Jack has performed in countless TV shows, commercials and feature films. You most likely will recognize Jack from his series regular and recurring roles on Silicon Valley, Buffy the Vampire Slayer, Reno 911, Action, Ellen, and Drawn Together, and his appearance in the films Meet the Fockers, Down With Love, Rubber and Gods and Monsters. Jack produced and starred in the Lifetime Television comedy Lovespring International (12 episodes on the air), and in the feature film (and cult hit!) Girls Will Be Girls. Most recently Jack starred in the feature film Wrong (5 stars from NY Daily News), was recurring on The Mentalist, is the spokesman for Chex Mix, co-wrote and directed the Off-Broadway musical, Disaster! (Top 10 - NY Daily News) and directed his first feature film, Space Station 76 (starring Patrick Wilson, Liv Tyler and Matt Bomer) which was bought by Sony Pictures for worldwide release. Jack is currently doing actor's workshop and lectures in Los Angeles and New York City. To learn more, and to read his free online book, New Thoughts For Actors, go to http://www.jackplotnick.com Full Bio »
It’s no secret that being an actor is one of the hardest jobs there is. Facing frequent rejection, navigating high levels of competition, constantly looking for new opportunities, all while honing your craft and remaining open and vulnerable in what can be a difficult and cold industry—pursuing this career is not for the weak of heart. There are countless challenges to building an acting career, but when we put undue pressure on ourselves we may not even realize that the biggest obstacle to overcome may just be our own psyches and self-destructive strategies. It's time to change course.
There’s so much information out there for actors about improving your craft, changing your auditioning chops, working with your agent, staying on top of trends, making connections, and more. It’s easy to forget that a big part of the craft simply comes down to mindset and confidence. Taking away the doubt that so often comes with performing and replacing it with swagger and confidence will help you not only win over every room, but also make smart, strategic decisions that will lead to a long and prosperous acting career. This, of course, is easier said than done, but a good first step is to learn the best tips, tricks, and traits of the most successful working actors.
Jack Plotnick has been a working actor for over 20 years and has amassed over 100 IMDB acting credits in the process including SILICON VALLEY, MEET THE FOCKERS, THE MENTALIST, RENO 911 and BUFFY THE VAMPIRE SLAYER. He's also parlayed this success into a directing career with SPACE STATION 76 for Sony Pictures Worldwide. He has used his experience to serve as the go-to teacher for many successful film, television and voice actors including Zachary Quinto, Liv Tyler, Alyson Hannigan, and Ryan Potter to name a few. Jack has built a successful acting career for himself by adopting a mindset that has allowed him to win over the room and consistently get parts.
In 10 simple and applicable steps you can return to again and again, Jack will show you how to eliminate fear, doubt, negativity and how to cut out all those detrimental voices so damaging to an actor's psyche. He will give you the tools that will provide a persistent positive mindset that will have you brimming with confidence. He will teach you how to crush every audition and put yourself in position to win every room. He will show you how to be a better actor and why you are versatile enough to handle comedy and drama roles. He will teach you how to keep your mind and spirit healthy and book more work. Expect to leave this webinar with a newfound confidence, enthusiasm, and a set of tools to take with you to start landing more roles and improving your craft.
What Some of the Most Successful Actors are Saying About Jack:
"Jack has an innate ability to communicate a sense of freedom. Our work together has allowed me to more reliably get out of my own way and connect to the material and situation at hand."
- Zachary Quinto (Star Trek, Heroes, American Horror Story)
"(Jack) taught me things that were so fucking brilliant. They are things that have stuck with me and helped me as a human being in this world."
- Liv Tyler (The Leftovers, The Strangers, The Lord of the Rings)
"I seriously couldn’t have done it without him. His words of wisdom are always with me."
- Alyson Hannigan (How I Met Your Mother, Buffy the Vampire Slayer, American Pie)
"I've printed out every page of Jack Plotnick's website and made an "acting Bible" for myself."
- Wendi McLendon-Covey (The Goldbergs, Bridesmaids)
"Right now I'm working mainly with Jack Plotnick, who's just the best acting coach ever."
- Ryan Potter (voice of Hiro in Big Hero 6)
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Founded in 2011 by Richard "RB" Botto, Stage 32 is the world's largest online platform connecting and educating film, TV and new media creatives and professionals worldwide. Stage 32 works with over five hundred industry professionals and executives who provide education, instruction and professional opportunities for members of the platform. Stage 32 currently has over 1,200 hours of exclusive film, television and digital craft and business education in its library. Stage 32 members use the platform daily to build their network, take online webinars, classes and labs, find work and cast and crew their projects. Stage 32 members range from students to Emmy, BAFTA and Academy Award Winners. Over the last few weeks, we have been working tirelessly to ensure that you know that Stage 32 is your online home to stay connected with over 600,000 creatives and professionals from across the globe. Now, we are looking forward to bringing you another virtual event to help you stay up-to-date about the state of the entertainment industry featuring some of the top professionals in the business. In this special event webcast we presented a virtual panel featuring some of the top minds in the Stage 32 community to discuss the current state of the entertainment industry as we are all faced with the COVID-19 pandemic. Our Stage 32 Managing Director, Amanda Toney, hosted this incredible lineup, where you will hear the point of view of a production company (Andrew Fried of Boardwalk Pictures), a lender (Viviana Zarragoitia of Three Point Capital), lender counsel (Carolyn Hunt of Barnes & Thornburg LLP), a talent representative (Tracy Christian of TCA Management), all moderated by producer and production company counsel (Elsa Ramo of Ramo Law PC). Stage 32 is proud to be putting the "social" in #SocialDistancing. Please share this event on your social media and tag @stage32 on Twitter and @stage32online on Instagram.
Whether we’re talking about a comedy or drama, sci-fi or horror, a film or television series, animated or live action, short-form or long-form, having good characters is essential. There’s no escaping it. Even a script with everything else going for it, if it doesn’t have strong, compelling characters, it’s not going to work. Great characters connect the audience to your world and ground it in humanity. They provide stakes, bolster your plot and keep it moving. It’s therefore crucial to understand what make an effective character and how you can create that in your own project. Unfortunately there’s not a step-by-step guide to crafting the perfect character. There’s no secret formula and there’s no surefire algorithm. Good characters are complicated and hard to define because so are people. Good characters hold a mirror up to reality and let the audience see themselves or someone else they know in them. And all of that might be fine and good in theory, but what does that actually mean in practice? If you’re a writer how can you create a character who serves as a mirror, who will stick with audiences long after the movie or show ends? And if you’re a producer or director, how can you recognize a great character from a mediocre one through the written word? Lee Sternthal is a screenwriter, director and photographer who has written screenplays for every major studio, including TRON: LEGACY for Disney, as well as scripts for Johnny Depp, Mel Gibson and many others. His film, THE WORDS starring Bradley Cooper, Zoe Saldana and Jeremy Irons was an Official Sundance Film Festival selection and was later bought by CBS Films. Lee is a Sundance Institute Fellow, and his work has appeared on The Black List. Through his writing career, Lee has spent more time than most considering the art of character and using that to aid his own career, as well as writers he continues to mentor and champion. Lee will walk you through the power of character and how to create great characters for your own project. He’ll begin by discussing why exactly characters are so vital to story and will teach you the key differences between a TV character and a film character. Next he will give you a brief history of character in storytelling and reveal the one fictional character from history that all other characters draw from. Lee will then discuss the difference between heroes and anti-heroes, as well as help you determine which of your characters is the driver and which are the riders. He’ll then delve into the art of a great antagonist and why an interesting adversary is so crucial to a successful story. Lee will help you frame your story through the clarity of need, both in character and in story. Next Lee will go over the classic Hero’s Journey and slightly re-imagine it for modern times. He will give you strategies and exercises to better understand and develop your own characters, including his “What’s Their God?” and “Changing A Flat Tire” games. He’ll then teach you the concept of revealing character through behavior and hiding character with words. Next Lee will delve into the idea of how your characters fit into your world, including how the environment might change your character. He’ll teach you the Shakespearean approach to character and compare it to the Balzacian approach, and will also discuss the difference between neuroticism and human comedy. Finally Lee will go over the dance between plot and character, illustrating how the two should work with and against each other to create a feedback loop that’s necessary for any great script. Praise for Lee’s Webinar “Great insight. Really helped me in moving forward.” -Martin R. “I really enjoyed Lee's perspective on script writing. The examples he provided were very helpful. I'm very appreciative that he would share his knowledge, some of his techniques and be so generous with his encouragement.” -Simone L. “Lee had a great way of explaining how to get a feel for the character and why they have the traits they do. Lee did a great job of covering a lot of character related topics which I am glad I have been exposed to.” -Karl H.
The key to packaging yourself as a screenwriter and preparing you for a career in entertainment is all about finding the right people, building relationships, and knowing where your voice fits into the marketplace. Industry veteran, Michael Schulman (THE AVIATOR, SIXTH SENSE) will show you how to navigate your career, from getting your foot in the door and beyond. So you believe you’re ready to launch your screenwriting career. Now what? Most writers hunt for representation in the hopes that they will sell their scripts. But what if you can find the right people to produce with on your own? In this Stage 32 exclusive webinar, industry veteran Michael Schulman will show you how to make yourself and your script an appealing package, and find the right producers to build relationships with. Michael’s extensive career includes time working at William Morris, ICM, and CAA, as well as three studios, including Netflix. His experience makes him uniquely aware of what both producers and representatives are looking for in a writer and their scripts. This gives you fantastic access to years of insight from someone involved with some of the most successful films, including THE AVIATOR, ALI, THE SIXTH SENSE, GROUNDHOG DAY, and many more. Believe it or not, accessing real industry pros is not as difficult as it looks. Michael will help you write to your strengths, determine what exactly your script needs, know how to choose the right producers for your package, and also know how to reach out to them. From there, you’ll learn how to prepare to meet with both producers and representatives, even establishing follow-up steps to keep the conversation going with them. By the end of the webinar, you’ll understand the producer’s mindset of how to look at and market your scripts, viewing yourself as a package that can kickstart your career.
A NEW EXCLUSIVE CLASS FOR WRITERS, DIRECTORS AND PRODUCERS Payment plans available - contact firstname.lastname@example.org for details Learn in a private class setting with TV and film producer Tracy Mercer, SVP of Amasia Entertainment! Get an industry insider's guidance with case studies including HULK, INVICTUS, MADAM SECRETARY, GREEN HORNET, DARK SHADOWS and more. Are you ready to package, pitch and sell your projects in today's marketplace? With the incredibly high demand for content in today’s film and television businesses, it’s never been more important to make your projects relevant and undeniable to buyers in every single way. In this exclusive Stage 32 class, you’ll learn how the marketplace likes to see your material, the strategies involved to make your projects stand out, how strategic partnerships can help and how to add the most sizzle to your sales pitch, all under the mentorship of a world-class executive who currently works at the highest levels of the industry. Guiding you through this process is Tracy Mercer, the Senior Vice President of Television at Amasia Entertainment. Tracy and Amasia are currently developing a sequel series to Dan Curtis’s classic DARK SHADOWS as well as the series BECAUSE THE NIGHT, based on the James Ellory book. Previously, Tracy worked on projects including THE BOONDOCK SAINTS, HBO’s WINCHELL, TNT’s WITCHBLADE, ANY GIVEN SUNDAY, INVICTUS, Marvel’s THE PUNISHER, and AEON FLUX. Tracy was instrumental in the development of the CBS hit series MADAM SECRETARY. She’s worked with top-tier talent, including Jennifer Aniston, Morgan Freeman, Clint Eastwood, Ang Lee, and Karyn Kusama. In this class, over four focused sessions, you’ll cover how to best position your project for buyers, how to create a brand and not just a script, how to choose the best partnerships for packaging, and how to pitch your materials so they sell. You will analyze real case studies of film and television projects through the eyes of the very executive who got them made! These case studies will include in-depth looks at HULK, INVICTUS, MADAM SECRETARY, and the upcoming DARK SHADOWS and GREEN HORNET AND KATO. Tracy pulls the veil back on her own process to show that if you understand the relevance of your story, how it fits into today's marketplace, and have a clear strategy for a financial return, you can establish yourself as a trusted content creator for years to come. Join Tracy today and ensure that you and your projects are ready to get noticed, bought, and greenlit.
It’s no secret that television is a hot commodity right now. The “golden age of television” that began ten or so years ago has since exploded, and with new networks and streamers like Quibi, HBO Max, and Disney Plus coming into the fold, the volume of TV content has hit unprecedented levels. In fact over 500 scripted shows were broadcast or streamed in 2019 alone, more than any other year prior. And with more shows, there are more paths for writers to break in. After all, virtually all of these 500+ shows have their own writers' room. Yet even with this influx of opportunities, it’s still not exactly easy for new writers to land a job in this industry. Everyone’s path is different, but a tried and true route is to enter in as a writer’s room assistant and work your way up. Yet this, too, requires some wherewithal, skill and strategy. Being an assistant affords you the opportunity to learn first-hand how a writers' room works without the pressure of having to contribute to the same level as staff writers. It can be an incredibly valuable and educational step in your career. In fact, as your career advances, this experience will allow you to contribute more than just stories and ideas; you’ll now know how rooms operate, how things run smoothly, and how to keep workflow productive. Yet this journey is easier said than done. Getting into the room as an assistant is one thing, but holding your own, standing out, demonstrating your value, and carving a place for yourself and your future can be even more challenging. So how do people actually get the gig as an assistant in a writer’s room, and how do they find success and further opportunities in the process? Marcelena Campos Mayhorn is a former television assistant turned WGA writer, most recently staffed on the Netflix show SELENA: THE SERIES. The best part? Marcelena got her start outside of a major entertainment hub, working for the Austin Film Festival, before transitioning to working in television full time. She began her career as a line producer's assistant for Jerry Bruckheimer's CSI: CYBER on CBS, and went on to assist the writing for CBS's CRIMINAL MINDS, FOX's APB, and finally serving as the Writers' Room Assistant for Shonda Rhimes' STATION 19 on ABC. By moving up the ranks, Marcelena has gained a comprehensive understanding of the television writing landscape and how to be successful within it, and she’s excited to share what she knows with the Stage 32 community. Marcelena will give you the lowdown of how writers’ room assistants work, how to navigate these jobs, and ways to use them to get ahead in your own writing career. She will begin by explaining the four main types of TV assistants, including the Writer’s Production Assistant, the Script Coordinator, the Showrunner’s Assistant, and the Writers’ Room Assistant. She will illustrate what these roles do and what they look like day to day, including primary responsibilities and general expectations. She will then teach you about writers’ room etiquette, including unspoken rules, how the four main assistant roles work within the ecosystem, who is actually in the room when and when to speak up and when to blend in. She will go over what the standard rates are for these positions and go over the main benefits of each position, including some you might not have thought of before. Next, Marcelena will explain how to find and apply for these assistant roles, including tried and true routes, and other strategies that are always worth a try. She will teach you how best to shine in each of these four roles and will also propose two additional positions—researcher and personal assistant to a writer—you could also consider in working to break in. Marcelena will detail what the future of TV writing looks like post-pandemic, specifically for assistants, and go over whether it’s important to live in LA for these roles. Finally Marcelena will talk about how assistants have used these positions to take next steps in their careers and become staff writers in their own right. Breaking into television is always going to be hard, but Marcelena will provide you what you need to know to approach it through a tried and true path that may just give you a step up you’re looking for. Praise for Marcelena's Stage 32 Webinar "Marcelena was very informative and organized. She was also very thorough and informative when answering questions. One of the best hosts in a Stage 32 webinar that I have seen." -Eric Z. "Marcelena did such an excellent job describing the four roles and talking about the writer's room in general. Really enjoyed it and appreciate all of the information she shared." -Patricia W. "Marcelena was a great host, very informative without holding anything back." -Rebecca M. "Marcelena was a fantastic person to learn from. Thank you so much for having her lead this topic. I have so many notes. She's so gracious and I didn't realize how similar our life situations would be before joining this webinar, so it was a treat. She's wonderful." -Amelia S.
How do you best package and sell your projects in this ever changing industry? In this exclusive Stage 32 Webinar, we will teach your to push your projects and connect with industry executives to package and sell your projects from the development stage to distribution. Since joining Ramo Law in 2009, Tiffany Boyle has leveraged her business-oriented sales and packaging skills to bring hundreds of films and documentaries to fruition. Tiffany connects filmmakers with producers, co-producers, executive producers, co-finance partners, distributors, agencies and other industry representatives. Through her critical review of content and strategic use of Ramo Law resources, Tiffany creates successful content packaging that bridges the needs of both client and industry demands. In addition to all these skills, Tiffany served as a Co-Executive Producer and brought in financing for films SOMETHING ELSE (Tribeca 2019) and ARKANSAS starring Liam Hemsworth and Vince Vaughn. She led the sales and packaging for TRAGEDY GIRLS (SXSW 2017) and FREAKS (Toronto IFF 2018), she brought foreign financing to ASHES IN THE SNOW (Los Angeles FF 2018) starring Bel Powley, and she sold an autobiography to Hulu for development into a limited television series. Tiffany will provide you with the pertinent and actionable information you need to package a project in the current environment. She will begin by discussing the packaging and sales world before COVID-19, what is happening right now and what can be expected once we're in the clear. She will discuss packaging and selling of all budget levels and dive deep into the world of attachments including landing valuable producers, directors, actors, and even financiers. From there, Tiffany will tell you how to build your relationships to help enhance and accelerate your path to getting your project packaged and sold. She will discuss sales and the current state of the marketplace. And finally, Tiffany will even include some outside the box methods and resources toward packaging and selling your project outside the traditional model. "Let's do a deep dive into everything happening right now and what to expect down the road so you can take action. We will focus on who to approach first for attachments and how to build the project from there in order to make it the most sellable and attractive package it can be." - Tiffany Boyle