Learn directly from Ross Putman, an award-winning producer and founder of PSH Collective! Transformers. Godzilla. Captain America. Groot...? Who knew that this summer's biggest success story would be Marvel's band of unlikely heroes, known as The Guardians of the Galaxy? With their biggest star (Bradley Cooper) playing a talking raccoon, a director whose previous film grossed just $300,000 at the box office, and with a cast of characters so unknown that an entire teaser trailer was devoted just to introducing them, the odds seemed long for Guardians to make any impact at all. And yet it's the only film to gross over $300 million at the US box office--something not even Michael Bay's fourth Transformers movie could accomplish (and that had Marky Mark Wahlberg)!It's a little known fact that Guardians was based on source material that Marvel all but buried. So why did it work? Regardless of whether a good story is based on source material or original material, Guardians would not have been a success if the script, filmmaking, casting and marketing weren't all thought out and executed perfectly.In this webinar, we'll deconstruct how Marvel "flipped the script" on... well, its own scripts. A focus on quirkiness, the establishment of a unique tone, and bringing their first female writer in the fold added up to a great finished product. Whether it's the very specific character traits (like Drax's inability to understand metaphor) to the very clear stakes (even when things go deep into sci-fi), Guardians has all the right moves to please movie-goers tired of the same-old-same-old. Yet it becomes truly revolutionary by sticking to the basics; it's a script that puts one foot in front of the other and never stumbles.
Documentary filmmaking is a very different game than narrative filmmaking, as any professional documentarian can tell you. Perhaps the most important difference between the two is that narrative filmmaking follows a script. This is not the case with documentaries — it can’t be. Documentaries capture real life which is anything but predetermined. As a result, the documentary filmmaking process is flipped and the story is crafted after production in the edit room. Knowing how to find the story in your documentary from the footage you've shot is the key to making a world-class film. This skill doesn’t just make or break your documentary; it is your documentary. Yet this process of finding the story can be incredibly hard since it’s is often vastly different from the story in your head. But mastering this skill is the key to being a great documentary filmmaker and something that’s entirely within your grasp. And that's where Stage 32 steps in. The host of this webinar, Eric Daniel Metzgar is an Emmy Award-winning filmmaker and the producer and editor of Hulu's documentary CRIME + PUNISHMENT, which won an Emmy and Sundance Film Festival's Grand Jury Prize. A two-time Sundance Documentary Lab Fellow, Eric has extensive experience directing, producing, writing, and editing award-winning documentary films. He directed, shot and edited REPORTER, which premiered at the Sundance Film Festival, aired on HBO, and was nominated for an Emmy Award. He also directed, shot and edited LIFE.SUPPORT.MUSIC., which aired on PBS’s long-running documentary series POV, and THE CHANCES OF THE WORLD CHANGING, which also aired on POV and was nominated for an Independent Spirit Award. Eric also edited GIVE UP TOMORROW and ALMOST SUNRISE, which were both nominated for Emmys and also aired on POV. Through his storied and heavily awarded career, Eric has positioned himself as a practiced and highly sought after editor and documentarian. He’s prepared to share what he knows with the Stage 32 community. Eric will teach you invaluable strategies to help you move through the inevitable difficult stages of your documentary editing journey and to stay on track when the going gets tough and all seems lost. He will begin by going over what makes a good documentary story in general, including beginnings, middles, and ends, arcs, stakes, and “releasing power”. He’ll then discuss how best to approach your own footage and determining if you have a story. He’ll explain differentiating between the footage and the story in your head, how to craft an outline, and create a reckoning with beats. He will also teach you what selects are and why they can make all the difference. Next Eric will give you tips on how to approach the initial assembly edit, where to start, how to stay motivated, how to avoid “the music trap” and the best way to start linking your scenes together. Then he will delve into the real editing after the assembly is completed. He’ll discuss rearranging, re-cutting, and deleting, how to fix the scenes that aren’t working and how to know when to kill your darlings. He will also give you tips on revisiting raw footage later on in the process and what to do when you hit those inevitable but painful roadblocks. Eric will focus on the two hardest parts of a documentary—beginnings and endings, and strategies to make them successful. Eric will spend time giving tips and inspiration for what to do when you hit that dreaded brick wall and how to stay on track and hold on to your purpose when things get difficult. He’ll talk about getting others’ opinions and what you need to do to allow your film to be good, how to take it from good to great, shifting from the content to the form, fine tuning, working with the film as a whole, and how best to address lingering doubts. There’s nothing harder than editing a great documentary, but you will leave this webinar with a better understanding of how to be successful with a collection of strategies to help you navigate your way through. Praise for Eric's Stage 32 Webinar "This webinar was truly insightful. Very down to earth and straightforward with information. I learned more with Eric in a half-hour than 1 year at a university." -Michelle A. "Fantastic webinar! Eric shared valuable information in such an engaging way...I was so relaxed even though I was feverishly taking notes. : ) He was definitely inspiring. I'm anxious to watch it again!" -Marli W. "Amazing session with Eric. He has saved me months of prep on my docs just on the tips I got today. No more paper edits for me." - Genevieve S. "What an amazingly insightful, helpful presentation! Eric's evident passion for documentary film and practical guidance left me excited to dig into my project." -Alexis S. "So helpful. Exactly what I needed during this time in my careers and profession." -Alexandra K.
During this webcast, writers from around the world including Australia, Scotland, Canada, and more, shared their "writer biographies" and talking points. It was an excellent way to get to know one another and find out how to present their backgrounds and career aspirations during a general meeting. In addition to developing the craft, we endeavor to prepare Writers' Room members for the business of film and television. And that means, knowing how to present yourself, as well as your ideas, in a meeting with producers, executives, and filmmakers. Using the "Breakdown Webcast: Breaking down a General Meetings" as a guide, your challenge was to write a short biography on yourself which focuses on the major "talking points" that you would benefit you in a general meeting with a producer, executive, manager or other industry pro. Include a bit on your personal and professional background, the genres you write, your screenwriting accomplishments (such as awards, accommodations, accolades), your goals for your writing career (features? TV? Both?), and what makes your point of view so unique in an crowded market!
Learn how to protect your content online directly from Jaia Thomas, an Entertainment Attorney who specializes in federal copyright registration and licensing as well as film financing, production and distribution! Content creators are increasingly relying on digital and social media platforms to build their brand. Whether you’re a screenwriter, an actor, comedian, or anything, creating content for platforms like Twitter, YouTube, Vimeo, TikTok, and Instagram can be a powerful way to be discovered, find fans, and give yourself the chance for bigger opportunities. Yet despite the positives, the internet isn’t exactly the safest place, and having your work stolen or plagiarized is unfortunately far too common. Keeping your content protected on online platforms can be complicated but if you put your own work online, it’s crucial you first understand how to best legally protect yourself. Just because your work is posted and widely accessible on platforms like Twitter or Instagram doesn’t mean you can’t take steps to have it protected. The internet can be tricky, but it’s not the wild west it once was. Understanding how to be safe and what happens to your ideas when they’re posted can make all the difference. For instance are your YouTube videos protected under the U.S. Copyright Act? Who owns your tweet or snap? And what steps can you take from the outset to dissuade people from stealing your work? Better understanding the legal side of this world and being aware of the steps you can (and should) take is incredibly important if you’re interested in building your online presence and putting your own ideas out there for everyone to see. Jaia Thomas is an entertainment attorney with over ten years of legal experience who has brokered deals with companies like ABC, NBC, HBO, and Bravo and has been quoted as a legal expert in such publications as The New York Times, USA Today and ESPN. Jaia regularly assists clients with transactional and intellectual property matters and counsels filmmakers and producers on all aspects of film financing, production and distribution. She also regularly assists content creators with federal copyright registration and licensing and has had several works published in the American Bar Association, National Bar Association and multiple law journals. Through her many years specializing in federal copyright registration and licensing, Jaia has become an expert on how creators can keep their work safe, and is going to share what she knows exclusively with the Stage 32 community. Jaia will equip you with the tools necessary to protect your work and ideas in an increasingly online world. She will first outline the copyright registration process and how it applies to online content She’ll even go through step-by-step how to get your online work registered with the U.S. Copyright Office. Next she will delve into specific online sites and platforms, discuss their terms and conditions and give you tips on how to protect your work on each. This includes YouTube, Instagram, Twitter, and Faceboook. Jaia will discuss legal issues surrounding the ownership of social media posts. She will also highlight recent infringement lawsuits in the entertainment industry surrounding content being shared on social media platforms. Lastly, Jaia will discuss the requisite steps necessary to remove infringing material from the web.
It’s an incredibly exciting time to be churning out fresh stories. But when you’re writing feature spec scripts, you’re the boss of the story and no studio executive is there to tell you what they need from a marketing and sales perspective. So how do you know if you’re writing a script that will sell? There are a million ways to tell one story, but how do you tell your stories without spending hours of your precious creative juices only to be told that “It’s good, but I can’t do anything with it”? Don’t worry. We have an incredibly successful writer/producer who is going to bring his years of experience writing hits to teach you what this common mistake is and how to make sure you never hear the words “It's not for me.” Matt Ember is a writer/producer who has worked on over 20 feature films and television shows including THE CONNERS on ABC, THE WAR WITH GRANDPA with Robert Deniro, GET SMART with Steve Carell and Anne Hathaway and FAILURE TO LAUNCH with Matthew McConaghey and Sarah Jessica Parker and many more. Matt has been involved with spec scripts over his storied career and he will be bringing his knowledge exclusively to Stage 32! Matt will be teaching you the functions of a feature spec script, the pros and cons of being a “hired gun” vs. writing your own spec script, PLUS the 5 reasons you should write a spec script. Based on your reasons for choosing to write a spec script, he’ll talk to you about how you should write your script. He’ll also go over the 5 things a spec script is NOT, the spec script as a personal statement, thinking like a professional, and understanding the marketplace. He’ll use three successful spec scripts as examples to give you specific writing tips on character, structure, format, and the things you need to know before you start writing. This is an exciting opportunity to learn from and ask a successful writer/producer all your questions and get direct guidance so you can deliver your best feature spec scripts! PLUS! Matt will provide script downloads of 3 spec scripts you can learn from!
When we write scripts there are so many elements to consider in order to create a great story. There’s world building, introducing a vast ensemble of characters, interweaving conflict, creating stakes, and so much more, all while having to hook your audience in a short amount of time. It’s very easy to go overboard and try to cram all of these elements into your story where it gets to a point of oversaturation. This is why it's common for first drafts to be overcomplicated and hard for others to read or get through. Of course, we want to include all the aspects that make the formula of our script a success, but it’s important to do it in a way that is clear, concise, and effective. Making your script clear and not overcomplicated isn’t necessarily always the easiest thing to do. Learning how to trim our stories is difficult and cutting out things that we love is challenging as writers, especially when we’ve spent so much time investing in our projects. However, there are useful strategies and tools you can use to simplify the complexity of your script and create a product that gatekeepers will want to read and executives will want to produce. Screenwriting is all about telling a lot in a short amount of time. Being concise is a skill every writer should master. Samm Haillay is an award-winning producer and BAFTA member whose films have premiered at Cannes, Venice, Sundance, Tribeca, Toronto and London Film Festivals and have collected 35 international awards and nominations worldwide. Samm is also the founder of the BFI Vision Award and MEDIA Slate Funding Award-winning production company Third Films and his short films have collected over 50 international awards and nominations including at BAFTA, Berlin, Venice, Edinburgh and Chicago. Samm has picked up much talent and expertise from the filmmaking industry and shares his experience with the Stage 32 community. Samm will give you invaluable tips, strategies, and exercises that you can use to simplify your own complex script. He will discuss all the vital components of what scripts should include - and then help you boil down everything from what you want to keep in your story to what it actually needs. Samm will share the practice] he developed called “The Story Rainbow”, which examines the relationship and interconnectivity between Story, Narrative and Plot and can be used to further develop your own project.. He will be focusing on how to keep your script simple - yet complex - rather than confusing and complex. Samm's unique understanding of how to simplify complex script has greatly elevated his own career and he is beyond ecstatic to help members of the Stage 32 community to achieve the same.