It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!
Timothy Andrew Edwards is a ‘go to composer’ in the world of television with compositions on shows such as Keeping Up With the Kardashians, The Bachelor, Ellen and TMZ. His themes for Extra, Leeza, and BBC’s My Genius Idea have become enduring signatures for all three programs. Additionally, he has scored over 100 trailers and promos for successful feature films and television shows. His dark score for the cult genre film Necromentia was described by Fangoria magazine as, "...brilliant, an almost unbearably oppressive meltdown of aural darkness....”. His songwriting contributions to The Vampire Diaries, Smallville, and CW Now solidify his status as a master of all formats. “I share the same view as the film maker or TV producer - the story and, ultimately, the audience experience comes first.”, Edwards asserts. “My approach is thorough, from the cymbal tick within a fraction of a frame to the perfectly placed cinematic bombast needed to take the project over the wall. I bring my sensibilities and expertise to every project.” For more information on Timothy Andrew Edwards, go to: http://www.imdb.com/name/nm1597994 Full Bio »
Learn directly from Timothy Andrew Edwards, one of the most diverse and accomplished Composers and Music Supervisors working in entertainment today!
Edwards has collaborated with NBC, CBS, ABC, Fox, E! Entertainment, Warner Brothers, Paramount Pictures, Bravo, MTV, Universal, Lionsgate, National Lampoon, Spyglass Entertainment, Anchor Bay, Shout! Factory, Relativity Media, Capacity Pictures, Dreamworks, Compass International Pictures, Trancas Films International and Magnolia Pictures. He is also the Chair for the Composer Advisory Committee for the Production Music Association, as well as a Voting Member of the Recording Academy (Grammys) and an expert contributor to the #1 selling book "Guerrilla Film Scoring".
For many composers, finding continuous work in the current film and television music landscape is daunting. How do you go about becoming a working composer? How do you get in the door enough to find steady work? What should you be doing to create and build your career?
In this exclusive Stage 32 Next Level Webinar, host Timothy Andrew Edwards will break down the steps in the general composing and networking processes and reveal his insider tips on how to build a professional career as a film or TV composer. With nearly 75 film and television credits to his name, Timothy will give you his expert advice on the most common networking mistakes composers make and how to avoid them, how to connect authentically and effectively, the “not so hidden” secret resource that can get you working as a composer regardless of where you reside and how to properly build your credits and your reel to "make work from work".
Timothy Andrew Edwards
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
For over 20 years, Spike Lee's go to composer to score and provide music for his films has been Terrence Blanchard. From Jungle Fever to 25th Hour to Inside Man to Spike's latest critically acclaimed film, BlacKkKlansman, Terrence has created memorable and essential scores. In fact, Terrence has been the lead composer and provided exquisite music for more than 50 films. And now he's here to teach you everything you need to know about how to break in and stay in, how to overcome your anxiety, how to work in full symphony with your director, how to be the best you can be and be hired again and again and so much more in this exclusive Stage 32 Masters of Craft Webcast. You will find this opportunity nowhere else!
Hello, Creative Army. It's been a busy few months around the Stage 32 offices and for yours truly as it relates to my personal projects. I'm excited to share with you what I'm hearing, what I've learned, and what I've experienced since we last got together. As always, my AMA's are always free! Watch as many times as you'd like. Cheers! RB
I was born for this. Started on street corners tap dancing, doing comedy, telling stories & holding an audience until they pay me J A Masters Degree from USC Film School and three decades later there hasn’t been a day when I wasn’t writing, directing, producing or managing as an executive a feature film, television, documentary, live event and/or new media program. I’ve been blessed to learn from and collaborate with some of the luminaries of sports and entertainment producing and business management. For these efforts, I picked up a shelf full of awards & trophies, maintained an upward financial trajectory and learned to enjoy the ride. A few of the collaborations in my career include: Netflix, YouTube, NBC, CBS, ABC, Univision, HBO, Showtime, TNT, MTV, VH-1, Sony Pictures, Paramount Pictures, 20th Century Fox, Lionsgate Studios, Legendary Pictures, Blizzard Entertainment The Grateful Dead, Quincy Jones, Michael Jordan & David Falk, Phil Knight/NIKE, Magic Johnson, Peter Guber/Mandalay, Dr. Dre, Snoop & Eminem, Arthur Miller, Michael Bloomberg, Laurence Fishburne, the NFL, MLB and NBA, and most of the financing entities in Hollywood. I’ve established tax incentives that spark states into profitable production while structuring large scale financing. Easier said than done, trust me! Now, I’m thrilled to join with Stage 32 to talk about my journey and share my experiences from over the years. I love to give back to up and coming filmmakers and I’ll be holding an online Q&A to talk with you, the Stage 32 community, and tell you about the things I’ve learned along the way. If you’re in the middle of your filmmaking journey, now, no matter where you live in the world, I’ll be taking questions from you live, so ask away! So relax, this opportunity to not give up on your daydream just got a lot closer. Clint Eastwood, Kip & Kern Konwiser Kip & Virginia Madsen Kenny Ortega (director/choreographer), Jim Belushi, William Levy, Emilio Estefan Kip, Ron Shelton (director/writer), Pete Rose, Kurt Soderling (DP) Pre-production at Legendary Studios "The Konwiser Bros." Kern & Kip Konwiser
Learn the impact of film editing from international director/editor Max Leonida whose films have been screened and awarded at a range of festivals including the Sundance Film Festival, the Cannes Film Festival, the International Salerno Film Festival, the Columbia Gorge International Film Festival and the L.A. Short Films Festival, to name a few. “I love editing. I think I like it more than any other phase of filmmaking. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.” (Stanley Kubrick) Some of the greatest, most iconic filmmakers of all times (like Scorsese, Hitchcock, Kubrick, Tarantino, Coppola, Lynch, Fellini, Gilliam and many others) used to spend hours, days and sometimes months into the dark secrecy of the editing room, sitting next to their faithful editor, enjoying the guilty pleasure of reshaping – over and over again – a world of their own. The post-production phase is the most critical one throughout the entire film production process… and editing, in particular, is a pivotal moment where as a filmmaker you should be able to understand that you are writing the final version and destiny of your movie. In this Stage 32 Next Level Webinar, international director/editor, Max Leonida will use his years of experience to give you a more profound knowledge of the artistic nature of the editing process, together with a clear, up-to-date and technical expertise about the most important digital editing systems on the market. Max's most recent films include Run (winner at 2013 MIFF and double winner at the 3D International Festival) and the feature film “What Separates Us”, Best Feature at the Machetanz Film Festival. Editing is not just a simple matter of pace, rhythm, and mere image composition: editing pertains to the core of storytelling itself. Every professional filmmaker knows that a closeup placed in the right place, at the right moment, can definitely chance the course of a narrative process. Editing includes re-defining the story, reconstructing the characters, reshaping the very structure to the point of even changing and re-dubbing the dialogue in a totally different way from the original script… all for the sake of beauty. And this webinar aims to give you these tools.
Learn directly from composer and producer Christopher Lennertz, who’s first breakout score on Alvin and the Chipmunks grossed over $360 million worldwide, and who has worked on such films as Rush Hour 1 & 2, Horrible Bosses 1 & 2, Ride Along 1 & 2 and Think Like A Man Too. Filmmakers – in pre-production you went through somewhere around 75 revisions of the script… your 8 day shoot turned into 12… you had to cut a few scenes… but, you got the shots. Now, you’re in post. You’re combing through footage, the edit bay is in full overdrive and then you realize… you need music. You didn’t budget for this, or, maybe you did and thought it would be easy, but there’s an awakening when you realize that without music, you’re missing the heart and the soul of the film. Where do you start to find music for your film? How do you communicate what you want and find the right composer? With so many options such as score, source or original, how do you know what is worth investing in? How does the process work so everyone is pleased with the product? In this webinar Chris will go over all this and more. Composers – keep in mind that each filmmaker that needs music will have dozens of composers vying for their attention. Realizing that filmmakers go through a vigorous process before they get to post will help you understand their process. This can help you be a better and more marketable composer. This webinar will be invaluable insight into both the filmmaker’s side and the composer’s side. Exclusive to Stage 32 we bring you an incredible Next Level Webinar with Producer and Composer Christopher Lennertz (Ride Along 1 & 2, Alvin and the Chipmunks, Horrible Bosses, Ride Along and Think Like A Man Too.) Chris will educate you as a filmmaker on how to find the best music for your film. In this on-demand webinar, which is available for immediate download, Chris will cover topics for you such as how to find the right composer, examining the relationship between the composer and filmmaker, exploring the different job responsibilities of the scoring world, and hopefully enlightening you with some tips and tricks about each step of the scoring process to make your job as a filmmaker easier.
If you're a filmmaker, producer or any creative head looking to incorporate music into your film & television, advertising or media project, you'll need to understand the basics steps of how to secure the music rights for the music you desire to use. From well known hit songs from major recording artists, to indie bands to public domain to original compositions and cover songs of music hits, you will need to be armed with all the knowledge of clearing the rights to that music for your film or project in order for it to play at festivals, screen theatrically, stream on the internet or be released on DVD/VOD. The memorable song placeholder you are in love with and want to use in your opening credits that you found online - is that song even able to be used and licensed within your budget if you screen your film theatrically? What type of rights will you need to exploit your project globally? Or, what about that jukebox song your editor tempted into the background during one of your bar scenes - is that okay to use? And for how much will the licensing fee be for the rights you need? Knowing all these details and nuances will inform you as to why you must prepare in well in advance and allow time for the music clearances, along with knowing the type of rights your project requires for the music needed. Stage 32 Next Level Education is excited to present Anna Grannucci, a Los Angeles-based film producer and music supervisor and Yale School of Drama graduate, with more than a decade of experience working on films such as WHIPLASH and STICKY NOTES for the jam-packed 90-minute Webinar Learn the Ropes of Film Music Clearances. You will learn a variety of valuable information starting with the types of other source music available for film, television, advertising, video games and every other digital media source, which also includes public domain music, royalty free, original composition, and score. You will learn how to gauge what songs are licensable or not for use in your film or project. Once you've chosen your music, you will learn music rights, the clearance process, the difference between festival, theatrical, DVD/VOD and advertising clearances and more! You will walk away from this Webinar with a clearer understanding of your music planning and the understanding of the music clearance process you need in order to make your film's music soundtrack a success! And, who better to educate you than the Music Supervisor for both the WHIPLASH short and feature film who controls the music library associated with the film - we bring you only the best instructors at Stage 32!