Editing for Story: Become the Editor Every Director Wants

Editing for Story: Become the Editor Every Director Wants

Taught by Anne Goursaud
$49.00
Anne Goursaud
Taught by
Anne Goursaud
Film Editor and Director

Summary

Learn from acclaimed film editor and director Anne Goursaud, whose work includes THE OUTSIDERS and the Oscar-winning BRAM STOKER’S DRACULA.

Get an Editing Guidelines Cheat Sheet you can apply to your very next project!

 

If you've ever wondered what separates a good editor from an indispensable one, the answer isn't found in your software proficiency or your reel — it's found in your ability to tell a story. In today's competitive industry, directors aren't just looking for someone who can cut footage cleanly; they're looking for a creative partner who understands narrative at its core. Whether you're an editor looking to deepen your impact or a director wanting to sharpen your collaborative instincts, this webinar is designed to help you become the storytelling collaborator that every project — and every director — needs. The skills you'll develop here have the power to elevate not just your edits, but your entire career.

Yet so many talented creatives hit a ceiling when it comes to this work. They rush into the edit without asking the right questions, or they treat the script and dailies as separate tools rather than complementary guides. Others struggle to understand why certain cuts feel emotionally flat, or they cut scenes in isolation without a clear sense of the full film's story architecture. You might technically know how to cut — but do you know the four fundamental questions every editor must answer before making a single decision? Do you know how to use character as your compass, or how to find a personal connection to the material that makes your work truly resonate? These are the gaps that hold editors back, and they're exactly what today's session is going to address.

Your instructor today is uniquely equipped to guide you through all of it. Anne Goursaud is an accomplished film editor and director whose career was launched when none other than Oscar-winning director Francis Ford Coppola recognized her talent and brought her on to edit ONE FROM THE HEART. Since then, Anne has edited some of Hollywood's most celebrated films, including Coppola's THE OUTSIDERS, the Oscar-winning BRAM STOKER'S DRACULA, and IRONWEED — starring Jack Nicholson and Meryl Streep, both of whom received Oscar nominations for their performances. Her work spans drama, horror, comedy, documentary, and musical film, and she has collaborated with directors and performers at the very top of the industry. Beyond her extraordinary editing career, Anne has also directed, produced, and written — giving her a rare 360-degree perspective on the storytelling process. She served as a Senior Editing Mentor and Senior Lecturer in Editing at the AFI for seven years, holds a Master of Fine Arts from Columbia University, and is a member of the Directors Guild, the Editors Guild, A.C.E., and the Academy of Arts and Sciences.

In this webinar, Anne will walk you through the editor's true role as a storyteller — covering how to approach the material, whether and how to use the script versus your dailies, and the four fundamental questions that should guide every edit. You'll explore why story is king, how to select dailies effectively, and the guiding principles that go beyond standard editing rules to help you understand the reason behind every cut. You'll also learn how to build a genuine collaborative relationship with directors and how to use character as your creative compass. By the time you walk away, you'll have a concrete framework — and a practical cheat sheet — for approaching every project with greater intention, deeper emotional intelligence, and the storytelling instincts that make editors truly irreplaceable.

 

PLUS! You will receive this handout to help you:

  • Editing Guidelines Cheat Sheet

 

What You'll Learn

The Overview

  • The editor’s role as a storyteller
  • What truly makes films great

Approaching the Material

  • Should you read the script?
  • Using the script vs. dailies as your guide
  • The 4 fundamental questions every editor must answer
  • Understanding logline, synopsis, plot, and story—and why each matters

Bringing the Story to Life

  • Why story is king
  • How to select dailies effectively
  • Guidelines for cutting a scene
  • Strategies for assembling the full film

Guiding Principles

  • When editing rules are not enough
  • Editorial guidelines in support of story
  • Understanding the “reason” behind each cut
  • Using character as your compass
  • Finding a personal connection to the story and committing to it
  • Creating a collaborative  relationship with the director

Q&A with Anne

 

Who Should Attend

  • Film editors at any level looking to deepen their storytelling instincts
  • Directors who want to build stronger, more collaborative relationships with their editors
  • Film students preparing to enter the industry with a competitive edge
  • Aspiring editors looking to understand what truly gets you hired
  • Cinematographers and other creatives who want a deeper understanding of the editing process

Executive

Anne Goursaud
Anne Goursaud
Film Editor and Director at

Anne Goursaud is an accomplished film editor and director. It was Oscar-winning director Francis Ford Coppola who first spotted Anne's talent, giving her the chance to edit ONE FROM THE HEART. Since that time, she has directed and edited a wide range of projects, and she has worked with some of the most highly acclaimed professionals in the movie industry.

Her directing credits include the cult thrillers EMBRACE OF THE VAMPIRE, POISON IVY II, both for New Line Cinema, and the erotic drama LOVE IN PARIS (ANOTHER 9 1/2 WEEKS) for Trimark. Anne was writer-producer on the feature-length documentary ULTRASUEDE: IN SEARCH FOR HALSTON, which was released in theaters in February 2012 and bought by Showtime. Anne last produced, directed as well as edited A CLASSY BROAD: Marcia's Adventures in Hollywood, a feature-length documentary about the first woman Production VP at a major studio, Marcia Nasatir. It's currently available through VOD, and KANOPY for educational use.

Anne edited Francis Ford Coppola's teen classic THE OUTSIDERS, starring Matt Dillon and Tom Cruise, the Oscar-winning hit BRAM STOKERS DRACULA, starring Gary Oldman and Anthony Hopkins, IRONWEED, starring Jack Nicholson and Meryl Streep for which they both received Oscar nominations, director Bruce Beresford's comedies CRIMES OF THE HEART nominated for three Oscars, and HER ALIBI, Rick Rosenthal”s AMERICAN DREAMER with JoBeth Williams, John Duigan's epic drama WIDE SARGASSO SEA, Janusz Kaminski's horror flick LOST SOULS, and the sequel to Chinatown, THE TWO JAKES, directed by and starring Jack Nicholson. She also edited Universal Pictures' innovative Outkast movie-musical IDLEWILD for the Grammy-winning hip hop duo Outkast; and for director Cecilia Miniucchi the independent feature EXPIRED, which premiered at Cannes, as well as the feature LIFE UPSIDE DOWN, starring Bob Odenkirk, an official entry in The Venice Film Festival 2022, distributed by IFC.

In 2023, Anne edited PICNIC and a LITTLE MUTINY for director Jacek Laskus, and ARTHUR ELGORT - A FAMILY AFFAIR, a short documentary from filmmaker Warren Elgort about his father, the acclaimed Vogue photographer.

In 2025, Anne edited the long version of the ARTHUR ELGORT documentary, ARTHUR ELGORT: MODELS & MUSES, and was the Consulting Editor on the documentary feature YO, directed and produced by Banker White and Anna Fitch two prize winning documentarians. The documentary won the 2026 Silver Bear for Outstanding Creative Contribution.

Her short story, KEEP ONLY THE GOOD PIECES, was published on Hollywooddementia.com, in June 2016. Three other short stories, A GREAT BAD YEAR, PAULINE'S ADVENTURES ON THE SILVER SCREEN, and THE HEIRESS were also published.

Anne was a Senior Editing Mentor and and a senior Lecturer in Editing at the AFI for seven years. Anne received a License in History of Art from the Sorbonne and a Masters in Fine Arts from Columbia University. She is a member of the Directors Guild of America, the Editors Guild, A.C.E, the Academy of Arts and Sciences and SACD.

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