Learn directly from Amanda Johnson-Zetterstrom, Producer and Independent Filmmaker (Short Term 12, Friends With Kids, It Follows)! In this Stage 32 Next Level Webinar you will learn the answer to one of the most asked questions there is in regards to film: how to get a paying job. Whether you’re new to the industry, trying a different line of work, or getting back into the industry after a hiatus, it can feel like walking on to a minefield – it’s tough to know where to begin, how to get your foot in the door and how to get away from unpaid positions. Your host Amanda Johnson-Zetterstrom is here to explain how she got her start in the business, how she worked her way up to a Development Executive position, and give you detailed advice about how to navigate getting a paying job in the industry. You will leave the webinar knowing: If it makes sense for you to get an internship or not. What different jobs exist in the industry - and if they'll still be around in 5 years. How to get a paying job in the film industry rather than unpaid positions. How to write a great resume and cover letter. How much money you can expect to realistically make in different jobs - so you know how much to ask for. What makes the most sense for you, your interests, and your lifestyle when pursuing paid work in the film industry. Your host Amanda Johnson-Zetterstrom has spent the past 7 years working in the independent film industry in New York. She’s headed up development and production at Animal Kingdom, where she co-produced the multi-award winning Short Term 12 – and worked closely on projects like It Follows. She understands how to get a job – and is working exclusively with Stage 32 to share her know-how with you.
Learn directly from Amanda Johnson-Zetterstrom (Short Term 12, Louder Than Bombs, It Follows, Friends With Kids)! Film festivals. They are one of the best ways to network, market your film, get feedback from judges and audiences, and most importantly, get your work seen. Even better, winning awards at festivals can help you gain major recognition and momentum as a filmmaker. But, if you haven’t submitted a film or attended a festival before, it can be a daunting task to try to get your film into a major festival such as Sundance or South by Southwest. What festival do you choose? How do you submit your film? What happens once you make it into the festival? How soon should you be booking accommodation? Questions like these often prohibit filmmakers from entering the ever-important film festivals. But fear not – we’re here to give you a breakdown of the process of getting your film into a major festival, what to expect once you’re there, and how to give yourself the best chance of making a good impression. In this Stage 32 Next Level Webinar, Amanda Johnson-Zetterstrom will guide you through the navigation of getting your film into a major festival. Amanda spent years heading up production and development at NYC production shingle Animal Kingdom. Having co-produced Destin Daniel Cretton’s film Short Term 12, which won both the Grand Jury Prize and the Audience Award at SXSW 2013, as well as shepherding over 7 films into major festivals, Amanda knows the ins and outs of what it takes to get into a major film festival and what to do once you’re there.
There's a fine line between introducing a writer to a new world or ruleset and spouting exposition. We’ll break down how writers created the fantasy world of “Game of Thrones”, the frigid winter of WIND RIVER, the digital dystopia of THE MATRIX, and the 1919 England of "Peaky Blinders".
Can you tell your whole story in just six sentences? This month, we're challenging you to use Pixar's dead-simple approach to outlining to breakdown your story or help you come up with something completely new!
"Amazing seminar loved it. It was the best I have ever watched or ordered!" - Robert M. "Excellent! Very practical and useful." - Kathi W. "Chris was clear, concise, helpful, and focused. Loved his enthusiasm and humor." - Lori H. A logline is the way your screenplay is introduced to the world. It’s rare that anyone will read your script without knowing something about it first. Agents, managers, producers, executives, actors, and anyone associated with making movies, rely on the logline for the most basic information about your screenplay. Often, if a logline doesn’t work, neither does the screenplay. A logline can be used to identify problematic elements of a screenplay, enabling solutions to fix them. In This Stage 32 Next Level Webinar: Your host, Christopher Lockhart, Story Editor at WME, breaks the mechanics of a logline to determine what makes one work and open-up a broader discussion on the elements of successful screenwriting. He interacted live with the class listening to logline pitches and provided feedback on what works and what doesn’t. You will walk away learning how to make your logline stand out to grab the attention of an actor, producer, manager, agent or executive. Why Chris? Through his career at ICM and WME he’s read over 60,000 scripts for consideration for A-list talent, such as Denzel Washington. Yes, 60,000. That’s not a typo. Every one of those scripts started with a logline. Whether you’re in the early stages of plotting your screenplay or have already written fade out, this webinar will help you create an effective logline and give you greater insight into your own work.