Jordan Barel began his career as a short filmmaker before creating his own entertainment company, Loaded Barrel Studios, publishing graphic novels. His work has won numerous international awards, including the Independent Publishing Book Awards (2012, 2013), The LA Book festival, the Geekie Awards ®, and many others. His studio currently tours around the country and sells their graphic novels in several languages around the world. The company was founded as a way to translate comics to films, leading Jordan to option his books and screenplays with producers such as David Uslan, Brendan Deneen, Jeffrey Erb, and Aaron Berger. He’s developed at studios such as Chatrone, Unique Features, and Leomark Studios in the independent film space. Currently, several of his books are optioned to film companies. Previously Jordan was an Entertainment Attorney who has worked in Business Affairs for New Line Cinema, Generate, Alloy, and AMC. He switched from legal to creative and served as the Television Coordinator for Verve Talent & Literary Agency working with all of the company’s TV writers on their pitches and presentations for staffing season. Currently, Jordan works in development for Producer/Actor Paul Scheer and Abominable Pictures in their comedy and TV department. Full Bio »
In this Stage 32 Next Level webinar, Jordan Barel (Development, for Producer/Actor Paul Scheer and Abominable Pictures) will teach you paragraph by paragraph exactly what is included in the standard writer's contract. He will cover three different types of contracts: purchase agreement, option agreement, and negative pickup. Jordan will discuss terms in both a legal and practical matter so that you get the information needed to be prepared to negotiate your next agreement. Such things will include material and boilerplate terms, what can or can't be negotiated, and how lawyers themselves will be reading and reviewing your agreement.
Plus, an in-depth Q&A with Jordan!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Very informative and complex concepts were broken down so folks without a law degree could understand them." - Elisha B.
As screenwriters, it is our job to create well-rounded stories. That means not only having a main character whose journey we follow but also including supporting characters and stories. The addition of strong supporting characters and subplots allows the audience to feel as if your story actually has a life outside of the confines of your script. This is the difference between being a professional screenwriter and someone who writes as a weekend hobby. In this Stage 32 Next Level Webinar, Jordan Barel (Development, for Producer/Actor Paul Scheer and Abominable Pictures) will teach how to bring your supporting characters to life. You will learn how to create characters that are integral to the main plot and the shape of your screenplay. He will walk you through using your support characters to subtly deliver key exposition and give insight into your protagonist. In addition, Jordan will show you how to use your subplots to strengthen your second act and keep the action moving along. You'll break down various film genres to show how each utilizes supporting characters and subplots so you can apply it to your projects. You will walk away with the tools necessary to deliver a fully developed script!
Learn directly from Jordan Barel, TV Dept. at Abominable Pictures (Burning Love and Children’s Hospital on Adult Swim)! Once you’ve written the script and you’re ready to get your show idea in front of production companies and executives, it’s important to know how to pitch your TV pilot correctly. A good pitch is often the deciding factor of a show getting picked up or passed on. Aside from knowing how to pitch in the most effective way, an important aspect of pitching your TV pilot that often gets overlooked is knowing how to tailor your pitch to the network you are pitching to. Cable networks all have their niche. For example, AMC has really honed in on intense dramas, such as The Walking Dead, Breaking Bad, and Mad Men; USA focuses on character driven mystery dramas such as CSI, House, and NCIS; TBS centers around comedy sitcoms like The Big Bang Theory, Ground Floor, and Cougar Town; ABC Family focuses more on sitcoms relating to family, such as Melissa and Joey, Baby Daddy and The Fosters. Knowing how to tailor your pitch to a specific cable network opens up immense opportunity for your TV pilot. Every cable network can be a real home for your work - it’s just a matter of the how, when, and why. Knowing how to appeal to multiple networks gives your pilot a better chance of getting picked up! In this Stage 32 Next Level Webinar, host Jordan Barel will teach you both how to pitch your pilot and how to tailor your pitch to the right cable network. In addition, he’ll go over what kind of shows live on each network currently, and what may be the right fit for you. You will walk away with a clear understanding of how to pitch effectively (information you can take with you over to the Happy Writers Pitch Sessions!) as well as a clear understanding of how to make your pilot what each network is looking for. Your host Jordan Barel currently works for Paul Scheer through his producing deal at FOX, working on development with his projects as well as bringing in new writers for him. Jordan also works at Abominable Pictures in their comedy and TV department. Previously, he worked as the Television Coordinator for Verve Literary Agency, producing the company's staffing video which lead to a 200% increase in the company's staffed writers. While there he also vetted all new TV and film clients. Jordan knows what will make your pitch stand out and is here exclusively for Stage 32 to help guide our writers toward success!
To see a video sample of the class, see below! 3 part class taught by Jordan Barel, who works TV Coordinator for Verve Talent and Literary Agency! In the past four years, we have seen The Avengers, Batman Vs Superman, Deadpool, Captain America, Man of Steel, The Amazing Spider-Man, Guardians of the Galaxy, Iron Man, The X-Men, The Dark Knight and many other comics turned into major studio films that smash the box office. There is no doubt that there is a demand for super hero and comic-based stories. Have you found a comic that you think would make a great film? Have you ever read a Marvel or DC comic and thought “how did they screw up the movie so bad?” Do you have your own comic series that you think would make a hit movie? Do you dream of being a writer but don’t yet have your angle? Or do you want to write a Major Summer Tentpole based off an original idea? Stage 32 is excited to bring you the previously-recorded 3 part class: How to Write a Film Based Off an Original Idea or Comic Book Adaptation taught by Jordan Barel, who works in Development at Paul Scheer's company, Abominable Studios. Jordan gives you a how-to on translating comic books into film writing, and how to write a summer Tentpole based off an original idea. He covers everything from story structure and dialogue, from legal issues to pitch packets. Here's a sample of what to expect in this exciting Stage 32 Next Level Class: Purchasing gives you access to the previously-recorded live class. Although Jordan is no longer reviewing the assignments, we still encourage all listeners to participate.
Learn how to protect your content online directly from Jaia Thomas, an Entertainment Attorney who specializes in federal copyright registration and licensing as well as film financing, production and distribution! Content creators are increasingly relying on digital and social media platforms to build their brand. In this Stage 32 Next Level Webinar, Jaia Thomas will equip attendees with the tools necessary to protect their work in an increasingly online world. In the first part of this webinar, Jaia will outline the copyright registration process. Are YouTube videos protected under U.S. Copyright Act? Are Vimeo videos protected under the U.S. Copyright Act? Jaia will answer these questions and more. She will also provide attendees with a step-by-step guide for registering digital works with the U.S. Copyright Office.In the second part of this webinar, Jaia will discuss best practices for sharing your ideas and videos on social media platforms. Who owns your tweet or snap? Jaia will discuss legal issues surrounding the ownership of social media posts. She will also highlight recent infringement lawsuits in the entertainment industry surrounding content being shared on social media platforms. Lastly, Jaia will discuss the requisite steps necessary to remove infringing material from the web.
The goal of this Stage 32 Next Level Webinar is to empower filmmakers to confidently navigate domestic distribution contracts. This webinar will teach you the basics of domestic (North American) distribution contracts, what to look out for, what parts of the contract are negotiable (and in some cases are expected to be negotiated), and which parts can really be left alone. We’ll talk about what the distributor wants vs. what you want, and how to accommodate both parties so that the contract is clear, the details are transparent and everyone walks away happy. Filmmakers can really be held back by contracts. If they don’t understand them or are afraid that they are being ripped off, they can end up sitting on them, letting them become inactive and missing their vital release windows. If they sign without negotiating in a “someone likes my movie/ let’s get it out there” state of shock, they can give away rights and accept percentages that lock them up, keeping them from maximizing their film’s potential in the marketplace. Do not fall into either of these traps! Your host, Anna Darrah is very well-versed in dissecting contracts from her 12 years of experience as a Film Buyer and as an Acquisitions Executive, licensing all domestic rights to films. Now, working independently as a consultant helping filmmakers plan out their distribution strategies, she is able to analyze contracts from a very wide range of companies. It’s incredible how each contract is like a snowflake -- totally unique and yet similar in some very important ways.
We are thrilled to bring in veteran producer, director, screenwriter, and actor Zack Ward. Zack began his career with his role as Scut Farkus in A Christmas Story, and has since spent more than three decades acting in over 100 films. All of his years on set have allowed him to learn the elements of making a film inside and out. As a result, over the last several years Zack has gone on to produce 3 films and directed 1 feature film. His film Restoration, which he wrote, directed, acted and produced in is currently available on Amazon, iTunes, Google Play, Hulu, Ubiquity and coming this month on Redbox. This micro-budget film was made for only $75,000, was shot in 14 days - and - here's the kicker - was making money before he ever yelled "ACTION!" Now, exclusively for Stage 32 Next Level Education Zack is going to take you through the processes and procedures he's learned to bring his latest feature film in on time, on budget and profitable.