Bradley Gallo is the Chief Creative Officer for Amasia Entertainment. Helmed by the former president and COO of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today. Bradley and Gerard Butler are the producers behind the 2019 Official Sundance Selection THEM THAT FOLLOW, which was acquired by SONY (see it on Variety here), as well as films like THE CALL (Halle Berry, Abigail Breslin), and (Anna Kendrick, Sam Rockwell). Amasia Entertainment is a production, finance and management company based in Los Angeles. They're behind films like CAREFUL WHAT YOU WISH FOR, FEAR, INC., THE ROAD WITHIN, THE CALL AND MR. RIGHT. Amasia is currently in pre-production on FATE, written by Gary Whittar (ROGUE ONE: A STAR WARS STORY, BOOK OF ELI). Recently, Amasia opened up a bidding war for MY FAVORITE THING IS MONSTERS, with SONY picking up the project, which is now in development (see it on Deadline) and announced a new Television division led by industry veteran Tracy Mercer, formerly with Morgan Freeman's Revelations Entertainment (See it on Deadline here). Amasia just acquired the rights to the sci-fi feature WORLD BREAKER and the pilot DOPPEL (see more here). Full Bio »
At times, the complications that can arise in the pre-production and production processes seem to come out of nowhere. This is especially true when the best laid, most regimented plans concerning budget, cast, and the creative process are upended. Filmmakers are often left wondering about the root of these issues, and whether or not they could have been prevented. This webinar will address how to tackle common hurdles in pre-production and production when identified early on…and how to roll with the punches when you’re blindsided.
Some of the most common issues that can plague productions result from a lack of planning. To this end, the importance of having a top-notch line producer for your project, thoroughly researching the professional reputations of your cast and financiers, and maintaining open lines of communication with your director and writer cannot be overstated. Entering into a project blindly, being unrealistic about shooting schedules and financial constraints, or a disconnect between you and a filmmaker will only bog down (or shut down) production. Bottom line: preparation and research will save you money and aggravation. And on the occasion that you’re faced with an issue out of your control (be it inclement weather on set or an MIA actor), an ability to adapt, problem-solve, and then move on is key.
Bradley Gallo is the Chief Creative Officer for Amasia Entertainment, and a guest blogger in the Stage 32 community. Helmed by the former president and COO of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today. Bradley and Gerard Butler are the producers behind the 2019 Official Sundance Selection THEM THAT FOLLOW, which was acquired by SONY, as well as films like THE CALL (Halle Berry, Abigail Breslin), and MR. RIGHT (Anna Kendrick, Sam Rockwell). Amasia Entertainment is a production, finance and management company based in Los Angeles. Amasia is currently in pre-production on FATE, written by Gary Whitta (ROGUE ONE: A STAR WARS STORY, BOOK OF ELI). Through Bradley's career, he has seen it all and knows how to navigate all hurdles on set.
Bradley will take you through the common pre-production hurdles you will go through when making a film including when you lose key elements like money, talent, your director or a location. He'll talk about how to communicate with representation for talent. In addition, he will go over on-set production hurdles you'll face, as well, including when a director loses control of a set, when an actor goes missing or dealing with difficult talent. He'll go over what happens when you run out of money while filmmaking, what happens when you get hit with unexpected fines and how to work with multiple producers and financiers on set. And, he'll even help you understand how to deal with issues out of your control like weather, injuries, and more.
This is an immersive deep dive into how to prevent problems not before they arise, but so they never arise so that your production stays on track, on time, on budget and with the entire cast and crew focused on the job at hand.
Praise for Bradley's Previous Stage 32 Webinars:
"Bradley is no bullsh*t. He is real, down to earth and tells it like it is. He is proof that anything is possible if you put the work into it"
- Stan S.
"Bradley is creative in his approach and that's refreshing!"
- Samantha R.
"Keep bringing Bradley back, please. He's one of the most honest voices I've come across in my 10+ years in the business."
- Martin C.
"I could listen to Bradley teach all day. He's straight to the point, fun, and inspiring. He makes me believe anything is possible."
Bradley Gallo (Judge & Mentor)
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We've brought in producer Bradley Gallo, who's the CCO of Amasia Entertainment. Helmed by the former president of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today. Bradley's recent film, Them That Follow, which he produced with Gerard Butler, is an official selection at the 2019 Sundance Film Festival. In addition, he's worked on successful films such as Mr. Right (starring Anna Kendrick & Sam Rockwell) and The Call (starring Halle Berry). Over the last decade in the industry Bradley has mastered best practices to get a key director and cast attached to your film and he's going to be sharing his tips exclusively with the Stage 32 community!
Lab filled! Interested in the next one? - email email@example.com Do you have a great idea for a show? No more stalling and no more excuses. It’s time to write it. If you have a show in your head that is perfect for a streaming network like Netflix, Amazon, HBO Max or Hulu, you’ve picked a fantastic time to get that show out there. Streamers are picking up content and considering new work more than they ever have before. They are ready to see your show, but you need to write it first. Creating a fantastic hour-long series is fully within your reach. Yet many writers stop before they even start because they get overwhelmed, procrastinate, or feel the dreaded imposter syndrome setting in. We know what that’s like, which is why we’ve created a program that will give you the structure, the accountability, and the guidance you need to actually get that pilot out of your head on paper. Over 8 intensive weeks, you will be able to work closely with top literary manager Charlie Osowik in order to fully prepare, outline and write the pilot script for your own TV series. Charlie is no stranger to this process and has helped his clients develop their own shows for networks like Comedy Central and Dust and use their pilot samples to get staffed on popular streaming shows like HBO Max’s DOOM PATROL. Charlie knows how to help bring the best work out of writers and will use this process to help you develop your own show. Get the support and structure you need to finally write that pilot script before the year ends. Throughout the course of this exclusive online lab, you will have direct access to Charlie as a mentor by email and via video conferencing as you write your pilot.
TV series creator who has been involved with over 500 hours of content worth over $250 million teaches you how to create and fund your own streaming series. The surge of television platforms, networks, and streamers in recent years has opened up the world of television content production, spelling good news for aspiring content creators around the world. We’re not just talking Netflix and Amazon; countless other channels and streamers like Tubi, Roku, Snap, and many more are actively building their slates and looking for new content to buy outright. With these opportunities, it’s more than possible to create, sell and be profitable on your own independent TV series. Over twenty-five years and working across three continents, Jeanette Milio has been involved in the production of over 500 hours of content for film and television, with a total production value of over $250 million, and including Academy Award® winning talent in front of and behind the camera. Recently, Jeanette has focused on the development, financing, and production of television series. She co-created, co-financed and executive produced the beauty competition series GLOBAL BEAUTY MASTERS on TLC and its spin-off series THE LOOK ALL-STARS on The CW. She further managed the renowned dog series TV series and brand DOG WHISPERER WITH CESAR MILLAN, which aired for 9 seasons on the National Geographic Channel and sold in over 180 countries. Jeanette’s decades working and finding success in the TV industry has given her a unique and unrivaled perspective of how to finance television content and get it sold. It’s more possible than ever before to fund, produce, and sell your own independent TV content, especially if you can understand the rules to follow and the traps to avoid that Jeanette will thoroughly lay out in this exclusive webinar.
What is a "Premiere Spotlight" Webcast?In order to shine a light on our talented Stage 32 members we are announcing a new series called the "Premiere Spotlight" to take you behind the scenes on how some of the top feature films and television shows have come together on the day they premiere! What Premiere is Being Featured on April 27? Get behind-the-scenes access to HBO’s THE SURVIVOR, directed by Academy Award Winner Barry Levinson and starring SAG-Award nominee Ben Foster. In this intimate conversation between Stage 32 member and producer Scott Pardo and Stage 32’s Education Director Sam Sokolow before the film premieres as they discuss the process of bringing this real-life story to the screen. About "The Survivor"Based on the book HARRY HAFT: SURVIVOR OF AUSCHWITZ, CHALLENGER OF ROCK MARCIANO, by Alan Haft, the story follows Harry Haft, a boxer who survived Auschwitz by winning bare-knuckle bouts for the perverse entertainment of SS officers. Determined to find freedom and his first love, Haft traveled to America and began a career as a professional boxer, quickly finding success using his sharp instincts and fierce confidence. The film is directed by Barry Levinson, the Academy Award-winning director of RAIN MAN, with a script by Justine Juel Gillmer (THE 100). It also features an all-star cast, including Ben Foster (HELL OR HIGH WATER) as Haft, Vicky Krieps (PHANTOM THREAD), Billy Magnussen (NO TIME TO DIE), Peter Sarsgaard (JACKIE), Saro Emirze (WILSBERG), Dar Zuzovsky (HOSTAGES), Danny DeVito (IT’S ALWAYS SUNNY IN PHILADELPHIA), and John Leguizamo (LATIN HISTORY FOR MORONS). A team at USC Shoah Foundation aided the film’s production, providing detailed historical consulting in addition to access to the testimony of Haft, filmed in 2007 and preserved within USC Shoah Foundation's Visual History Archive. About the Webcast Join Scott and Sam for Stage 32’s Premiere Spotlight Webcast to see how the team brought the epic journey to HBO, plus, you have the chance to ask Scott any questions that you have!Come support your fellow Stage 32 member on his premiere! Join Scott and Stage 32’s Premiere Spotlight Webcast to see how the team brought the epic journey of Harry Haft to HBO on April 27 at 11AM PST. "The Survivor" premieres on Wednesday April 27 on HBO, be sure to support your fellow Stage 32er and tune in to the premiere!
One of the weakest elements in screenwriting is story momentum. Without story momentum, pacing drags, plots lose focus, second acts die, and story climaxes are – anticlimactic. Achieving story momentum is not addressed often enough in screenwriting classes. Nor is the direct correlation between dramatic tension and the cause and effect elements needed to link scenes and scene sequences. This relationship is the cornerstone of achieving dramatic tension and mastering story momentum. In this Stage 32 Next Level Webinar, Max Adams, a 20-year working screenwriter and acclaimed author who has worked with Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures, will explain why linear plotting fails and will give you practical tools and techniques you can immediately apply to you writing. You will leave this webinar knowing how to fix story holes, correct pacing, create driving story engines and achieve rising story momentum to maintain a feature film script straight through to a riveting story climax!
Today, more than ever, self tape auditions are an integral part of the casting process. This is even more true in the age of social distancing. Additionally, due to the convenience self tapes provide and tight deadlines casting directors often operate under, more roles are cast via self tape auditions than ever before. Understanding how to set up, craft, and shoot a self tape can be the difference between landing more roles or having your talents fall by the wayside. When a casting director requests and accepts self tapes to assist in their casting process, they inevitably wind up with tapes of varying quality and content. Whether it's picture quality or sound quality fails, a bad self tape immediately gets bypassed. Actors often think that their talent will always win the day. In a room, that might be true. But on a self tape, quality matters. Fortunately, there are some very simple, but comprehensive steps you can take that will make a massive difference in what you present to a casting director. The goal is to keep the attention off cosmetic or sound flaws and on your acting, where it belongs! Marin Hope, CSA is a Los Angeles native and LA-based casting director, who won the 2020 Artios Award for Casting. Marin works alongside Heidi Levitt, casting film, television, commercial, theatre and New Media projects. Some casting credits include HBO's BESSIE starring Queen Latifah, Mo’Nique, Michael K. Williams and Mike Epps, AMERICAN MADE, starring Tom Cruise and Domhnall Gleeson, COMPLETE UNKNOWN, starring Michael Shannon and Rachel Weisz, HOMELAND, starring Claire Danes, THE LAST WORD, starring Shirley MacLaine and Amanda Seyfried, KINGS, starring Halle Berry and Daniel Craig, Bad Samaritan starring David Tennant and Robert Sheehan, WHO WILL WRITE OUR HISTORY, starring Joan Allen and Adrien Brody, and most recently MOLLY, Javier Bardem, Elle Fanning, Chris Rock, Laura Linney and Salma Hayek, which is currently in post-production. Over her storied career she has seen thousands of auditions and hundreds of casting self-tapes and she's back here exclusively on Stage 32 to impart her wisdom on what can help you get a leg up on the competition when it comes to your self tape. Marin will talk about the need for self-tapes and why they are an essential part of today's casting process. You'll get insight as to why some jobs rely on it vs. others who require in-person auditions. She will go over your question on whether or not you should use a self-tape facility or film from home. When it comes to shooting at home, you will learn background, lighting, angles, wardrobe choices and equipment you will need, as well as whether or not you should film horizontal or portrait. Finally, Karen will teach you the do's and don'ts of a self-tape and share with you examples of good and bad auditions. You will learn all of this from an esteemed casting director's perspective which will give you the unique insight into how your own self-tape is viewed. PLUS! Marin will share with you: Videos clips of do's and dont's for casting videos A resource sheet of tools and equipment that can help you with the look of your casting tape Praise for Marin's Stage 32 Webinar: "I thought I was just going to revisit what I already know about self-taping but Marin brought forth valuable new information." -Michele C. "I think Marin's webinar is excellent and covered everything that an actor would want or need. I like her no nonsense approach. Takes a lot of the fear factor away." -Sondra C. "The information was informative, Marin gave a lot information that is extremely invaluable to me in this industry and I look forward to many more webinars with Stage32 because of this." -Michael C. "Well, done. I have made it into several movies and missed getting into others. There are several things I learned which I will incorporate in future auditions." -Kenneth W.