Bradley Gallo is the Chief Creative Officer for Amasia Entertainment. Helmed by the former president and COO of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today. Bradley and Gerard Butler are the producers behind the 2019 Official Sundance Selection THEM THAT FOLLOW, which was acquired by SONY (see it on Variety here), as well as films like THE CALL (Halle Berry, Abigail Breslin), and (Anna Kendrick, Sam Rockwell). Amasia Entertainment is a production, finance and management company based in Los Angeles. They're behind films like CAREFUL WHAT YOU WISH FOR, FEAR, INC., THE ROAD WITHIN, THE CALL AND MR. RIGHT. Amasia is currently in pre-production on FATE, written by Gary Whittar (ROGUE ONE: A STAR WARS STORY, BOOK OF ELI). Recently, Amasia opened up a bidding war for MY FAVORITE THING IS MONSTERS, with SONY picking up the project, which is now in development (see it on Deadline) and announced a new Television division led by industry veteran Tracy Mercer, formerly with Morgan Freeman's Revelations Entertainment (See it on Deadline here). Amasia just acquired the rights to the sci-fi feature WORLD BREAKER and the pilot DOPPEL (see more here). Full Bio »
At times, the complications that can arise in the pre-production and production processes seem to come out of nowhere. This is especially true when the best laid, most regimented plans concerning budget, cast, and the creative process are upended. Filmmakers are often left wondering about the root of these issues, and whether or not they could have been prevented. This webinar will address how to tackle common hurdles in pre-production and production when identified early on…and how to roll with the punches when you’re blindsided.
Some of the most common issues that can plague productions result from a lack of planning. To this end, the importance of having a top-notch line producer for your project, thoroughly researching the professional reputations of your cast and financiers, and maintaining open lines of communication with your director and writer cannot be overstated. Entering into a project blindly, being unrealistic about shooting schedules and financial constraints, or a disconnect between you and a filmmaker will only bog down (or shut down) production. Bottom line: preparation and research will save you money and aggravation. And on the occasion that you’re faced with an issue out of your control (be it inclement weather on set or an MIA actor), an ability to adapt, problem-solve, and then move on is key.
Bradley Gallo is the Chief Creative Officer for Amasia Entertainment, and a guest blogger in the Stage 32 community. Helmed by the former president and COO of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today. Bradley and Gerard Butler are the producers behind the 2019 Official Sundance Selection THEM THAT FOLLOW, which was acquired by SONY, as well as films like THE CALL (Halle Berry, Abigail Breslin), and MR. RIGHT (Anna Kendrick, Sam Rockwell). Amasia Entertainment is a production, finance and management company based in Los Angeles. Amasia is currently in pre-production on FATE, written by Gary Whitta (ROGUE ONE: A STAR WARS STORY, BOOK OF ELI). Through Bradley's career, he has seen it all and knows how to navigate all hurdles on set.
Bradley will take you through the common pre-production hurdles you will go through when making a film including when you lose key elements like money, talent, your director or a location. He'll talk about how to communicate with representation for talent. In addition, he will go over on-set production hurdles you'll face, as well, including when a director loses control of a set, when an actor goes missing or dealing with difficult talent. He'll go over what happens when you run out of money while filmmaking, what happens when you get hit with unexpected fines and how to work with multiple producers and financiers on set. And, he'll even help you understand how to deal with issues out of your control like weather, injuries, and more.
This is an immersive deep dive into how to prevent problems not before they arise, but so they never arise so that your production stays on track, on time, on budget and with the entire cast and crew focused on the job at hand.
Praise for Bradley's Previous Stage 32 Webinars:
"Bradley is no bullsh*t. He is real, down to earth and tells it like it is. He is proof that anything is possible if you put the work into it"
- Stan S.
"Bradley is creative in his approach and that's refreshing!"
- Samantha R.
"Keep bringing Bradley back, please. He's one of the most honest voices I've come across in my 10+ years in the business."
- Martin C.
"I could listen to Bradley teach all day. He's straight to the point, fun, and inspiring. He makes me believe anything is possible."
Bradley Gallo (Judge)
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
We've brought in producer Bradley Gallo, who's the CCO of Amasia Entertainment. Helmed by the former president of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today. Bradley's recent film, Them That Follow, which he produced with Gerard Butler, is an official selection at the 2019 Sundance Film Festival. In addition, he's worked on successful films such as Mr. Right (starring Anna Kendrick & Sam Rockwell) and The Call (starring Halle Berry). Over the last decade in the industry Bradley has mastered best practices to get a key director and cast attached to your film and he's going to be sharing his tips exclusively with the Stage 32 community!
Commercial work can provide you with some of the most fun and lucrative work you can secure as an actor. Getting the right commercial spot with the right brand can help elevate you and your profile as an actor on a national level and capture the attention of casting directors, filmmakers and producers who want to work with you. Knowing what it takes to stand out and improve your callback / booking chances is essential to effectively outpace the competition and secure a lasting career in commercials. You've put the work into honing your craft, now it's time to learn how to navigate the landscape and land those roles. Auditioning for commercials takes special skills and knowhow in order for you to stand out from the pack and win the room. Unlike theatrical casting, you have more room to play and let the real YOU shine during your audition. At the end of the day, giving a great performance in the room is important, but being crushing the role and being memorable is even better. Almost always, casting directors see hundreds of actors for each commercial. You want to not only knock your audition out of the park, but keep yourself first and foremost in the minds of the casting director so you're remembered for the next role, the one after that, and so on. It may surprise you to learn, setting yourself apart is not as hard as you think. Karen Ryan has cast hundreds of commercials over the past 15 years and has in-depth knowledge of the things that directors, ad agencies and clients watch out for when choosing who best represents their brand. She has worked with Corona, Hyundai, Home Depot, Toyota, Walmart, Pizza Hut, Hershey's, Just For Men and more, as well as with major studios such as Disney and NBC Universal (among many others!). She has helped guide actors to be more effective in their choices, how they present themselves and how they can set themselves apart to ultimately improve their chances of booking commercial work. And now she's sharing that knowledge with you exclusively on Stage 32. Karen will teach you the knowledge of how to up your game in the fast paced, competitive world of commercials. You will go through the process from breakdown to booking and understand how to prep your commercial copy. She'll share with you what non-verbal clues can give you a competitive advantage and teach you the do's and don'ts (from a casting director's perspective) in the the casting room. You will know what casting directors and producers are ultimately looking for and how you can bring the best YOU to the audition. She'll also teach you where and when to go off script and improv to give yourself a distinct advantage when the time is right. You'll also learn how to deconstruct your reel (honestly) and how to best present it. You will gain complete insight into booking more commercial work and gain the tools and knowledge to help you win the room, book more work, and stay first and foremost in the casting director's mind. "Karen truly cares about bringing out my best self. Since working with her I have booked more roles in one year than I had in the previous 5. The acting industry needs more people like Karen!" - Sean R. "Excellent advice and guidelines for improved auditions" - Steven F. "Bring Karen back! She's great!" - Anne H. "Loved Karen and all the info she shared!" - Roxanne H.
Founded in 2011 by Richard "RB" Botto, Stage 32 is the world's largest online platform connecting and educating film, TV and new media creatives and professionals worldwide. Stage 32 works with over five hundred industry professionals and executives who provide education, instruction and professional opportunities for members of the platform. Stage 32 currently has over 1,200 hours of exclusive film, television and digital craft and business education in its library. Stage 32 members use the platform daily to build their network, take online webinars, classes and labs, find work and cast and crew their projects. Stage 32 members range from students to Emmy, BAFTA and Academy Award Winners. We work tirelessly to ensure that you know that Stage 32 is your online home to stay connected with over 600,000 creatives and professionals from across the globe. Now, we are excited to present a virtual panel featuring some of the top minds in the Stage 32 community to discuss the current state of television, as the industry adapts to a new development and production landscape after the COVID-19 pandemic and a continuing battle between the WGA & ATA. In this roundtable discussion you will hear the point of view of a production company (Tracy Mercer, Senior Vice President, Television at Amasia Entertainment), a television packager (Stuart Arbury, Director of TV & Episodic Content at Ramo Law), a literary manager (Raquelle David of Elevate Entertainment), a writer, producer, Stage 32 CEO (Rich “RB” Botto), all moderated by producer, writer, and the Stage 32 Director of Script Services (Jason Mirch). Stage 32 is proud to be putting the "social" in #SocialDistancing. Please share this event on your social media and tag @stage32 on Twitter and @stage32online on Instagram.
Nearly every executive that has come in to hear pitches through Stage 32 is looking for thriller features. It's one of the few genres that can translate internationally. Having a solid, unique thriller in your portfolio is something any manager or agent will appreciate. Thrillers like Gone Girl, Taken, The Boy Next Door and Non-Stop have profited more than quadrupled what their respective shooting budgets were. But writing thrillers comes with its own challenges. A writer has to make sure the characterization is strong throughout the story without letting the action sequences overshadow it. But those action sequences must be thrilling enough to fuel the story forward and the pacing must be thriving and building in every scene. Stage 32 Happy Writers is excited to bring you our exclusive 3-week online intensive class How to Write a Compelling, Commercially Viable Thriller taught by the creative executive of Mandalay Pictures, Patrick Raymond! In this hands-on course, you will learn what it takes to write a compelling, fast-paced thriller and how to successfully pitch it to production companies. With interactive lectures and weekly homework assignments directly geared towards strengthening your pages, this class will help you craft your writing into a thriller that will stand out. The objective of this course is: To learn the rules of writing a page-turner thriller with a unique hook. To prepare you on how to pitch your completed thriller. To elevate your writing and story to a more marketable level. You will leave the course knowing: Tropes used in thrillers to avoid and tropes to embrace. How to commit to tone from page 1. How to option a book or article to establish an IP. The difference between the subgenres of a thriller (including blockbusters, psychological, erotic and art-house). How to prepare your pitch document for your completed thriller. About Your Teacher Patrick Raymond, Creative Executive at Mandalay Pictures Patrick started his career working as an assistant at Gersh, where he was able to learn the business from the ground up as well as make solid connection in the town. He worked primarily in the production department but gained lots of exposure to the literary world, working with writers and story. He utilized his experience and passion as leverage in a transition to work as a producer’s assistant. LD Entertainment became his home the next three years, where he was eventually promoted to a creative executive, working with writers and helping build scripts and acquire ideas for new projects. After three years, he had the opportunity to work for Tate Taylor on a James Brown biopic entitled, Get On Up. He learned a lot about assembling large studio films. He has transitioned back into more of a creative executive position at Mandalay Pictures, where he gets to go back to my passion: cultivate amazing stories and working with great writers. Class Schedule ( 6/20, 6/27, 711) Week #1 (6/20): This is an all inclusive look into the world of thrillers. This will offer you a behind-the-scenes look on what executives look for when reading thrillers and some common mistakes writers make that disrupt the reading process. This class will also cover: Concepts that sell and concepts that don’t. Market trends (i.e. female driven thrillers, the state of erotic thrillers after movies like The Boy Next Door). Tips on making sure your first 10-15 pages pop and hook the executive. Stereotypical tropes/cliches writers use to set up their characters that turn off an executive. Tips on creating and layering your antagonist. How to make sure your protagonist is relatable and engaging. How to create a stand out catalyst and a sharp break into act two. Week #2 (6/27): This week will focus entirely on the engine of your story. This week will cover outlining and writing act 2 and act 3. Topics that this will cover include: How to write a thrilling action sequence. Description to dialogue ratio. Making sure you are incorporating set pieces that complement your sub-genre (i.e. what specific set pieces would you include in your second act if you are writing an erotic thriller). Tips on how to outline your heightened set pieces to make sure the emotional crescendo of your story is always escalating smoothly. How to make sure your characterization is strong throughout act two and three while keeping the tension hight. Overall tips on how to outline your script. Week #3 (7/11): This week will cover tips on how to end your script with a lasting final image and what happens after your first draft is completed. This week will include: Some of the most common elements that are rewritten after getting picked up by a production company. How to avoid development hell. Tips on how to pitch your thriller. Typical elements that can be found in a pitch package. How to decipher which companies are looking for what.
Theater closures brought on by the global pandemic are now leading exhibition and distribution communities to work together and think outside-the-box in order to preserve the arthouse theatrical landscape. Imagine a world without arthouse theaters. It’s a bleak concept for cinephiles and filmmakers alike. In a world where landing a traditional, theatrical commitment from a distributor is like winning the golden cup, what are our options when none of those theaters are open? More so, how do we keep independent theaters, already operating on thin margins, alive to fight another day and provide filmmakers, producers and financiers viable options to make profits on their films? Thankfully, there's a new an exciting option to explore. Navigating a successful theatrical release is an enormous challenge, in and of itself, when exhibition is operating normally. Add in a global pandemic and those challenges rise even higher. What are the options? Does your distributor simply claim force majeure and rush you into the home entertainment landscape? Will the home entertainment revenues be hurt by the lack of theatrical exposure? How do theaters survive and make money when they can’t have patrons at their physical locations? In times of crisis, it’s always impressive to see innovation born of necessity. Behold the birth of the "virtual theatrical" release, which has emerged and become a key player in these virtual times. But what is that exactly? How does it work? Can you make money and are other digital platforms willing to accept theaters playing in their sandbox? It’s the new Wild West. Kristin Harris is a seasoned entertainment executive who has spent the past 15 years in the independent distribution space. She has held key acquisition, development, and production roles at Starz Media, Overture Films, and Cinedigm Entertainment Group. Kristin currently serves as VP, Distribution and Acquisitions at Good Deed Entertainment, where she oversees all aspects of the company's distribution arm and manages the release slate, which includes EXTRA ORDINARY, JOURNEY’S END, Spirit Award Nominee, TO DUST, and the Academy Award nominated, LOVING VINCENT. Kristin has been at the forefront of this emerging distribution option "virtual theatrical" and will bring her experience to the Stage 32 community for you to understand what it is, how you can make money for your film from it and if it's right for you. Kristin will go over the current theatrical distribution landscape which has been affected by the COVID19 pandemic and discuss current available options for your film's distribution. She will introduce a brand new type of distribution, virtual theatrical, and break down the players, how it works from a macro and micro level and how it makes money. She'll go over how to navigate this new reality and how virtual theatrical folds into traditional and non-traditional release plans, reporting and logistics. She'll go over the pros and cons of a virtual theatrical release and help you decide if it's the right thing for your film. She'll also discuss what the future holds for distribution and buying habits in the current environment. These are challenging, yet exciting times for the industry and especially for those working in independent film. Kristin will give you all the current information and guide you through all scenarios including virtual theatrical to assure that your film has the best chance at profitability. Praise for Kristin's Stage 32 Webinar "Very informative and have learned a great deal. Will definitely put to use for our Feature Film Projects. Thank you!" -Haskell A. "The webinar was cutting edge and valuable information" -Angela G. "Very good practical information detailed enough to get the lay of the land on this topic." -James P. "Great info in a new age." -Mary M.
Can you tell your whole story in just six sentences? This month, we're challenging you to use Pixar's dead-simple approach to outlining to breakdown your story or help you come up with something completely new!