Breaking Story for 1 Hour Network Procedural TV Dramas + Interactive Mock Writers' Room

Payment plans available - contact Harrison at h.glaser@stage32.com for details
Taught by Kate Sargeant

$599

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Stage 32 Next Level Education has a 97% user satisfaction rate.

Class hosted by: Kate Sargeant

TV Writer (CASTLE, NCIS: NEW ORLEANS, BLINDSPOT)

Kate Sargeant is an accomplished television writer with especially deep experience in network procedural dramas, working on over 100 episodes of network TV on shows like CASTLE, CSI: CYBER, NCIS: NEW ORLEANS and BLINDSPOT. Kate started her career as an actress at the age of eleven, starring as “Emily” in the cult classic film 3 NINJAS, directed by Jon Turteltaub. She has also written, directed, and produced a few of her passion projects including three short films: CHANGING LANES, FACING LIFE, and ANOTHER FOREIGN CONCEPT. In addition, Kate launched an original comedic series that she wrote, directed, and produced called YOU CAN’T DO THAT ON THE INTERNET about our obsession with social media. Most recently Kate served as a Supervising Producer on an upcoming one-hour drama for TBS entitled OBLITERATED. Full Bio »

Summary

We’ve found ourselves in a true “content gold rush” for television. Over 600 shows were greenlit last year and some industry experts are predicting we may see as many as 1,000 television shows greenlit per year by 2025. Much of the attention in recent years has been on streaming platforms, but it would be foolish to overlook network dramas that continue to not only draw huge crowds, but can stay on the air for many more seasons than their streaming counterparts (can you believe GREY’S ANATOMY has had 17 seasons??). Current ratings for shows like CBS’s EQUALIZER, FOX’s 9-1-1 and NBC’s CHICAGO P.D., CHICAGO FIRE and CHICAGO MED demonstrate just how wildly successful network dramas continue to be. If you’re looking for a long-running and lucrative TV writing career, network dramas could be a powerful opportunity. Now it’s just a matter of breaking in.

The opportunities are plentiful and the prospects have never been more exciting, but if you want to write for network television you need to prove that you have the chops, and this means more than just writing a pilot script by yourself; it means that you can excel in a writers’ room, breaking story with the showrunner and fellow staff writers. TV story breaking is a wholly different process than solo writing and requires a separate skillset. It’s more collaborative, it’s more flexible, and it requires the ability to pitch and defend your ideas. The ability to thrive in a television writers’ room can allow you to find real longevity in your writing career and give you the opportunity to contribute to a lot of exciting new shows coming out of this gold rush.

Kate Sargeant is an accomplished television writer with especially deep experience in network procedural dramas, working on over 100 episodes of network TV on shows like CASTLE, CSI: CYBER, NCIS: NEW ORLEANS and BLINDSPOT. Kate started her career as an actress at the age of eleven, starring as “Emily” in the cult classic film 3 NINJAS, directed by Jon Turteltaub. She has also written, directed, and produced a few of her passion projects including three short films: CHANGING LANES, FACING LIFE, and ANOTHER FOREIGN CONCEPT. In addition, Kate launched an original comedic series that she wrote, directed, and produced called YOU CAN’T DO THAT ON THE INTERNET about our obsession with social media. Most recently Kate served as a Supervising Producer on an upcoming one-hour drama for TBS entitled OBLITERATED.

Over the course of this intimate six-week workshop, Kate will delve into the craft of the network procedural hour drama and then lead the class through a mock BLINDSPOT writers' room, where students will gain experience pitching A, B and C story ideas for BLINDSPOT,  breaking the episode script, and then practice pitching acts to the showrunner. Through both Kate’s lessons and her leading of the writers’ room, you will gain direct, practical and real-world experience that you can take with you as you pursue your own television career.

 

 

WHAT TO EXPECT

  • **Kate will be available on email during the 6 class sessions to answer any questions you have.**
  • This workshop is designed for working and aspiring TV writers of all levels looking to learn about network drama TV writing and how to pitch and work in a writers' room. This is an in-depth, practical, and detailed lab with significantly more content than a standard 90-minute webinar.
  • This lab will consist of six sessions, each roughly two hours in duration. Sessions will vary between presentation style lessons and interactive mock writers' room sessions where all students will have the opportunity to participate.
  • Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the process.
  • To see the lab schedule, see below under "What You Will Learn".

 

PLEASE NOTE: This exclusive Stage 32 lab is limited and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with an experienced writer/producer and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good.

What You'll Learn

SESSION 1: Overview of a One Hour Network Procedural Drama and How to Break An Episode

We’ll go over a tutorial on a one hour network procedural drama, episode structure, and how that comes together in a writers room setting. Although Kate will be focusing on how to break an episode of a network show, the skills she will be teaching apply to ALL genres of television and will make you a better writer and pitcher across the board.

 

SESSION 2: Pitching Your A Story

The class will pitch ideas for A stories for a BLINDSPOT episode to Kate. Kate will provide feedback and notes for each. We'll vote on and decide the A story that we will move forward with.

 

SESSION 3: Pitching Your B and C Stories

The class will pitch ideas for the B and C stories to accompany the selected A story from the previous week. Kate will provide feedback and notes for each. We'll vote on and decide the B and C stories that we will move forward with

 

SESSION 4: Breaking the A Story

Kate will lead the class in breaking the A story in a writers' room setting and get it up on a whiteboard

 

SESSION 5: Finish Breaking the Episode

The class will continue breaking the episode, incorporating the selected B and C stories

 

SESSION 6: Pitching the Episode to the Showrunner

Everyone in the class will get an opportunity to pitch part of the episode to Kate, as they would to a showrunner. Kate will ask questions and give feedback for each pitch.

About Your Instructor

Kate Sargeant is an accomplished television writer with especially deep experience in network procedural dramas, working on over 100 episodes of network TV on shows like CASTLE, CSI: CYBER, NCIS: NEW ORLEANS and BLINDSPOT. Kate started her career as an actress at the age of eleven, starring as “Emily” in the cult classic film 3 NINJAS, directed by Jon Turteltaub. She has also written, directed, and produced a few of her passion projects including three short films: CHANGING LANES, FACING LIFE, and ANOTHER FOREIGN CONCEPT. In addition, Kate launched an original comedic series that she wrote, directed, and produced called YOU CAN’T DO THAT ON THE INTERNET about our obsession with social media. Most recently Kate served as a Supervising Producer on an upcoming one-hour drama for TBS entitled OBLITERATED.

Schedule

SESSION 1: Overview of a One Hour Network Procedural Drama and How to Break An Episode - Thursday July 8th, 10:30am - 12:30pm PT

 

SESSION 2: Pitching Your A Story- Thursday July 15th, 10:30am - 12:30pm PT

 

SESSION 3: Pitching Your B and C Stories- Thursday July 22nd, 10:30am - 12:30pm PT

 

SESSION 4: Breaking the A Story- Thursday July 29th, 10:30am - 12:30pm PT

 

SESSION 5: Finish Breaking the Episode- Thursday August 5th, 10:30am - 12:30pm PT

 

SESSION 6: Pitching the Episode to the Showrunner- Thursday August 12th, 10:30am - 12:30pm PT

FAQs

Q: What is the format of a lab?
A: Stage 32 Next Level Classes are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the class.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live class. Upgrade your Windows computer / Upgrade your Mac computer

Q: What if I cannot attend the live lab class?
A: If you attend a live online class, you will be able to communicate directly with your instructor during the class. If you cannot attend a live class, you will have access to the entire recorded broadcast, including the Q&A. Plus, your instructor will be available via email throughout the lab.

Q: Will I have access to the lab afterward to rewatch?
A: Yes! After the purchase of the lab, you will have on-demand access to the video recording, which you can view as many times as you'd like!

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.

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