To see a video sample of the class, see below! 3 part class taught by Lee Stobby, Manager and Founder of Lee Stobby Management! One of the most challenging parts as a writer is getting your story, ideas and dialogue into a script that is a respectable length. When you're looking at a completed draft that is facing a rewrite, how do you know what to cut? Many times you may think nothing can go without killing the story, but keeping the length is not always a good thing. A development executive's job role varies day to day and with a constant barrage of responsibility, longer scripts usually end up drowning to the bottom of the "to-read" pile. The truth is that executives sometimes even ask how long a script is before committing to read it. As a writer you will lose the battle if turning a page ends up being a struggle for any industry professional. Which brings up the very important question: what can be cut without sacrificing the heart of the script? Stage 32 Happy Writers is excited to bring you the previously-recorded 3 part class: The Rewrite Process – What Do I Cut? taught by Lee Stobby, literary manager and founder of Lee Stobby Entertainment. Purchasing gives you access to the previously-recorded live class.Although Lee is no longer reviewing the assignments, we still encourage all listeners to participate!
So you want to shoot a micro-budget film. You've got your idea. You're excited as hell. You can't wait to get going. There's just one problem. You have little to no money, need to shoot this film on the cheap, and you can't do it without an experienced crew. So how can you get quality, talented people to work for you for little to no money? It happens every day. If you know how to navigate. The old saying goes, a filmmaker is only as good as his or her crew. Making sure that everything is buttoned up on set, from your script supervisor to your sound engineer to your DP and gaffer, the more quality you throw at your film in pre-production and during production, the less headaches and "let's try to fix it in post" problems (which are also painfully expensive) you'll face in post-production. The thing is, regardless of your budget, and in this case we're talking ultra low to $250,000, you can find passionate, creative, and qualified people to work for you well below their normal rate. Barry Andersson is an award-winning director and cinematographer. He has directed 5 feature films (time and time again with some of the best crews imaginable) and has had his features theatrically released in theaters with his latest film distributed by Lionsgate. Barry's has also shot several television pilots, acclaimed short films, numerous commercials, and countless commercials and corporate videos. As if that wasn't enough, Barry is also the author of the hugely successful and revered DSLR Filmmakers Handbook. Barry will teach you how to secure top level, Hollywood quality, crew members for cheap no matter where you live in the world. He will instill in you the confidence to identify and then go in for the proper "ask". He will show you why sometimes a positive and visionary attitude is everything. He will even teach you how to be flexible with your story and locations in an effort to give yourself the best chance of finding and securing a crew that can take your film from OK to masterpiece. Barry is an excellent teacher. He never fails to inspire and make you understand that what you always believed to be impossible, or at least ridiculously daunting, is not only possible, but absolutely attainable if you follow his methods. I wouldn't be where I'm at without him. - Julia V.
During this Executive Hour Jason Mirch talks with Mike Disa, the director of the Netflix animated series, "Paradise PD" about his career, working directly for Steven Spielberg and Jeffrey Katzenberg, finding a mentor, and how to get a job in a writers' room.
Jason Mirch welcomes Courtney Miller Jr., of television's "Saints and Sinners" for Bounce TV. and A Stone Cold Christmas for Bounce TV, into the Writers' Room Pitch Tank! Courtney is a 5-time award winning director who has worked with the biggest names in entertainment including Michael Jackson, Beyonce, Usher, andBritney Spears. His award winning short film REPAIRations! - The Musical, received the Director's Choice Diversity in Cannes Best Musical.He has development deals with has development deals with TBS, Lionsgate, MGM, Legendary, Weed Road, Viola Davis' company Juvee, Bounce TV, and Will Packer.
Over the course of an extended two-and-a-half hour webinar, learn drama pilot story structure from one of Stage 32's most popular and requested instructors Includes case studies, story maps and free script downloads of the pilot episodes of: SUCCESSION LUPIN* THE MARVELOUS MRS. MAISEL THE EXPANSE It almost sounds cliché at this point, but we’re living in the Golden Age of Television, an era where TV dramas as diverse, ambitious, and creative as BETTER CALL SAUL, BRIDGERTON, THE QUEEN’S GAMBIT, I WILL DESTROY YOU, and MRS. AMERICA are not only put on air, but find an audience and gain serious popularity. This is in turn an era where networks and streamers are actually looking for new voices and new stories. More than ever before, there is a path for your own television drama to be discovered. Yet no matter how great your concept is, how strong your characters are, how diverse, clever or unique your world is, your drama series will not be effective and will not be successful unless you can nail your script’s structure. Nailing your TV drama’s story structure—specifically your pilot—is no easy task. In the span of just 40-60 pages, you have to introduce your world, your characters, your central plot and conflict, and your inciting incident, all while keeping your pacing consistent, finding some resolution for that episode, and allowing your audience to want to watch more. This is a complicated, and delicate game and ultimately comes down to how you structure and map out your script before you start writing. No matter what genre you’re writing in, understanding how to structure your pilot is vital. Gaining a clear grasp on how successful drama pilots are arranged and the rules they all follow is a necessary step if you want to have a show that will get picked up and ultimately connect with an audience. Anna Henry is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, ITV America, OddLot Entertainment, Corus, and others. One of Stage 32’s most popular instructors of all time, Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. Anna will go in-depth on how to properly structure your drama TV series pilot and will use real past pilot scripts as examples as she breaks down, act by act, the elements necessary to turn your series pilot into stand-out script. Anna will go over the main types of one-hour pilots and will outline the elements for pilot development, including story engine, world, characters, themes and tone. She’ll discuss how to select and map your own template show as well as incorporating multiple plotlines. Anna will then delve into the function and elements of your pilot’s teaser and Acts 1 through 5, as well as your pilot launch, pilot climax, and series launch. She will finally lay out the most common structure problems that you should avoid. Don’t even think about starting to write your own drama pilot until you gain the tools Anna will provide. Examples will be used from notable past one-hour drama pilots on network, cable, and streaming platforms. PLUS! you will receive pilot scripts and Anna's own story maps for each after the webinar: LUPIN* (Netflix) THE EXPANSE (Syfy) THE MARVELOUS MRS. MAISEL (Amazon) SUCCESSION (HBO) *Pilot script not available for LUPIN Praise for Anna's Previous Stage 32 Webinar: This was my first Stage 32 webinar, and it exceeded my expectations, both in terms of quality (and quantity) of information and overall value. Anna was personable, knowledgeable, and organized. The slide deck was helpful, and her overall presentation hit all the key topics. Anna and Stage32 delivered the goods. - John R. What a thoughtful, thorough and inspiring webinar. It's clear that Anna Henry put an enormous amount of work into this presentation. Not only was the content there, but the structure was also superb. I feel educated and inspired to go back to my own work and do better than what I thought was my best. What could possibly be better than that! Thank you Anna for your genius and your generosity. - Crispin L. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F. "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G.
Learn directly from Patrick Raymond, a development executive at Mandalay Pictures which sold biopic Birth Of a Nation at the 2016 Sundance Film Festival for a record-breaking $17.5 million! Stage 32's "Deconstructing the Script" series has emerged as one of the most helpful ways to learn and improve your own screenwriting skills. By breaking down some of the top scripts in the marketplace, this exclusive series shows you choices screenwriters make in plot, dialogue, pacing, tone, world and description that will help inform your own writing. Even better - Stage 32 brings in working creative and development executives to break down each script - from their own perspective - so you can better understand how executives see writing and develop projects. In this Stage 32 Next Level Webinar, Deconstructing The Script: Oscar-Nominated Straight Outta Compton, we have brought in Patrick Raymond, Creative Executive at Mandalay Pictures, as your host to break down the script for this Oscar-nominated biopic. Recently Patrick's production company sold biopic Birth of a Nation at the 2016 Sundance Film Festival for a record breaking $17.5 million! Even though Straight Outta Compton is a biopic, the structure, themes and world-building is applicable to any narrative feature screenwriting. In this 90-minute online webinar Patrick will work through the script, identifying the key elements, characters, and plot points that make this more than just a biopic but also a statement, keeping the tone and voice consistent throughout as it relates to the subject matter. He will identify specific scenes that support the themes and identify not just specific plot points, but also highlight relevancy for the modern audience/culture. You will be able to see margin notes and specific script examples from Straight Outta Compton to learn how and why choices were made. As a development executive in Hollywood, Patrick has a plethora of experience reading and developing various musical biopics. Straight Outta Compton is one of Patrick's favorite scripts from 2015 and "...from a story and script level, stands as one of the best." Find out why by registering for this Stage 32 Next Level Webinar.