Jeff Galante is a comedian/writer is based out of the Groundlings Theater where he is a regular performer and a senior teacher. He created several network comedy pilots including STUNTED (NBC) and THINK TANK (A&E), which was exec. produced by Chris Moore (AMERICAN PIE, GOOD WILL HUNTING). Jeff is currently developing a slate of feature projects including a horror comedy with Jack Quaid and Joe Dante, a rom com with Damon Wayans Jr. and Davis Entertainment, and a dramedy with Andy Fickman. Jeff has consulted on SMALLFOOT (Warner Bros.), contributed material to SATURDAY NIGHT LIVE, and was an actor/writer on Wanda Sykes’ USA sketch comedy pilot WHAT HAPPENED WAS. He recently won the Stage32 Feature Script Competition and has been a finalist/semi-finalist in competitions including the Nicholl Fellowship, Austin Film Festival, and the Universal Emerging Writers Fellowship. As an actor, Jeff has appeared on such shows as 2 BROKE GIRLS (CBS), IDIOTSITTER (Comedy Central) and DISASTER DATE (MTV). He has performed live at Standup NBC, San Francisco Sketchfest, Chicago Sketchfest, and was a cast member/writer on NATIONAL LAMPOON’S revival of Lemmings alongside the boys from WORKAHOLICS. He is also a highly sought-after comedy teacher/director for networks like G4 and SMOSH. Full Bio »
It’s impossible to find an actor, writer, producer, or director who doesn’t have a favorite sketch they have been quoting since they were a kid. And with the recent explosion of short-form content, sketch comedy is more popular and relevant than ever before. Maybe you’re an actor looking to produce your own short-form content but have no idea how to translate your idea to the page. Maybe you’re a comedy writing machine but your sketches feel disorganized or too scattered. With more and more execs/reps wanting to see your work and click a link, sketch comedy isn’t just fun anymore, it can be a functional calling card. And having your sketches hit the mark is essential to making sure those people know your comedy voice is strong, unique, and one worth watching.
Since sketch is so accessible, many people dive headfirst into writing/producing sketches without learning the language, tools, and structure. And that’s the reason why 99% of sketches are, let’s be honest, pretty cringey. But with a clear understanding of what a sketch is and what are the engines that drive the comedy, you can learn actual tools/methods to take a simple funny thought and turn it into a tight, streamlined sketch. You have a comedic POV within you; but without the structure, rules, and techniques to hone and streamline an idea into a tight, digestible sketch those ideas spiral out of control. Conversely, you have a great ideas but no conception of how to take that vague thought to finished comedic product. The solution to both these seemingly opposite comedy ailments is the same – structure and technique.
Jeff Galante is an actor/comedian/writer is based out of the Groundlings Theater where he is a regular performer and a senior teacher. He created several network comedy pilots including STUNTED (NBC) and THINK TANK (A&E), which was exec. produced by Chris Moore (AMERICAN PIE, GOOD WILL HUNTING). Jeff is currently developing a slate of feature projects including a horror comedy with Jack Quaid and Joe Dante, a rom com with Damon Wayans Jr. and Davis Entertainment, and a dramedy with Andy Fickman. Jeff has consulted on SMALLFOOT (Warner Bros.), contributed material to SATURDAY NIGHT LIVE, and was an actor/writer on Wanda Sykes’ USA sketch comedy pilot WHAT HAPPENED WAS. He recently won the Stage32 Feature Script Competition and has been a finalist/semi-finalist in competitions including the Nicholl Fellowship, Austin Film Festival, and the Universal Emerging Writers Fellowship. As an actor, Jeff has appeared on such shows as 2 BROKE GIRLS (CBS), IDIOTSITTER (Comedy Central) and DISASTER DATE (MTV). He has performed live at Standup NBC, San Francisco Sketchfest, Chicago Sketchfest, and was a cast member/writer on NATIONAL LAMPOON’S revival of Lemmings alongside the boys from WORKAHOLICS. He is also a highly sought-after comedy teacher/director for networks like G4 and SMOSH.
In this enlightening webinar, Jeff will equip you with all the tools you'll need define sketch comedy and identify the different types of the craft. He will deep dive into the various engines of comedy using sketch examples. He will also explain characters and how to make them memorable. He is including a guided brainstorming session in which he will use tools and techniques to get a jumpstart with a clear sketch idea.
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If you're thinking about attending some of the major film markets - including Cannes, TIFF, AFM or EFM - it's important to understand how to navigate the commerce of the markets. We're bringing in international producer Alexia Melocchi, who has over a decade of experience at the markets to go over each of the markets and how you can get the most out of attending!
At the end of this exclusive lab you will receive a Stage 32 Producing Lab Certificate Get one-on-one mentoring and guidance from an accomplished producer on getting your own project made! Payment plans available - contact firstname.lastname@example.org for details 10 of 15 spots remain In today’s film market independently producing a film is a great way to get your project made. There are thousands of independent films that are developed, made and distributed every year that started from a script. But how? Now, more than ever, the need for a major studio to get your project into production becomes less and less, while more control is put into your own hands. Whether you're a filmmaker, producer, writer or actor, you have the ability to produce and shepherd a film project if you know the right steps to take to get it done. In order to do this, though, you will need to get your project market-ready and make it attractive to co-producers, financiers, actors, directors, distributors and more. We're going to give you a mentor to help you get there. ABOUT YOUR STAGE 32 EDUCATOR Aimee Schoof is the co-founder of Intrinsic Value Films and has produced more than 35 feature films. Of those, 9 have premiered at theSundance Film Festival, four at the Tribeca Film Festival, three at SXSW, and one each at LA Film Festival, Toronto, Venice, New York FF, New Directors/New Films, and Berlinale, to name a few. Aimee’s company develops, produces and sells independent films that have been distributed worldwide, have won many awards and been honored with numerous nominations. Accolades include winning a Sloan Sundance Award and a Sundance Special Grand Jury Prize. Aimee’s work has led her to be nominated five times by Film Independent as a producer. She is currently both a Sundance and Film Independent Fellow and has worked in international sales attending all major markets, and regularly lecturing on film finance and production. Aimee’s extensive experience has made her intimately familiar with how to successfully get a project off the ground and build a team to get a script made. In this advanced level and exclusive four-session lab (no more than 15 students will be admitted), Aimee will work directly with you in an intimate class setting to help you make your script marketable and put the pieces together to get the film ready to go. Plus! Aimee will also provide you exclusive, confidential and helpful documents for you to download and use for your own projects including: Up-to-date list of in-demand writers and directors to reach out to Pitch Deck examples Outreach email templates "I really loved Aimee’s lab. She’s such a delight and so full of useful information that pertains to everyone’s individual projects, and she's so encouraging! I highly recommend this class and/or working with Aimee in general. I came out with loads of actionable steps to take my project further." -Patricia S. Expect to leave this lab with a better handle on the potential for your script, a working pitch deck, and a plan of attack to find your own team and get your film moving towards the finish line. And, you will receive a Stage 32 Producing Lab Certificate.
The entertainment business has gone global. If you don't have a working knowledge of how international co-productions come together and work then you aren't competing at the high level you want to be. There has never been more opportunities for writers, producers, animators and filmmakers in the global TV and film marketplace. So how do you find these opportunities? Walking you through how to access this global landscape is international executive Alexia Melocchi of Little Studio Films, who has made a career out of successfully acting as a bridge between Hollywood and the global marketplace. She previously worked as a distributor and a sales agent, where she sold over 50 films to profit for clients and acquired more than 150 major studio and independent films, including LA LA LAND, NOW YOU SEE ME 2, and more. Alexia will give you her expert perspective on how to build your career internationally by showing you how buyers operate, explaining the process of international financing, and sharing the best places for you to build your global network and partnerships. In this webinar, you’ll cover what projects light up the international marketplace, how to pitch your project, how to find your ideal international partners, etiquette for working overseas, the pros and cons of shooting internationally, and more. Don’t miss out on this incredible chance to gain exclusive insider knowledge from one of the most accomplished international executives and take your projects global. Plus! Get an overview of the most production-friendly countries: Italy Greece Canada Australia And! You'll Receive This Handout: The Power of Momentum - 7 Steps To Prepare For The International Market Praise for Alexia's Previous Stage 32 Education "Really great. Actually useful, practical advice. Wasn't full of bullshit platitudes, Alexia shot straight with us." -Max W. "Alexia did a fantastic job of making it all relatable and cutting through the noise." -Clint G. "Alexia is clearly very experienced & she is so gracious in sharing her wisdom with all of us. I'm truly grateful that you all put on this class!" -Becca G.
A New Exclusive Writing Lab Sold Out! Payment plans are available - please contact Sam at email@example.com for more information Work one-on-one and workshop your horror feature script with a professional screenwriter who wrote and produced the upcoming film MARGAUX with Paramount Pictures. Are you ready to write your horror feature screenplay? Horror films have a track record of doing well with audiences across all demographics, as these films tap into our greatest fears, wants, needs, psychosis, and primal instincts while hitting us with a dose of adrenaline. Horror is viewed as a great bet by many producers and studios when greenlighting a project… and for good reason! NOPE, SCREAM, PARANORMAL ACTIVITY, and so many more have generated massive returns… With multiple subgenres under the horror umbrella, it is important to understand YOUR voice in the genre and how you can use your voice to subvert expectations and tropes to create something new and exciting. Throughout this exclusive Stage 32 eight-week intensive lab, you will write your own horror film, chosen from three pitches submitted to your host, Nick Waters, and you will learn how to market your finished screenplay. Nick is a director, writer, and producer with the horror feature he wrote and produced, MARGAUX, is being released this year from Paramount Pictures starring Madison Pettis and Vanessa Morgan. He also directed and produced the documentary WHEN WE DANCE. You’ll cover everything in this lab from crafting a horror feature script with outlines, structure, and dialogue to best positioning your script in the marketplace with loglines, pitch decks, one-pagers, and commercial viability. You’ll also have two one-on-one sessions with your instructor and weekly assignments to guarantee that you’re always progressing with your screenplay vetted by a professional screenwriter. You'll also workshop your progress and your fellow classmates' work in class as you build relationships with other passionate writers. A lifelong horror fanatic, Nick can’t wait to help you develop and write your horror script. You will walk away from the lab with a completed screenplay for a horror feature film and know how to best market your story to the producers and production companies clamoring for new material.
Learn what executives look for in the first five pages of your script from a producer with projects at HBO, Universal, Fox, CBS and more. "I just re-wrote my first five pages based on this class and Regina's incredibly insightful feedback, and wow! What a difference it made. This class is a "must take" Stage 32'ers!" - Shari F. The first five pages of your script are perhaps the most important of your entire story. Those initial pages must hook your reader from the very first word and entice them to follow you into the world your story has created. No matter the genre, those first five pages are key. Whether you’re submitting your script to a screenwriting contest, a manager, an agent, a producer, or director, your job as a writer it to craft those pages in such a way that the reader is compelled to keep reading. Whether you are writing your first script or your fiftieth, learning to make those first five pages sing is a critical skill. Your instructor on this journey is Regina Lee. Regina is a film and TV series producer and former studio executive who has worked with writers and talent of all levels to get their projects sold to studios and networks like HBO, FOX, BET, Lifetime, Starz, Universal Pictures, The CW, CBS and more. She recently teamed up with showrunner Rob Thomas (creator of iZOMBIE, VERONICA MARS, PARTY DOWN), Owen Wilson, and Emmy winners of This American Life to sell a pilot to HBO. She began her executive career at Universal Pictures, where she was the primary executive in charge of movies like THE FAST & THE FURIOUS 3, THE GOOD SHEPHERD, AMERICAN WEDDING, SEABISCUIT and more. Regina has a deep and accomplished history of elevating projects and helping them find success and because she's been both a producer and a studio executive she understands what it takes for scripts to break through. Over the course of three jam-packed sessions, Regina goes in depth on what NEEDS to happen in your script’s first five pages, what executives are looking for, the typical paradigms for a script’s opening, and how you can give executives what they want to see. You will leave this class with a solid understanding of how to get your reader hooked in only 5 pages or less! Purchasing gives you access to the previously-recorded live class. Although Regina is no longer reviewing the assignments, we still encourage all listeners to participate. More Praise for Regina’s Stage 32 Class "Regina offers great insight. This class instantly made me a better writer.” - David L. "Thanks for a wonderful class! Your efforts have been amazing." -Heather F. "Great class, very helpful and useful information." -John R.
Ever wondered what daily life is like for a TV Writer? Looking for ways to manage and maximize your schedule to output great, useful material without losing your mind? Wondering how the hell you’re supposed to write when you’ve got a full-time job? Tune in for this exclusive 2-Part Stage 32 Next Level Webinar taught by TV Writer/Producer Charlie Charbonneau (CW shows: The Secret Circle, The Vampire Diaries, and its spin-off The Originals) to hear about life and work of TV writers, on AND off the clock. You'll gain insight that will help you succeed in finding your next assignment and how to excel in the position! In Part 1, attendees will learn what life is like when TV writers are between jobs or trying to get that first job. Join Charlie as he discusses ways to manage your own writing schedule, find out how to decide which projects to focus on, and get some tips to stay relevant and visible to the big players and decision makers when you’re not employed. He’ll even lay out some strategy to position yourself for the highly coveted freelance script, whether you’re an assistant or a working writer between gigs. In Part 2, Charlie will unpack all the ups, downs, problems, and pleasures that come in the daily life of a working TV writer. Hear insider advice and information about writers room etiquette, climbing the title ladder, taking notes, rolling with the punches when your material doesn’t impress the powers that be, and making sure you get paid. He’ll even discuss the best way to interact with those hot-shot actors in your show. As usual, get ready for some horror stories from the trenches!