Lane Shefter Bishop is a multi-award winning producer/director who has received numerous accolades for her work including an EMMY, six Telly Awards, a Videographer Award, three Communicator Awards, a Sherril C. Corwin Award, an Aurora Award, a Davey Award, a New York Festivals Award and the DGA Fellowship Award for Episodic Television. Currently, Ms. Bishop is CEO of Vast Entertainment, a book-to-screen company with numerous projects in various stages of development, including feature films: REBOOT (Peter Chernin/Chernin Ent) for Fox 2000, BLOODY MARY;ORIGINS (Neal Moritz/Original Films), THE FALLEN (Film Engine), THE LAST APPLE (Ineffable Pictures), HEMLOCK (Ivan Reitman/Montecito Picture Co.), and THE DUFF (McG/Wonderland – currently in prod) for CBS Films; MOWs: OPERATION MARRIED BY CHRISTMAS [with LeAnn Rimes] for ABC Family, and THE CHOKING GAME for Lifetime, which Ms. Bishop also directed, and Television Series: CONFESSIONS OF A SOCIOPATH (Scott Stuber Productions) and DIVE (Doug Zwick/Red Wagon). Additionally, Ms. Bishop co- produced the feature film ASSASSINATION GAMES for MPCA. Ms. Bishop is also the former EVP of Motion Pictures and Television at TwinStar Entertainment. In addition to her scripted fare, Ms. Bishop also has extensive experience in reality television. Vast is currently partnered on all non-scripted programming with Bishop- Lyons Entertainment, which has a first-look deal with ITV Studios. To date, Ms. Bishop has directed more than two dozen sizzle reels as well as pilots for BLE, including VISIONARIES (partnered with Left/Right) for AMC, BARBADORO COMPOUND (ITV/MTV) and REINVENTION (Fox TV Studios) – which are going to series. Moreover, Ms. Bishop just finished shooting a pilot episode of the new show GEARS. Ms. Bishop is also a public speaker and author of LOGLINES, THE ART OF SELLING YOUR BOOK IN A SINGLE SENTENCE, which will be published in 2015 by McFarland. Ms. Bishop began her work in the industry at Moxie Productions, where she produced and directed projects for such networks as ABC, Showtime, HBO and MTV. She has directed numerous television shows and five feature-length motion pictures, including THE DAY LABORERS (aka Los Jornaleros), which received Official Selection in Edward James Olmos' LA Latino Int’l Film Festival , Cine Accion (San Fran), OutFest (Hollywood), Reel Affirmations (Wash DC), NewFest (NY) as well as the Milan International Film Festival (Italy). The film was distributed through HBO and Blockbuster. Ms. Bishop holds a B.A. in Literature from UC Santa Barbara and an M.F.A. in Production from USC's School of Cinema/Television. She is a director-member of the Directors Guild of America and the Academy of Television Arts and Sciences. Full Bio »
“Your story/book seems like it would make a great TV series or movie!” Ever heard these words before? If so, join executive Lane Shefter Bishop, as she takes you through the process in this Stage 32 Next Level Webinar.
Over the last few years, Lane Shefter Bishop with Vast Entertainment has set up more than two dozen book properties – many of them only book proposals and early partials – with studios, networks and production companies throughout the entertainment industry. Underlying intellectual property is like gold these days. Great projects ‘based on’ or ‘inspired by’ literary material are constantly in demand. And by being in the center of this ‘content is king’ world, only Lane can give you the valuable insights towards making your story more sellable to the industry marketplace.
Experience Dealing with Book-to-Screen
Lane Shefter Bishop is a multi-award winning producer/director who has received numerous accolades including an EMMY, 6 Telly Awards, a Videographer Award, three Communicator Awards, a Sherril C. Corwin Award, an Aurora Award, a Davey Award, a New York Festivals Award and the DGA Fellowship Award for Episodic Television. Ms. Bishop is currently the CEO of Vast Entertainment, a book-to-screen company with numerous projects in active development.
How a Book-to-Screen Producer/Director like Lane works
85% of Lane’s projects come in as early ‘sneak-peeks’ at book proposals, stories and partials. Gone are the days when an entire galley was needed to pitch a property. Most of the time, it takes only 50-100 pages, a strong “hook” story and great characters for Lane to make a sale these days. Lane will talk about how someone in her position works:
The Book-to-Screen Process
Not many folks know about or talk about what the process is really like going from book to screen. Because Lane has been involved from square one – finding the project, then herding it through the screenwriter and director search as well as the development process, all the way through physical production on set – she is able to share her valuable insights into how it all works, what you can expect:
What is a Book-to-Screen Logline?
A top-notch Logline is a writer’s most important asset – invaluable for query letters, for keeping laser focused on what makes a story unique, and for having the perfect elevator pitch ready to go. Lane is the leading authority on Loglines and her book Loglines: the Art of Selling Your Story in a Single Sentence published by McFarland:
How to create a perfect Logline?
In writers conference seminars across the country, Lane has imparted her knowledge on how to create a perfect logline. Now she will share some of these secrets with you. Additionally, Lane will walk you step-by- step through sample loglines – showing poor examples, then changing them as you watch and learn:
Lane Shefter Bishop, Emmy-Award Winner
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
“What’s your story about?” Having a perfect logline ready to answer that question can help give you the best chance of seizing the opportunity when you are asked. Your logline is your most important asset. It's invaluable for keeping you focused on what makes your story unique and for always making sure that you nail the first impression when someone asks you about your work. Having the perfect elevator pitch ready to go can make or break you when the opportunity presents itself. But, why do so many creatives struggle with coming up with that one-sentence? How do you get better at honing your logline? Stage 32 is here to help you. We have brought in Emmy-award winning producer Lane Shefter Bishop who has sold 30 PROPERTIES in the last 5 years - all from pitching just a logline. Plus, she is the author of the book Sell your Story in a Single Sentence; Advice from the Front Lines of Hollywood Touted as “The Logline Whisperer” Lane Shefter Bishop has the specific tools you need to help you know how to sell what you write! In this Stage 32 Next Level Webinar, Lane will give you insider information on how you can best position your project to sell your work to agents, editors, publishers and producers. Lane has successfully sold projects to various networks and studios, including NBC/Universal, ABC/Disney, CBS, Lifetime, Sony and 20th Century Fox. All of these projects have one thing in common – they began with a single sentence, a top-notch logline. After all, you can have the best material in the world but, if you get on the phone or in a room, you need to know how to sell it with your logline!
Whether you're controlling some valuable intellectual property, looking to secure IP, or simply have a valuable property in the form of a spec script, TV pilot, webseries, digital series, or other filmed material, you are likely going to be confronted with signing or distributing an option agreement. It is imperative that you understand the various types of option agreements and what information should be included to assure that you are not only protecting your material, but yourself legally as well. As the content gold rush grows, option agreements have become more and more commonplace. It is the vital piece of the paper trail that will ensure you are exercising and getting all your rights as your project gets made. These agreements are designed to protect both sides of a given deal, but can be complicated and sometimes include unnecessary language or clauses that could serve to hold up your content or payment. before you sign on the dotted line, you need to understand what exactly is an option agreement, who has creative control, how much money can be made and what you need to include to protect your rights up front. Lane Shefter Bishop is an Emmy award winning filmmaker and producer who has set up over two dozen book properties - many of them only on book proposals and early partials - with studios, networks and production companies throughout the entertainment industry. She is the CEO of Vast Entertainment, a book-to-screen company with numerous projects at both studios and networks, including feature films for Fox 2000, Silver Pictures, CBS Films & Lionsgate, and TV films for Lifetime, as well as TV series with Phoenix Pictures, Atlas Entertainment, The Donner Company, Storyline Entertainment and Universal Cable Productions. She has been on both sides of option agreements and knows the ins and outs of what you need to take into account for your own option agreement. Lane will provide you essential practical knowledge on the ins and outs of option agreements and break them down step-by-step and section-by-section. You will know what is included in a typical option, what purchase price can be expected, what royalties can be expected, what reserved rights are and how to handle publishers releases, notarized addendums and author assignments. This is vital for authors and screenwriters who currently have or expect to have their own material optioned and want to know what monies they can expect to make, when, and how. But it is also highly beneficial for producers, directors, and talent looking to acquire their own underlying material for development- books, short stories, graphic novels, articles, etc. Lane will provide you with a comprehensive, but easy to understand deep dive on option agreements. She will remove the fear and anxiety which will allow you to clearly and decisively protect yourself and ask for the important items that need to be included in all your agreements. Praise for Lane's Stage 32 Webinar “Very impressed with Ms. Bishop, both her formal presentation and the Q & A that followed.” - Steve Weintz “The seminar was informative, insightful, well documented, entertaining, well thought out and delivered with a touch of humor. Wonderful!” - Katharine Carter
In this big, bonus episode of the Executive Hour we are joined by Oscar-nominated and Emmy-nominated screenwriter, Meg LeFauve! Meg is the brilliant screenwriting mind behind critically acclaimed films including INSIDE OUT (which earned her an Academy Award nomination, and won the Academy Award for Best Animated Film in 2016), THE GOOD DINOSAUR, and CAPTAIN MARVEL. She has also contributed to Pixar films including FINDING DORY and INCREDIBLES 2, as well as the 20th Century Fox animated film SPIES IN DISGUISE! Prior to her career as a screenwriter, Meg ran development for actress and filmmaker Jodi Foster. She has been nominated for an Academy Award, Emmy Award (as a producer), NAACP Image Award, and BAFTA Award, with a total of 24 award nominations and 8 wins! During the webcast, Meg's discusses her career at Pixar, how she is adapting and working in the current quarantine situation, what writers can be doing during this time, what types of scripts and projects she thinks will be in demand once this quarantine is over, and so much more!
In this Break Down we are seeing what it takes to build a world during the Breakdown Webcast: World Building! This comes as a request from several of our members who want to discuss how to build worlds in your writing...and pre-writing. World Building is one of most important tasks in writing - it lays the foundation for everything that occurs in your story. So how can you do it within your screenplay without feeling expository or over the top? We're going to talk about how to avoid common mistakes in World Building, key ways to get better at World Building, and even look at some examples of World Building from both script and screen to see how your favorite screenwriters and filmmakers tackled this difficult task. During this webcast, we watch clips and analyze the scripts for features including TITANIC, BLADE RUNNER, JOKER and more!
Learn directly from Tatiana Kelly who has produced 12 independent films including Wristcutters: A Love Story and The Words (Bradley Cooper and Zoe Saldana), and The Procession. The barrier of entry for the micro-budget / DIY / indie filmmaker has never been lower, making the landscape of independent film more exciting than ever. With box office and VOD sales at an all time high and more distribution opportunities than ever, independent films are enjoying a resurgence. Throw into the mix that many studios and larger production companies are committed to producing numerous micro-budget films each year (see Paramount Insurge) and independent producers such as Jason Blum (Blumhouse) have made a living in the space, and the demand for films with micro-budgets has never been higher. Additionally, many creatives are taking matters into their own hands by making micro-budget films as a calling card for their talents.Some examples of micro-budget films include Napoleon Dynamite, Halloween, Clerks, The Blair Witch Project, Mad Max, Eraserhead, Open Water, Catfish, Saw, Once, Pi.Story and style win the day as a result of the passion and dedication put into micro-budget films. If you are a screenwriter, producer, filmmaker or any other creative that values control of your story and film and has decided to write, develop, shoot or distribute a film in the micro-budget space, this is the webinar for you.
It’s the dream of many to have a career as a writer for TV or film, to be able to make a living creating worlds and telling stories. It is no doubt an exciting career, but that doesn’t mean it’s easy. For as many people that find success in screenwriting, there are many others who don’t. This doesn’t just come down to talent, but also to a huge array of other aspects (not to mention a good amount of luck and circumstance). Ultimately if you want to write full time, it’s important not just to hone your writing skills, but also the skills needed to live a writer’s life. It’s common for people to jump into the world of screenwriting and strive to write full time without really considering what goes into this lifestyle beyond simply writing. But the life of a screenwriter isn’t exactly straightforward or easy. Even the most successful and in-demand writers face unique challenges and difficulties. After all, you’re not just writing; you’re constantly finding new opportunities, you’re developing your craft, you’re building your brand, and balancing all of it with your own personal life. Though of course, along with these obstacles come incredible opportunities to create, to inspire others, and to contribute to today’s culture. So what does it actually mean to write full time, what does that life look like, and how can you best shape your career and your day-to-day to make the most out of your screenwriting profession? Let’s dig in. Lorien McKenna is a full-time screenwriter as well as co-host of the popular podcast THE SCREENWRITING LIFE with her writing partner Meg LeFauve (INSIDE OUT, CAPTAIN MARVEL). Lorien was a former Pixar story manager who worked on such features as UP, BRAVE, INSIDE OUT, and THE GOOD DINOSAUR and served as a producer for Paramount Animation, where she oversaw development for the animated hit WONDER PARK. Lorien and Meg sold their romantic comedy anthology, THIS THING CALLED LOVE, to Hulu with Dan Lin producing; as well as a half hour sitcom, POOG, to NBC and WBTV. Lorien also wrote HOW TO SET A FIRE AND WHY, based on the book of the same name by Jesse Ball, for Straight Up Films. Previously, she served as the Co-EP for Hulu's CURIOUS GEORGE series, and has developed projects for Disney Jr., Funko, and Netflix. Lorien has found her path and road to success through screenwriting, and has learned a slew of lessons along the way. Now she’s excited to share her perspective and advice with the Stage 32 community. Lorien will dig into what it actually means to be a full-time screenwriter and offer strategies and advice for those starting out to find their footing and create a long-lasting career. Lorien will describe what a day, month, and a year in the life of a full-time writer looks like and how she’s navigated successes and setbacks along the way. She’ll offer tips into how to make ends meet as you get started and when you might be able to give up the side job. She’ll speak to finding the writing/living balance so you can stay connected. Next Lorien will go into advice into how to get your actual writing done, day in and day out and how to improve and learn along the way. She will discuss what she has done to build her brand and reputation and why she hates networking. Finally, Lorien will share the five most surprising things she’s learned in her writing career. Every person’s writing career is different, but Lorien will provide you with context, perspective and a collection of tools you can include in your own toolbox as you work to build your own path as a screenwriter. Check out Lorien on her podcast THE SCREENWRITING LIFE! Facebook: https://www.facebook.com/TheScreenwritingLife Instagram: https://www.instagram.com/the_screenwriting_life/ Twitter: https://twitter.com/_TSLpodcast TikTok: https://www.tiktok.com/@thescreenwritinglife?