Stephen Boyer is a film and video editor with nearly 10 years of experience in post-production and currently serves as a trailer editor for HBO Max, where he recuts modern trailers for existing films in the platform’s catalogue. Through his career, Stephen has edited feature films, documentaries, commercials, music videos and nearly everything in between and has cut for a litany of influential brands such as Netflix, Microsoft, SiriusXM, Nintendo, Blizzard Entertainment, and Warner Bros. A Los Angeles native with a lifelong passion for filmmaking and music composition, Stephen is well-versed and passionate in the art of trailer cutting and is bringing his years of experience exclusively to the Stage 32 community. Full Bio »
Learn directly from an editor from HBO Max!
Putting together a great trailer for your own film or series can make all the difference when it comes to building an audience, getting eyes on your film, or even convincing distributors, executives and more to be interested. And editing trailers seems easy enough. It’s just the coolest bits of the movie with some awesome music behind it, right? Then why is it that when you try this yourself, the trailer just feels flat, no matter how good the track is? Why is it so difficult to make your project look engaging in a trailer when you’ve done the elevator pitch for this story more times than you care to count? Why is it that you were able to edit a whole long-form movie together, but this 2-minute trailer is giving you so much trouble?
The truth is: a successful trailer is so much more than your best shots with your best music behind them. There’s a reason that there are entire agencies dedicated to just trailers and promos along with a whole roster of “trailer editors” who specialize in this medium. Trailer editing is really its own unique art form with its own rules and its own skillsets required to make it work. This doesn’t mean you can’t make an effective trailer of your own film, but you’re first going to need to learn how to navigate this medium and approach your film with new eyes to make the trailer sing and get your project the attention you’re looking for.
Stephen Boyer is a film and video editor with nearly 10 years of experience in post-production and currently serves as a trailer editor for HBO Max, where he recuts modern trailers for existing films in the platform’s catalogue. Through his career, Stephen has edited feature films, documentaries, commercials, music videos and nearly everything in between and has cut for a litany of influential brands such as Netflix, Microsoft, SiriusXM, Nintendo, Blizzard Entertainment, and Warner Bros. A Los Angeles native with a lifelong passion for filmmaking and music composition, Stephen is well-versed and passionate in the art of trailer cutting and is bringing his years of experience exclusively to the Stage 32 community.
Stephen is going to break down what makes an effective trailer today and the steps you should take to create a great trailer for your own film or television project. He’ll first discuss what good trailers look like in general and will then delve into how to re-approach your film with new eyes to begin building your trailer and find the right clips to include. He’ll also go over how you can identify the right pieces of music for your trailer and will teach you how to build out the trailer’s story. Stephen will go over polishing the trailer with sound design and will explain the fine tuning and rewrite process necessary for any trailer. Stephen will identify some of the most common pitfalls trailer editors should avoid and will even share a case study of a real trailer he edited for HBO Max of a notable film and explain how it came together.
Through Stephen’s lessons and case study, you’ll gain a series of new strategies and techniques to tackle your own project’s trailer with confidence and create something that will stand out from the crowd.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
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A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the recording, which you can view as many times as you'd like for a whole year!
Whether you’re a writer, an actor, a cinematographer, an editor, sound designer, a colorist, a VFX artist or an animator, every project you work on is going to have to pass through post production on the way to fulfilling its creative promise. Post-production is an intricate, sometimes lengthy and always critical process necessary to turn a bunch of shots, moments, and ideas into a singular and polished product. This is no easy task, and doing it well can lead to strong and ongoing career as a post producer. And if you’re a filmmaker or creator in your own right, peeling back some of the mystery of post can help inform your own art and allow you to better create. Despite how vital post-production is to any project, it’s often enigmatic and not fully understood. When most people think of production, they only think of a film set and are less able to visualize what comes after the film set is over. The concept of a dark room where so many decisions are made that determine a show’s eventual success is foreign to most. A successful Post Production process requires an elaborate choreographed dance between creativity, technology, time and money. Understanding what that Post Production process entails, and how your skills can best fit into it, is critical towards making whatever you do creatively more successful in the end. Let’s explore how post production works in scripted episodic TV, one of the most prolific art forms in today’s broadening media landscape. Brad Carpenter is an Emmy nominated producer who for over fifteen years has built a stalwart reputation as one of television’s most sought after and effective producers specializing in post-production. Brad has overseen a slew of massively successful series including HBO behemoths BOARDWALK EMPIRE and SEX AND THE CITY, Showtime’s hit NURSE JACKIE, USA Network’s critically acclaimed THE SINNER, FX’s Emmy-winning FOSSE/VERDON and most recently LITTLE VOICE for Apple TV with executive producers J.J. Abrams and Sara Bareilles. Brad continues to produce upcoming TV shows, including the new TV fantasy drama INK MAN, currently in development. Few producers out there are as practiced and knowledgeable about the intricacies of TV post-production as Brad, and as a long-time member of Stage 32’s community, he’s thrilled to share what he knows. Brad will offer a comprehensive deep dive into the process of delivering television series for post-production and will share a bevy of tips and strategies of how to maximize success and bring your team together. Included in his exhaustive deep dive will be tips on how to work with your showrunner, navigating the relationship between the studio and network, building and breaking down your post production schedule, navigating the edit and finishing process, building your post-production team, working with actors and a straightforward discussion of what a day in the life of post actually looks like. Along the way, Brad will offer stories and case studies from his experience with well-known shows like SEX AND THE CITY, NURSE JACKIE and FOSSE/VERDON. Brad will leave no stone unturned in this all-encompassing rundown of TV post-production, so expect to leave with a full picture of how this field works and how best you can approach it yourself.
Get personal guidance from Emmy Award-winning producer and filmmaker Shane Stanley. Comes with exclusive downloads Building out the cast for your upcoming film or series? Looking to bring on the high-level actor or actress that can help secure your project funding and distribution? Trying to find the diamonds in the rough? But putting together your dream cast that will elevate your project is HARD. Between the outreach, auditions, negotiations, and politics, the casting process is tricky to navigate no matter who you are. Don't worry though; it's something you can find success with, even as a first time filmmaker, as long as you have the right guidance That's why we've brought in multi Emmy Award-winning filmmaker and author Shane Stanley, one of our most popular instructors, to go deep into how you can fully cast your project. Shane continues to produce and cast films with in-demand actors like Dwayne Johnson, Jane Seymour, Matthew Lawrence, Steve Guttenberg, Nia Peeples, and many more and knows what it takes to bring the talent you're looking for into your project. Shane will work closely with you over four weeks to share with you every trick in the book to build a stand-out cast for whatever project you're working on. Just some of what Shane will touch on: Building Your Wish List Working With a Casting Director (or Not) Bringing On Higher Level Talent Cast Postings and Running Your Own Auditions Negotiating Talent Contracts Plus! Shane will be providing a slew of helpful documents and handouts along the way including sample actor agreements, letters of intent, and example cast postings. If anyone is going to make the casting process for your independent film easy, it’s Shane. Praise for Shane's Previous Stage 32 Class "Shane exceeded my expectations. He covered a vast amount of real world material and brought all of it to life with personal and engaging stories. He remained incredibly generous with his time every week and always demonstrated a deep commitment to making sure everyone’s questions were answered. It was inspiring. Bravo!" -Michele R. "I can't say enough great things about Shane Stanley and his class. I had no idea how much I didn't know until I took Shane's class. He was very congenial but generous with his time, his insight and he actually shared documents that we can study in preparation for our own productions. This class is worth it for anybody who calls themselves a producer, whether you're mounting big budget projects or small indies, Shane Stanley's class is win-win experience. He also made every single person feel welcome and values. Thanks again Shane!" -LaRita S. "Shane had a great way of engaging the whole audience and no one missed out on being brought into the presentation in some way or another. Shane was quick, easy to understand, sharp and concise. I can honestly say that he never went off track with the subject being discussed and had many examples to bring to the table which made his presentation even more easier to understand." -Graeme C.
Over the course of an extended two-and-a-half hour webinar, learn drama pilot story structure from one of Stage 32's most popular and requested instructors Includes case studies, story maps and free script downloads of the pilot episodes of: SUCCESSION LUPIN* THE MARVELOUS MRS. MAISEL THE EXPANSE It almost sounds cliché at this point, but we’re living in the Golden Age of Television, an era where TV dramas as diverse, ambitious, and creative as BETTER CALL SAUL, BRIDGERTON, THE QUEEN’S GAMBIT, I WILL DESTROY YOU, and MRS. AMERICA are not only put on air, but find an audience and gain serious popularity. This is in turn an era where networks and streamers are actually looking for new voices and new stories. More than ever before, there is a path for your own television drama to be discovered. Yet no matter how great your concept is, how strong your characters are, how diverse, clever or unique your world is, your drama series will not be effective and will not be successful unless you can nail your script’s structure. Nailing your TV drama’s story structure—specifically your pilot—is no easy task. In the span of just 40-60 pages, you have to introduce your world, your characters, your central plot and conflict, and your inciting incident, all while keeping your pacing consistent, finding some resolution for that episode, and allowing your audience to want to watch more. This is a complicated, and delicate game and ultimately comes down to how you structure and map out your script before you start writing. No matter what genre you’re writing in, understanding how to structure your pilot is vital. Gaining a clear grasp on how successful drama pilots are arranged and the rules they all follow is a necessary step if you want to have a show that will get picked up and ultimately connect with an audience. Anna Henry is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, ITV America, OddLot Entertainment, Corus, and others. One of Stage 32’s most popular instructors of all time, Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. Anna will go in-depth on how to properly structure your drama TV series pilot and will use real past pilot scripts as examples as she breaks down, act by act, the elements necessary to turn your series pilot into stand-out script. Anna will go over the main types of one-hour pilots and will outline the elements for pilot development, including story engine, world, characters, themes and tone. She’ll discuss how to select and map your own template show as well as incorporating multiple plotlines. Anna will then delve into the function and elements of your pilot’s teaser and Acts 1 through 5, as well as your pilot launch, pilot climax, and series launch. She will finally lay out the most common structure problems that you should avoid. Don’t even think about starting to write your own drama pilot until you gain the tools Anna will provide. Examples will be used from notable past one-hour drama pilots on network, cable, and streaming platforms. PLUS! you will receive pilot scripts and Anna's own story maps for each after the webinar: LUPIN* (Netflix) THE EXPANSE (Syfy) THE MARVELOUS MRS. MAISEL (Amazon) SUCCESSION (HBO) *Pilot script not available for LUPIN Praise for Anna's Previous Stage 32 Webinar: This was my first Stage 32 webinar, and it exceeded my expectations, both in terms of quality (and quantity) of information and overall value. Anna was personable, knowledgeable, and organized. The slide deck was helpful, and her overall presentation hit all the key topics. Anna and Stage32 delivered the goods. - John R. What a thoughtful, thorough and inspiring webinar. It's clear that Anna Henry put an enormous amount of work into this presentation. Not only was the content there, but the structure was also superb. I feel educated and inspired to go back to my own work and do better than what I thought was my best. What could possibly be better than that! Thank you Anna for your genius and your generosity. - Crispin L. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F. "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G.
There's nothing worse than having a screenplay bought or a project with financing get placed on hold because of legal issues that could have been handled at the start. Too many projects have been shelved permanently and will never see the light of day because of conflicts and misunderstandings that could easily have been avoided. Unfortunately, few screenwriters, filmmakers or producers know the right questions that need to be asked and answered in order to protect yourself and your project legally. It doesn't need to be this way, though. There are simple legal steps you can take from the beginning to assure a smooth and steady ride so your focus can be on making the best project possible. Especially for those in creative fields, navigating legal issues can feel overwhelming and confusing, maybe even unnecessary. Yet having a basic legal understanding of how to protect your work and property is incredibly crucial. You need to know how to legally incorporate everyone's input and notes into your script without worrying about losing authorship. You need to know how to set up a partnership for success and why so many people run into trouble when doing so. You need to know when it's okay to agree to work for free or 'on spec' and why it's still vital to have a written agreement. And you need to know when it's okay to talk business on your own behalf. The good news is you don't need to pass the bar in order to ensure you and your projects are in good legal shape. Instead, you just need a little guidance. Producer and attorney Gary W. Goldstein, has produced some of the biggest box office hits in film history and has served as a mentor to dozens of prestigious writers, producers, and filmmakers. His credits include PRETTY WOMAN, UNDER SIEGE, THE MOTHMAN PROPHECIES, and many more. He's also papered some of the biggest deals in film history. By working as both a producer and entertainment attorney, Gary's knowledge of deal memos and contracts is without peer. He knows all the do's and don'ts, the tips and tricks, and the side streets and alleyways toward making sure that you are not only protected, but getting the benefits and compensation you deserve for your efforts. Now, exclusively for Stage 32, Gary will present a complete "how to" in order to assure that you use a proven and smart approach to protecting yourself legally. He will teach you his 3 rules that should never be broken when entering into deals; whether you should use an agent or an attorney (or both) to negotiate your compensation and benefits on your behalf; how to deal with release forms and option agreements and how to assure you get everything in writing so there are no surprises or disappointments down the road. He will show you how to maintain a paper trail of all communication and why it's monumentally important to do so. He will discuss the realities of maintaining creative control and how to handle the creative contributions of others as well as the pitfalls to avoid when receiving feedback. He will instruct you on the qualities of finding a good creative or business partner or partners and the essential questions to ask up front. As if all this wasn't enough, Gary will provide a 40-page interactive workbook exclusive for those who take this webinar. This is an invaluable resource! Huge Praise for Gary! "Here’s some practical advice for those seeking a career in Hollywood, from someone who really knows what the hell he's talking about." - J.F. Lawton, Screenwriter (PRETTY WOMAN, UNDER SIEGE) "When I met Gary, I had nothing but talent and a drive to succeed. Nine months later, I had my first script option, my first studio writing assignment, and a Writers Guild card. The advice here is worth its weight in gold" - Allison Burnett, Screenwriter & Director (AUTUMN IN NEW YORK, FEAST OF LOVE, GONE AND UNDISCOVERED GYRL) "When I became your student, I was a mom with a script. Now, I'm a series writer-producer-director. Thank you for helping me achieve one of my biggest dreams. And thank you for this class. You continue to amaze." - Sally Rubin, Screenwriter, Producer, Author "Gary W. Goldstein’s mentoring will prove 100% better than whatever else you may be considering. He will change your life." - Marilyn Warda, author, The Randomness of Life "I’ve learned more about how things really work from Gary than I have over the past 10 years and countless other classes!" - Angela Falkowska, Screenwriter "The workbook alone is worth 10 times what the webinar cost. I am in awe. Thank you, Gary." - Antonio T. "Again, Stage 32 outdoes itself. What a score landing Gary. He's a legend." Jason R. "Gary, you had me from minute one. Amazing information. And delivered with class and style. -Angela P.
It’s hard to fully appreciate just how much work goes into getting a film or TV production going. The volume of moving parts and number of i’s to dot and t’s to cross can feel staggering. It takes someone with wicked organizational skills, resourcefulness and the ability to work long hours and handle a multitude of tasks simultaneously under high-pressure situations. Whether you are a director, producer, production assistant or production coordinator, knowing how to discover your crew members’ skill sets, delegate effectively and execute tasks with extreme precision is a must for cultivating a successful career. While organizational skills and drive are certainly important in coordinating a production, it takes more than this to be a successful production coordinator or producer; it also takes a good amount of knowledge and wherewithal that doesn’t simply come naturally. Navigating union rules, building time sheets, filling out permits, working with stunt performers, building your electrical and grip departments, the list goes on. These aspects are all crucial, but if you’ve never carried out these tasks before, you’ll need guidance and education to make sure you’re doing it right and not missing any important steps. Well we have you covered! Carol Kravetz is a veteran and highly sought-after production coordinator who has worked on projects for over 30 years and set up productions for notable series like BREAKING BAD and IT’S ALWAYS SUNNY IN PHILADELPHIA, as well as various features for MGM, Warner Brothers, HBO and USA Network. Very few people know more about production coordination that Carol, and she has built a passion of giving back by teaching others her trade and giving students, career-transitioning adults and veterans of the Armed Forces a good sense of the business end of making movies. In this 4-part previously recorded class, Carol provides a fully comprehensive guide on how to be prepared to prepare, prepared to shoot and prepared to wrap. You will learn Carol’s personal list of Production Coordinator best practices, from the various tasks you will be expected to perform and how to execute them with precision, to how to recognize each document you will need in a mound of paperwork, to how to transition the office from pre-production to shoot to wrap. You’ll learn how everything is paid for, how to facilitate rentals and purchases for on-set departments, and the common pitfalls and traps that happen during production so you can avoid them. Carol then teaches you her networking, resume and follow up tips to help you find work and keep working past the wrap party. With interactive lectures and homework assignments directly geared toward making you a stronger and more competent Production Coordinator, you will leave this class with a comprehensive understanding of how to be an effective Production Coordinator and be a valuable asset to any set you work on! Purchasing gives you access to the previously-recorded live class. Although Carol is no longer reviewing the assignments, we still encourage all listeners to participate. Praise for Carol’s Stage 32 Class "Taking Carol's Production Coordinator Class was full of detailed information to get someone up and running in the position of Production Coordinator. Carol also has some great tales from the entertainment industry to make it entertaining along the way. If you want to know the ins and outs of the production office and how it relates to the production overall, this is a great class to take." - Laura D. "Carol is a wonderful source of information. Perhaps best at her department. I'd like to thank Carol for her fantastic contribution to my professional career and private learning. You have been unique and very resourceful!" - Willem V.
The Cannes Film Festival can be overwhelming when you plan to attend for the first time. Over 12,000 film industry professionals head to Cannes each year to present and discover almost 4,000 films and projects in development at 33 screening venues. Fuelled by this success, the Marché has expanded with the opening of the Riviera and Lérins exhibition halls, forming a hub around the world-famous Palais des Festivals and the Village International, the number one venue for promoting films from all over the world. As a leading global film industry organization, the Marché du Film takes a rigorous approach in adapting to the expectations of industry professionals worldwide and to emerging economic, technological and creative film trends. Even if you’re a veteran attendee, things are always changing at Cannes so it’s important you stay in the know. Stage 32 is proud to be the industry education workshop partner of the Cannes Film Festival Marché du Film for the third year and we are excited to offer all badge holders the opportunity to experience Stage 32 education. Together with the Marché we are excited to offer an exclusive webinar to our Stage 32 community on how you can navigate the festival. In this webinar we’re bringing in the Executive Director, Jérôme Paillard, and his team to talk about the festival and how to navigate it. Now, you’ll get to hear straight from the source on how to make your Cannes experience work for you. You’ll walk away from this webinar able to arrive on the Croisette ready to make things happen!