Trending Lounge Discussions

Nice, which AI programs do you use?

I respect your perspective, but I see it quite differently.

To me, one of the main reasons a director hires a composer is not simply to produce music, but to bring a unique artistic interpretation. A director can already provide references, temp tracks, or describe the emotion they're after. My job is to transform those ideas into something that is uniquely mine.

That's why AI-generated musical mockups don't sit comfortably with me. If the "what could be" is generated by AI, then in many ways the director could generate that concept themselves and simply ask me to imitate it. At that point, I feel the composer's creative voice starts to disappear.

I also think there's a misunderstanding about the word mockup. In film scoring, a mockup isn't an AI-generated vision of a piece—it's the composer's own performance created inside a DAW using virtual instruments. The goal is to make it sound as convincing as possible because, in reality, many productions will never have the budget to record a live orchestra. For many composers, the mockup is the final product that ends up in the film.

To me, developing the skill to create expressive, realistic performances with samples is part of the craft. If AI replaces that process, we risk losing an important artistic and technical skill.

There's also the ethical side. Current generative AI models have been trained on the work of countless composers and artists, many without explicit permission. That makes me uncomfortable supporting a technology that could eventually be used to imitate or even replace the very people whose work trained it.

I'm not against AI across the board. I think it has value for research, organization, technical tasks, or even assisting with production. But when it comes to creating musical expression—the melodies, performances, phrasing, dynamics, and emotional interpretation—that's where I believe the composer should remain firmly in control.

That's just where I draw the line.

João Moreira I completely agree!!!

Cal Mazzara Thanks, Cal, for your help and education regarding Pitch decks. So much going on right now. Preparing to send my slightly revised HORROR-FEST script (a recent 13Horror.com Finalist) to the editor of 13Horror. As a Finalist, I’m offered a screenplay promotional package, which includes a screenplay trailer and a publishing deal through Amazon. Also, recently received forms to fill out connected to the Red Carpet Interviews at this year’s Burbank International Film Festival. Seeing how I have two scripts as “Official Selections,” I have the choice of either two separate interviews OR one interview and discussing both. Can’t decide which one to choose!!

Alice Crandall Thank you, Alice, for the very kind words and thought-provoking questions! Regarding the Dean script, I open with the tragic car accident on page 1. I describe his ‘55 Porsche Spyder as a “crumpled pack of cigarettes” and his limp body is forced against the passenger side door, with his arms outstretched over the door, almost Christ-like. Page 2. It’s 22 hours later. Dean is in the exact same position, fast asleep, following a meal in his favorite restaurant’s semi-circular, leather booth.

The most challenging script was probably WHERE’S GRACE? because it marked the first time I had to face the unimaginable horror of a drunken mother forced to chase down a monster who has kidnapped her daughter. I don’t have children and so I shutter to think of what parents must go through when these nightmares occur.

billBill Brock wow. Sounds like you have a lot going for you. congratulations!

Here is a funny for you all. In my day job, I have downtime in between projects. So most of my writing and those two pitch decks get done while I’m at work. lol!

@Darrell A Pennington I love the premise of THE SIZZLER!! SO many great scenes can be mined from a restaurant setting! I can still recall laughing my ass off while typing scenes set in the “Burger Boss” fast food joint in my comedy, SOUTH OF SOUTH BOSTON. Best of luck with THE SIZZLER!

I am from New Zealand, which is nowhere near Australia. Australia is two weeks sailing away from here in an ordinary family cruising boat. So my stories are from New Zealand. NZ is surrounded by thousands of miles of open sea so all my stories are set on the open sea. My first novel was set right here where NZ is now before NZ itself was here. It was still submerged. This is the newest country in the world, geologically speaking.

You can ask AI for help. So one alternative is that you try a few different free AI services. Just remember, it will not be a good logline. So to improve upon it, post the one which appears best here and ask for comments.

I did come up with a better logline. it works now and it gives the story a mystery Göran Johansson

Some ideas: why should we care about the widow? What made the client turn to the streets? Is there a love connection with the mob boss? How old is the mob boss? What is the main conflict?

I learned not to tell everything all at once Desiree Middleton

If you're looking for a dedicated screenwriter to help develop your project, I'd love to work with you. I specialize in transforming ideas into professional, industry-standard screenplays and can assist with original screenplays, novel adaptations, book-to-screen adaptations, script rewrites, script polishing, screenplay formatting, story development, character development, dialogue enhancement, and script coverage.

I work across a wide range of genres, including Drama, Thriller, Action, Crime, Mystery, Horror, Science Fiction, Fantasy, Romance, Comedy, Adventure, Family, Historical, and Psychological Drama. Whether you're starting with a concept, an outline, a treatment, a manuscript, or an existing screenplay, I can help shape it into a compelling script that captures your vision.

If you think I'd be a good fit for your project, feel free to send me a private message here on Stage 32. I'd be happy to discuss your goals and see how I can help.

You can also view my Fiverr profile and place an order directly here:

https://www.fiverr.com/s/KeryVEV

I look forward to connecting with you and helping bring your story to life!

Hello Kaylon Langford

I'm a literary agent who works with a network of producers and helps writers connect with the right industry professionals to move their projects forward.

If you're interested in exploring opportunities to bring your film to life, I'd be happy to connect. Feel free to send me a direct message, and let's discuss your project.

If you're looking for a dedicated screenwriter to help develop your project, I'd love to work with you. I specialize in transforming ideas into professional, industry-standard screenplays and can assist with original screenplays, novel adaptations, book-to-screen adaptations, script rewrites, script polishing, screenplay formatting, story development, character development, dialogue enhancement, and script coverage.

I work across a wide range of genres, including Drama, Thriller, Action, Crime, Mystery, Horror, Science Fiction, Fantasy, Romance, Comedy, Adventure, Family, Historical, and Psychological Drama. Whether you're starting with a concept, an outline, a treatment, a manuscript, or an existing screenplay, I can help shape it into a compelling script that captures your vision.

If you think I'd be a good fit for your project, feel free to send me a private message here on Stage 32. I'd be happy to discuss your goals and see how I can help.

You can also view my Fiverr profile and place an order directly here:

https://www.fiverr.com/s/KeryVEV

I look forward to connecting with you and helping bring your story to life!

Kaylon Langford As a literary agent, I work closely with authors and producers to help bring stories to life and connect great material with the right opportunities. If you're interested in exploring representation or collaboration, I'd love to hear from you feel free to send me a DM. Looking forward to connecting!

You can either make it yourself or win/place in a big competition that either draws attention or helps with querying.

Kaylon Langford I seriously doubt either Aven Sinclair or Lucan Virel can do what they suggest. Lucan won't answer my question as to which agency he's with since he doesn't show up anywhere as a bona fide literary agent. And Aven cuts and pastes text from AI engines. Be careful. I wouldn't share anything with them.

This sounds like a very interesting project. I love the concept and I wish you the best with it!

If you're looking for a dedicated screenwriter to help develop your project, I'd love to work with you. I specialize in transforming ideas into professional, industry-standard screenplays and can assist with original screenplays, novel adaptations, book-to-screen adaptations, script rewrites, script polishing, screenplay formatting, story development, character development, dialogue enhancement, and script coverage.

I work across a wide range of genres, including Drama, Thriller, Action, Crime, Mystery, Horror, Science Fiction, Fantasy, Romance, Comedy, Adventure, Family, Historical, and Psychological Drama. Whether you're starting with a concept, an outline, a treatment, a manuscript, or an existing screenplay, I can help shape it into a compelling script that captures your vision.

If you think I'd be a good fit for your project, feel free to send me a private message here on Stage 32. I'd be happy to discuss your goals and see how I can help.

You can also view my Fiverr profile and place an order directly here:

https://www.fiverr.com/s/KeryVEV

I look forward to connecting with you and helping bring your story to life!

I have updated my Logline

After a grieving bank manager begins noticing terrifying synchronization events spreading across Rochester, he discovers his dead sister uncovered a behavioral contagion capable of moving through crowds, infrastructure, and digital systems — while hidden containment operators realize he may be the outbreak’s most dangerous carrier.

No eye deer. Congrats and good luck.

am really glad BASHA for your description on this

Thank you Bliss Ganza

Nice post

Wonderful post, Bliss! You're on an excellent journey through storytelling. Keep being amazing!

Am really glad Robin Gregory, thank you

Hello Kerry Kennard

Usually several people weigh in on the music - the director, the post-production producer, and the producers on top. I'm not a part of this process

Polina, I've sent my narratives in your inbox . Thanks a lot!

Polina Novozhenina Welcome to Stage 32, Polina! Your experience on both sides of the development process as a writer and as the first reader evaluating submissions is incredibly valuable. It's always insightful to hear how projects are assessed from the development side. Wishing you great success with your international collaborations, and I look forward to learning from your experiences and perspectives.

Hello everyone,

I'm Ashleigh, a Film Marketing and Crowdfunding Promotion Specialist with a passion for helping filmmakers maximize the visibility and impact of their projects.

Creating an exceptional film is only part of the journey. Reaching the right audience, building meaningful momentum, and maintaining visibility require a strategic marketing approach. I work with filmmakers to develop tailored campaigns that support their goals at every stage of the production and release process.

My services include:

• Crowdfunding strategy and campaign promotion

• Kickstarter, Indiegogo, and Seed&Spark growth support

• Film marketing and digital advertising

• Press and media outreach

• Social media marketing and audience development

• Film festival promotion

• Distribution preparation and promotional support

• Long-term audience engagement and brand growth

Every project is unique, which is why I take a customized approach based on your film's objectives, target audience, and marketing needs. Whether you're preparing for a crowdfunding launch, promoting a completed film, or looking to expand your project's reach, I'd be happy to discuss how I can help.

If you'd like to learn more or explore how we can work together, feel free to send me a direct message or contact me at ashleighpandorasteeele@gmail.com.

I look forward to connecting with fellow filmmakers and supporting the success of your next project.

If you're looking for a dedicated screenwriter to help develop your project, I'd love to work with you. I specialize in transforming ideas into professional, industry-standard screenplays and can assist with original screenplays, novel adaptations, book-to-screen adaptations, script rewrites, script polishing, screenplay formatting, story development, character development, dialogue enhancement, and script coverage.

I work across a wide range of genres, including Drama, Thriller, Action, Crime, Mystery, Horror, Science Fiction, Fantasy, Romance, Comedy, Adventure, Family, Historical, and Psychological Drama. Whether you're starting with a concept, an outline, a treatment, a manuscript, or an existing screenplay, I can help shape it into a compelling script that captures your vision.

If you think I'd be a good fit for your project, feel free to send me a private message here on Stage 32. I'd be happy to discuss your goals and see how I can help.

You can also view my Fiverr profile and place an order directly here:

https://www.fiverr.com/s/KeryVEV

I look forward to connecting with you and helping bring your story to life!

‎I've spent months developing an original feature film titled Evil Monster. It's an action thriller inspired by the emotional intensity and cinematic scale of anime, while telling a completely original story.

‎

‎The story follows a young man whose life is destroyed after losing the woman he loves in a brutal gang war. Consumed by grief and revenge, he rises through the criminal underworld, becoming the city's most feared figure—known only as "The Evil Monster."

‎

‎The film blends action, suspense, emotional drama, romance, and unexpected twists, with a strong focus on character development.

‎

‎I'm currently looking for the right producer or production company interested in developing original feature films. If the concept interests you, I'd be honored to share the synopsis or pitch.

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Thank you for your time.

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As a literary agent, I work closely with authors and producers to help bring stories to life and connect great material with the right opportunities. If you're interested in exploring representation or collaboration, I'd love to hear from you feel free to send me a DM. Looking forward to connecting!

Lucan, I will DM you, but first pay me $3000, so I can bring your story to life, and I am able to 'represent' you... Oh God, I'm having sooo much fun here!

Rutger Oosterhoff Only $3,000? You should demand more.

I'm a modest guy, Robert.

Welcome to stage 32

Welcome to the platform, feel free to reach out

Welcome to Stage 32, Lana! Bloomfull Homicide sounds like a very ambitious and thought-provoking project. I really like your focus on exploring family trauma and the way human judgment can shape a story, it sounds like it has a lot of psychological depth.

I'm curious, since you're still in development, what inspired the original idea for the series? Was there a particular event, experience, or question that sparked the concept behind Bloomfull Homicide?

Wishing you the very best as you build your team and bring the project to life!

If you're looking for a dedicated screenwriter to help develop your project, I'd love to work with you. I specialize in transforming ideas into professional, industry-standard screenplays and can assist with original screenplays, novel adaptations, book-to-screen adaptations, script rewrites, script polishing, screenplay formatting, story development, character development, dialogue enhancement, and script coverage.

I work across a wide range of genres, including Drama, Thriller, Action, Crime, Mystery, Horror, Science Fiction, Fantasy, Romance, Comedy, Adventure, Family, Historical, and Psychological Drama. Whether you're starting with a concept, an outline, a treatment, a manuscript, or an existing screenplay, I can help shape it into a compelling script that captures your vision.

If you think I'd be a good fit for your project, feel free to send me a private message here on Stage 32. I'd be happy to discuss your goals and see how I can help.

You can also view my Fiverr profile and place an order directly here:

https://www.fiverr.com/s/KeryVEV

I look forward to connecting with you and helping bring your story to life!

Lana Sayfeddin I would love if we could connect!

I'm not necessarily pitching myself, although I have done adaptions as a story editor, but one way to start is take each chapter, highlight or mark the sections that would easily translate onto the big screen. The most visual scenes are key. Most beginner and intermediate writers say, "Oh I'll explain that through dialogue." Film is a visual medium, so you want to find the strongest visuals that carry the story. Take those moments, put them onto a separate document to then see how much of your story is left. Then find the story within your story that has the clearest character arc and turn that into an outline. If it's a short film, it'll be a moment in your story that has a hook, a strong middle, and some form of resolution. A cliffhanger is fine BUT most use cliffhangers and it can be exhausting. No ending is not an ending. So be sure you have some form of resolution. Hope this helps.

Congratulations on finishing your thriller! A 170-page novel has a lot of potential.

The first step is usually adapting it into a screenplay. From there, you can decide whether it works best as a feature film, a web series, or a micro drama based on the story's structure and pacing.

If you'd like, I'd be happy to take a look at your novel and discuss the best adaptation approach. Feel free to send me a connect / message anytime.

That sounds like an exciting project! One thing I'd recommend is first identifying whether your story is better suited as a micro drama or a short film, since each format has different storytelling and pacing requirements.

Have you considered adapting the novel into a screenplay first? Producers and filmmakers will typically want to see a script rather than a novel, and a well-structured screenplay can significantly improve your chances of moving the project toward production.

Out of curiosity, what is your thriller about?

Michael Teisan I think there are different kinds of "great producers." The reality is, there are a lot of fantastic creative producers who do not know their way around a budget. That is a huge handicap, yet a common one because the powers that be in Hollywood love to gate keep anything budget related. Any time a creative producer has the opportunity to get in the weeds with a Line Producer or UPM, they absolutely should. The more you understand about budgets, unions, tax incentives, etc., the better. Line Producers who respect the creative vision of a show are priceless. They are the difference between a person who just tells you that you can't do things full stop, and a person who comes to you and says "Look, we can't really do this the way you guys were talking about doing it...but I have these 3 ideas for how you might still get something like what you wanted." When I encounter an LP like that, I could cry tears of joy. Literally. Then you have the movers and shakers who want little or nothing to do with being on set. These are producers who are critical in the lead-up to production. The producers who can call the partners at agencies, top tier talent, financiers, etc. Sure, they might not be an all-in-one, but without them, the movie wouldn't get made. When it comes to what some have said about being able to see onscreen whether a film was well-produced...I think that's tough to parse. You have financiers, distributors, the studio, the filmmakers, actors, editors, dept heads, and everyone who works on a single film. Very few producers dictate every decision made along the way. They don't get to and they probably don't want to - if you believe in your filmmaker, you are going to sit back at a certain point and let them bring their vision to life. And even if the filmmaker knocks it out of the park, there are so many other stakeholders. I think a great producer gets a film made, puts out about 1000 fires, upholds to the best of their ability to creative vision, finishes on-time and on or under budget, and the people who worked on it don't walk away hating them or the experience.

Thank you, Josh. This is one of the most insightful descriptions of producing I've read.

I especially liked your point that a great producer doesn't simply say, "We can't do it." Instead, they find creative ways to protect the filmmaker's vision while working within real-world limitations. That balance between creativity and practicality is invaluable.

As an independent writer developing my own project, this perspective is both inspiring and educational. Thank you for sharing your experience.

What makes a producer stand out is the ability to protect the creative vision while solving the practical problems that threaten it. The best producers recognize the core of a story, communicate clearly, assemble the right people, and make decisive choices without losing sight of the audience. They create trust, anticipate obstacles, and know when to push an idea further and when to simplify it.

What I bring is a combination of storytelling instinct and hands-on production experience. I have spent more than three decades working in film and television, so I understand how creative decisions affect the schedule, budget, performers, crew, and final image. I approach a project visually and practically: identifying what the audience needs to feel, what the actors need to play, and what the director needs to capture.

I also bring persistence, adaptability, and respect for collaboration. I am comfortable developing an idea, receiving direct notes, and finding solutions that strengthen the material rather than merely defending the original version. My goal is to help create work that is emotionally engaging, commercially viable, and achievable on screen.

Thank you, Joseph. I really enjoyed reading your perspective.

Your point about protecting the creative vision while solving practical challenges truly resonated with me. I also believe that great producing is about finding solutions, not just identifying limitations.

As an independent writer developing my own project, SONIA, I'm constantly learning that creativity and practicality are not opposites—they're strongest when they work together.

Thank you for sharing your experience and insight.

Josh Reinhold thank you for that very insightful answer. You sound like you've been in the trenches quite a bit.