On October 28, we lost a fantastic actor, Sir Patrick Stewart. Known for the iconic roles of Captain Jean-Luc Picard in STAR TREK: THE NEXT GENERATION and Professor Charles Xavier in X-MEN, Stewart added gravitas to these properties, leaving an indelible mark on them. His portrayal of Picard helped shape the Star Trek universe as a whole, and his mere presence added an emotional depth and wisdom that resonates with people to this day (and beyond).
Stewart was also quite entrenched in the collective works of William Shakespeare. In addition to entertaining many during the Covid lockdowns by reading a sonnet a day, he performed in countless productions of the Bard's. And, while he was definitely an expert in embodying the roles, he also realized that he was also a student.
There was a story I had read in the days after his passing about when he played Macbeth, and was struggling with "Tomorrow, and Tomorrow, and Tomorrow." For those of us who have performed Shakespeare, you know how important it is to not only get the words correct, but also the meaning. His friend and colleague, Sir Ian McKellan gave him a suggestion that opened his eyes to the text: Don't play the "tomorrow"; play the "and". The "and" is the important word. That one note helped him comprehend the character and play that much more.
I was fortunate to have been able to take a Shakespeare Intensive Workshop at the Will Geer Theatricum Botanicum (https://theatricum.com/, a great outdoor theater and great place to not only watch theater, but to participate in studying Shakespeare). One of the instructors was Armin Shimerman (also familiar to Star Trek fans). He stressed the importance (and I am underselling it here) of actually understanding what you are saying when performing Shakespeare, and his tutelage helped me in my craft quite a bit.
Shimerman also talked about how a performer delivers a line can change the character and influence the story in subtle ways. He cited the example of Hamlet, specifically "To be or not to be, that is the question." Where an actor chooses to emphasize says a lot about their portrayal of Hamlet, and the prince's state of mind. If they say, "To BE, or not to be..." it implies Hamlet wants to live, but if it is recited as "To be, or NOT to be..." then Hamlet is considering his death. The same words, the same line, but different meanings depending on your line reading.
But that's Shakespeare. I'm sure it's happened countless times in countless plays, movies, and TV shows.
When have you been given a line reading that opened up the story for you, helping you to deliver a much better performance?
November Write Club 2026
The 12th Annual November Write Club Is Here!
Set Your Goal, Start Strong, and Win Prizes Every Week
Welcome to the 12th Annual November Write Club! And it isn’t just for writers. Filmmakers, actors, producers, composers, authors, and every creative are welcome.
Pick a goal, big or small, and spend November making it happen with the whole Stage 32 community cheering you on. Every Monday, a new blog ends with three challenges. Complete all three to be entered to win that week’s prizes, plus an entry toward the Grand Prize.
This year, your goal has a destination. Projects that earn industry signals can rise into the Stage 32 Marketplace, where 3,000+ executives can discover them. The project you push forward this month could be the one that gets found.
Week 1 Challenges:
This Week’s Prizes:
Grand Prize: An Arc Studio Pro Lifetime License!
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