Keith Powell was a series regular on NBC’s Emmy-winning sitcom 30 Rock for seven seasons, where he received the 2008 Screen Actors Guild Award for Comedy Ensemble. He has had recurring roles on About A Boy and The Newsroom as well as appearances on Law & Order, Law & Order: Criminal Intent, the ABC pilot Judy's Got A Gun, Reno 911!, and NCIS: Los Angeles. Feature films include The Way We Weren't, Syrup, and Night At The Museum: Battle Of The Smithsonian as well as extensive work in the theater as both an actor and director. In addition, he is the writer/producer/director of the animated pilot Nate & Abe (starring Rachel Dratch, David Wain, Alyssa Milano, and Robert Ben Garant), writer/director/star of the short film People We Meet (co-starring Frederick Weller and Scott Adsit), and recently produced/co-wrote/starred in the feature film My Name Is David (co-starring Judy Reyes and Adepero Oduye). About Keith's Webseries Keith Broke His Leg: Keith Broke His Leg is a semi-autobiographical comedy about 30 Rock star Keith Powell's self discovery when he is suddenly stripped of his ability to be mobile. After an accident, Keith is forced to see the world in a new way when his wife, his friends, and especially his agent don’t make life easy for the incapacitated. What results is a series of visits with the floura and fauna of the the Hollywood comedy world, with most of the actors playing parodies of themselves. The show features Keith’s off-kilter brand of wit, coupled with some genuinely thoughtful moments. Contemplating race, sex, friendship, marriage, and stereotypes, Keith Broke His Leg is "Louie" with a Los Angeles sensibility; "Curb Your Enthusiasm" with humanity, and “Inside Amy Schumer” with a black dude. Full Bio »
Creating your web or digital series as a calling card for your talent or idea has become a hot way to break in. There’s no better way to showcase the viability of your vision than a successful series. Hits like High Maintenance on HBO to shows like Drunk History or Broad City on Comedy Central all got their starts as web series that caught the eye of network executives. In this era of DIY content creation, now is your time to shine by creating a web or digital series, which will also serve as valuable IP (intellectual property) for you and your brand as a creative.
With so many factors to consider to create a season for your web or digital series, where do you even begin? How do you not break the bank creating and filming it? And how do you assure your story is fine tuned to keep your budget down and make certain your scheduling, casting and locations make sense financially? You don’t have to overthink or overestimate the budget of your series. In fact, most webseries (and many successful ones the came before have proven this out) can be done for as little as $500 an episode. Yes, you heard that right, $500 per episode!
Keith Powell has taken everything he’s learned as an actor on high-budget episodic productions (such as 30 Rock and The Newsroom), modified it, and applied it to creating a successful micro-budget web series. And he did all this without breaking the bank and while keeping his sanity intact (well, kind of). And being the kind of guy he is, now Keith wants to share this knowledge with you.
Keith will teach you the building blocks toward creating an artistically successful series without stretching your budget. You will walk away with all the tools necessary to help you during development, pre-production, production, post-production and even distribution. Most importantly, you will learn how - even with the glut of web series available online and within the market - you can make a product that stands out above the noise (and there definitely is noise!)
Creating a web or digital series is something YOU can control and that can open doors to help launch your creative career. Keith will provide you with the tools to get started and establish the brand of your content and the brand of you!
Q&A WITH KEITH
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
We've brought in Zeke Thomas, a VR producer who recently did the 360 experience for HAPPY DEATH DAY for Universal & Blumhouse and who's clients include: Paramount Pictures, Legendary Pictures, Nerdist Industries, VidCon, Youtube, Outside TV and more. Zeke will be breaking down the business of VR/360 in this exclusive Stage 32 Next Level Webinar. Billions of dollars have been poured into Virtual Reality & 360 spherical capture, but is there really a business for this form of storytelling? If you're already filming in VR/360 or are interested in pursuing this medium, it's important to understand not just the craft, but the business of it.
Bonus! Get 2 contract templates: Option Agreement Template & Producer Attachment Agreement "Conrad you were so very informative, had absolutely great advice, information a person would need to understand when going to a meeting for negotiations with executives. You covered most everything I wanted to ask. Thank you stage 32, this was the best webinar I have taken." - Diane K. "Great summation of the ins and outs of right options. Thank you for the contract templates." - Karla T. Ideas for movies, TV shows, web series etc. can come from anywhere. Often times it’s an original idea that comes from within your own creative mind, but as you know, a lot of the best stories can be based on other source material like books, real people’s lives, big brands, or any other already existing property. In all of the latter scenarios, you can’t legally create your vision without controlling the rights to the source material. This often discourages people from pursuing these rights because it involves contracts, dealing with rights holders and costs money. In this Stage 32 Next Level Webinar, Conrad Sun will change your perspective not only on how to acquire the rights to material, but how to develop great story ideas. He will explore creative ways on how to find and control the rights to stories that you’re passionate about without having to pay for them. Whether you’re a writer looking to adapt a screenplay, or a producer looking to set up a property with a financier, this webinar will provide useful information how to effectively control the rights to your passion project and hopefully lead to its creation. Conrad Sun is currently working as a TV Lit Manager and Development Executive at Meridian Artists in Los Angeles and represents TV writers in both the comedy and drama space. Conrad has also worked in content development with companies like Epix, Hasbro Studios, Gran Via Productions (Breaking Bad), New Wave Entertainment and Motion Theory Films. Conrad is also the founder of the popular website FilmEscape, an online resource and encyclopedia for learning anything relating to the film and television industry.
***All lab spots filled - Check our Next Level Class and Lab page for new opportunities as we continue to announce** If you’re a writer, producer or other aspiring creative with hopes of one day actually getting behind the camera and directing your own project, taking the first step can be daunting. Where do you even start? And how can you be sure you know what you need to in order to take that plunge? Now you can under the guidance of Oscar-nominated director/producer Rick Rosenthal. Over the course of 7 weeks, Rick will guide you through actually prepping, shooting and editing your first project as a director in a supportive and encouraging environment - best of all? You can do all of this in the comfort of your own home. Even better? You don’t need any special equipment to participate. All you need is a cell phone that records video, a computer, and editing software that you will download for free. You will leave this lab with real world, valuable practice in putting a project together, and the knowledge and skills to direct the next project on your own. Rick Rosenthal is an Oscar and Emmy nominated director/producer and the CEO of Whitewater Films, which is known for many feature film hits that have premiered at Sundance, Cannes, SXSW, and more. Through his film directing background, Rick has directed the likes of Joaquin Phoenix, Sean Penn, John Lithgow, and Jamie Lee Curtis. Along with his credits directing films, Rick has also worked as a producer on Amazon’s Emmy-winning series TRANSPARENT for the first three seasons, along with directing and producing credits on countless other shows. When Rick launched Whitewater Films as a production company, he committed to helping up-and-coming filmmakers and offering them the advice and assistance he never had. Furthering his drive to give back and educate burgeoning filmmakers, Rick also served as the chair of the Directing Program at the American Film Institute. Through his decades-long career Rick has become well versed in diverse genres of filmmaking and has specialized in educating and empowering new voices, which he is bringing directly to the Stage 32 community. Through this lab, you will have the opportunity to prep, shoot, and edit two scenes from a script that Rick will provide you. You will learn camera placement, camera movement, blocking a scene, all from different points of view--single character, multiple character, and omniscient. Rick will bring in a special guest editor to teach you the basics of editing a scene through the free software DaVinci Resolve, which is quickly becoming an industry standard. Through Rick's mentorship, you will walk away confident to take these skills and apply them to your own directing project, whether that's a short film, feature film, or web series. PLEASE NOTE: This exclusive Stage 32 lab is limited to 10 students and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with a practiced director and expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Amanda at email@example.com for more information WHAT TO EXPECT This lab is designed for writers, producers, or other aspiring creatives interested in becoming a director and looking for actionable skills, practice, and guidance to make this transition. This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar. ***Only 10 Spots Available*** This class will consist of six weekly sessions. There will be an additional week where you will sign up for an extensive one-on-one mentoring session with Rick. In addition to the lessons where Rick teaches the class, you will have the opportunity to ask him questions during each session as well as multiple chances to speak with him directly about your specific project. Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the TV project development process. To see the full directing lab schedule, see below under "What You Will Learn".
Learn from one of the top entertainment attorneys in Hollywood who has worked on hundreds of film & TV projects! After pouring so much time, money, and passion into your feature film and putting together a finished product that you’re truly proud of, it’s an amazing feeling when a distributor wants to buy your film. What can be more vindicating? Not so fast, though. This is your film, and it’s absolutely critical you walk into any distribution agreement with both eyes open, an understanding of what you want, what you deserve, and how to make sure you’re protected and not being taken advantage of. Distribution can often be confusing, complicated, and murky territory, and there are many common pitfalls filmmakers of all levels fall into when navigating. It can feel like you need a law degree and a special glossary just to understand the rights you’re giving away, along with the territories, fees, expenses, residuals, and everything else that comes along with a distribution deal. But you don’t need to pass the Bar to find success in seeking distribution. Gaining a keener understanding of the process and how agreements work can empower you as a filmmaker to negotiate a distribution deal that’s right for you and your film. Sean Pope is a Senior Associate at Ramo Law PC, one of the largest and most respected entertainment law firms in Hollywood, where he works with producers and production companies focusing on all aspects of production legal services from development to distribution. Prior to joining Ramo Law, Sean worked at a boutique entertainment transactional and litigation firm providing legal services for producers, writers, actors and musicians. His past projects include the upcoming Liam Neeson thriller HONEST THIEF, Netflix documentary THE BLACK GODFATHER, and hit Netflix docu-series CHEER. Sean has helped countless filmmakers negotiate fair distribution deals and make the most out of their film, and is ready to share what he knows exclusively with the Stage 32 community. In this advanced level and intensive two-part class, Sean will walk you through the nuts and bolts of distribution deals and zero in on the provisions and clauses you need to understand when negotiating your own distribution and sales agreements. Sean’s exhaustive rundown will leave you with a much deeper understanding of what agreements look like, what you should be looking for, and how to avoid pitfalls along the way. WHAT TO EXPECT This is an in-depth, practical, and detailed class with significantly more than a standard 90-minute webinar. This class will consist of two sessions, both roughly 90 minutes in duration and spaced one day apart from one another. In addition to the Sean's presentations, you will have the opportunity to ask Sean questions during each session. To see the full distribution class schedule, see below under "What You Will Learn".
Learn the impact of film editing from international director/editor Max Leonida whose films have been screened and awarded at a range of festivals including the Sundance Film Festival, the Cannes Film Festival, the International Salerno Film Festival, the Columbia Gorge International Film Festival and the L.A. Short Films Festival, to name a few. “I love editing. I think I like it more than any other phase of filmmaking. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.” (Stanley Kubrick) Some of the greatest, most iconic filmmakers of all times (like Scorsese, Hitchcock, Kubrick, Tarantino, Coppola, Lynch, Fellini, Gilliam and many others) used to spend hours, days and sometimes months into the dark secrecy of the editing room, sitting next to their faithful editor, enjoying the guilty pleasure of reshaping – over and over again – a world of their own. The post-production phase is the most critical one throughout the entire film production process… and editing, in particular, is a pivotal moment where as a filmmaker you should be able to understand that you are writing the final version and destiny of your movie. In this Stage 32 Next Level Webinar, international director/editor, Max Leonida will use his years of experience to give you a more profound knowledge of the artistic nature of the editing process, together with a clear, up-to-date and technical expertise about the most important digital editing systems on the market. Max's most recent films include Run (winner at 2013 MIFF and double winner at the 3D International Festival) and the feature film “What Separates Us”, Best Feature at the Machetanz Film Festival. Editing is not just a simple matter of pace, rhythm, and mere image composition: editing pertains to the core of storytelling itself. Every professional filmmaker knows that a closeup placed in the right place, at the right moment, can definitely chance the course of a narrative process. Editing includes re-defining the story, reconstructing the characters, reshaping the very structure to the point of even changing and re-dubbing the dialogue in a totally different way from the original script… all for the sake of beauty. And this webinar aims to give you these tools.
Learn directly from Tim Moshansky, a 20 year location scout who has worked on hundreds of films and TV shows including The Revenant, Twilight Saga: New Moon, Fifty Shades of Grey, and Aliens vs. Predator: Requiem! There are two things that a production starts doing as soon as they have the “green light” - casting for actors and scouting for locations. In a way, a location scout is like a casting director for locations. Unless a film is shot entirely in a studio with sets or green screen, locations are integral to how the film will look. Anyone can become a location scout, but to become a GREAT scout that people call again and again takes a keen eye, good people and photography skills, and on-the-ground experience. In this webinar Tim Moshansky will guide you through the entire process of scouting - from the moment you get the script or storyboards, to when they call “Action!” on set. Tim will offer you tips and insights from his nearly 20 years of scouting experience. Whether you are someone considering a career as a scout, or a filmmaker looking for ways to increase your production value and anticipate potential location problems, this is the webinar that will help you learn the basics about scouting. This webinar includes FREE bonus materials for download!: Locations Release Location Agreement Location Breakdown Script Breakdown