Jordan Barel began his career as a short filmmaker before creating his own entertainment company, Loaded Barrel Studios, publishing graphic novels. His work has won numerous international awards, including the Independent Publishing Book Awards (2012, 2013), The LA Book festival, the Geekie Awards ®, and many others. His studio currently tours around the country and sells their graphic novels in several languages around the world. The company was founded as a way to translate comics to films, leading Jordan to option his books and screenplays with producers such as David Uslan, Brendan Deneen, Jeffrey Erb, and Aaron Berger. He’s developed at studios such as Chatrone, Unique Features, and Leomark Studios in the independent film space. Currently, several of his books are optioned to film companies. Previously Jordan was an Entertainment Attorney who has worked in Business Affairs for New Line Cinema, Generate, Alloy, and AMC. He switched from legal to creative and served as the Television Coordinator for Verve Talent & Literary Agency working with all of the company’s TV writers on their pitches and presentations for staffing season. Currently, Jordan works in development for Producer/Actor Paul Scheer and Abominable Pictures in their comedy and TV department. Full Bio »
When putting together a deal as a writer or producer there are many things to think about when it comes to your contracts - between option agreements, purchase agreements and negative pickups it's important you understand what deal you're getting yourself into before you start development.
We will cover three different types of contracts: purchase agreement, option agreement, and negative pickup. We will discuss terms in both a legal and practical matter so that you get the information needed to be prepared to negotiate your next agreement. Such things will include material and boilerplate terms, what can or can't be negotiated, and how lawyers themselves will be reading and reviewing your agreement. This will be an in-depth, but accessible, legal discussion walking you through each part of a standard purchase and option agreement.
Plus! You'll get 5 contract templates to download!
"Very informative and complex concepts were broken down so folks without a law degree could understand them." - Elisha B.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Very informative and complex concepts were broken down so folks without a law degree could understand them." - Elisha B.
To see a video sample of the class, see below! 3 part class taught by Jordan Barel, who works TV Coordinator for Verve Talent and Literary Agency! In the past four years, we have seen The Avengers, Batman Vs Superman, Deadpool, Captain America, Man of Steel, The Amazing Spider-Man, Guardians of the Galaxy, Iron Man, The X-Men, The Dark Knight and many other comics turned into major studio films that smash the box office. There is no doubt that there is a demand for super hero and comic-based stories. Have you found a comic that you think would make a great film? Have you ever read a Marvel or DC comic and thought “how did they screw up the movie so bad?” Do you have your own comic series that you think would make a hit movie? Do you dream of being a writer but don’t yet have your angle? Or do you want to write a Major Summer Tentpole based off an original idea? Stage 32 is excited to bring you the previously-recorded 3 part class: How to Write a Film Based Off an Original Idea or Comic Book Adaptation taught by Jordan Barel, who works in Development at Paul Scheer's company, Abominable Studios. Jordan gives you a how-to on translating comic books into film writing, and how to write a summer Tentpole based off an original idea. He covers everything from story structure and dialogue, from legal issues to pitch packets. Here's a sample of what to expect in this exciting Stage 32 Next Level Class: Purchasing gives you access to the previously-recorded live class. Although Jordan is no longer reviewing the assignments, we still encourage all listeners to participate.
As screenwriters, it is our job to create well-rounded stories. That means not only having a main character whose journey we follow but also including supporting characters and stories. The addition of strong supporting characters and subplots allows the audience to feel as if your story actually has a life outside of the confines of your script. This is the difference between being a professional screenwriter and someone who writes as a weekend hobby. In this Stage 32 Next Level Webinar, Jordan Barel, who's worked in producing and development for over 15 years will teach how to bring your supporting characters to life. You will learn how to create characters that are integral to the main plot and the shape of your screenplay. He will walk you through using your support characters to subtly deliver key exposition and give insight into your protagonist. In addition, Jordan will show you how to use your subplots to strengthen your second act and keep the action moving along. You'll break down various film genres to show how each utilizes supporting characters and subplots so you can apply it to your projects. You will walk away with the tools necessary to deliver a fully developed script that says "professional" and not "hobbyist"! "It was absolutely excellent information." - Gerri G. "Great speaker, lots of great info. Thanks!" - Ron H.
Cable networks all have their niche. For example, AMC has really honed in on intense dramas, such as The Walking Dead, Breaking Bad, and Mad Men; USA focuses on character driven mystery dramas such as CSI, House, and NCIS; TBS centers around comedy sitcoms like The Big Bang Theory, Ground Floor, and Cougar Town; ABC Family focuses more on sitcoms relating to family, such as Melissa and Joey, Baby Daddy and The Fosters. Knowing how to tailor your pitch to a specific cable network opens up immense opportunity for your TV pilot. Every cable network can be a real home for your work - it’s just a matter of the how, when, and why. Knowing how to appeal to multiple networks gives your pilot a better chance of getting picked up! In this Stage 32 Next Level Webinar, host Jordan Barel will teach you both how to pitch your pilot and how to tailor your pitch to the right cable network. In addition, he’ll go over what kind of shows live on each network currently, and what may be the right fit for you. You will walk away with a clear understanding of how to pitch effectively as well as a clear understanding of how to make your pilot what each network is looking for. Your host host Jordan Barel is a writer, producer and lawyer for Loaded Barrel Studios. Based in LA, he's worked for New Line Cinema, AMC, Verve Talent Agency and was recently named in Variety's Hollywood Movers and Shakers list. He worked for Paul Scheer through his producing deal at FOX, working on development with his projects as well as bringing in new writers for him. Jordan also works at Abominable Pictures in their comedy and TV department. Previously, he worked as the Television Coordinator for Verve Literary Agency, producing the company's staffing video which lead to a 200% increase in the company's staffed writers. While there he also vetted all new TV and film clients. Jordan knows what will make your pitch stand out and is here exclusively for Stage 32 to help guide our writers toward success!
As you break into writing professionally, the one thing you’ll always need to do is hook your reader from the get-go, specifically within the first 5 pages. Whether you’re submitting your script to a screenwriting contest, a manager, an agent, a non-writing producer, a series showrunner/producer, a financier, a star, or a director, you have to get through your reader’s initial skepticism and earn every single page that is read. And that goes for all scripts, whether you’re a beginner trying to place in your first contest, or you’re a professional, with scripts sold to major studios and networks. It’s a challenge that never goes away. That’s why it’s critical that you truly understand how to make the first five pages of all your scripts sing. When you break it down, it’s incredible just how much needs to go into your script’s first five pages and how many cylinders it needs to operate on for it to break through. In a very short amount of time you need to achieve A LOT, including setting up your protagonist, conveying your world and establishing your tone, all while keeping the pacing up and making the reader excited to read more. This isn’t easy, especially when that reader might be reading your script among tens of others that day alone. Let’s spend some serious time breaking down how to make the most of those critical first few pages of your script. Regina Lee is a film and TV series producer and former studio executive who has worked with writers and talent of all levels to get their projects sold to studios and networks like HBO, FOX, BET, Lifetime, Starz, Universal Pictures, The CW, CBS and more. She recently teamed up with showrunner Rob Thomas (creator of iZOMBIE, VERONICA MARS, PARTY DOWN), Owen Wilson, and Emmy winners of This American Life to sell a pilot to HBO. She began her executive career at Universal Pictures, where she was the primary executive in charge of movies like THE FAST & THE FURIOUS 3, THE GOOD SHEPHERD, AMERICAN WEDDING, SEABISCUIT and more. Regina has a deep and accomplished history of elevating projects and helping them find success and understands what it takes for scripts to break through. Over the course of three jam-packed sessions, Regina goes in depth on what NEEDS to happen in your script’s first five pages, what executives are looking for, the typical paradigms for a script’s opening, and how you can give executives what they want to see. You will leave this class with a solid understanding of how to get your reader hooked in only 5 pages or less! Purchasing gives you access to the previously-recorded live class. Although Regina is no longer reviewing the assignments, we still encourage all listeners to participate. Praise for Regina’s Stage 32 Class "I just re-wrote my first five pages based on this class and Regina's incredibly insightful feedback, and wow! What a difference it made. This class is a "must take" Stage 32'ers!" - Shari F. "Regina offers great insight. This class instantly made me a better writer.” - David L. "Thanks for a wonderful class! Your efforts have been amazing." -Heather F. "Great class, very helpful and useful information." -John R.
Learn directly from David Landau, 30 year Lighting director and Director of Photography. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Good lighting makes things look real, while real lighting often makes things look fake. Good lighting supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. So, no matter how good a script, how good a director, how good the actors – the lighting needs to be as good if not better. The fact is, we can’t usually make good pictures without good lighting, no matter how good the newest cameras are. Yes, we can sometimes get lucky. But while shooting under available light gives exposure, it often lacks depth, contrast, contour, atmosphere and often separation. Well-crafted lighting helps establish the illusion of reality that is necessary for the viewer to forget they are watching a screen and get lost in the story. In this Stage 32 Next Level Webinar, host David Landau will go over the ten things all filmmakers need to know about lighting, sharing some of the techniques to artistic and effective lighting that he has learned both from working with a wide range of cinematographers and through his own career as a Lighting Director and Director of Photography. David will demonstrate live from the Fairleigh Dickinson University sound stage lighting techniques that will make your images shine like a Hollywood feature without a big Hollywood budget. David Landau has over thirty years of professional lighting experience working on feature films, TV shows, sit-coms, game shows, commercials, documentaries, industrial films, music videos and direct-to-consumer DVDs. David worked as one of the gaffers on the TV series Project Runway and is a five-time Telly Award winner for lighting and cinematography. He is a member of IATSE Local 52 (gaffer) and the University Film & Video Association and Media Communications Association International. He also is the author of the new book Lighting for Cinematography: A Practical Guide To The Art And Craft Of Lighting For The Moving Image from Bloomsbury Press.
We're revved and ready to go for the final webcast of September 2020 in the Writers' Room during the Write Now Challenge Webcast: Black Limousine! In this challenge, you were asked to write a short scene (1-3 pages in length) using the prompt below as your opening. EXT. STORE PARKING LOT – LATE AFTERNOONA YOUNG WOMAN, 20's, stands in the parking lot of a shabby-looking grocery store. She wears a work apron beneath her winter jacket. Just about to light up a cigarette, she suddenlyfreezes. Peering ahead she sees a BLACK LIMOUSINE coming toward her. There were some fantastic entries from our members that took this prompt in every direction - from Comedy to Drama, Supernatural to Sci-Fi, and even Thriller! It was a fantastic showcase of our members' imaginations.