Timothy Andrew Edwards is a ‘go to composer’ in the world of television with compositions on shows such as Keeping Up With the Kardashians, The Bachelor, Ellen and TMZ. His themes for Extra, Leeza, and BBC’s My Genius Idea have become enduring signatures for all three programs. Additionally, he has scored over 100 trailers and promos for successful feature films and television shows. His dark score for the cult genre film Necromentia was described by Fangoria magazine as, "...brilliant, an almost unbearably oppressive meltdown of aural darkness....”. His songwriting contributions to The Vampire Diaries, Smallville, and CW Now solidify his status as a master of all formats. “I share the same view as the film maker or TV producer - the story and, ultimately, the audience experience comes first.”, Edwards asserts. “My approach is thorough, from the cymbal tick within a fraction of a frame to the perfectly placed cinematic bombast needed to take the project over the wall. I bring my sensibilities and expertise to every project.” For more information on Timothy Andrew Edwards, go to: http://www.imdb.com/name/nm1597994 Full Bio »
Learn directly from Timothy Andrew Edwards, one of the most diverse and accomplished Composers and Music Supervisors working in entertainment today!
Edwards has collaborated with NBC, CBS, ABC, Fox, E! Entertainment, Warner Brothers, Paramount Pictures, Bravo, MTV, Universal, Lionsgate, National Lampoon, Spyglass Entertainment, Anchor Bay, Shout! Factory, Relativity Media, Capacity Pictures, Dreamworks, Compass International Pictures, Trancas Films International and Magnolia Pictures. He is also the Chair for the Composer Advisory Committee for the Production Music Association, as well as a Voting Member of the Recording Academy (Grammys) and an expert contributor to the #1 selling book "Guerrilla Film Scoring".
For many composers, finding continuous work in the current film and television music landscape is daunting. How do you go about becoming a working composer? How do you get in the door enough to find steady work? What should you be doing to create and build your career?
In this exclusive Stage 32 Next Level Webinar, host Timothy Andrew Edwards will break down the steps in the general composing and networking processes and reveal his insider tips on how to build a professional career as a film or TV composer. With nearly 75 film and television credits to his name, Timothy will give you his expert advice on the most common networking mistakes composers make and how to avoid them, how to connect authentically and effectively, the “not so hidden” secret resource that can get you working as a composer regardless of where you reside and how to properly build your credits and your reel to "make work from work".
Timothy Andrew Edwards
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
As we always say at Stage 32, perfecting your craft is only half of your job - the other half is networking! So, how do you meet the right people to move the needle on your career when you don't know anyone? We've brought in industry veteran Jessica Sitomer, who has over 20 years in the industry as a development executive, producer of 3 TV shows, writer and career coach for the Cinematographers Guild. Through the years she has perfected the art of networking - helping creatives grow their networks from one to two people to hundreds. When she moved to Los Angeles, she knew two people and one of them moved the day after she got to LA. She made it her mission to learn how to survive and thrive in the creative industry. In this Stage 32 Next Level Webinar Jessica will go over the eight concrete strategies for breaking in when you don't know anyone and will offer plenty of tips for successful networking. There are exercises and actionable information you can use to help you start connecting and thriving!
If you're a filmmaker, producer or any creative head looking to incorporate music into your film & television, advertising or media project, you'll need to understand the basics steps of how to secure the music rights for the music you desire to use. From well known hit songs from major recording artists, to indie bands to public domain to original compositions and cover songs of music hits, you will need to be armed with all the knowledge of clearing the rights to that music for your film or project in order for it to play at festivals, screen theatrically, stream on the internet or be released on DVD/VOD. The memorable song placeholder you are in love with and want to use in your opening credits that you found online - is that song even able to be used and licensed within your budget if you screen your film theatrically? What type of rights will you need to exploit your project globally? Or, what about that jukebox song your editor tempted into the background during one of your bar scenes - is that okay to use? And for how much will the licensing fee be for the rights you need? Knowing all these details and nuances will inform you as to why you must prepare in well in advance and allow time for the music clearances, along with knowing the type of rights your project requires for the music needed. Stage 32 Next Level Education is excited to present Anna Grannucci, a Los Angeles-based film producer and music supervisor and Yale School of Drama graduate, with more than a decade of experience working on films such as WHIPLASH and STICKY NOTES for the jam-packed 90-minute Webinar Learn the Ropes of Film Music Clearances. You will learn a variety of valuable information starting with the types of other source music available for film, television, advertising, video games and every other digital media source, which also includes public domain music, royalty free, original composition, and score. You will learn how to gauge what songs are licensable or not for use in your film or project. Once you've chosen your music, you will learn music rights, the clearance process, the difference between festival, theatrical, DVD/VOD and advertising clearances and more! You will walk away from this Webinar with a clearer understanding of your music planning and the understanding of the music clearance process you need in order to make your film's music soundtrack a success! And, who better to educate you than the Music Supervisor for both the WHIPLASH short and feature film who controls the music library associated with the film - we bring you only the best instructors at Stage 32!
Becoming a working film and TV composer is a very competitive industry and it takes talent, persistence and patience in order to break in and work consistently. Here's your opportunity to learn the craft AND how to navigate the business from an Oscar nominated, multiple Grammy winning composer, exclusively on Stage 32. For over 30 years, Spike Lee's go to composer to score and provide the perfect music for his films has been Terrence Blanchard. From Jungle Fever to 25th Hour to Inside Man to the Oscar Nominated score for BlacKkKlansman, Terrence has created numerous memorable and essential scores. Further, Terrence has been the lead composer and provided exquisite music for more than 50 films working with some of the industry's top producers and directors including George Lucas and many more. Starting with his remarkable 5-step process to composing music for film to his ground-breaking "If I Could Tell You I Would Technique to helping you overcome fear and to teaching you what he's learned about navigating the business and building a long lasting career, Terence will have you full of confidence and ready to compose and present your best work. Further, Terence will show you in depth how he composed his Oscar nominated BlacKkKlansman and Harriet scores and take you behind the scenes in his studio to show you his set up and equipment. In short, you'll be learning at the feet of a master technician. What better way to get a leg up?! This Masters of Craft Webinar is exclusive to Stage 32 and is available to be viewed immediately.
Getting a job in Hollywood can seem hard...but it doesn’t have to be. If you feel like every job application you send in is a shot in the dark, you may want to rethink your process. Luckily, there are many tangible strategies that can make the job search more efficient. Ultimately, the key is to find a way to stand out in the pack. And we’re here to help you do just that. During this 90 minute session, you’ll learn how to build a robust network, job search tactics that will get your resume into the right hands, how to craft effective resumes and cover letters, and tips to help you ace any job interview. Whether you’re just starting out or are hoping to transition into a new position that will move you closer to your goals, this course is for you. We are professional resume writers, dedicated to helping Hollywood hopefuls find their dream jobs. But unlike most professional resume writers, we are not recruiters or HR executives. Instead, we have actually worked in and hired for entry-level positions across Hollywood. After conducting hundreds of interviews and weeding through even more resumes over the years, we've learned that many qualified candidates simply don't know how to pitch themselves for the Hollywood jobs they want. And, in an industry where most jobs are filled through internal referrals, it’s crucial to impress not only the recruiters, but those in the actual departments that are hiring -- and we know what they’re looking for because we’ve worked in those departments ourselves. We’re excited teach you the proven networking strategies, resume and cover letter writing techniques, and and interview skills that we have used to succeed in our own careers and watched countless others use to succeed in theirs.
Learn directly from Sam Estes and Michael Hobe, composers and sound designers (Inception, Dark Knight, American Horror Story) There are thousands of "composers" around the world, wanting to become the next John Williams or Hans Zimmer - how do you cut through the chaff and find and keep work in the Film and TV Music Industry? Sam Estes and Michael Hobe (Sonicsmiths) have been composers and sound designers for the past decade in Los Angeles, working on several major titles (Inception, Dark Knight, American Horror Story, etc) and have lent their "musical sound design" to many of LA's top composers, including Hans Zimmer, Michael Giacchino, Junkie XL (Tom Holkenborg), Danny Elfman, Christopher Lennertz, Ramin Djwadi, Geoff Zanelli, Lorne Balfe, Henry Jackman, James Levine, Michael Levine, and many others. "After hiring and training many young graduates of music schools, and speaking with non-local (and international) composers who want to break in, we have found that the vast majority of them have no idea how to get projects, keep them or even know the level that is required to produce music for small films, let alone the major titles." In this Stage 32 Next Level Webinar, Sam and Mike are going to explain some of the paths to get to work in this challenging, competitive, and stressful environment - and once you start to break in, what to do to keep work, establishing a base network, and how to make a living doing what you love.
Learn the impact of film editing from international director/editor Max Leonida whose films have been screened and awarded at a range of festivals including the Sundance Film Festival, the Cannes Film Festival, the International Salerno Film Festival, the Columbia Gorge International Film Festival and the L.A. Short Films Festival, to name a few. “I love editing. I think I like it more than any other phase of filmmaking. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.” (Stanley Kubrick) Some of the greatest, most iconic filmmakers of all times (like Scorsese, Hitchcock, Kubrick, Tarantino, Coppola, Lynch, Fellini, Gilliam and many others) used to spend hours, days and sometimes months into the dark secrecy of the editing room, sitting next to their faithful editor, enjoying the guilty pleasure of reshaping – over and over again – a world of their own. The post-production phase is the most critical one throughout the entire film production process… and editing, in particular, is a pivotal moment where as a filmmaker you should be able to understand that you are writing the final version and destiny of your movie. In this Stage 32 Next Level Webinar, international director/editor, Max Leonida will use his years of experience to give you a more profound knowledge of the artistic nature of the editing process, together with a clear, up-to-date and technical expertise about the most important digital editing systems on the market. Max's most recent films include Run (winner at 2013 MIFF and double winner at the 3D International Festival) and the feature film “What Separates Us”, Best Feature at the Machetanz Film Festival. Editing is not just a simple matter of pace, rhythm, and mere image composition: editing pertains to the core of storytelling itself. Every professional filmmaker knows that a closeup placed in the right place, at the right moment, can definitely chance the course of a narrative process. Editing includes re-defining the story, reconstructing the characters, reshaping the very structure to the point of even changing and re-dubbing the dialogue in a totally different way from the original script… all for the sake of beauty. And this webinar aims to give you these tools.