Michael grew up in Harrisville, Rhode Island during the 1990’s NBC sitcom boom and WB teen dramedy craze, which should explain his obsession with comedic angst. He attended Emerson College in Boston where he majored in Visual and Media Arts with a concentration in Television. There he wrote and executive produced the college’s only multi-camera sitcom, The Daily Grind, which was nominated for three EVVY Awards. He graduated Summa Cum Laude in December of 2007 and moved to Los Angeles where he was met with the Writer’s Guild Strike and a general sense of despair. Michael’s first industry job was at CAA where he broke the glass ceiling for men everywhere and became their first male receptionist ever (before then, CAA had segregated based on sex: guys in the mailroom and girls in reception). From there he worked his way up to assist an agent in TV Packaging, before jumping to Ryan Reynolds' and Allan Loeb’s TV pod, DarkFire TV, for two years. He currently works as the Director of Development at Krysten Ritter’s company, Silent Machine Entertainment, where he works closely with writers to develop their ideas to pitch to studios and networks. On the writing side, Michael co-wrote the comedic-musical stage show: ARMAGEDDON: A Night of Laughs and Pleasant Songs, which enjoyed a sold-out run in the LA Fringe Festival in 2011. He had a spec pilot, Alien Nation, in development at DarkFire TV, and currently has an animated show in development. Michael is also a comic book geek and wrote the graphic novel The Arcs which was published by Fanboy Comics and premiered at the Comikaze Expo in November of 2013. He is re-teaming up with artist Matt Jacobs on a second volume, which they hope to release within the year. Michael’s goal is to keep working in the entertainment industry without becoming jaded. Full Bio »
In this Stage 32 Next Level Webinar, your host Michael Poisson will teach you how to write a kick-ass comedy pilot that will get executives’ attention. This webinar is not only about how to properly execute writing a comedy pilot, but also about how to make it your strongest sample so that it can get noticed!
Michael Poisson is currently the Director of Development at Silent Machine Entertainment, Krysten Ritter’s production company that has a first look deal at Universal TV, where he works closely with writers to develop their ideas to pitch to studios and networks. Working on the inside of the system, first as a talent agency assistant, then a production company assistant, and currently a director of development has given Michael Poisson a unique perspective for what kind of script stands out among the hordes on everyone’s “Weekend Read” lists and he is here exclusively with Stage 32 to share that knowledge with you.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
He was amazing -- professional, articulate and knew his subject inside-and-out! – Jan S.
It was very obvious Michael knows [his stuff]. He was very organized and I feel like he answered many questions that I've had for years. Thank you so much. – Betty S.
Michael was sensational; one of the few who can actually DO a webinar and keep an interest. Nice voice inflection and tone; no distracting "um's" and such. Great material; learned a ton! - Geno S.
Very informative and in great detail and explanation, Michael. Time very well spent. – Jean B.
Excellent seminar with relevant information. Great job. – Matthew M.
I really found the examples [he] references on current programs and series very useful. The information was concise and allowed me to visualize my next steps. – Ashanti G.
He was excellent! – Tina F.
Good information, well thought out, organized and easy to follow. Many useful takeaways. Thanks Michael!! – Lesa B.
In the current TV landscape of serialized dramas, complex comedies, and sprawling genre epics, series bibles are becoming important selling tools to help writers illustrate their visions. A dynamic and intriguing bible can create interest in your project, and push your pitch or spec script over the edge to a sale. It’s your chance to lay out the larger arc of your story, list examples of future episodes, and explain the broad themes your show will explore. It conveys confidence to producers and executives by saying: “I've thought about this in the long run, and I have a slew of awesome ideas to explore in series.” Because there is no standard industry way to format your bible, they can be extremely confusing to create. Executives receive bibles as small as 4 pages (a mini-bible, really) and as long as 27 pages. Should it include your personal connection to the material? In-depth character bios? Visual motifs? Artist’s renderings of the setting and characters? Although bibles can vary greatly from project to project, there are some general rules and strategies to follow to make sure yours stands out from the pack as professional, polished, and powerful. In this Stage 32 Next Level Webinar, Michael Poisson will talk about the very exciting, sometimes harrowing, process of creating TV Series Bibles. In this webinar Michael will cover everything you need to know to craft your TV series bible, from format, to arc, to how to introduce characters, all the way to how to create a strong closing beat.
Learn directly from Michael Poisson, the former Director of Development at Silent Machine Entertainment, Krysten Ritter’s production company that has a first look deal at Universal TV. Michael is also a comedy writer who used his insider knowledge to land a manager, and get two projects in development at TV production companies. In this Stage 32 Next Level Webinar, your host Michael Poisson will guide you through the business side of how to become a working writer in Hollywood. Writing an awesome script is only part of the process for becoming successful in this industry. Having worked on various projects from both the executive side, as well as the writer side of things, Michael has obtained great insight for how to avoid the difficult terrain when meeting and working with producers, studios, and networks. And while the process of finding a manager or agent is daunting, keeping a strong relationship with them so that they’re doing the most for you as their client can be equally difficult. Michael will share with you his insider knowledge to help: keep your writing on track, your meetings fruitful, and your industry contacts strong. If you’ve ever wondered what you should talk about in “general meetings”, how to take notes from friends/producers/execs that you don’t agree with, or how to be a more prolific writer, this webinar is for you!
Class Space Limited: Maximum 20 Writers August 13, 20, 27 and Sept 10 from 1pm-3pm. Your TV Series Bible is an extremely important, and often overlooked tool for selling your pilot in the industry. It’s a document which explains in detail – who your characters are, what they will be up against, where future conflict will come, and what themes your show will be exploring. It gives studio and network executives confidence that you know what you’re doing, and that the show has the story potential to live on for multiple seasons. The problem is that there isn’t a lot of literature out there detailing how to construct a bible. This Stage 32 Intensive is aimed to give you the information and guidance that you need to write a strong bible that can be used when sending out and selling your pilot script. Each week, your instructor Michael Poisson (Director of Development at Silent Machine Entertainment, Krysten Ritter’s production company that has a first look deal at Universal TV) will be giving a lecture about how to write one section of your series bible, and then you’ll be assigned to write that section for a project of your own. The following week Mike will offer one-on-one skype sessions to discuss your work, give you any notes, and answer any questions that you may have. So, at the end of this Intensive, you will have a strong and well-executed bible that you’ll be able to use as a selling tool for your own TV series. Mike has worked at CAA, two production companies, and as a showrunner’s assistant on a TV series, and at each job he has seen the importance of bibles and how they have been used to get series sold and on the air. As a writer, Mike has also used them in his own writing career, and a well-written bible of helped him to secure his manager, and get multiple production companies interested in his work.
There’s only one way to get your audience to sit still for the story you want to tell: create compelling characters. As human beings, we are endlessly fascinated with ourselves and our interactions. When we find a character to whom we can relate, we lock in. Constructing relatable, entertaining and realistic characters is essential to a successful screenplay, not to mention critical to our own enjoyment of the writing process. But what separates the memorable personalities on the screen from the “which-one-was-that-again” types? I’ve discovered answers that work for me, and created some guidelines. Follow them and you stand a better chance of producing characters who not only engage your audience, but do the heavy lifting for your story and themes. Miss out and you’ve got page after page of shoulder shrugs. For almost thirty years I’ve had the privilege of creating and nurturing characters for the big and small screens. From running or co-creating sitcoms like “Living Single” and “JONAS” to writing or co-writing movies like “Balto,” “Mulan II” and Shrek,” I’ve accumulated scores of characters who now sit around my brain, eating my food, drinking my liquor and playing mind games. When you’re done with my webinar, you’ll know a lot more about what makes good characters tick, what makes bad characters just sit there, and just maybe a little bit more about yourself. And you’ll come away with a tool chest from which you can pick and choose the techniques you prefer to build unique characters so remarkable that sometimes they’ll write their dialog for you.
Learn directly from award winning playwright, screenwriter and writing coach Corey Mandell, (Sony Pictures, Warner Brothers, Disney, Showtime, AMC and HBO)! Writing is rewriting. All writers know this, but unfortunately too many writers waste valuable time and energy rewriting their scripts over and over without really making them better. Or they make some parts of their script better while weakening other parts -it's almost like an endless whack-a-mole game. The reason this happens is that often writers don't know the most effective ways to evaluate and rewrite their material. They rewrite without a clear focus or understanding of the fundamentals. Knowing how to effectively rewrite your script will lead to a dramatic improvement in your final product for both feature and TV scripts, and will be a game changer in your writing career! In this Stage 32 Next Level Webinar, host Corey Mandell will walk you through the entire rewrite process – from first understanding how your story reads in other people’s heads (and why that is important!) all the way to correcting structural weaknesses in your script. He will break down rewrite memos, notes, and narrative cohesion, leaving you with a comprehensive overview of how to do an effective rewrite and how to immediately apply it to your own work. Having had the opportunity to work closely with some of the smartest and most successful writers, directors and producers in the business, Corey has seen firsthand how they go about revising their scripts and is here to pass on that information to you! Your host Corey Mandell is a screenwriter and screenwriting coach who has written projects for Ridley Scott, Harrison Ford, Julia Roberts, Warner Brothers, Universal, 20th Century Fox, Paramount and Walt Disney Pictures – just to name a few. Corey’s students have gone on to sell or option scripts to large studios such as Warner Brothers, Paramount, Sony Pictures, Disney, MGM, and networks such as Showtime, FX, USA Network, AMC, MTV and HBO. Other students of his have been staffed on such shows as Community, Justified, Bones, The Mentalist, The Fosters, and Young and Hungry. As you can see, Corey knows what it takes to write and rewrite a great script, and he has proven it time and time again.
Every successful filmmaker has, at some point in their career, written, directed, and/or produced a short film. For filmmakers who are just starting out, a short film is the best calling card to showcase their unique talent and vision. It is important to remember that short filmmaking is different from feature filmmaking, with challenges unique to the process. Even so, producing a short film may seem daunting, but there are several key secrets to getting the most out of your project. This intensive 5-week course will give students the tools and techniques necessary to produce a world class short film. Each week will be dedicated to a different aspect of the short filmmaking process, including, concept development and writing of your short, budgeting and scheduling, understanding and drafting production agreements, pro-tips on directing actors, and how to get the most out of the post production process. Students are strongly encouraged to come with ideas for a short film, which will be developed over the course of the 4 weeks, so by the conclusion of the class, the should have a screenplay ready for production.