What do the singer Elvis Presley, the con-artist Anna Delvey and the phycisist Albert Einstein have in common? Their true life stories have recently been adapted into major feature films and TV series. True story adaptations find success largely because the writers and creators understand where to find the story within these real lives to adapt. They efficiently honed in on an angle that pulled the audience in while developing emotional arcs that kept viewers invested. Writing is a craft, no doubt, and one that must be managed differently when pen hits paper and for adaptations. It takes work and a deep understanding of your story as well as the medium you’re adapting it for, but it’s something you can achieve for your own true life passion project, especially with the proper understanding and guidance. Kate Sharp is a producer and literary manager at Bellevue Productions. Prior to joining Bellevue, Kate was the VP of Development and Production at Occupant Entertainment, producing short-form content for Showtime, MTV, Verizon, Facebook, and U2, and was an Executive Producer on the Hulu original, Emmy-nominated TV series BEHIND THE MASK. Her film credits include PEEP WORLD, BETTER LIVING THROUGH CHEMISTRY, MADAME BOVARY and THE HALLOW. Kate is currently producing THE BURNING SEASON with Naomi Watts and STRANGER THINGS’ Sophia Lillis attached to star. Kate has worked with countless writers on adapting their true story projects of all types and knows what it takes to turn a true story into a script that producers, reps, studios and execs will be interested in. Kate will delve into the craft of adapting a true story to a film or series, and how to put words to the page to make this happen. She will define the three types of true story or biopic adaptations so you can determine which option is best for you and give you the tools to decide if your story should unfold as a feature or limited series so you can determine which option is best for you. She will also walk you through best practices for researching, finding your own angle to the story, and how to write your script so it feels authentic while still possessing emotional arcs and narrative liberties to ensure your script is marketable and successful in the market. Through Kate’s rundown, you will walk away with confidence and write an adapted script that gets the attention it deserves. Praise for Kate's Previous Stage 32 Webinar "Kate Sharp was incredible. She's a great instructor, and also looks like a very special person to have as a manager, who loves what she does and would be a great partner for a writer! Thank you for sharing her gifts with us!" -Ricki L. "The information was straightforward and practical. I made loads of notes to go back over. Thanks!" -Gillian R. "BRAVO, KATE!!! She provided a wonderful presentation fueled by stellar "real world" facts and scenarios" -Bill B.
If you're planning to shoot an ultra-low budget feature film you need the right resources to maximize your budget From pre-production, on set and post-production. We've brought in Spirit Award winning producer Jim Wareck, who produced Shaka King's directorial debut and Sundance hit, NEWLYWEEDS, to teach you how you can stretch each dollar to make sure that the quality shows up on screen. Jim certainly knows how to do this. After he produced NEWLYWEEDS, his director Shaka King went on to direct JEDUS AND THE BLACK MESSIAH, which won 2 oscars and was nominated for 6! Like it or not, producing a film of any level or any size is a giant investment—not just of time and passion, but of MONEY. Hiring a crew, negotiating talent, locking down equipment, locations, costumes, props, even film festival submission fees—costs add up quickly. And if you’re an independent filmmaker with limited resources, it’s almost too easy to exceed your budget or not even find the money you think you need in the first place. This is why, as an independent filmmaker, you need to be smart about where you spend money and how. Understanding how to navigate this can make all the difference and determine whether you’ll ultimately be able to produce your project or not. You’ll never be able to make your film for free, but that doesn’t mean you need to spend millions. On the contrary, you’ll find that most film productions spend more than they need to, investing in equipment they don’t need or otherwise wasting money on unnecessary steps. Experienced independent filmmakers are adept at understanding where to cut costs, where to find shortcuts, where to ask for favors, and where you should REALLY be devoting the bulk of your money towards. With the right strategies and approach, you’ll be surprised by how frugally you can make your movie without sacrificing quality. Jim will walk through the process of producing your own ultra low budget feature from pre-production through post and give you strategies to spend your money efficiently and stretch every dollar every step of the way when you have limited resources available. He will break down where money is normally wasted in a production and teach you how to create and stick to a realistic budget in all its complexities. Jim will help you identify opportunities to save money in pre production, including working with your writer to write for your budget level, targeting and attracting the right cast and crew, identifying who you actually need, and how to negotiate rates. You’ll learn the pitfalls of budget drains on set, how to build an actionable shoot schedule, and how to remain as EFFICIENT as possible each shooting day. You’ll even gain tips on how to save money in post production so you can fully understand how and where to find shortcuts in your project and what aspects should never be skimped on. Through this invaluable webinar, Jim will arm you with the understanding of how much you really need, of money AND yourself, to produce your film.
THIS WEBINAR HAS A 100% SATISFACTION RATING! Network TV is dead, right? All good shows are on cable and streaming! Not so fast! Network TV is alive and well, as demonstrated by the critical success and healthy ratings of shows such as 9-1-1, Black-Ish, Brooklyn Nine Nine, The Resident, New Amsterdam, as well as powerhouse veterans such as Grey's Anatomy, Law and Order, The Simpsons and NCIS. Broadcast networks are increasingly having to compete for top talent and ideas in a crowded marketplace. While landing a series order from ABC or FOX is no easy feat, the networks’ deep coffers mean they can buy and develop a high volume of shows, season after season. Producers of course enjoy the prestige of developing ideas for HBO or Amazon, but they are equally eager to find the next network hit, which can yield huge financial dividends with multiple season orders. What’s more, agents and managers judge prospective clients based on their original pilot scripts, and the right network pilot can demonstrate to a potential representative that you are ready to staff and ready to sell. As a manager, I always recommend writers have at least two or three finished scripts ready to go, and a mix of cable and network samples increases the number of producers and executives who may be interested in your work. In this webinar, you will learn about the brands and programming models of broadcast networks, how to know what ideas they will find appealing, what you need to include in your network pitch, and the do’s and don’ts of writing your network spec pilot.
Pitch decks are a mystery. Why? Because no two pitch decks are the same. But there are elements that are crucial that separate a professional deck from an amateur one. A solid pitch deck will get those executives on your side and show them how exciting and marketable your idea is. It can be what stands between you and that green light. But what does a great pitch deck even look like, and do different approaches work better for broadcast networks than streaming networks? What do streaming executives want to see and what should you steer clear of at all costs? To guide you on your process is Ewan Dunbar who serves in Development, Sales, and Acquisitions at Disrupting Influence, most recently announcing BERLIN, I LOVE YOU, starring Helen Mirren and Keira Knightley. Ewan has produced, developed and sold over 30 titles. Having been in many rooms with Netflix, Amazon, Hulu and other streamers, Ewan specializes in developing decks to best showcase a project and make it stand out. Plus, Ewan has insight into a streaming platform’s process once you pitch your show. Ewan will cover what executives are looking for in a deck, what you do and don’t need to include, presentation tips and how to keep acquisitions executives interested in your material. He’ll go over how to keep your audience entertained and simple formatting tips and tricks you can adopt that can make all the difference. Ewan will also discuss how best to present your plot, characters, and world, and how you should adjust your deck specifically for streaming networks as opposed to broadcasters, sales agents, or financiers, and ways to adapt depending on what genre your series most closely aligns with. He’ll also teach you how to bring all your materials together for your final pitch. PLUS! Ewan will go over successful example pitch decks and give you a handout that shows you a guide of what you need in your own deck. ABSOLUTELY FANTASTIC! The presenter delivered more in 20 minutes than other presenters do in an hour, and it NEVER felt rushed and he was always easily understandable. I cannot wait to get the handouts! -Bob S. Ewan’s presentation was excellent I learned so much from him and now feel 100% confident in creating a pitch deck. He was truly an expert. -Margaret M. "Very good, very knowledgeable and very organized. Great presentation and webinar. I walked away with lots of ideas about polishing my pitch decks to make sure they stand out." -James B. "Ewan Dunbar's webinar was one of the best I have ever taken! Organized, filled with useful information, he sounded like he really cared about helping the audience be better at what they want to do." -Roberta P.
Dark comedies intend to make light of events that would otherwise be considered too painful to discuss. The hope is that viewers will gain a cathartic experience, or simply laugh at some absurd situation. During this webcast, Jason Mirch discusses the 6 principles of how to make Dark Comedies work, while showing clips of some of the best dark comedies as examples.
One of the common complaints with scripts is on-the-nose writing. This month, we're challenging you to convey a series of emotions without using the actual words (or synonyms - no cheating!).