On Demand Webinar - Available for immediate viewing and unlimited access.
On Demand Webinar - Available for immediate viewing and unlimited access.
Daniel Brothers is an accomplished and in-demand cinematographer who has traveled around the world shooting projects for companies like Vice Media, The New York Times, Wall Street Journal, Facebook and more. Daniel serves as Director of Photography for the popular Facebook interview series RED TABLE TALK with Jada Pinkett Smith and Willow Smith and continues to consistently shoot documentaries, feature films, and TV series. He also teaches the art of the camera in schools and works to mentor and support budding cinematographers and is prepared to bring his lessons and perspective to the Stage 32 community. Full Bio »
Learn how to utilize the camera to bring your creative vision to life from an accomplished cinematographer who was shot for Vice Media, The New York Times, Wall Street Journal, Facebook and more!
This Webinar has a 100% Satisfaction Rating!
It’s common for creatives to not concern themselves with how cameras work and leave it all to the Director of Photography to understand, but this is at the filmmaker's own peril. Having a fundamental understanding of how exactly the machine you are using to capture images to create your project is crucial, even if you have a trusted DP on your side.
And, if you are a creative who is looking to take your first leap into cinematography, it's important you know the fundamentals before you start shooting. Understanding at least the basics will help make sure you can speak the same language as your DP, can give you new ideas as you plan out your shot list and production, and can help you discover new approaches that you might not have even known were possible otherwise.
In this exclusive Stage 32 on-demand webinar, Cinematographer Daniel Brothers gives you the rundown much more quickly and for a lot less money than a traditional film school.
Daniel Brothers is an accomplished and in-demand cinematographer who has traveled around the world shooting projects for companies like ViceMedia, The New York Times, Wall Street Journal, Facebook and more. Daniel serves as Director of Photography for Discovery+'s TRIXIE MOTEL and the popular Facebook interview series RED TABLE TALK with Jada Pinkett Smith and Willow Smith and continues to consistently shoot documentaries, feature films, and TV series. He also teaches the art of the camera in schools and works to mentor and support budding cinematographers and is prepared to bring his lessons and perspective to the Stage 32 community.
Make sure you know what you’re talking about and have a sense of what each camera is doing before you start your next project. Whether you’re a director, actor, producer, or writer, Daniel will give you the tools and knowledge you need.
Praise for Daniel's Teaching:
"Wow, what a fantastic webinar. As a filmmaker who knew very little about some of the technical aspects of the camera, I now feel equipped to translate my vision to my DP to make my next film the way I envision it." -- Chris B.
"I can't stress enough how important this webinar is for creatives in all facets of the industry. From directors to writers and even actors, it is so important learn HOW the camera works so you can work WITH the camera team to make the best possible product. Daniel is just fantastic." -- Samantha B.
"Take this webinar!! If you're a creative looking to be on set in any capacity, this is a must." -- Nicholas M.
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Action sequences are no longer solely confined to big budget features. Movies and series of every size demand them. And while they can boost the status and popularity of a project, they are also complex and difficult to shoot and require special treatment and knowledge from the director. They are, in some way, mini silent movies, relying on image rather than dialogue to tell your story. To be a successful director today, whether you’re focused on film, television, or anything else, it’s important to have the necessary tools so you can tackle these demanding sequences Because every filmmaker, producer and crew members needs to know how action sequences are created, prepared and executed, Stage 32 brought in a bona fide expert to show you how it's done. Michael Nankin has been a working writer, director, producer, and showrunner for 40 years and has directed action-packed episodes of popular television shows like the Peabody award-winning BATTLESTAR GALACTICA, TAKEN, VAN HELSING, HELL ON WHEELS, CSI, and more. Michael started as a writer/director at Walt Disney Studios at age 22 and his first independent film, THE GATE, was the highest-grossing Canadian-produced film ever at the time of its release. His first series, LIFE GOES ON, was the first series that presented a continuing character with Down Syndrome as well as the first HIV-positive continuing character. Michael’s other directing credits include Showtime’s THE GOOD LORD BIRD, ALPHAS, TURN, DEFIANCE, and the upcoming Stephen King horror series CHAPELWAITE starring Adrien Brody. A Humanitas Prize and Leo Award winner, Michael is an incredibly successful and sought-after director, in part due to his ability to inject action and energy into the projects he takes on. Exclusively for Stage 32 in this on-demand webinar, Michael will lay out how exactly to lay out a fantastic action sequence for your own project. He’ll do this by first explaining how to find the story and character development within the scene and use this as a guide to forming your plan. He’ll then go in-depth on how exactly to prepare for your action scene before you even go on set, including collaborating with the other departments, storyboarding and shotlisting, and the critical wounds and kills meeting. Michael will then teach you how to actually direct the scene on set, detailing camerawork, working with the stunt team, and shooting for visual effects and more. Along the way, we will examine two specific action sequences from projects directed by Michael Nankin – one from his film RED FACTION: ORIGINS and another from an episode of the celebrated AMC series HELL ON WHEELS. Michael will walk through the choices he made in putting these scenes together.
All actors want representation. It’s often the first step actors take in their careers. After all, agents and managers are the ones that are connected to the industry. They know who is casting and where the auditions are, and they’re positioned to help you succeed—at least in theory. Many reps are incredible allies and partners for actors and transform careers for the better, but not all are created equal. Some reps unfortunately don’t carry their weight and fail to champion a client—sometimes they’re not as connected and in-the-know as they suggest, sometimes they might not be as invested in you as they should be. It can be common for actors in this position to blame themselves for lack of opportunities, even if the fault lies out of their control. But having a bad rep doesn’t mean you’re untalented and it doesn’t mean you can’t make it in the industry; it just means it’s time to recognize where the problem lies and to take back your own power. And, if you've decided to go without a rep, it's important to know that you have the power to move the needle on your career. Many actors will sign with an agent or manager immediately because they feel it is better to be represented than have no rep at all. However, it’s important to make sure you and your rep have the same goals for your career and that you both will do what needs to be done to get those goals accomplished. If that’s not in the cards, it’s time to make a change. Every actor should first and foremost consider themselves their own representative—managers and agents will inevitably come and go throughout your career, but you will always need to be your best advocate. It’s therefore critical to understand, as your own representative, when the people in your corner are really in your corner, and when perhaps there is more you can do as an actor to find more success. When making these difficult decisions, remember that an actor’s world doesn’t start and stop with their rep; there is so much you can do before signing, after, and in between. It’s time to understand how to take control of your own career and hold both yourself and your representative accountable (if you have one). Elizabeth Guest is an actor, writer, director and producer based in Los Angeles and has appeared on Netflix's REAL ROB, the Emmy-winning CALIFORNICATION, NBC'S A.P. BIO, CBS's THE MENTALIST and more. She attended USC's School of Cinematic Arts and has spent the past few years writing and performing her own material. She has put up numerous plays at the Upright Citizens Brigade theater, one of which, called NICE GIRLS, was eventually turned into a digital series by Funny or Die. She also wrote/directed/produced and starred in the digital series GUEST APPEARANCES which won the Best Scripted Digital Series Jury Award at Austin Film Festival and the Best Short Form Jury Award at the Nashville Film Festival. She was named by Moviemaker Magazine as one of the "25 Screenwriters to Watch." Season one and season two of GUEST APPEARANCES will soon be streaming on FICTO. She has two feature films that are currently in post production. Elizabeth is a big believer in creating her own opportunities and is ready to inspire actors in the Stage 32 community to do the same. Elizabeth will draw from her own experience to teach you how to find your own power as an actor and how to know when to leave a rep that isn’t doing their job. She’ll begin by going over the roles and expectations of both managers and agents, what the differences are between the two, what an ideal agent and manager look like, and what a beneficial relationship between a rep and an actor should feel like. She’ll also discuss the separation of responsibilities that are standard between reps and actors. She’ll then talk about what to how to know when your rep isn’t doing their job. She’ll give you 6 red flags to keep a lookout for with your rep to determine if they might not be holding their end of the bargain. She’ll also share five things you should be asking yourself as a self check-in to make sure you’re doing all you can before blaming your rep. Elizabeth will teach you strategies you should try with your rep to repair the relationship and will give you tips on when to know it’s finally time to leave. Next, she will discuss the proper way to end your relationship with a manager and how to understand the legal aspects to avoid complications. Elizabeth will give you the tools and wherewithal to move forward with your career after leaving your manager or agent, including creating your own opportunities and finding ways to get yourself discovered without outside help. Finally, Elizabeth will explain what it means to take back your own power, how to craft the career you want and focus on the work to achieve your goals independently. It’s so important for actors in this industry to feel empowered and know their worth, and Elizabeth will give you the tools to do just that. Praise for Elizabeth's Stage 32 Webinar: "Liz was informative and inspirational! Great ideas about content creation!" -Bill H. "Elizabeth is terrific, and inspiring. Plus she is experienced and knowledgeable" -Dede R.
Whether we’re talking about a comedy or drama, sci-fi or horror, a film or television series, animated or live action, short-form or long-form, having good characters is essential. There’s no escaping it. Even a script with everything else going for it, if it doesn’t have strong, compelling characters, it’s not going to work. Great characters connect the audience to your world and ground it in humanity. They provide stakes, bolster your plot and keep it moving. It’s therefore crucial to understand what make an effective character and how you can create that in your own project. Unfortunately there’s not a step-by-step guide to crafting the perfect character. There’s no secret formula and there’s no surefire algorithm. Good characters are complicated and hard to define because so are people. Good characters hold a mirror up to reality and let the audience see themselves or someone else they know in them. And all of that might be fine and good in theory, but what does that actually mean in practice? If you’re a writer how can you create a character who serves as a mirror, who will stick with audiences long after the movie or show ends? And if you’re a producer or director, how can you recognize a great character from a mediocre one through the written word? Lee Sternthal is a screenwriter, director and photographer who has written screenplays for every major studio, including TRON: LEGACY for Disney, as well as scripts for Johnny Depp, Mel Gibson and many others. His film, THE WORDS starring Bradley Cooper, Zoe Saldana and Jeremy Irons was an Official Sundance Film Festival selection and was later bought by CBS Films. Lee is a Sundance Institute Fellow, and his work has appeared on The Black List. Through his writing career, Lee has spent more time than most considering the art of character and using that to aid his own career, as well as writers he continues to mentor and champion. Lee will walk you through the power of character and how to create great characters for your own project. He’ll begin by discussing why exactly characters are so vital to story and will teach you the key differences between a TV character and a film character. Next he will give you a brief history of character in storytelling and reveal the one fictional character from history that all other characters draw from. Lee will then discuss the difference between heroes and anti-heroes, as well as help you determine which of your characters is the driver and which are the riders. He’ll then delve into the art of a great antagonist and why an interesting adversary is so crucial to a successful story. Lee will help you frame your story through the clarity of need, both in character and in story. Next Lee will go over the classic Hero’s Journey and slightly re-imagine it for modern times. He will give you strategies and exercises to better understand and develop your own characters, including his “What’s Their God?” and “Changing A Flat Tire” games. He’ll then teach you the concept of revealing character through behavior and hiding character with words. Next Lee will delve into the idea of how your characters fit into your world, including how the environment might change your character. He’ll teach you the Shakespearean approach to character and compare it to the Balzacian approach, and will also discuss the difference between neuroticism and human comedy. Finally Lee will go over the dance between plot and character, illustrating how the two should work with and against each other to create a feedback loop that’s necessary for any great script. Praise for Lee’s Webinar: “Great insight. Really helped me in moving forward.” -Martin R. “I really enjoyed Lee's perspective on script writing. The examples he provided were very helpful. I'm very appreciative that he would share his knowledge, some of his techniques and be so generous with his encouragement.” -Simone L. “Lee had a great way of explaining how to get a feel for the character and why they have the traits they do. Lee did a great job of covering a lot of character related topics which I am glad I have been exposed to.” -Karl H.
Learn directly from Adam Matalon, award winning executive producer, show runner, director and creator who's worked on over 20 projects on cable and network television. The unscripted and reality genres are becoming more and more fragmented and producers are forced into more and more niche areas of expertise. This is creating a vacuum in which producers wanting to step into showrunner roles are unable to do so because they lack the overview expertise. In this Next Level Webinar, Adam Matalon challenges that notion and investigates the role of the showrunner in today's current climate of television. As more and more networks and production companies are struggling with staffing their leader, there are fewer and fewer opportunities. We will discuss the reasons for this and how storytellers, producers, writers, and directors can best prepare themselves for leadership roles in the fast evolving television and digital space. Adam will break down the process of taking a project from presentation, through production and on to delivery to the network; something that is vital for all aspiring showrunners both in the reality and unscripted space as well as a scripted space. Adam will also touch on the best ways for building an environment that will make you more employable, how ‘storytelling’ is utilized in a reality show and the various documents needed to accomplish the task of getting the 'greenlight.'
Often entertainment immigration seminars focus on actors, but what about everyone else who works on a film or TV project? Directors, producers, screenwriters, crew members, editors, sound designers, costumers, creative advertising directors, production specialists and all other creatives and professionals need the pertinent information as it applies to Visas and Green Card information. Understanding all Visa possibilities, which one is right for you, the eligibility requirements, and how to assure your applications and petitions have all the pertinent information needed to push through the system will have you in the best position to be approved quickly so you can begin working in the U.S. There is a threshold that the U.S. Immigration Office has set before they will approve a Visa application. It's called "Extraordinary" and your information must meet the standards to earn that status. But for many, knowing the criteria that can push your application and petition to this high level is nebulous at best and often extremely confusing. We're here to clear it all up for you. Your hosts, Lorraine D'Alessio and Liz Profumo are partners at D'Alessio Law Group. Their practice specializes in immigration and nationality law and concentrates on temporary and permanent business and employment related visas for investors, artists, and entertainers. They have has assisted hundreds of artists, performers, and other industry professionals to realize their dreams of living in the United States. Ms. D'Alessio combines her unique, firsthand knowledge of the entertainment business with immigration law. This year she also won the Century City Bar Association's "Lawyer of the Year" Award. Exclusively for Stage 32, Lorraine and Liz will take away all the confusion, anxiety and fear associated with understanding the Visa landscape and submitting an application and petition. They will start by presenting a detailed explanation of the various type of Visas so you can understand and identify, with confidence, which Visa is right for you. They will dive into the U.S. Immigration Office's threshold for obtaining "extraordinary" status and how you can prove that you fit the criteria. They will help you identify who should be your petitioner and how to best build his or her resume to assure they're credible in the eyes of the reviewing officer. They will teach you what to say and what not to say when you reach the border. And they will dive into other legalities and contracts you should be aware of and how to identify and avoid immigration scams. This is a fully comprehensive overview and directional guide on how to understand the Visa process, submit a thorough and complete application, and best position yourself to obtain a Visa to begin working in film & TV in the U.S. PRAISE FOR LORRAINE AND LIZ'S TEACHINGS: "The Webinar was simply amazing. Great clarity!" - Ranadeep B. "Tremendously informative." - Arhynn D. "Easy to follow and to understand. So helpful." - Elizabeth K. "The best I've seen on this subject. Filled with gratitude." - Sunil P.
A producer on over 25 independent features gives you a step-by-step guide to how you can get your independent feature film into production with SAG-AFTRA talent during the strike by applying for the SAG-AFTRA Interim Application PLUS! You'll receive a checklist of what you need in place before speaking with talent and investors during the strike. It can feel like the current SAG-AFTRA strike against the AMPTP has ground the industry to a halt, making it close to impossible even for you independent producers out there to make your films. But that’s not the case. SAG-AFTRA is supporting independent filmmakers who are unaffiliated with the AMPTP and are granting many independent producers a SAG-AFTRA Interim Agreement that allows you to proceed with your productions while remaining in compliance with the union. Stage 32 stands firmly with SAG-AFTRA and we are here to teach you the process to apply for a SAG-AFTRA Interim Agreement so you can try to get your movie shoot under way while properly supporting the union. Independent movie productions such as the Sam Raimi produced DON’T MOVE starring Finn Whittrock, Ishana Night Shyamalan’s THE WATCHERS starring Dakota Fanning, David Lowery’s MOTHER MARY starring Anne Hathaway and independent TV series such as the faith based global hit THE CHOSEN have all been approved for the SAG-AFTRA Interim Agreement and will be in production during the strike. In this exclusive Stage 32 webinar, you will learn the multiple steps you need to go through to apply for the SAG-AFTRA Interim Waiver as well as the essential tools and materials you need to secure financing, cast union actors once approved for the waiver, and secure distribution channels for your film even in these times of industry unrest. Navigating you through the process is Michelle Alexandria, PGA member and producer at Light Year Pictures. Michelle has personally worked as a producer, executive producer on numerous feature films. Michelle has lectured on the topic of raising film financing at the Cannes Producers Network and other prominent film festivals and markets including MipCom, Berlinale, Buenos Aires, UniFrance, Sundance, and AFM. Michelle currently has multiple independent feature films on the runway to production and applications pending with SAG-AFTRA to be able to use SAG-AFTRA talent in her films. PLUS! You will receive exclusive handouts to help you make your film during the current strike. Downloads include: Checklist of what you need before speaking with talent and investors during the strike Filmmakers, writers, producers, and actors are resilient. It is in these very challenging times that true creativity and innovation shine through if you know how to comply with the industry unions and work with them, not against them, to make your movie. *This webinar is purely informational. SAG-AFTRA is not in any way associated with this webinar and participation in this webinar does not guarantee any particular outcome with SAG-AFTRA. Praise For Michelle's Stage 32 Teaching "Michelle Alexandria proves to be an excellent guide cutting away at the barriers, self or industry created. Stellar webinar, she provides selflessly a deep knowledge, her experiences towards acquiring interest from the least expected sources, helps streamline efforts towards gaining the optimal financial support and guiding products towards audiences. Going to “throw clay onto the wheel” with confidence. Kudos, highly recommend!" -Jen K “I learned so much from Michelle about how to break into the film/tv industry. There's so much to learn about the craft and business of working in this industry and I'm grateful to have Michelle's expertise in guiding me through it.” -- Nick S. "I can't say enough good things about Michelle! Talk about a woman who knows her stuff. I highly recommend all writers, producers, and directors take a course with her to hone their craft and propel their careers." -- Kaitlin L.