Introduce Yourself

I’m developing a feature adaptation based on a published YA romance novel with secured rights. The material has strong cinematic potential, a clear emotional core, and a unique world that lends itself well to the screen.

I’m looking for a screenwriter interested in collaborating on the adaptation. This is ideal for someone who enjoys character‑driven stories, layered themes, and adapting existing material into a compelling screenplay.

If you’re interested, send a short intro about your writing background and any adaptation experience. I’m open to Zoom chats to explore fit and creative alignment.

Looking forward to connecting with ONLY REPRESENTED writers who are excited about meaningful, collaborative work.

Email me- praisethescreenwriter@gmail.com

hello all!

I will soon be a graduate from LA Film where I learned a lot. currently working on two scripts. one for TV one for Film. would love to connect with others to talk and help one another ya know.

Hello everyone, it has been a while since I have posted on Stage 32, but I am back, so I thought I would take this opportunity to reintroduce myself :)

I am an Executive Producer and have produced/executive produced over 35 independent feature films that have acquired distribution from Netflix, Universal Home, and, most recently, Samuel Goldwyn Films.

I am the CEO and owner of Samaco Films, LLC, a Los Angeles-based company specializing in the development, production, financing, and distribution of independent feature films and television/episodic series.

I am also a Co-Founder/Co-Owner and Chief Innovation Officer (CIO) of Greenlight Entertainment Group a financing and production company based out of New South Wales, Sydney, Australia.

In addition, I am Chancellor of the Samaco Films Film Financing Academy, which is a virtual, global online film financing platform designed to assist first and second time filmmakers navigate the world of indie film financing.

I am excited to be back in this community and look forward to meeting many of you.

Thank you.

Franco Sama

Hi everyone,

It’s been about a month since I last posted here, and I wanted to reintroduce myself and share an update on a project I’ve been developing.

I’m a screenwriter working on a sci-fi/romance feature titled Planet She, with psychological horror elements.

I’ve recently completed the first draft of the screenplay and have been revisiting it from a production standpoint. For a while, I assumed the sci-fi elements would automatically imply a large budget. After breaking the script down more practically, I realized that may not be the case.

The story unfolds primarily in a single apartment, with a limited number of additional locations such as streets, pubs, and offices. The only specialized environment is a spacecraft cockpit, which could be achieved effectively with a practical set and modest visual effects. Most of the film’s impact comes from character dynamics, atmosphere, and psychological tension rather than large-scale spectacle. Because of this, it may be more achievable on a modest budget than I initially thought.

What I find encouraging is that the script feels scalable. It could work on a lower budget while still allowing room for a more ambitious visual approach if additional financing or attachments come into play.

Pitch:

For some, love is a steady orbit. For others, it’s a crash landing. After escaping the chaotic, high-gravity pull of a woman who was as intoxicating as she was destructive, a nameless protagonist seeks the safety of a calmer life. But "perfect" comes with its own price. As he moves from one seemingly ideal partner to the next, he is haunted by dreams of cold metal, weightless voids, and a lingering sense that "improvement" is just another word for erasure.

As his reality begins to glitch and time itself starts to skip, he realizes the "perfect" women pursuing him are not people at all—they are iterations of a single, planetary consciousness pretending to be his ideal partner to keep him from leaving. Far from the safety of Earth, he must face the entity that salvaged his ship and decide if he can love a flawed, alien original more than the polished illusions designed to keep him captive forever.

Full script: https://www.stage32.com/profile/1368819/Screenplay/Planet-She

I’m currently continuing to refine the script and am open to connecting with other writers and filmmakers interested in sci-fi, psychological storytelling, and character-driven genre films.

If anyone would like to connect or share thoughts, I’d be glad to hear from you.

I write ethical, human, and socially conscious stories across various genres, all focused on the overlooked communities of society. I am proudly interested in sharing these stories with international producers and production companies. Dear fellow artists, especially producers – I kindly invite you to read my full bio. I would truly appreciate it.

My name is Ty, and I am seeking a producer, filmmaker, production company, or documentary team interested in reviewing what I believe to be one of the most significant collections of UAP-related footage and supporting evidence currently held by a private citizen.

Over the past year and a half, I have documented an extensive body of original footage, photographs, observations, and supporting evidence relating to aerial phenomena observed in Middle Tennessee. Much of this material was captured in 4K color night vision using specialized low-light imaging equipment in addition to conventional cameras. Some of these observations were made in conjunction with Psionic 2 sensor data and CE5-style contact protocols, which I believe add an additional layer of context and potential correlation to the phenomena being recorded.

The quantity, quality, and consistency of the evidence I have collected is unlike anything I have encountered publicly within the UAP community. This material goes well beyond distant lights or isolated observations and includes footage and evidence that I believe requires professional review and documentation.

My story and portions of the evidence have already been reviewed by individuals associated with the UAP disclosure community, including attorney Danny Sheehan, Dr. Melanie Barton, and members of Citizens for Disclosure, as well as investigative journalist Ross Coulthart of NewsNation. Their willingness to review the material and engage with my case reinforced my belief that what I have documented deserves serious consideration.

The evidence I possess is entirely original, legally obtained, and available for documentary use and public distribution without restriction to my knowledge. I have no personal or legal involvement with pending UAP legislation or government disclosure efforts, and there are no known legal barriers preventing development of a project surrounding this material.

While public attention surrounding UAPs continues to grow following recent Congressional hearings and disclosure initiatives, I believe much of the footage currently circulating publicly fails to represent the quality of evidence that serious researchers and the public are seeking.

For that reason, I feel a responsibility to ensure this material receives a proper and independent review.

In addition to the footage itself, I have uncovered information and observations involving local aviation activity and FAA-related questions that I believe warrant further examination. I am not presenting these matters as conclusions, but rather as avenues of inquiry that deserve professional investigation.

Some aspects of this story are difficult to explain in words alone. The footage itself communicates far more effectively than any written description can. My experience has been that anyone viewing representative samples immediately recognizes they are seeing something highly unusual and worthy of further examination.

I have spent the last several months attempting to determine the appropriate and responsible path forward. As interest in this subject accelerates globally, I increasingly believe that time matters and that opportunities to properly document these events may not remain open indefinitely.

I am looking for experienced professionals capable of evaluating the evidence objectively and determining whether it supports a feature documentary, series, investigative production, or broader media project.

If this is something you would be interested in discussing further, I would welcome the opportunity to speak confidentially. I am available through secure communication platforms including Signal and Proton Mail, or preferably in person, where I can present representative samples of the evidence and allow you to reach your own conclusions.

Thank you for your time and consideration.

Ty

Ty1224@proton.me

Hi everyone!

I'm Matthew from South Africa. I'm an aspiring composer with a background in professional video editing. After spending more than a decade helping shape stories in the edit, I've been dedicating all my time to writing original music for film, documentaries, and games.

I love creating emotional, atmospheric orchestral music and am inspired by composers like Clint Mansell, Philip Glass, Yanni Chryssomallis, Hans Zimmer, Gareth Coker, Christopher Larkin and Jóhann Jóhannsson to name a few. Whether it's a quiet character moment or something more dramatic, my goal is always to help tell the story in the most honest way I can.

I've joined Stage 32 to learn, connect with other creatives, and hopefully collaborate on future projects. Looking forward to being part of the community.

Thanks for having me!

Dear fellow screenwriters and creatives,

If you're struggling with developing or expanding your screenplay outline, I'd be honored and delighted to offer my support.

Through collaborative thinking and shared insight, I believe we can overcome creative blocks and bring your stories to life.

Feel free to reach out via DM.

Looking forward to hearing your ideas!

#Screenwriting، #ScriptHelp، #WritersCommunity#

Hi, I'm Kat.

I write books, compose music, create videos, and spend an unreasonable amount of time filing my nails.

My nails grow faster than my hair, my ideas arrive faster than I can execute them, and somehow another month has passed on Stage 32.

Looking forward to meeting everyone! Have a fantastic weekend!

Hi everyone!

I'm a screenwriter and script editor who enjoys helping writers, producers, and filmmakers turn ideas into compelling, production-ready screenplays. Whether you have a concept, an outline, or a rough draft, I'd love to help shape it into a story that connects with audiences.

I'm always open to collaborating on feature films, TV pilots, shorts, and script rewrites. If you're working on a project and need a writing partner, feel free to reach out.

Looking forward to connecting with everyone and seeing the amazing projects being created here!

hey everyone.

my name is Ama, i'm a recently graduated student from Botswana residing in California, and I'm super excited to be apart of the community! I really hope to connect with other passionate creatives, especially other people of color and members of the LGTBQ+ community.

I've had my fair share of directing, videography, and photography, whether it be for long or short form content, narrative filmmaking, screenwriting, cinematography, as well as music production and a very, very small experience in songwriting. A lot of the projects I write on I plan on directing as well, which typically fall into (African) diasporic stories and folklore explored through the lenses of horror, thriller, romance, and drama. my standard(s) for horror film is Sinners, btw.

Any opportunity to help out, get on a set, receive feedback and just click and brainstorm with a diverse range of people is what I expect to get the most out of by joining Stage32. I look forward to meeting you all!

If you want to take a look at some of the work i've done, my instagram is: @septembrrline, and my portfolio (which is still semi-in-development) website is: santosep.com. Thanks again!