Terence Blanchard has established himself as one of the most influential jazz musicians and film score masters of his generation, a member of a jazz legacy that has shaped the contours of modern jazz today. With more than 30 albums to his credit, as a musician Blanchard is a multi-Grammy Award winner and nominee. As a film composer, Blanchard has more than 50 scores to his credit, most recently, Spike Lee’s “BlacKkKlansman,” “Chi-Raq” and Kevin Costner’s “Black or White.” He received a Golden Globe nomination for Spike Lee’s "25th Hour." Other film music written by Blanchard includes Kasi Lemmons’ "Eve's Bayou," Oprah Winfrey’s "Their Eyes Were Watching God," Tim Story’s “Barbershop" and George Lucas’ "Red Tails." Blanchard also contributed on Disney’s "The Princess and the Frog" as the musical voice of “Louis the Alligator." As a guest lecturer and artist in residence at the Berklee College of Music, Blanchard works with students in the areas of artistic development, arranging, and composition. Blanchard is also the creative director for jazz concert programming at the Detroit Symphony Orchestra. He participates in master classes around the world as well as local community outreach activities in his beloved hometown of New Orleans. Full Bio »
You will find this opportunity nowhere else!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Director Qasim Basir exploded onto the Sundance scene with his film A BOY. A GIRL A DREAM with a standing ovation and a whirlwind resulting in a theatrical debut. With a film that not only takes place in once location, but a single shot, Qasim proved that he is a talent to be reckoned with. Prior to his Sundance debut, he was nominated for the NAACP Image Award for his film MOOZ-LUM, starring Nia Long, Evan Ross & Danny Glover, and premiered at the LA Film Festival with his film DESTINED starring Jesse Metcalf, Cory Hardrict and Margot Bingham. He's chosen theatrical and VOD releases and has learned a lot along the way. There are many different ways to become a director, from film school to being self-taught. In this exclusive Stage 32 Next Level Webinar, we will dive into Qasim's own journey of becoming a director and discuss how you can figure out the best route for yours. People will tell you many different things in this business, but none is better than when you find what's actually right for you.
Learn the impact of film editing from international director/editor Max Leonida whose films have been screened and awarded at a range of festivals including the Sundance Film Festival, the Cannes Film Festival, the International Salerno Film Festival, the Columbia Gorge International Film Festival and the L.A. Short Films Festival, to name a few. “I love editing. I think I like it more than any other phase of filmmaking. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.” (Stanley Kubrick) Some of the greatest, most iconic filmmakers of all times (like Scorsese, Hitchcock, Kubrick, Tarantino, Coppola, Lynch, Fellini, Gilliam and many others) used to spend hours, days and sometimes months into the dark secrecy of the editing room, sitting next to their faithful editor, enjoying the guilty pleasure of reshaping – over and over again – a world of their own. The post-production phase is the most critical one throughout the entire film production process… and editing, in particular, is a pivotal moment where as a filmmaker you should be able to understand that you are writing the final version and destiny of your movie. In this Stage 32 Next Level Webinar, international director/editor, Max Leonida will use his years of experience to give you a more profound knowledge of the artistic nature of the editing process, together with a clear, up-to-date and technical expertise about the most important digital editing systems on the market. Max's most recent films include Run (winner at 2013 MIFF and double winner at the 3D International Festival) and the feature film “What Separates Us”, Best Feature at the Machetanz Film Festival. Editing is not just a simple matter of pace, rhythm, and mere image composition: editing pertains to the core of storytelling itself. Every professional filmmaker knows that a closeup placed in the right place, at the right moment, can definitely chance the course of a narrative process. Editing includes re-defining the story, reconstructing the characters, reshaping the very structure to the point of even changing and re-dubbing the dialogue in a totally different way from the original script… all for the sake of beauty. And this webinar aims to give you these tools.
International co-productions, or “co-pros,” can be the perfect tool for bringing dream projects to life. But these ventures come with their own unique rules and requirements, which not everyone has experience with. In this webinar, attorneys Lorraine D’Alessio and Liz Profumo will deconstruct the co-pro process, sharing practical tips for launching a successful cross-border production. Participants will learn about key steps such as finding business partners, capitalizing on tax incentives, protecting creative rights, and securing work visas for foreign staff. The webinar will also explore the impact of current U.S. policies surrounding trade and immigration. Lorraine has practiced law since 2010, with a particular focus in entertainment immigration. She is the Founding Partner and CEO of D’Alessio Law Group, a global firm which has helped thousands of artists and entertainment professionals to launch careers in the U.S., Canada, and beyond. Born in Canada, Lorraine was a successful Ford model before turning her focus to law. Her entertainment background, as well her personal experience with immigration, allows her to deeply understand the legal and logistical needs of global artists. She is excited to partner with the Stage 32 community and help support its members in achieving their goals.
This intensive 3-session master class will go over the nuts and bolts of documentary film production. Taught by producer/director Lisa Vangellow (currently working on a documentary film centered on actor James Franco) will share step by step instruction on how to produce a commercially viable documentary film from idea to post-production. Even if you have little to no experience or if you have narrative film experience and are looking to try documentaries, Lisa will guide you towards the goal of completing a documentary film. Lisa will offer her experience from the trenches to help filmmakers over the course of her 3-week class. First, she’ll focus on the selection of subject matter and how to gauge its commercial viability. Lisa will take you through pre-production for a documentary film hitting on areas such as how to create a budget, hire your crew, get financing and explaining why you may want a lawyer to handle the nitty gritty. From there you’ll get an overview of different documentary styles and insight on how to create your story through the use of specific examples. Finally, Lisa will explain how to survive the post-production of your film to bring the entire project together and discuss your options for distribution. Filmmakers will leave with an overall understanding of the documentary filmmaking process, an idea of what makes a good documentary, and how to execute these lessons in the real world. Lisa even shows you equipment you should consider and provides you with templates, Notice of Filming documents and a Film Funds resource sheet!
Learn directly from Development & Production Executive Jake Detharidge, a feature film executive that has recently made a splash into the mini-series space with projects set up at History Channel, Spike, and MGM! "Jake's feedback is so valuable. I enjoy every webinar and class Jake does. He's always informative and always presents information in a very smart and succinct way. Great webinars/classes..." - R. Canty "Seldom have I met execs in LA who know what they're talking about but don't throw around their ego. Jake loves the process, nice perspective with a positive spin." N. Kellis "This was one of the more beneficial seminars with current relative information in the industry. Really enjoyed it." - M. McLinn In this Stage 32 Webinar, host Jake Detharidge will first take you through a brief history of the ‘Mini Series’ in the US, along with analyzing the current television marketplace (Event Series vs. Limited Series vs. Mini Series), and why this platform is experiencing resurgence. After, Jake will break down the creative and development process for several different, current projects, to help you understand and identify the right stories, IP and general concepts that are viable right now. This will make up the bulk of the webinar, breaking down the creative/development/packaging process, in hopes that any and all who attend will leave with a formidable understanding of how they might create their very own compelling Mini-Series project. Don’t get confined to one narrative structure, feature or TV series, look for bold new ways to tell stories – the possibilities are endless! You Will Leave The Webinar Knowing: What exactly is a Mini-Series, versus a Limited Series and Event Series and why each is unique? Why did the ‘Mini-Series’ disappear for the most part from US television and why is it now making a strong comeback? What is the current landscape for this platform – the nuts and bolts. The major companies and players around town currently looking for these types of projects and what moves the needle for them. Narrative Basics – what and why certain stories, ideas and concepts are better suited for a mini-series versus the traditional feature film or scripted television series. What types of IP you should be looking for and how you can obtain the rights to potentially develop it. Developing – what goes into this step and exactly how much…or how little…do you need before trying to sell, and where to sell. Packaging – what the process is for a mini-series, and what elements you can attach to add value that are obtainable. Outside the box ideas!' Your host Jake Detharidge will take you through the realities and pitfalls of navigating the exciting resurgence of a classic narrative platform. Jakes comes primarily from a feature film background, but he recognized – along with the rest of the industry – the creative domination currently taking place in television and forged a way to put his skill sets to work. He has developed, packaged and set up half a dozen mini-series projects with more on the way. Through his unique viewpoint on narrative structure and current audience viewing trends, Jake believes the Mini-Series resurgence is only just beginning.
CLASS 1 Section I: THE OVERVIEW 1. Introduction to Jason 2. Creative Aspects of the Job Prep – Breakdown & Scheduling from Script to Game Plan Shooting – Set Management & Directing Background Differences between Film&TV; Day & Night; Stage & Location Working Relationship between the AD and Director, Producer, DP & Actors 3. Why We Do It What I’ve learned over the years We are a mix of; Traffic Cop, Bartender, Kindergarten Teacher, Cheerleader, Psychologist, Juggler & CEO Day to day Energy, Pace, Crew Moral and Motivation Tools of the job. Shoes and what to carry in your pockets The need for outside influences and a life away from the work Section II: PRACTICAL APPLICATIONS 1. Prep (In this section Jason will share his computer screen to show how to actually breakdown a script using two scenes from Jurassic World as an example. Inputting it into Movie Magic Scheduling and then using that material as a launching board for teaching call sheets and other paperwork) 1st AD – What is Expected (Schedule, Scout, Dept Meetings, Background and how to do it) 2nd AD – What is Expected (Assist 1st, Rehearsals, Fittings, Interface with Actors, Tech Scout, Background Casting) 2. Shooting 1st AD – What is Expected Run the Set, Move the Company Forward, Execute the Schedule 2nd AD – What is Expected Assist 1st, Set BG, Prep Next Day, Run 1st Team, Communication Liason with Office and Rest of World 3. Safety Meetings Legal Responsibility Knowing When to Say No, Knowing how to say no Know all the Equipment Know what it takes to get it done Trust in your Departments Live Q&A with Jason - bring your questions! CLASS 2 Section III: THE FUN PART - PAPERWORK 1. Paperwork Call Sheet Production Report Exhibit G “Sag” Sheet One-Line Schedule Shooting Schedule Cast Day Out Of Days Section IV: ON-SET STORIES & PRACTICAL APPLICATIONS Practical stories to show good and bad days of the job Live Q&A with Jason - bring your questions!