Animation

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Hey everyone! I am looking forward to getting our feedback this weekend! The script I submitted has been through several rounds of revisions, so I am looking for any feedback to tighten the script, improve themes, beats, or character dialogue. Of course, any other kind of feedback is welcome as well!

Hi Evan Anglin! Just wanted to confirm 2 things:

- Am I correct that TV writers should try to submit their first 2 acts by EoD Thursday?

- When we'll start booking times for 1-on-1 consultations.

Also echoing Johnny's message that I'm very excited to get feedback this week. Thanks!

I really like your perspective. To be honest, I have no idea how these animated films are actually made. In my opinion, making an animation like this is much harder than making a live-action film. I really admire the effort it takes.

Thank you so much, Mohammad! I really appreciate that. I agree that animation is an incredible collaborative art form. While the writing process still begins with story and characters, it’s amazing to see how artists, animators, designers, voice actors, composers, and so many others bring that vision to life. That’s one of the things I admire most about animation—it takes the imagination of an entire team to create something that feels effortless on screen.

Charmane Wedderburn, I love your point that animation is truly a collaborative art form. Audiences often see the finished film but don't always realize how many disciplines come together to create a believable performance and emotional experience.

One animated film I always come back to is A Bug's Life. It's easy to remember the humor and adventure, but Hopper's speech about "one ant standing up" is one of the most memorable examples of character motivation I've seen in animation. It explains the villain's worldview so clearly that it raises the stakes far beyond simply gathering food. Every time I revisit that scene, I'm reminded how powerful great writing and voice acting can be when they're working together.

It's one of those films that continues to influence the way I think about storytelling.

Joshua, that’s such a great example. Hopper is one of those villains whose motivation makes perfect sense from his own perspective, which makes him even more compelling. I also love your point about writing and voice acting working together—it’s a reminder that animation is never just about visuals. Every discipline contributes to creating an emotional experience for the audience. Thanks for sharing such a thoughtful example!

@Amy I agree, animation deserves to be treated as its own art form, not just a stepping stone to live action. It’s hard to justify remaking something if the original already does it better.

@Ben I like this insight and I agree with a lot of what you’re saying. Someone else mentioned that there needs to be space between original films and remakes, and I think that’s an important point. A remake has a better chance of working when it has room to stand on its own instead of feeling like a replacement for the original.

I also agree that both animation and live action are valid forms of storytelling, and there’s nothing wrong with exploring different interpretations. The key is making sure there’s a reason to revisit a story beyond just familiarity.

@Bob That’s a really interesting perspective, especially coming from someone who has seen the audience response firsthand through music. I think that ties into what a lot of people have been saying: if the remake doesn’t offer a new experience, people may not feel the need to revisit something they already love.

It seems like the biggest opportunity is finding a way to make these adaptations feel like their own creative work rather than just another version of the same story.

@Charmane Thank you, I really appreciate this perspective. I agree that it doesn’t have to be an either-or situation. A thoughtful remake can introduce a story to a new audience, but original animation is where the next generation of classics will come from.

I think that balance is what the industry needs, honoring the stories that came before while still creating space for new worlds, characters, and voices to break through.

@Xochi Blymyer, I agree that original stories should continue to be a priority. Remakes will probably always exist across every genre, but the future of storytelling depends on giving new ideas and creators the opportunity to shine.

@Hamid Cyrus, I really like this perspective. The idea that a story finds the medium it was meant to live in is a great way to look at it. Animation and live action each bring different strengths, and the challenge is making sure the chosen medium enhances the story rather than just recreating something that already worked.

Eases. Really noticeable when they’re missing.

I’ve also seen hand-drawn films where I can tell it was done straight-ahead instead of pose-to-pose. That method often feels sluggish, without impact or the necessary exaggerated posing.

Mike Boas great point. Timing and ease are probably some of the least appreciated principles by audiences, yet they're often the difference between animation feeling "real" or "off."

Your observation about pose-to-pose animation reminded me of classics like The Lion King and Aladdin. Those films weren't just beautifully drawn—they were carefully staged. Characters often hold a pose just long enough for the audience to absorb the emotion before moving into the next action. Those subtle choices give the performances a sense of thought and intention that still holds up decades later.

No doubt, Cyrus Sales. It's a great animation short :)

Oh Claudia Guerrero-Zalokar, I am so happy you watched. It speaks, and it's a universal message. Happy for that :)

Sandra Isabel That really brought me back to the animated features I grew up with. The music was really great. Thank you for sharing!

Thank you for sharing the video. It was like Charlie Chaplin in his silent movies. Expressions and music used to create a story.

I am really happy you both appreciated Snow Bear. You are welcome, Michael Teisan. Yes, sometimes we don't need dialogue Wendy Kay, visuals and music with a great story are the perfect recipe. :)

Gurpreet Singh Great choices. Both films strike that rare balance of entertainment and emotional depth. The Lion King is one of the best examples of visual storytelling and character-driven emotion, while Kung Fu Panda shows how humor and action can reinforce, rather than distract from, a meaningful character arc.

One that has had a big impact on me is Spider-Man: Into the Spider-Verse. It completely redefined what animation could look and feel like, blending innovative visuals with a story about identity, self-worth, and finding your own path. It proved that taking creative risks in both style and storytelling can resonate with audiences on a massive scale.

Best of luck with THE HIMALAYAN GATE. It sounds like you're drawing inspiration from some fantastic examples of timeless storytelling.

Cyrus Sales great choice.i love all parts of spider

man.i haven’t watched the animation version though.i’ll give it a try and thank for the wishes.wish you the best too!

am really glad BASHA for your description on this

Thank you Bliss Ganza

Nice post

Wonderful post, Bliss! You're on an excellent journey through storytelling. Keep being amazing!

Am really glad Robin Gregory, thank you

I agree with you. Adult animation has been a huge industry that continues to grow. As someone who loves animated shows and movies, I’m excited for it to keep unfurling.

Thanks Cyrus Sales . I've often wondered what a sequel would look like and even came up with an idea just for the fun of it. But at the same time, I don't know that I would want a sequel to take away from the magic of the first one.

Leonardo Ramirez I can say with confidence, leave it be lol. I feel like sequel's are a hit or miss. Especially with classics and especially when a lot of time has lapsed.

There have been sequels that are just as good because they are different than the first movie (I'm thinking "Aliens", "Star Trek II: TWOK") but those are few and far between Cyrus Sales.

I'm looking forward to seeing this animated film at our local theater on August 1st. Sounds like I'm in for a treat!

Sad to say I never saw this in theaters James Wunderlich but would love to.