Screenwriting

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We're Building a Creative Army (And We Want You In It)

We're Building a Creative Army (And We Want You In It)

Week 2: Bring Two

This week's prize: a FREE Stage 32 Pitch Session. A live pitch to a working executive with notes and feedback on your project. Hone your pitch under real conditions, gain professional insight from someone who knows today's market, and expose your work to a working pro who can ask to read more if the project interests them.

WEEK 2: BRING TWO
Monday, September 7 through Sunday, September 13

Your mission: personally invite two friends or collaborators who haven't joined Stage 32 yet. A text, an email, a DM. The two people you'd actually want in your corner here. You can send invites at https://www.stage32.com/invite

To claim your Pitch Session, comment on the Week 2 Creative Army post and tell us who you're bringing into the fold. Ashley will send your code directly. Prefer to keep it private? Email Community@Stage32.com instead. One prize per member per week.

Week 2 post: https://www.stage32.com/lounge/producing/Why-Your-Creative-Community-Is-Your-Career-Creative-Army-Drive-WEEK-2

The Creative Army Drive runs all September. Five weeks, five missions, a prize every single week, and a Grand Prize drawing at the end for members who complete three or more: a FREE Stage 32 Career Development Call.


Liked by Kevin La-Rose and 8 others

Will Berend
Next steps

Hi all. I thought I'd post to see if anyone might have some tips or next steps to share. I've written my first screenplay which is a biopic. I did have a mentor review it and I've been working on rewrites and getting it under 120 pages. In addition, I've been sending outreach emails and have submitt...

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Amry Lucy

Will Berend getting a mentor review and submitting to a festival with your first script is already ahead of where most first time writers are. For next steps beyond festivals script coverage from a pr...

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Branson Tiara

Congrats on getting your first screenplay done. I’d say keep getting feedback as you rewrite, but also start building a list of people who work with your type of film. The outreach can take time, so don’t get discouraged if you don’t hear back right away.

Leonardo Ramirez

Congratulations Will Berend - that's fantastic. And it sounds like you're already doing all the right things. I will echo what Joshua Young said and perhaps let it breathe for a short while, then come...

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Lina Manfred

Will BerendCongrats on finishing your first script and getting it under 120 pages — that rewrite grind is real! Sounds like you're already doing a lot right with outreach and festival submissions.

If y...

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Kevin La-Rose

Congratulations, and first and foremost copy-write it with the WGA east or west. Try to analyze feedback properly. I always ask if it had impact, if you get a chance from an executive to read it. But...

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Liked by Karolina Ferguson and one other

Hassan Farah
Comedy Scene from THE EVIDENCE NOVEL – Feedback Welcome

Hi everyone,

I wanted to share a scene from my novel, The Evidence, to get some feedback on the comedic tone and pacing.

This is a dark comedy scene where Jack, a trauma surgeon, is called to the hospital in the middle of the night—only to find his brother Mark in a... very unexpected situation.

What I...

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Elena Schumann

There was a book that was made into a movie "I KNOW THIS MUST BE TRUE", the plot being about identical twins, but one had sever psychosis and the other was perfectly sane. This situation can actually...

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Terri Morgan

I didn't read the whole scene, Hassan Farah, just glanced at part of it and the ending. Göran Johansson is correct. We can't look at what you have as a script. It's a story.

I have been working on ada...

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David Taylor

Good. But Google ‘useless modifiers’.

Göran Johansson

How many movies I have directed? I have spent a few hundred hours standing next to the camcorder, directing actors.

I first learned at a public access television station. I was head of a TV-series. 330...

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Karolina Ferguson

This is an interesting dark-comedy setup. I like the contrast between Jack’s professional seriousness and the increasingly absurd situation involving his family, especially the hospital setting. The f...

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Liked by Yuyelle Zelda

Alfred Robert Johnson
What Makes a Screenplay Feel Cinematic on the Page?

I’ve been thinking about what makes a screenplay feel truly cinematic before it ever reaches production.

Sometimes it’s not the size of the story or how many big moments it contains. A simple scene can feel incredibly visual and emotionally powerful when the writing gives you a clear sense of what th...

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Göran Johansson

Some writers have great talent for writing in such a way that the reader can see the scenes in their head. Unfortunately, that often means that the writing is such that when it is time to start filmin...

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Alfred Robert Johnson

Absolutely, Göran. That balance between visual storytelling and production reality matters a lot. Do you think having a story editor involved early could help identify those issues before the script r...

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Göran Johansson

Well, what background does the story editor have? There are useless people and useful people. If you want advice, it is often best to ask multiple persons. Each one gives a few comments. Correct befor...

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Liked by Jim Boston and 6 others

Mikel Jayden
Handed My Script Over Today

sent my script off for formatting and editing today. feels weird honestly, months of living inside this story and now it's out of my hands for a bit. good feeling though, means it's actually moving forward instead of just sitting in my drafts folder.

anyone else get that strange mix of relief and sep...

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ben Lucas

Absolutely. After spending months with a story, handing it over can feel strangely personal. But it’s also a good feeling knowing the script is finally moving forward. What was the hardest part for you about letting someone else work on it?

Mary Newton

I completely understand that feeling. When you’ve spent months immersed in a story, it must feel strange to finally let someone else work on it. But it’s also exciting that it’s moving into the next s...

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Clarke Keaton

@Mikel Jayden I think that moment of handing a script over can feel strange because, after spending months inside the characters and story, you suddenly have to let someone else experience it from the...

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Alfred Robert Johnson

I know that feeling. Handing over a script can be both relieving and nerve-racking. Sometimes a fresh editorial eye is exactly what helps you see what you’ve been too close to notice. What are you hoping the editor catches?

Karolina Ferguson

Absolutely, Mikel. I think that mix of relief and separation anxiety is completely understandable after spending months immersed in a story. Handing it over for formatting and editing can feel strange...

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Liked by Jim Boston

Alfred Robert Johnson
Before You Send That Screenplay…

Formatting makes a screenplay easier to read. Editing makes the story stronger.

A properly formatted script can still have pacing issues, weak character arcs, unnecessary scenes, or dialogue that isn’t doing enough.

Before sending your screenplay out, it’s worth asking: is it only formatted correctly,...

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Liked by Art Arutyunyan and 20 others

Sherry McGuinn
Asking Sincerely

Screenwriters, doesn’t it irk you to have to pay to play? I mean, these pitch sessions are expensive for most people. And when you factor in the reality that some of the industry players participating are low level or no level, well, it feels like Stage 32 is playing on your desperation. I would lov...

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Robert Dillon

Lauritz Ingram you should email support@stage32.com Although, when I emailed them their response had nothing to do with what I emailed them about :(...

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Rodrigo Portela

I find it here just a social media to know people, the courses or mettings are all very expensive.

It would be great if they organize something to really, really try to find talent and make great movi...

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Robert Zwerneman

Shameen Aslam The line starts over there.

Robert points to people standing in a line that extends for miles. So far in fact, no one can see if it ever ends....

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Leonardo Ramirez

Elle Bolan hit an important point - the lounges. I sold my first short from a comment in a lounge. From there, an awesome friendship with a now-colleague director and actor that will last for years -...

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Liked by Matthew Morales

Denis Boucher
How I Use Real Behavioral Psychology to Write Grounded Thrillers (Ph.D. Case Study)

As a Ph.D. in Experimental Medicine, I love building psychological thrillers around real, disturbing human mechanisms. Here is a brief concept breakdown showing how real science fuels dark fiction:

SECTION 1: THE FICTION

CLASSIFIED REPORT: FORBIDDEN PROTOCOLS – CASE #01

Over the past few years, anonymo...

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Liked by Leonardo Ramirez and one other

David Taylor
“furious”

I beg to suggest that the recent TV Series ‘Furious’ is a milestone in female produced, female written and female starring drama. It is created by Elizabeth Meriwether and stars Emma Rossum and Lola Patticrew.

It joins ‘ The Queens Gambit’ with Anya Taylor Joy as a stand out show head and shoulders...

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Suzanne Bronson

LIONESS female action hero with depth. Accepts the reality of the current state of affairs and still chooses job and country without thinking twice. A woman of color, in a country that has not been kind to either, doesn't factor. Played by Zoe Saladana, I forget it's a TV show.

David Taylor

Suzanne Bronson Zoe Saldana’s is a strong character and a joy to watch but I think the plot’s a thinner than could be. Highly watchable though.

Michael Alan Elliott

I must be missing something. I watched the first few episodes of the first season and walked away. There's no f***ing way Command would put women on the ground in such a vulnerable, forward position....

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David Taylor

Michael Alan Elliott i think you’re talking about lioness. In which case I get your point.

Michael Alan Elliott

David Taylor....yes, I was referencing to "Lioness". I'm a Taylor Sheridan fan and I was disappointed he would concoct such dramatic, anti-authentic gruel. It's beneath him. If I were manning a forwar...

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Liked by Maurice Vaughan and 3 others

Branson Tiara
Don’t Skip the Rewrite

A first draft gets the story out.

The rewrite is where you actually start seeing the story.

Look at the scenes that feel slow, the dialogue that sounds forced, and the moments where your characters aren’t behaving like themselves.

Sometimes the best version of a script is hiding inside the second draft.

Liked by Jim Boston and 14 others

Pamela Faber
Messages

It seems that the only messages or 'invitations' I am receiving are from those wanting to sell me something. I mean, isn't that what Stage 32 does? Script consulting, reviews, development, proofreading... yet, I receive all these messages from 'professionals' trying to sell me their services.

Leonardo Ramirez

Sorry you're dealing with this Pamela Faber. If you receive a DM from a suspicious account, please do send an email to community@stage32.com with a link to their profile. Our head of community does ta...

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Göran Johansson

As one of the most active members in this lounge, my impression is that often others send me a network request because they have noticed that I commented on some posting. But sure, a large minority would like to sell to me.

Sara Hamilton

Hi Pamela — I am also so sorry you are dealing with people trying to sell you things; that is definitely not what Stage 32 is all about! I am inspired and grateful for the supportive and genuinely hel...

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Robert Dillon

Leonardo Ramirez hi, I sent an email re: the Kim Roth account. It appears to be an imposter. I'd be very surprised if the real Kim Roth asked to be in my network. I also emailed the script coverage ac...

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David Taylor

There’s been an epidemic of editors offering services recently. Far more than ever before. Presumably people discovering AI and dreaming of money for nothing. If you have a book, the publisher appoints an editor. If you have a script the company gives notes or may appoint a script adviser.

Liked by Maurice Vaughan

Branson Tiara
The Scene Test

Before keeping a scene, ask yourself:

What changes because this scene happened?

If the answer is “nothing,” the scene probably needs work.

Every scene should leave the story, character, or conflict in a different place than it started.

Joy Shotwell

Absolutely agree. I think a strong scene should always create some kind of shift, even if it’s subtle. A character learns something, a relationship changes, a conflict escalates, or a new question is...

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David Taylor

Yup. And every scene or group of scenes, should at best be a mini movie in its/their own right.

Liked by Jim Boston

Anthony McBride
Focus

This past month has been great! i/ was able to finish a medical procedural pilot and complete my very first screenwriting book, Aaaaaannnnd, Action!

For months, I've held the two projects on my hard drive and couldn't imagine finishing them this year. With a little help from A.I. and a lot of FOCUS,...

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