidance of a Literary Manager to move your projects into the market and discuss all of your career goals and options for getting where you want to be.

- You are ready to make the meaningful connections that will move your script forward. This is your opportunity to build a professional relationship with someone on the inside of the industry. It is also your chance to discuss not only your script's strengths and weaknesses, but an overall development and sales strategy with the help of a professional.

It is a competitive market. Even the best scripts need a plan to sell.

Do what produced writers have done - invest in developing your strategy with a pro.

How can Stage 32 Help You?

Give your script the attention it deserves. You’ll submit the script for your TV pilot to the working industry executive of your choosing. After they give it a thorough read, they’ll schedule a 30 minute phone call with you where they’ll both discuss the strengths and weaknesses of your piece, and offer up suggestions on how to continue developing it. No one will have a clearer idea of how to make your project market-ready than these executives.

And remember: this is your opportunity to build a potential relationship with someone on the inside. Be professional, be courteous, be yourself, and if you have specific questions for them, ask away! And make sure that you take notes. The information that you’ll receive through these phone calls is invaluable and you won’t want to miss an ounce of it.

What Our Writers Are Saying:

I have had two good agents in the past in Hollywood but feel Stage 32 is equally great in their investment in my future. They seem to want to see me succeed ...Take their notes seriously because they know how to do this. I feel the best value is the 30-minute consultation after a script read.

-Angela VanZandt-Bumpass

My consult with Steve B. was not only informative, but gave me the confidence and resolve to understand the tough business of submitting successfully scripted material to industry insiders. We should commend Jason M. and Stage 32, for helping us cut through the red tape and get good material to the industry.

-Dennis J Hamilton Jr

I had a consultation Skype call with executive Bret Slater. Saying I was overjoyed afterwards is an underestimation! Everything was absolutely worth it. ...I came out of the call feeling over the moon: encouraged, uplifted, full of ideas and with a much clearer plan of action ahead. I am now looking forward to a potential follow up call. Thank you Stage32 for facilitating this service! It is outstanding.

-Stefania Licari

What You Actually Receive:

A thorough script read by a working Hollywood executive
An intimate, half hour-long phone call in which the executive will provide detailed feedback on the strengths and weaknesses of your piece, plus suggestions on development to ensure that your project is market-ready.
Ample opportunity to ask any questions that you might have. We absolutely recommend that you take notes during this call.

What You Submit:

Your full pilot. Please note: The maximum accepted length for a pilot script is 65 pages.
Please make sure to also provide two different methods of contact for your call (multiple phone numbers, a Skype handle, etc.)

Who’s Your Reader?

You get to choose from our roster of managers, producers and development executives
BONUS: you have the ability to choose your reader based on genre

Turnaround Time:

Approximately 3 Weeks

This Service is For You If:

You don’t know anyone in the industry and would like the opportunity to meet someone at the heart of it all
You’d like to get an idea as to what a professional development meeting would feel like.
You need an opportunity to candidly speak about your project to an unbiased and experienced ear.
You want an insider’s perspective on how to make sure that your project is market-ready.

Would You Like to Have Even More Time With an Executive?

We can do that for you! Check out our 60 Minute Consultations instead.

Are you outside the United States? Not a problem! Email WriterHelp@stage32.com for help with your booking!

Not sure which executive is the best choice to read your script and hop on the phone with? Email j.mirch@stage32.com anytime with information on your script's genre & a logline/synopsis (if available) for advice.

PLEASE NOTE: By booking an order for coverage or consulting with an executive, you agree to submit your script within 24 hours. Due to the professional commitments of our executives, their availability changes frequently. Failure to submit your script in a timely manner may cause your order to be delayed far beyond the estimated timeframe - or go unfulfilled.

Purchase TV Pilot Read + 30 Minute Talk with an Executive

Buy Now

Choose your Genre & Executive

Available Executives for Drama

Available Executives for Family

Available Executives for Comedy

Available Executives for Horror/Thriller

Available Executives for Action/Sci-Fi/Fantasy

Available Executives for Faith

Available Executives for For Actors

Available Executives for For-Filmmakers

TV Pilot Read + 30 Minute Talk with an Executive

What You Actually Receive:

What You Submit:

Who’s Your Reader?

Turnaround Time:

This Service is For You If:

Are you outside the United States? Not a problem! Email WriterHelp@stage32.com for help with your booking!