Jordan Barel began his career as a short filmmaker before creating his own entertainment company, Loaded Barrel Studios, publishing graphic novels. His work has won numerous international awards, including the Independent Publishing Book Awards (2012, 2013), The LA Book festival, the Geekie Awards ®, and many others. His studio currently tours around the country and sells their graphic novels in several languages around the world. The company was founded as a way to translate comics to films, leading Jordan to option his books and screenplays with producers such as David Uslan, Brendan Deneen, Jeffrey Erb, and Aaron Berger. He’s developed at studios such as Chatrone, Unique Features, and Leomark Studios in the independent film space. Currently, several of his books are optioned to film companies. Previously Jordan was an Entertainment Attorney who has worked in Business Affairs for New Line Cinema, Generate, Alloy, and AMC. He switched from legal to creative and served as the Television Coordinator for Verve Talent & Literary Agency working with all of the company’s TV writers on their pitches and presentations for staffing season. Currently, Jordan works in development for Producer/Actor Paul Scheer and Abominable Pictures in their comedy and TV department. Full Bio »
"Very informative and complex concepts were broken down so folks without a law degree could understand them." - Elisha B.
When you are putting together a deal as a writer, producer or filmmaker there are many things to think about when it comes to your contracts - between option agreements, purchase agreements and negative pickups it's important you understand what deal you're getting yourself into before you start development.
Your Stage 32 Educator is entertainment attorney Jordan Barel, who's a California attorney that has worked with AMC, New Line Cinema, Generate and Alloy. He is also a producer who develops projects based off IP and started out as the television coordinator at Verve Talent & Literary Agency.
You will cover three different types of contracts: purchase agreement, option agreement, and negative pickup. Jordan will discuss terms in both a legal and practical matter so that you get the information needed to be prepared to negotiate your next agreement. Such things will include material and boilerplate terms, what can or can't be negotiated, and how lawyers themselves will be reading and reviewing your agreement.
This will be an in-depth, but accessible, legal discussion walking you through each part of a standard purchase and option agreement.
Plus! You'll get 5 contract templates to download!
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How to Write a Film Based Off an Original Idea or Comic Book Adaptation 3 part class taught by Jordan Barel, who works TV Coordinator for Verve Talent and Literary Agency! In the past four years, we have seen The Avengers, Batman Vs Superman, Deadpool, Captain America, Man of Steel, The Amazing Spider-Man, Guardians of the Galaxy, Iron Man, The X-Men, The Dark Knight and many other comics turned into major studio films that smash the box office. There is no doubt that there is a demand for super hero and comic-based stories. Have you found a comic that you think would make a great film? Have you ever read a Marvel or DC comic and thought “how did they screw up the movie so bad?” Do you have your own comic series that you think would make a hit movie? Do you dream of being a writer but don’t yet have your angle? Or do you want to write a Major Summer Tentpole based off an original idea? Stage 32 is excited to bring you the previously-recorded 3 part class: How to Write a Film Based Off an Original Idea or Comic Book Adaptation taught by Jordan Barel, who works in Development at Paul Scheer's company, Abominable Studios. Jordan gives you a how-to on translating comic books into film writing, and how to write a summer Tentpole based off an original idea. He covers everything from story structure and dialogue, from legal issues to pitch packets. Purchasing gives you access to the previously recorded live class. Although Jordan is no longer reviewing the assignments, we still encourage all listeners to participate. PRAISE FOR JORDAN'S TEACHINGS: Jordan covered a lot of ground. High marks for knowledge. Communicates with enthusiasm and passion. Shot down a lot of common misconceptions. All very helpful. Thanks again! - Dan M. Very knowledgeable and easy to follow. Great information! - Debbie O. [He] was extremely helpful as a newbie outsider to understand the true process flow at the various networks and what should be involved with a pitch. Good job! - Matthew M. Jordan was natural and engaging, and very informative. - Wade C. Excellent presentation. Solid information provided in an ordered manner. - James S.
Cable networks all have their niche. For example, AMC has really honed in on intense dramas, such as The Walking Dead, Breaking Bad, and Mad Men; USA focuses on character driven mystery dramas such as CSI, House, and NCIS; TBS centers around comedy sitcoms like The Big Bang Theory, Ground Floor, and Cougar Town; ABC Family focuses more on sitcoms relating to family, such as Melissa and Joey, Baby Daddy and The Fosters. Knowing how to tailor your pitch to a specific cable network opens up immense opportunity for your TV pilot. Every cable network can be a real home for your work - it’s just a matter of the how, when, and why. Knowing how to appeal to multiple networks gives your pilot a better chance of getting picked up! In this Stage 32 Next Level Webinar, host Jordan Barel will teach you both how to pitch your pilot and how to tailor your pitch to the right cable network. In addition, he’ll go over what kind of shows live on each network currently, and what may be the right fit for you. You will walk away with a clear understanding of how to pitch effectively as well as a clear understanding of how to make your pilot what each network is looking for. Your host host Jordan Barel is a writer, producer and lawyer for Loaded Barrel Studios. Based in LA, he's worked for New Line Cinema, AMC, Verve Talent Agency and was recently named in Variety's Hollywood Movers and Shakers list. He worked for Paul Scheer through his producing deal at FOX, working on development with his projects as well as bringing in new writers for him. Jordan also works at Abominable Pictures in their comedy and TV department. Previously, he worked as the Television Coordinator for Verve Literary Agency, producing the company's staffing video which lead to a 200% increase in the company's staffed writers. While there he also vetted all new TV and film clients. Jordan knows what will make your pitch stand out and is here exclusively for Stage 32 to help guide our writers toward success!
Writing the hero or main characters of your story is always fun. You typically have an immediate sense of who your character is, what they like, where they live, their strengths and weaknesses, and how they relate to the world around them. What may not be as easy and might be considerably more difficult is writing your supporting characters - particularly when it is a large ensemble of characters that you need to introduce. It is just as important to develop your supporting characters as it is your main ones. Your supporting characters add tremendous value to the arch of your main character’s journey and therefore require a sincere investment to their development. A supporting character can be a sidekick, sibling, or best friend of the main character. Whoever they are, they have an important role to play in your story. The last thing you want is to leave the potential of the supporting character sitting on the back burner. It’s time to bring them up front and really brainstorm what they can bring to the table of your script. A supporting character can greatly enhance your subplot and move the general plot forward if you truly understand how to utilize them. We have the tools to help you master this exactly. Jordan Barel is a seasoned filmmaker, television coordinator, an award winning publisher, and business owner who founded Loaded Barrel Studios, publishing graphic novels and obtaining international awards, including the Independent Publishing Book Awards (2012, 2013), The LA Book festival, the Geekie Awards ®, and many others. He has optioned his incredible books and screenplays with producers such as David Uslan, Brendan Deneen who has done work for MARVEL Entertainment and DC, Jeffrey Erb, and Aaron Berger who has contributed to projects like TURBO and CRIMINAL MINDS. Jordan will demonstrate the effective approach on how to utilize your supporting characters to enrich your storytelling. Jordan will discuss how your supporting characters can be utilized to bring depth to your story and connect it to the Hero’s Journey of the main character in your script. He will also touch on using supporting characters as a unique element to deliver key exposition and tools on ways your supporting characters can deliver a subplot. Jordan will break down case studies of various film types and how they use supporting characters & sub plots in story. By the end of this webinar, you will feel well-equipped with ideas on how to strategically use your supporting characters to magnify your story to its fullest potential. Jordan is thrilled to deliver this exciting material to members of the Stage 32 community. PRAISE FOR JORDAN'S TEACHINGS: "It was absolutely excellent information." - Gerri G. "Great speaker, lots of great info. Thanks!" - Ron H.
The entertainment industry is constantly shifting and adapting, but perhaps no aspect of Hollywood is more volatile than that of film distribution. Over the past twenty years, the methods and processes of releasing films have changed drastically and continue to be difficult to pin down or predict. From theatrical to video and DVD, television to VOD, the industry continues to not only adjust but wholly reinvent itself. Now, of course, one of the bigger, if not the biggest, avenues of distribution has become online streaming platforms. Massive players like Netflix, Amazon, and Hulu and newcomers like HBO Max, Disney+, and Apple TV+ have been making and picking up a very large number of films, and the viewership numbers for these titles can be staggering. There might not be a better place for your film to find a home than a streamer, but that’s easier said than done. There is perhaps no company with more reach globally than Amazon, and their streaming platform, already a juggernaut, is only growing in size and subscription base. Now with a global audience of around 150 million people, it’s one of the biggest platforms in the world to host films. Getting your film into Amazon’s content library can be a boon like no other. Yet Amazon is a tough one to understand. As a model, it differs greatly from its competitors like Netflix and Hulu since it’s just one piece of Amazon’s overall corporate puzzle. For many reasons, Amazon is playing a different game than other streaming platforms, which means you’ll need to play a different game as well if you want your film to be part of their library. This is why it’s critical you gain a deeper understanding of how Amazon works, what they’re looking for, and how you can break through the noise. Steff Monsalve Reed is the Director of Content and Distribution at Quiver Distribution, where she discovers and releases titles from emerging voices and helps independent filmmakers get their projects on platforms like Netflix, Hulu, Amazon, Redbox, DirecTV, and more. Recently, Steff has distributed films such as THE LOST HUSBAND, starring Josh Duhamel and Leslie Bibb, BECKY, starring Kevin James and Joel McHale, and THE SUNLIT NIGHT with Zach Galifianiakis, Jenny Slate, and Gillian Anderson. She will be distributing CHICK FIGHT, starring Malin Akermin and Alec Baldwin, a feature film which was incubated through Stage 32. Before Quiver, Steff worked as a distribution consultant for AMBI Distribution and Raven Capital Management, and served as the Manager of Acquisitions and Exhibitor relations for Entertainment One, a major independent distribution company releasing films in North America as well as several major territories around the world. Through her extensive distribution background, Steff has become very familiar with what it takes to get a film on various platforms. Steff will walk you through how Amazon finds and picks up films and what content creators can do to better get their own projects on Amazon’s radar. Steff will begin by going through a primer of what film distribution for streamers looks like, including the basic life cycle of a film and important terms to know. Then she will give a rundown of Amazon as a whole. She’ll explain how it works and how you should categorize it. She’ll also go over who Amazon’s competitors are and what Amazon’s subscription base looks like. Then she’ll outline the three distinct services Amazon provides—Transactional, SVOD, and IMDB.tv—and explain how you should think about each. Next Steff will go over what kind of content Amazon goes for. She’ll go over genres, styles and more aspects that are most successful on the platform and will delve into the film titles that have performed best in the past, as well as presently. Steff will talk about how to pitch your film to Amazon. She’ll teach you who is able to pitch to Amazon in the first place, what makes a pitch there successful, and how to make your content stand out to peak their executives’ interests. She’ll even offer a case study of a real pitch deck that she used to get them to pick up a film. After this, Steff will talk about how to best prepare and maximize deliverables to fit Amazon’s requirements. She’ll give you a rundown of what exactly Amazon requires and talk about the steps you should be taking well in advance to ensure you have what you need for Amazon if they pick up your film. She’ll also provide strategies to make your marketing materials stand out and for your film to perform better. Then Steff will talk about revenue expectations with Amazon. She’ll explain how Amazon’s payment structure works and will give a general sense of how much you can expect to make from an Amazon distribution deal. She’ll also talk about how to create a budget with this in mind for a realistic return on investment. Next she’ll explain what she believes might be next for Amazon, what the current trends are pointing to and how the “streaming war” might affect things moving forward. Finally, she’ll leave with closing thoughts for filmmakers to consider, including additional challenges to prepare for and unique opportunities at Amazon you can take advantage of. Expect to leave with a much clearer understanding of how Amazon works and how you can better position your film for success at this streaming platform. Praise for Steff's Previous Stage 32 Webinar: "One of the best presentations I have seen." -John S. "Great info. Great presentation. Really explained the topic well. " -Martin R. "Steff was excellent in explaining the distribution process and especially how it pertains to Netflix." -Michael W.
Watch This Exclusive Stage 32 Webinar Now And Receive The Pilot Script for HBO's Emmy-Winning Sitcom BARRY The television landscape is constantly changing, with new technology, new networks, new trends, and new players. Yet a constant throughout the years has been the popularity of the situational comedy. From I LOVE LUCY all the way to ABBOT ELEMENTARY, there has always been an appetite for new sitcoms, funny stories and beloved characters to come back to week after week (or binge all at once). And in the last 10 years, the single camera sitcom like HBO's BARRY has become wildly popular. As a result, if you have great idea for a sitcom and a great pilot script to go with it, networks, streamers and reps are always going to be interested. But first you have to write that pilot. But you can't build a house without a blueprint. That's why it's so important to understand the sitcom pilot script on a fundamental level. A written TV pilot is not something physically tangible. You're selling the network an idea, an episode, and, really, an entire series without ever shooting a single frame. That alone is an overwhelmingly huge task. This is why people often struggle writing a pilot script. Putting too much into the script, or not enough. Properly setting up the world. Getting your audience attached to your characters. Including enough jokes and still having a prominent story. All of these elements make crafting your sitcom pilot difficult and the overall process intimidating. Yet shining a light on the pilot process can help reduce the fear and better equip you when writing. David Shecter has has been working in the television industry in production, development, and as a writer for over a decade. He has written on many shows, including season 5 of It's Always Sunny in Philadelphia. His experience and success on that show landed David on the pilot of the CBS smash hit 2 Broke Girls, where he worked his way up as a staff writer on the 6th and final season of the show. Since 2 BROKE GIRLS, David has served on the FOX sitcom OUTMATCHED starring Jason Biggs and Maggie Lawson and was named a WGA TV Writer Access Honoree for his script For Worse. David’s continued work in the sitcom TV world has lent him a keen understanding of what makes these shows successful and how to make the most of your sitcom pilot. David breaks down how to write a great sitcom pilot that can build your world, show your style, and appeal to both executives and audiences. He’ll give you tips on how to find your sitcom’s tone and decide where it lies on the comedy spectrum between comedy and drama. He’ll discuss the differences between premise-based and character-based sitcoms and teach you how to find the balance between jokes and story. Next David will delve into the proper structure of a sitcom pilot, looking at length, episodic vs. serialized and if commercial breaks are still a thing. He’ll give you tips on how to start writing your sitcom pilot and break down the anatomy of a sitcom scene. He’ll share tips on how to build effective sitcom characters and will finally teach you how to best establish your world through the pilot and how to pack everything neatly into your script. David will even offer a deep dive of the pilot script for HBO's Emmy-nominated sitcom BARRY, analyzing why this script works. Everyone who signs up will receive a free download of this script. David is excited to show you the proper tools so you can start building the world of your sitcom from the ground up with complete confidence and create a product that can help you find the success you’re looking for.
THIS 4-PART CLASS IS AVAILABLE ON DEMAND! As a director, one of your most important jobs is eliciting great performances from actors. Fail at that, and your film or series could crumble under the weight of bad acting. Although the best directors shape performances with a deftness that may seem effortless, it is not. In fact, becoming a great director of actors is hard work and takes years of disciplined practice. Like playing a violin, it is a skill that must be nurtured. Yet if you can achieve this crucial skill and relationship, you’ll be able to greatly elevate your films and projects and champion your actors at the same time. The film director’s working relationship with an actor starts in the first casting session, continues through the various rehearsal stages, onto the set and ends in the ADR session. Most trained actors begin by trusting the director, but if you can’t direct actors in a language they understand, you may have a difficult time getting actors to trust you. And if actors don’t trust you, you will have a difficult time blocking them on set and getting layered performances from them. It’s important to meet actors where they are, and we’ve brought in the perfect person to explain how to do this. Peter Marshall is a director and film directing coach with over 40 years of experience including 12 features, 16 TV movies, 8 TV series, over 30 episodes of TV drama, 50 hours of documentary and educational programming, and over 20 commercials. Through his career, Peter has worked with and helped elevate the performances of actors such as Peter O'Toole, Morgan Freeman, John Travolta, Kathy Bates, Michelle Pfiefer, Marcia Gaye Harden, Madeleine Stowe, Mel Gibson, Ashton Kutcher, Goldie Hawn, Judy Davis and Adam Sandler. He has also had the opportunity to work alongside and learn from other directors like John Woo, Phillip Noyce, Ed Zwick, John Badham, Roger Vadim, Dennis Dugan, Anne Wheeler and Zack Snyder. Peter’s long and impressive history has given him a deep understanding of how to work with actors of all sizes and levels and understands what he needs to do as a director to elicit great performances. Over the course of four sessions, Peter will dive deep into the relationship between the director and actors and teach you how directors can build a relationship built on trust with actors by creating a safe place for them to perform. Peter will first explore how to understand human behavior and emotions and use this to better support your cast. He will then explore the main strategies of proper script analysis you can use to help actors achieve the performance you desire, including his “9 Part Scene Breakdown Process”. In the next session he will delve into how to work with actors in prep and finally will break down the process of working with actors and getting the performance on set, including his “10 Step Actor/Director Blocking Process”. Purchasing gives you access to the previously-recorded live class. Although Peter is no longer distributing or reviewing the assignments, we still encourage all listeners to participate! Praise for Peter’s Stage 32 Class “I really enjoyed the webinar. I liked the fact that the density of material was rich enough I was always busy taking notes. Thanks for covering the artistic and the logistic side of directing.” - Brad L. “Hey Stage 32, I wanted to thank you and Peter Marshall for such an enlightening class. I have so many notes and as a new Director I have to say I feel a bit more relaxed, knowing what steps I need to take to be more prepared for a shoot. Peter is so generous with his knowledge. I have his Directors class downloaded and I'm excited to view it” - Diane L. "Very helpful, in depth and extremely well-structured." -Memi K.