Beginning his career in the film, television and recording industries in 1974, Chris Boardman has consistently worked at the top echelon of the entertainment industry receiving an Academy Award nomination for The Color Purple, 6 Emmy Awards, 13 Emmy nominations, ASCAP and BMI film awards and multiple platinum records for his work with iconic artists such as Quincy Jones, David Foster, Steven Speilberg, Julie Andrews, Shirley MacLaine, Barbara Streisand, Marvin Hamlisch and Josh Groban. Well known in Hollywood circles as one of a handful of musicians who can literally write anything, Boardman’s credits span both industry and genre. Whether it be conducting David Foster’s World Children’s Day for television, composing the 70’s inspired score for Mel Gibson’s Payback, arranging period dance music for Swing Kids and Meet Joe Black, orchestrating Chaplin for Broadway or releasing and producing solo recordings as an artist, Boardman embraces these challenges with characteristic integrity and passion making him one of the most uniquely versatile and highly respected musicians in the industry. Always looking for new challenges, Boardman is the founder of a successful social media content strategy consulting business, serves on the advisory boards of several technology companies, and is recognized as a new media visionary. Currently Boardman is a professor at the Frost School of Music at the University of Miami holding the title of Professor in Practice and serves as the director of the Media Writing and Production program. Full Bio »
There is a myth that great creative achievements are only born from personal tragedy or dysfunctional behavior. And while strongly felt emotions can enable a creative spurt, we don’t need to go to a dark place to be able to execute our creative projects. In fact, anyone who consistently delivers creatively will have made peace with their demons. They have figured out what works for them and what doesn’t, and use that to streamline their creative process and deliver consistent results.
Those who have sustaining careers learn how to turn on their creative engine at will. It’s not an accident. It’s predictable. It’s practiced. It’s what separates the amateurs from the professionals. It’s time for you to develop your own streamlined creative process and become more productive than ever before.
In this Stage 32 Next Level Webinar, 6 time Emmy Award winner Chris Boardman will take you through the 6 steps of understanding your own personal creative process and using it as effectively as you can. You’ll learn why you aren’t as productive as you can be, and how to get yourself unstuck and deliver creative yet consistent results.
Whether you are an actor looking to find the inspiration to perform, a writer looking to develop an authentic idea, or a cinematographer looking to shape your canvas, this webinar will help you get into the creative zone for that process. Or, as a filmmaker looking to tell your story or a gaffer looking to light the beauty of the story you are about to shoot, take time to learn from Chris the tools to be effectively in that creative zone. All professions in the creative industry can benefit from this webinar.
The only chance we have to connect with an audience as a storyteller is to be brutally honest and vulnerable. The path to that type of impact comes from being clear about ourselves, and why we do what we do. Chris hopes this webinar is provocative, inspiring and thought-provoking. And, hopefully fun too! All of us in the creative arts deal with these issues. Bring your questions because no matter how trivial it may seem, or how self-conscious you may feel...you are in great company.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Learn directly from Peter D. Marshall, Director, Producer & 1st AD with over 40 years of experience including 12 features, 16 TV movies, 8 TV series, over 30 episodes of TV drama, 50 hours of documentary and educational programming, and over 20 commercials! Plus, Plus, Peter has worked with Oscar-winners Kevin Spacey, Morgan Freeman and Edward Zwick! Pre-production is the most important time for a director because it's where you go through a "process of discovery." It's also during this time that all departments discover what they need to make a particular movie happen. Much is expected of the director during the pre-production process. You are in charge of making crucial decisions that can either make or break any production. It can all seem very overwhelming no matter how many times you've done it. But in reality, taken step by step, it could be a fun and rewarding part of the process of making a film. All this takes time - and the more time you have in prep, the more you will discover and sort out before you go to camera. In this exclusive Stage 32 Next Level Webinar, Peter will guide you through pre-production, the most important phase for a director. He will help you navigate the business and politics with a step by step guide. Whether you are shooting for film or TV, you will walk away learning all you need to know from script analysis, shot lists, storyboards, the director-actor relationship, casting, production meetings and even take you all the way to cast rehearsal. This on-demand webinar has a 100% satisfaction rating!
Hey screenwriters and creatives! Mark your calendars and come hang out online with Stage 32 Director of Script Services, Jason Mirch on Tuesday, November 12th at 1pm (Pacific). If you're a screenwriter and looking for support for your writing or your career, this is the online hangout for you! What is a Stage 32 Writer Hangout? This is an online webcast where screenwriters and creatives gather to share what you're working on, things that are inspiring you and give you a forum to ask questions you have about your craft, the business or the industry. For over a decade, your host, Jason Mirch, has worked in nearly every aspect of the business, including representation, development, production, and film finance. He has worked with Academy and Emmy Award winners on studio and independent projects.
Learn directly from Jessica Sitomer, International Entertainment Industry Speaker, Career Coach, and Author, as well as Producer of three TV shows, actress, produced writer and development associate! Episodic season is around the corner, and if you don’t already have an agent or manager, now is the time to strike! Easier said than done, right? What if we told you there was a proven strategy for finding and obtaining legitimate representation no matter your creative discipline? In this Stage 32 Next Level Webinar, host Jessica Sitomer will reveal that, through interviewing agents and having her own representation through the years, there is a strategy for getting agents! Stage 32 is thrilled to bring back Jessica Sitomer to teach! Jessica consistently receives 100% satisfaction ratings on her webinars and classes (see reviews below!) and has a knack for providing excellent, immediately useful information in a genuine and easy to implement way. You will leave the webinar knowing: What type of client are you? The three ways Agents categorize their clients (you may not like the one you fall under). Three questions an Agent wants to know before taking you on. 4-step strategy for getting an Agent. How to rock episodic season with an in-depth plan. How to meet more people. Your host Jessica Sitomer is a world traveled speaker and panel moderator who has coached thousands of people worldwide, and is proud to see her clients’ names on almost every TV show and film she sees. Simultaneously, Jessica works as a professional in the entertainment industry, on shows for ABC, Nickelodeon, Showtime, MTV, and had her writing produced by an Emmy Award winning producer. She is here at Stage 32 to pass on her knowledge and experience of working with thousands of people, just like you, to make your journey a comfortable ride.
Learn directly from David Landau, 30 year Lighting director and Director of Photography. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Good lighting makes things look real, while real lighting often makes things look fake. Good lighting supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. So, no matter how good a script, how good a director, how good the actors – the lighting needs to be as good if not better. The fact is, we can’t usually make good pictures without good lighting, no matter how good the newest cameras are. Yes, we can sometimes get lucky. But while shooting under available light gives exposure, it often lacks depth, contrast, contour, atmosphere and often separation. Well-crafted lighting helps establish the illusion of reality that is necessary for the viewer to forget they are watching a screen and get lost in the story. In this Stage 32 Next Level Webinar, host David Landau will go over the ten things all filmmakers need to know about lighting, sharing some of the techniques to artistic and effective lighting that he has learned both from working with a wide range of cinematographers and through his own career as a Lighting Director and Director of Photography. David will demonstrate live from the Fairleigh Dickinson University sound stage lighting techniques that will make your images shine like a Hollywood feature without a big Hollywood budget. David Landau has over thirty years of professional lighting experience working on feature films, TV shows, sit-coms, game shows, commercials, documentaries, industrial films, music videos and direct-to-consumer DVDs. David worked as one of the gaffers on the TV series Project Runway and is a five-time Telly Award winner for lighting and cinematography. He is a member of IATSE Local 52 (gaffer) and the University Film & Video Association and Media Communications Association International. He also is the author of the new book Lighting for Cinematography: A Practical Guide To The Art And Craft Of Lighting For The Moving Image from Bloomsbury Press.
To see a video sample of the class, see below! 3 part class taught by Jordan Barel, who works TV Coordinator for Verve Talent and Literary Agency! In the past four years, we have seen The Avengers, Batman Vs Superman, Deadpool, Captain America, Man of Steel, The Amazing Spider-Man, Guardians of the Galaxy, Iron Man, The X-Men, The Dark Knight and many other comics turned into major studio films that smash the box office. There is no doubt that there is a demand for super hero and comic-based stories. Have you found a comic that you think would make a great film? Have you ever read a Marvel or DC comic and thought “how did they screw up the movie so bad?” Do you have your own comic series that you think would make a hit movie? Do you dream of being a writer but don’t yet have your angle? Or do you want to write a Major Summer Tentpole based off an original idea? Stage 32 is excited to bring you the previously-recorded 3 part class: How to Write a Film Based Off an Original Idea or Comic Book Adaptation taught by Jordan Barel, who works in Development at Paul Scheer's company, Abominable Studios. Jordan gives you a how-to on translating comic books into film writing, and how to write a summer Tentpole based off an original idea. He covers everything from story structure and dialogue, from legal issues to pitch packets. Here's a sample of what to expect in this exciting Stage 32 Next Level Class: Purchasing gives you access to the previously-recorded live class. Although Jordan is no longer reviewing the assignments, we still encourage all listeners to participate.
Back by popular demand, Stage 32 Next Level Education brings you Max Adams, 20-year working screenwriter and acclaimed author who has worked with Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures! You will also learn about static locations vs. clear, wider, more open locations and how they can work for and against you in your writing. You will also have a clear understanding on how to use motion and action to move your screenplay forward. You will walk away having all the tools and techniques necessary to apply to fiction, nonfiction, screenplays, teleplays, and stage plays to make visuals and action “real” on the page - an art unto itself and something that can separate your work from the pack. You will learn how to create compelling visuals on the page that will catapult your writing into an unforgettable — and visual — experience for your readers on the page, and your audience on the screen. The immediacy of motion on a film screen, and its necessity, sets film writing apart from every other written medium on the planet. And is the difference on the script page — and film screen — between selling — or that script dying in a drawer, and that film never being made.