How to Write a Film Based Off an Original Idea or Comic Book Adaptation

3 part class taught by Jordan Barel, who works TV Coordinator for Verve Talent and Literary Agency! In the past four years, we have seen The Avengers, Batman Vs Superman, Deadpool, Captain America, Man of Steel, The Amazing Spider-Man, Guardians of the Galaxy, Iron Man, The X-Men, The Dark Knight and many other comics turned into major studio films that smash the box office. There is no doubt that there is a demand for super hero and comic-based stories.

Have you found a comic that you think would make a great film? Have you ever read a Marvel or DC comic and thought “how did they screw up the movie so bad?” Do you have your own comic series that you think would make a hit movie? Do you dream of being a writer but don’t yet have your angle? Or do you want to write a Major Summer Tentpole based off an original idea?

Stage 32 is excited to bring you the previously-recorded 3 part class: How to Write a Film Based Off an Original Idea or Comic Book Adaptation taught by Jordan Barel, who works in Development at Paul Scheer's company, Abominable Studios. Jordan gives you a how-to on translating comic books into film writing, and how to write a summer Tentpole based off an original idea. He covers everything from story structure and dialogue, from legal issues to pitch packets.

Purchasing gives you access to the previously recorded live class.
Although Jordan is no longer reviewing the assignments, we still encourage all listeners to participate.

PRAISE FOR JORDAN'S TEACHINGS:

Jordan covered a lot of ground. High marks for knowledge. Communicates with enthusiasm and passion. Shot down a lot of common misconceptions. All very helpful. Thanks again! - Dan M.

Very knowledgeable and easy to follow. Great information! - Debbie O.

[He] was extremely helpful as a newbie outsider to understand the true process flow at the various networks and what should be involved with a pitch. Good job! - Matthew M.

Jordan was natural and engaging, and very informative. - Wade C.

Excellent presentation. Solid information provided in an ordered manner. - James S.

Part 1 - The Market, Comics, Story

• Jordan gives an all inclusive look into the comics-to-film landscape, how they get made, and where you can find good material. Jordan covers the writing fundamentals (sequences, scenes, beats) before diving into concept: characters that sell, characters that don't.
• Q&A with Jordan

Part 2 - The Writing Process

• Jordan explores the writing process in depth, for both comic and film, covering topics such as: characters, plotholes, what can/can't be filmed, opening imagery, crisis, denouement and more.
• Q&A with Jordan

Part 3 - Rewriting, Pitching, Sales & Sequels

• Jordan explains the rewriting process (editing dialogue, keeping page counts low, tailoring for A-list stars) before discussing sequels. He continues with an in-depth look at pitching: how to put together a professional packet, what to say and what not to say. Lastly, Jordan explores sales strategies for studios, producers and managers/agents as well as conventions, trade shows and comic stores.
• Q&A with Jordan

WHAT TO EXPECT:

• This class is designed for beginner and intermediate students looking to learn how to use original ideas or comic books for their next big project. This is an in-depth, practical, and detailed class with significantly more content than a standard 90-minute webinar.
• This class will consist of 3 sessions, each roughly three to four hours in duration.

All levels of producers (advanced, intermediate and beginner) looking to learn how to use original ideas or comic books for their next big project.

All levels of filmmakers (advanced, intermediate and beginner) looking to learn how to use original ideas or comic books for their next big project.

All levels of screenwriters (advanced, intermediate and beginner) looking to learn how to use original ideas or comic books for their next big project.

Actors looking to learn how to use original ideas or comic books for their next big project.