Learn from a literary manager and former TNT programming VP who has sold pilots to just about every major network and streamer

Get a live breakdown of TV's most-awarded comedy, and see exactly what a manager looks for before requesting your script!

WIDOW'S BAY just made Emmy history. Katie Dippold's supernatural comedy horror series for Apple TV swept the 78th Primetime Emmys with a record 14 wins — the most ever for a comedy season — including Outstanding Comedy Series, writing, directing, and acting wins for Matthew Rhys, Kate O'Flynn, Stephen Root, and Betty Gilpin. If you write genre — or you've been itching to — this is the script the whole industry is talking about right now. Genre blending is one of the hottest lanes in the market, and audiences' appetite for horror is proven in theaters and on TV. What makes WIDOW'S BAY a masterclass isn't just its premise — it's the tonal control on the page, the exact craft skill executives say most scripts are missing.

And that's where so many writers get stuck. You have a bold, genre-bending idea, but on the page the horror undercuts the comedy, or the jokes drain the dread, and the reader never quite knows what kind of show they're in. Maybe you've even been told your premise is "too weird to sell." Meanwhile, you're left guessing what a manager actually sees in your first 10 pages — and whether your characters jump off the page the way they need to. Without that insider view, even your strongest ideas can end up in the pass pile.

That's why we've brought in Nicholas Bogner to break it down for you. Nicholas has been Head of Literary at Affirmative Entertainment for over a decade, where he's had films made including WEDDING SEASON for Netflix, INFINITE STORM for Sony, and COME PLAY for Amblin and Focus Features — and he's sold television pilots to just about every major, from networks to streamers. Before that, he was VP of Original Programming at TNT, working on Steven Spielberg's INTO THE WEST and Stephen King's SALEM'S LOT, and spent four years at Cruise-Wagner Productions on MISSION: IMPOSSIBLE 2 and VANILLA SKY, where he's credited with finding THE OTHERS. He's also an active Stage 32 executive — he signed Stage 32 writer Henry Sawyer Foner, and his most recent session led to five script requests. Nicholas isn't reading WIDOW'S BAY as a fan. He's reading it as a decision-maker — and he'll show you exactly what he sees.

In this free live breakdown, Nicholas will take you through the WIDOW'S BAY pilot page by page — how a professional reader judges your first 10 pages, how the script balances supernatural horror and comedy without breaking either, what made a "too weird to sell" premise undeniable, and what in the writing set up character introductions that won four acting Emmys. He'll also share what he looks for when he signs writers and what gets a script requested. You'll walk away seeing your script the way a manager sees it — and knowing how to use these lessons in your own genre-blending pilot. It's free, it's live, and it's a rare look inside the head of someone who could sign you, so save your spot now.

• Screenwriters of all levels who want to learn how a working literary manager reads a pilot page by page, and what makes him request a script.
• TV writers of all levels who are developing genre-blending pilots and want to balance horror, comedy and heart without losing control of tone.
• Writers of all levels who have been told their premise is "too weird to sell" and want to learn how to make a bold idea undeniable on the page.
• Horror and genre writers of all levels who want to tap into one of the market's hottest lanes and see what an Emmy-winning script does differently.
• Writers of all levels who are looking for representation and want to know what a manager looks for before signing a writer.