Why You Need To Write Your Spec Script Today

Why You Need To Write Your Spec Script Today

Why You Need To Write Your Spec Script Today

Andrew Kersey
Andrew Kersey
2 years ago

William Goldman was pretty spot on with this astute observation of Hollywood. "Nobody knows anything."

Like any industry that requires human capital — or to be more dramatic since we are talking storytelling — like any industry that feeds on metaphorical blood, sweat, and tears, the spec screenwriting business has been through booms and busts. Ups and downs. Just google “Shane Black 1990s’’ to get some specific historical context for what the spec business has looked like over the years.

As much as the world changes — and for our sake as much as Hollywood endures seismic shifts whether it was the disruption of the talkies or the upcoming possible multiple guild strikes — Hollywood needs content. Why? Because humans crave entertainment.

Cave dwellers in prehistoric times loved to share their exciting hunting and gathering adventures around the campfire. Maybe the hero’s journey wasn’t as rigidly applied to their tales of heartbreak and love and bravery and heroism, but these primitive storytellers knew what their audience wanted. Emotion, excitement, engagement. Let's call this what it is - escapism.

The world is a scary place and has always been since, well, forever. The world we live in today makes it inescapable for us to hide from bad news. The tentacles of the interweb and news cycles and social media in our daily existence make it impossible to hide from the world.

Write Your Spec.

One thing I tell clients is that, as uncertain and as challenging as a career in “Hollywood” is, you do have control. Writing. Creating. No one is stopping you from creating. Sure, the demands and distractions of daily life are the hurdles and obstacles in your own hero’s journey but so long as there is a universal desire for escapism, there will be audiences who want content.

And so studios and streamers will always seek new material (IP, spec scripts, etc) to feed their pipeline of content. And this means producers will always be reading scripts. Election cycles, economic recessions, and geopolitical strife come and go. You do not have absolute control over those events. What you do control is your ability to create.

Why You Need To Write Your Spec Script Today

Write Your Spec.

So now, let's cut to the chase and address the question you’re asking. Will my spec sell?

Ask William Goldman. There is no formula for what sells and what doesn’t. Much more often than not an original spec does not sell. For any number of reasons. Maybe the producer or buyer or financier has something too similar already in development. Maybe the company is shifting its focus toward IP-driven stuff. Maybe the producer didn’t “respond” to the theme or characters in your script. Whatever.

But if you’re actually being read by a producer, then your career needle might move even if they pass on your script for the simple and hopefully obvious reason that someone is reading your script. This means you might have a new fan. You might have a new advocate. Someone to champion your work. This is vital to a career in Hollywood. Fans.

You need fans of your work at every step of your storytelling journey. And the only way to find fans is for them to fall in love with your writing. Your voice. Even if the script “isn’t what we are looking for these days.” Again, passes from producers come in all shapes, sizes, and reasons but producers do love to be surprised by fresh, new voices.

Why You Need To Write Your Spec Script Today

Write Your Spec.

Selling original specs is not easy. A spec is just that— speculative. The simple fact is producers are not as focused on finding new specs. They already have their company projects that demand their attention. They owe you nothing. But here is the wonderful reality of this industry that never changes — producers are always excited to read fresh voices. And therein lies the reason why you must write your spec. Someone might fall in love with your writing. And that is when opportunity knocks.

Seriously, ask yourself this question instead— Why do I write? If your answer is some variation of “I can’t help it” or “I love stories,” then you have lots in common with your ancestral cave dwellers. You want to entertain. Why? Because you like to be entertained by stories as well. And that applies to producers and executives and agents and managers. We love to be wowed during a reading experience.

So take the pressure off yourself in terms of whether you want to change the world or whether your spec will win the spec lottery and instead focus on telling an amazing story to turn others on to your voice. Give yourself a shot.

Who knows what might happen. Nobody knows anything.

Write your spec.

Let's hear your thoughts in the comments below!

Got an idea for a post? Or have you collaborated with Stage 32 members to create a project? We'd love to hear about it. Email Emily at blog@stage32.com and let's get your post published!

Please help support your fellow Stage 32ers by sharing this on social. Check out the social media buttons at the top to share on Instagram @stage32 , Twitter @stage32 , Facebook @stage32 , and LinkedIn @stage-32 .

Get engaged
29

About the Author

Andrew Kersey is a literary manager with a focus on nurturing unique storytelling voices in film and tv. In 2023 Amazon Studios bought his client's action comedy spec NEVER TOO OLD TO DIE with Sylvester Stallone attached to star. Filming is scheduled for fall 2024. Also last year Thunder Road Pic...

Want to share your Story on the Stage 32 Blog?
Get in touch

29 Comments on Andrew's Article

Joseph F. Alexandre
Director, Producer, Screenwriter
Thanks Andrew, for posting this! Btw, curious what think about the impending WGA strike (w/ every meeting being a member, it feels more & more like reality.) It seems like the town has shut down development now. (Still great time to write a spec.) But, curious your opinion of where things stand w/ your clients in the WGA...
2 years ago
Carla Natali
Screenwriter
That is so true! I started writing in my 20’s, gave it a shot in my 30’s ( it didn’t go as I expected) and from that point on I spent my life trying to give up on the idea that I was a writer. Recently a friend asked me what I would really like to do with my life. I didn’t even blink, I said: Write. She said: What’s keeping you?, and as I started whining about having writing a book that didn’t do well, she interrupted me by saying. “Oh, I thought you said you wanted to write, not be a best-selling author. That sure got me thinking. Yes, writing makes me happy and that is, without a doubt what I want to do, but is it possible to be a writer without an audience? If a tree falls in the middle of a forest and there’s no one around, does it still make a sound? I decided that yes, it does. Everything begins from the inside out and of course writers that no one reads are still writers, because becoming something comes from the belief that you are that, despite the evidences, and I am done living an unauthentic life for the sake of what other’s might think about my trying and failing. I am a writer not because I decided to become one but because I was born one.
2 years ago
Maurice Vaughan
Screenwriter
You're welcome.
2 years ago
Carla Natali
Screenwriter
Thanks Maurice! 
2 years ago
Jason Delaney
Screenwriter
Thank you, Andrew
2 years ago
Ben Gillman
Actor, Screenwriter
This was an excellent read. Thanks so much, Andrew! I am always playing around with an original idea or two (or five) because I love coming up with new stories and characters for movies that I would personally love to see. But I often get discouraged because the prevailing wisdom is that there aren't as many places to go with specs anymore. So these words of wisdom from someone in the trenches was very much appreciated. Thanks again!
2 years ago
Maurice Vaughan
Screenwriter
Hey, Ben. Continue to build relationships/network. It could open up places to pitch your specs.
2 years ago
Keep going!
2 years ago
Tom Stohlgren
Author, Researcher, Screenwriter
I did. Finished drafting my 71st feature script today with my co-author.
2 years ago
Maurice Vaughan
Screenwriter
Congratulations on drafting your 71st feature script, Tom! Congratulations to your co-author!
2 years ago
Excellent!
2 years ago
Nkky Egwuenu
Screenwriter
Thanks Andrew! I mostly write features, so this is very encouraging in this market where it seems a lot are looking for TV series formats and comedy genres.
2 years ago
Niki Hayes
Actor, Producer, Acting Teacher, Script Supervisor
Thanks, Andrew! It really is so important for everyone to know that just because a script isn't picked doesn't mean your career isn't moving forward.
2 years ago
Ingrid Wren
Screenwriter, Author
Thank you Andrew, I loved this. Why do I write? I definitely fall into the category of "I can't help it"! I love writing and telling stories, and if I can entertain, then all the better! I agree with William Goldman when he said "nobody knows anything."
2 years ago
John Hamilton
Screenwriter
You reeled me in with the William Goldman one-liner, and kept me hooked for the entire piece... Overall, some generous and thoughtful advice Andrew, without the sugar coating... We're all grateful, thank you.
2 years ago
Amanda Toney - Next Level Education
Director of Operations, Producer
Hey guys! Andrew is available for an AMA today: https://www.stage32.com/lounge/screenwriting/Writing-for-film-and-tv-Ask-Me-Anything-AMA-3-1-to-3-2-by-Andrew-Kersey
2 years ago
Haley Mary
Actor, Songwriter, Comedian
Love it! Motivates me to keep writing!
2 years ago
PK Mancini
Author, Screenwriter, Editor
I love this! It's a good reminder to keep creating and putting yourself out there. Working on a new spec script for the pipeline and bookmarked this blog to keep me inspired.
2 years ago
Victoria A.C.Quin-Harkin
Actor, Art Director, Director of Development, Documentary Filmmaker, Film/Theatre Journalist, Filmmaker, Location Scout, Manager, Marketing/PR, Music Editor, Music Supervisor, Narrator, Photographer (Still), Producer, Researcher, Screenwriter, Script Cons
Hi Andrew, Good to see you on here. I agree - my problem is I am trying to coproduce and do too many things, get them made and someone to deal make. To update you: Dante and Lizzie and The Vampyre are out to top 5 studios - these, as well as the sequel HETV pilot Highgate Post Mortem now have letters of comfort from the BFI and I have adapted both features to theatre. In the process I added a monologue (John's Monologue) to The Vampyre. (Which was Officially Selected for the New York Script Awards this Month, the monologue was Officially Selected for the Best Script Awards in Autumn and the resulting short film made as an international coproduction was Officially Selected for VIFA with the actor and one co ProducerJakob Maximilian being up for best actor, I have also written The Vanishing Point, Angevin, Infernal Blood and Szopen (Chopin) as spec features. And The Other Mothers as a short film script, a 10 mine play and a HETV pilot.The short film screenplay just WON the Best War Screenplay in the Best Script Awards. I also completed a memoir last year and am currently 1/3rd into a feature adapted from it. I also write poetry and am developing a picture book and scope for a tv series from Infernal Blood. Any advice on wanting to coproduce and do creative too? And getting to actually send out screenplays? I am hampered by the cost of copywriting, lawyers, development etc currently and need to get some funding in - but most have letters of comfort from the BFI. And in many cases I know exactly who I want to cast in some roles. Have been an international journalist in the past, published internationally, and have an MA in this. Best Regards, Victoria A.C.Quin-Harkin M.A.
2 years ago
Victoria A.C.Quin-Harkin
Actor, Art Director, Director of Development, Documentary Filmmaker, Film/Theatre Journalist, Filmmaker, Location Scout, Manager, Marketing/PR, Music Editor, Music Supervisor, Narrator, Photographer (Still), Producer, Researcher, Screenwriter, Script Cons
Hi Andrew, and thanks, problem is getting contacts and time to research. it is the first 3 (The Vampyre, Dante and Lizzie and Highgate) are a trilogy with a game. Also I mainly write HUGE epics. And want to co produce. Everything has letters of comfort from the BFI meaning they should qualify as British films via my UK film / theatre and TV company in terms of tax reliefs. I need several of me. Were it not for my MS  and with significant funding I would happily direct myself. As is I very much see some working for specific Directors. I had actually discussed and agreed that a financier would look at significant first funding with pre sales pre Cannes but had a nightmare there as I could not get in to the festival. As they dd not believe I worked in film. I knew time was moving in terms of Chalamet so I sent it to studios and I developed it for theatre. I wanted to have started shooting this / the trilogy by now but need a team and finance to make it happen. I The Vampyre is a Historic Biopic with Mild Horror and very visual and partially set in Italy, London and Manhattan so I have approached Scorsese.  (I want to coproduce and  De Niro and Pacino and Chalamet among others so it makes sense) .  When researching him I found out that one of his favourite movies was EWS (Dante and Lizzie, which is set in London, follows on from The Vampyre, ) although a Historic Biopic is quite sexy with bits of kink - also I want the same actors and The Rock and Statham and Brand in this (though it's not action, and Kubrick being sadly dead, my other choice for this would actually be Luc Besson (for his visual style) and ability with characters. This is developed with music to some extent.  Highgate Post Mortem which Andrew Heap said was one of the best and strongest concepts he had heard recently just before Cannes follows from Both is set in the same town Italy  as The Vampyre and London The Pilot reprises and extends some of the footage with The Rock, Statham and Brand and the is a killing and some psychological stuff.  It also digs into the sexuality of a couple inc Chalamet's character in Th Vampyre and of the characters and conflict with his faith. The series outline and game Highgate (idea outlined) extend this and there are more action sequences. In London, more killings in Italy and London. More exploration of bisexuality of another char from the Vampyre and the tempting of another (who I want played by Scotti). The other features are very different Angevin 12th C (written with Lilly-Rose Depp, Sivan and Chalamet, Jakob Maximilian and Tobias Herman  in mind is a huge sweeping epic with scenes in France, Austria and Germany, England  and the desert / Jerusalem DANGEROUS horse scenes for which I am approaching polo experts on  which might suit someone like Spielberg or Besson to Direct.  Szopen starts visually very influenced by Scorsese and probably Spielberg visually because I grew up on his stuff. But would work with Spielberg. It is aimed at Chalamet but doesn't start with him. The Vanishing Point is set in a UK care home in 2000 but actually partially influenced by The Breakfast Club. I want Sivan, Lily-Rose and Chalamet in that to though it is an ensemble, as well as McKellen, Mirren and several others. Infernal Blood I have clear ideas for the narrator casting and visuals of bur not, so far, many of the cast (though I have approached a British actor, Taylor Russell, Morgan Freeman and Chalamet to narrate and a Polo player) I see Vanessa Paradis in this.the tv series / sequel could be developed by someone else. That is before we get onto the Shakespeare. Or the Memoir adaptation.
2 years ago
hi Victoria, you are very prolific and certainly have a full plate. My advice is to take a targeted approach when you reach out to film and tv folks. Focus on 1-2 projects you feel are your strongest samples of your work and then target producers who have (ideally) recently made movies that you like, that you admire. Be sure to do the research ie don't approach an action producer if you have a period drama. Sure there are always exceptions to everything but outreach is a numbers game. You want the odds in your favor so being targeted is key. Research and emails are free so you won't break the bank. Good luck.
2 years ago
Doug Kayne
Actor, Comedian, Director, Screenwriter, Studio Teacher
Inspiring! Solidifies my decision to keep writing my spec series. Thank you!
2 years ago
Sandra Ray
3D Animator, Screenwriter, Visual Effects Artist
Absolutely "escapism!" I love it! Your words "focus on telling an amazing story to turn others on to your voice. Give yourself a shot" is excellent advice! I would rather have someone fall in love with my "voice" and find my champion. A champion that inspires me to strive and elevate my stories. A champion who is excited to take the creative journey with me, moving that "career needle" together. Ultimately telling an unforgettable story! As opposed to a one-shot wonder. I believe the stories we tell with our unique "voices" will leave a message long after we are gone. Money is necessary but not of the utmost importance in life. Thank you for reminding us to keep writing and creating. Great post, Andrew! :)
2 years ago
Sandra Ray
3D Animator, Screenwriter, Visual Effects Artist
Thank you. It makes life easier! :)
2 years ago
Great attitude!
2 years ago
Maria Bird
Screenwriter, Author
I’m a firm believer in that there are no coincidences in life. I read this just when I needed it.
2 years ago
Mark A. Nedorostek
Comedian, Content Creator, Crafty
This inspired me.
2 years ago
Mark A. Nedorostek
Comedian, Content Creator, Crafty
Thank you, Andrew.
2 years ago
Great!
2 years ago
Lisa Weiss
Screenwriter
Well said, Andrew! Thanks for your excellent blog.
2 years ago
My pleasure!
2 years ago
Leonardo Ramirez
Screenwriter, Author, Voice Actor
Incredibly encouraging post, Andrew. Thank you for writing this!
2 years ago
Of course!
2 years ago
Shellie Schmals
Actor, Film Festival Director, Host/Presenter
No time like the present! Thank you Andrew for the inspiration!
2 years ago
My pleasure!
2 years ago
Frank Van Der Meijden
Screenwriter, Music Composer, Director
Inspiring, Andrew. I often tell others that I feel like I need another producer or director for inspiration, but sometimes I forget I can create inspiration myself as well.
2 years ago
Exactly. Use your own inspiration to create amazing material and then do it again. And again. And again. This will build confidence and your writing chops. Then see what happens.
2 years ago
Catherine Ryan
Actor, Producer, Screenwriter, Director
Just what I needed to hear today. Thank you, Andrew!
2 years ago
Great!
2 years ago
Lee Shargel
Author, Screenwriter
Thank you, Andrew for a very entertaining and insightful blog. I learned to speak "SPEC" a long time ago and I thought I was pretty good at the linguistics of the spec language. But alas, as the landscape changes so does the vernacular. But you are so correct. Fresh voices lead to fresh starts. You never know when your story will reach the right ears of someone who is looking for the very thing you have written. So, to all you writers, practice your "Spec" and let us know how you're doing. Thanks again Andrew for your valuable insights.
2 years ago
My pleasure.
2 years ago
Katherine Blessan
Screenwriter
I'll keep plugging away with my specs! Great article, thank you.
2 years ago
Keep plugging away!
2 years ago
Susan Joyce DuBosque
Content Creator, Editor, Screenwriter, Songwriter
Bravo! An encouraging, excellent read with a go-get-em message. Just what I needed today. Thank you!
2 years ago
Great!
2 years ago
Steve Cleary
Producer
I agree. Eventually, however, the law of diminishing returns kicks in and you can't invest another 100 hundred hours into writing another spec script with no guarantee of it going anywhere. You could put all that energy and storytelling skill into your own low-budget web series. You'll fulfill your desire to see your words in action while increasing the potential for Hollywood to come to you and say "what else ya got?". And that's when you hand over a spec script.
2 years ago
Bingo. Fulfill YOUR desire to create. Whether web series, graphic novels, pilots or feature specs. Show your undeniable talent in whatever medium you work in. Every career path is different. Talent rises.
2 years ago
Mauro Ferritto
Screenwriter, Director
What’s funny is that Kersey doesn’t accept unsolicited spec Queries lol. But good info here for sure. Thanks.
2 years ago
Emily Jermusyk
Screenwriter
That's pretty common in the industry for legal reasons though - and also just the sheer amount of submissions you would get and not be able to keep up with
2 years ago
Marguerite Faure
Content Creator, Screenwriter
Love it!
2 years ago
Maurice Vaughan
Screenwriter
Great, motivating blog, Andrew! I've been putting off a script because I can't find the right theme for it, but your blog motivated me to try again to find a theme.
2 years ago
29