When I was a teenager I had a tradition where I'd review the entire year on the last day of it (even more traditionally it would be the last hour of the year). So here I will try to bring the tradition back since I have less time on my hands now than I did back then lol:
At the start of the year I knew Finding Elpis would have a part 3, and all I knew for sure was that it would have more heavenly elements. I schedu RoP, part 2's table read as a birthday present to myself and the first draft was chaotic as all hell and yet so much was born from it. Not long after I wrote TER, part 3, and sent it in for its table read where I finally found the perfect actor for Iesu, the character who gave me the most trouble because he's all I can't be; someone who's more concerned about being a good person than an artist, and 100% willing to trust in a higher power's plan for him, while I doubt every single thing I both did and didn't have a hand in. No one ever had anything to say about him during the table reads until his actor, who said that he was a very loving character and I did a great job on him. It made me happy knowing that it paid off finally. Sure enough, by the end of TER, I knew there would be a part 4 with the inclusion of Phi as well as Starman's decision, nevermind that there was still a bunch of loose ends lol
Somewhere along the way I decided to write Glass Waltz as a short script because try as I might, all I knew about it was that Rylie loved Richard but he wouldn't let go of Rachel, who happened to be her sister, even though she was dead lol. I decided why not try a short script even just to see if I can do it? Turns out, I can lol.
Several times I found myself getting tired of and discouraged by the pitching process and decided I was done, only to once again be faced by my complete inability to know when to quit and actually give up lol. It's still something I'm not particularly good at so I hope y'all can forgive me for it :p
I also don't remember when it happened but the idea was planted into my head to get into directing. I wasn't into it because writing is challenging enough, but with the way things are going and how allergic I am to completely letting go of my world to let someone else take over... it's not a bad idea after all, so it's a possibility that yours truly will be a director in addition to author, screenwriter, and artist, one day.
And then in the summer sometime, I got ready to start BoFS, part 4, and even before I started, I knew there would be a part 5 lol. The series was looking more and more like a hard sell but dammit, it's my world and I don't need someone else's permission to write it :p all the same, I knew I had to clear up the issues in both Finding Elpis proper and RoP because I knew where the later entries were going for the most part. So I took it upon myself to go back and cut huge chunks of both scripts and inject all the subtle and more blatant foreshadowing that I could, and so when I finally decided it was time to write BoFS, I managed to finish it before November was even done. Somewhere along the way, the writing gods blessed me with two very big visions that I split into three and Finding Elpis at long last became a heptalogy lol
Then came December. I learned that romcoms are in right now and rifling through my pool of ideas, I realised that Lunar Window is technically one even though it's a social satire. I initially wanted to get it halfway finished but the writing gods decided I will finish it before my birthday, even the end of the year. It bottlenecked several times where I had to step back and untangle little narrative knots that belied strong currents, and even now that the draft is finished I wonder if I missed a couple. The story started off very different, where Cass was constantly daring John to do impossible things to win her over like Princess Kaguya was known to, but in the actual writing she became much more of a kuudere who started warming up to this normie who's nonetheless capable of amazing things. It's a romantic comedy the likes of which only I can write, and it also turned out much more personal than expected so I'd be lying if I said I wasn't terrified of anyone ever reading it. Nonetheless I decided to send it in to one exec I really liked in particular, so once again my inability to give up when I really want to strikes XD
All this to say... 2025 has been a pretty big year. I got a lot done, lots of emotions were had and are still being had, so if superstition prevails, I'm bringing all that nonsense with me into the new year. With any luck I'll get even more done, not just Finding Elpis's three remaining sequels but I'll return to Seed and from there work on Iron Rain in earnest, and also rewrite Metal Garden as a screenplay using the setup I'm most comfortable with (dual protagonists and predominantly random-events plot). Maybe I'll even be brave and risk more of my works being seen by even more people. Either way, I'd say it was a good year and I'm curious to see what's next.
Hope y'all also have an excellent 2026~
I like Architects of Time, THE PASSAGE, and Across Worlds, Ilanna Mandel. I vote for Architects of Time.
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Please don't push too hard on yourself, looking for the perfect title, because production studios LOVE changing it anyway. Well, they figure that when they buy your work, they can do whatever they want with it.
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hello, Maurice, Architect of Time really works — very high-concept. Ilanna Mandel If you want something shorter, I’d suggest INDEX (a nod to the hidden architecture / underlying system). And I took th...
Expand commenthello, Maurice, Architect of Time really works — very high-concept. Ilanna Mandel If you want something shorter, I’d suggest INDEX (a nod to the hidden architecture / underlying system). And I took the liberty of adding this in case it helps: sometimes the title is already hiding in your logline without you even realizing it… or possibly "Universeen". Happy New Year to everyone!”
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Happy New Year, Fares Moha!
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Flowering Enigma or The Flowering or Enigma Unfolding