On Demand Webinar - Available for immediate viewing and unlimited access.
On Demand Webinar - Available for immediate viewing and unlimited access.
Over the course of her career, Casting Director Erica S. Bream (CSA) has had the opportunity to work on a myriad of projects across all platforms. A few of these titles include TV series such as ALTERED CARBON, COLONY, WORKAHOLICS, HOUSE OF LIES, CRIMINAL MINDS, and the upcoming TELL ME YOUR SECRETS, PANDORA as well as numerous TV pilots and miniseries, including Hulu’s 11.22.63, and FULL CIRCLE from DirecTV. She has worked on several feature films including STAR TREK: INTO DARKNESS and many indie films, such as the John Legend-produced BREAKING THROUGH. Bream has also worked extensively in the internet and short film worlds, most recently casting award-winning AFI short, RITA MAHTOUBIAN IS NOT A TERRORIST as well as PINKY for Refinery29. She has also ventured back to her first love, theatre, working closely with THE BLANK THEATRE COMPANY and IAMA THEATRE COMPANY in Los Angeles on many main-stage plays, as well as numerous years casting The Blank's prestigious YOUNG PLAYWRIGHTS FESTIVAL Bream is an Artios Award winner (Casting Society of America) and seven-time nominee for her work in theatre, television and short films. Full Bio »
It's not an understatement to say that the decisions made during the casting of your film, short film, TV pilot, or short form digital content can make or break or break your project. Being able to cast a wide enough net to assure that you see enough actors so you can choose those who fit the vision and tone of the material is paramount. But not all filmmakers and producers have that kind of reach. Further, they don't have the connections and experience to not only cast that wide net, but also bring in familiar and experienced talent that can accelerate this aspect of the pre-production process while saving valuable time, resources, and, most importantly, money. But for many, identifying and engaging casting directors of value is a challenging process. And for that reason alone, many filmmakers and producers handle the casting calls, the auditions and the decisions to hire their actors on their own. Often, that's a fatal mistake.
Finding the right actors for your film does not have to be difficult. Neither does interviewing and, eventually hiring a casting director. The fact is, casting directors are plugged in to the most experienced and the best up and coming talent. Further, they know what to look for in the room during the audition process. What questions to ask. What signs to look for. And what red flags may be readily visible to them that you might overlook. While many filmmakers and producers believe they can't afford a casting director, they don't have the information and knowledge to truly know. Experienced filmmakers and producers know they have to include a casting director in their budget. And they also know that they can secure one without breaking the bank while bringing enormous value to their project.
Over the course of her stellar and prestigious career, Casting Director Erica S. Bream (CSA) has had the opportunity to work on a myriad of projects across all platforms. A few of these titles include TV series such as ALTERED CARBON, COLONY, WORKAHOLICS, HOUSE OF LIES, CRIMINAL MINDS, and the upcoming TELL ME YOUR SECRETS, PANDORA as well as numerous TV pilots and miniseries, including Hulu’s 11.22.63, and FULL CIRCLE from DirecTV. She has worked on several feature films including STAR TREK: INTO DARKNESS and many indie films, such as the John Legend-produced BREAKING THROUGH. Erica has also worked extensively in the internet and short film worlds, most recently casting award-winning AFI short, RITA MAHTOUBIAN IS NOT A TERRORIST as well as PINKY for Refinery29. She has also ventured back to her first love, theatre, working closely with THE BLANK THEATRE COMPANY and IAMA THEATRE COMPANY in Los Angeles on many main-stage plays, as well as numerous years casting The Blank's prestigious YOUNG PLAYWRIGHTS FESTIVAL. Finally, Erica is an Artios Award winner (Casting Society of America) and seven-time nominee for her work in theatre, television and short films.
Erica will teach you exactly what a casting director does and lay out in specific detail why you need to hire one and where to find one that can make a difference for your project. She will cover all your questions on budgeting for a casting director and what the expectations should be. She will discuss how to approach casting directors for features, short films, web series, digital shorts and more. She will show you how to secure name talent that can lead to a greenlight. Erica will also take you through the audition process, including live and taped auditions, and call back sessions. She will take you through common mistakes filmmakers and producers make when communicating with casting directors and how to not only avoid them, but what to do instead.
This is a full, immersive deep dive into demystifying all the untruths and misinformation regarding hiring casting directors and how, instead, you can have a CD on your team that can help elevate your material and allow for you to see your vision on screen with actors who can carry that vision forward.
Praise for Erica:
"I've been listening to the wrong voices. For the longest time I thought it would be impossible to get a casting director to cast my film and also thought it would be ridiculously expensive. My world has completely opened up."
- Christina T.
"Now I know exactly why my casting director was the wrong casting director. I won't make the same mistake twice."
- Aimee C.
"Drop the mic advice."
- Slater M.
"This felt like I was accepted into a secret club. So much information that I have never heard before. Insider kind of information. Thank you, Erica!"
- Dina R.
Erica S. Bream (CSA)
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A New Exclusive Webinar! Learn from an entertainment attorney with U.S. Securities and Exchange Commission experience! PLUS, receive practical resources to help you decide how best to seek investors. You're ready to raise money for your film, and you’re excited about how to make it happen. But you’ve also heard something about the “federal securities laws.” What are those laws, exactly? How do they impact your ability to reach investors? And why do you need to know about them? When it comes to raising money, doing things right can help avoid serious problems down the line. Failure to comply with the securities laws can lead to government investigations, penalties, and in extreme cases, jail time. Moreover, your investors could automatically have the right to return their securities and get their money back. And of course, as one SEC official once put it, the securities laws are not merely a suggestion; they’re the law. In this exclusive Stage 32 webinar, you’ll find out what you and other independent filmmakers need to know about the securities laws. You’ll learn the essential elements, including how equity investments fit into your overall finance structure and how to tailor securities offerings for your film project. You’ll also receive practical resources to assist you in deciding your project's fundraising approach. Knowing and following these laws creates benefits for your project. Doing things right may help instill confidence in prospective investors. Plus, handling your offering correctly can help prevent possible disputes with investors, so you can keep your focus on your film. Taking you through this crucial process is Cathie Saadeh, a member of the Board of Directors of Women in Film & Video in D.C. and an entertainment attorney who provides business, production, and intellectual property legal advice to production companies, creative businesses, and independent filmmakers just like you. Prior to opening her law firm, Saadeh P.C., Cathie served as the General Counsel of ACA Compliance Group, a global financial technology and consulting company, and worked at the U.S. Securities and Exchange Commission. You’ll walk away with the investment offering process de-mystified, knowing the lingo and the lines you can’t cross, and armed with this essential knowledge so you can think creatively about how to raise money, how to protect yourself and your film, and feeling more confident when approaching investors.
So, you want to make a film but don’t know where to start. You’ve graduated with a film degree, but don’t know how to get your foot in the door. You’ve had the good fortune of being involved in a feature film that came to your community and you now have the ‘bug’. Or maybe you’re making a pivot in your life and want to switch to a more creative and exciting career. The film industry is BIG and there’s so much that goes into it. Without a larger understanding of how it all works, what all the different jobs do, and what sort of entry points you can find to begin your new career, it can naturally feel overwhelming to get started. We’ve luckily brought in the perfect person to assuage your fears and give you the tools you need to take the next step towards your filmmaking dreams. Kenny Chaplin is a long-time filmmaker, DGA & DGC assistant director, and all-around industry veteran with over sixteen years in the trenches of the Hollywood, working hand-in-hand with directors like David Mamet, Terrence Malick, Ang Lee, and Ridley Scott. He has 'wrangled' Dustin Hoffman, John Cusack, Woody Harrelson, Sean Penn, and Eva Longoria, and has worked on the films END OF DAYS, DUDE WHERE’S MY CAR, BODY OF LIES, RUNAWAY JURY, THE THIN RED LINE, and many more. In addition to his mountain of experience on large film sets, Kenny has also spent the better part of two decades presenting live seminars across North America and helping aspiring filmmakers see their worth and find their way in. Over four jam-packed sessions, Kenny will teach you the culture, protocol, and skills required to work and stand out within the highly competitive “below-the-line” departments of the film industry. He’ll explain how exactly a film is put together from pre-production on, what every role is on set, and how you can best find your way in. He’ll discuss practical and technical film set protocol, etiquette anyone should follow, and safety training you should expect. Through all this and more, Kenny will give you a comprehensive blueprint you can take with you as you begin your career in film. Gain the confidence, inspiration, and peace of mind to walk onto any film set with the know-how of a road weary veteran. 4-part class taught by Kenny Chaplin, DGA/DGC Assistant Director who has worked for filmmakers like Terrence Malik, Ang Lee, David Mamet and Ridley Scott! Purchasing gives you access to the previously-recorded live class.Although Kenny is no longer reviewing the assignments, we still encourage all listeners to participate!. PRAISE FOR KENNY'S TEACHINGS: "Kenny Chaplin is a sharing and knowledgeable instructor, the blend of local talents with Kenny's direction made this one of the most informative and educational experiences I have had. Ever. The seminar was outstanding, many thanks for all the hard work and passion in creating this successful workshop." - Nancy G. "Although billed as entry level film industry training, it is in fact an excellent overall look at filmmaking on the studio level delivered by an experienced and engaging instructor. It is useful for everyone interested in entering the business in any position. I highly recommend Kenny Chaplin to provide basic training for emerging filmmakers in any jurisdiction." - Peg Owens, Idaho Film Office Commissioner
Learn How To Secure Distribution For Your Independent Film From A Producer Guild of America Member Who Has Worked On Over 25 Films If you’re making a movie, the ultimate goal is getting it distributed. And, in today's current climate there are more distribution options than ever with theatrical, streaming, AVOD and SVOD - it's important that you set yourself up for success so you can get a return on the investment for your film. Not only does that make your film a financial success but it allows your investors, and others, to have confidence to invest in your future projects. In an exclusive 4-session Stage 32 on-demand class, you will learn how to find distributors and sales companies, where to find them, who in the company to contact and what to say.And, when your offers come pouring in, you'll know what to look for in contracts, what to expect in cash flow and charges, and how to prepare yourself and your project for this most critical part of the filmmaking process... distribution. To guide you on this journey is a top PGA Producer (Producers Guild of America) who's worked on 25 independent films, Michelle Alexandria. Over the course of four information-packed sessions, Michelle will show you how to harness your determination and make a clear plan of action. She will teach you how to take strong steps to create relationships, get distribution, make money, and have fun doing it from anywhere in the world. You will get a clear plan of action and learn how to take strong steps to create relationships, secure distribution for your film, make money, and have fun doing it from anywhere in the world. TESTIMONIALS FROM PREVIOUS EDUCATION FROM MICHELLE: "Sure, everyone thinks their film is the next My Big Fat Greek Wedding or some other independent blockbuster. Sure, everyone believes that they have THE idea that is going to get them the money. Michelle just gave me the map as to HOW to get the money by being REAL. I can't wait to get started and to bounce ideas off my team. This was so much fun. Thank you!" - Denise P.
In today's global climate filmmakers need to consider their options for distribution, which ultimately begins at the development phase. While your project is in development, packaging the right talent (actor, director, casting director, etc.) play a huge part in the pre-sales process, and ultimately have a hand in the successful distribution of your project. Distribution changes constantly and there are not many people who have their finger on the pulse like Executive Producer Franco Sama from Samaco Films. Franco has EP'd an impressive array of over twenty (20) independent feature films ranging in the "sweet spot" $5MM and under range, generally releasing 2-3 films each year. We've brought Franco in to teach this exclusive Stage 32 Next Level Webinar on Packaging & Pre-Sales For Film Distribution. In this information packed webinar Franco will go over the entire development process from how to attract A-list talent and the offers they require, how to acquire "must have" international sales estimates, working with vertically integrated distribution companies, breaking down distribution options and much more. This is a go to guide to package with an eye towards distribution!
Learn from a DGA Assistant Director whose worked with Directors Clint Eastwood, John Singleton, Spike Jonze and Sam Raimi, as well as actors Matt Damon, Meryl Streep, Will Ferrel, Octavia Spencer and more! John Mattingly, a Director's Guild of America member and First Assistant Director for over 25 years, is coming to Stage 32 in this exclusive webinar to teach first time directors what he's learned about directing from his time working with some of the most successful directors and biggest stars in the world. You may have a sense of what you want to put on screen as a director but navigating the actual process of directing and the culture of working on set and with a crew is incredibly challenging especially for first time directors. Stepping on set prepared to work with the cast and crew can be the difference maker when it comes to achieving every day's goals, getting the shot that you want or getting the performance that you need. Managing a set takes a delicate balance of leadership skills. Every person plays a critical role in achieving the most out of a day on set and the director is the most influential part of that equation. John has been working as an Assistant Director for more than 25 years on a variety of productions, including high budget features, low budget indies, episodic television, commercials, music videos, documentaries and even photoshoots. John currently co-chairs the Education Committee for the Western AD/UPM Council of the DGA. He's worked with directors such as Clint Eastwood, Sam Raimi, Spike Jonze and John Singleton and stars such as Meryl Streep, Matt Damon, Ryan Reynolds, Will Ferrel, Melissa McCarthy, Octavia Spencer, Jason Batmen and more. John has seen directors win, fail and everything in between and he is going to share the secrets of success for first time directors as well as the key pitfalls to avoid. There are many hurdles to jump and pitfalls to avoid when prepping and shooting a feature, episode or commercial. This course will help you avoid some common mistakes and prepare you to lead a cast and crew. You will walk away from this course with concepts to help you be the best director you can be, tips on how to get the most our of your cast and crew and insights on how you can be the best on-set leader that you can be. PLUS! You'll receive: Storyboard example Director's checklist Praise for John's Stage 32 Teaching "John is an incredible educator and professional. His teaching style is very thorough which is necessary when covering this topic. I highly recommend taking one of his courses." - Jon S. "I've never been an AD (always a writer) but learning from John's immense experience as an AD has greatly informed my directorial choices on my first film. I'm incredibly grateful for the opportunity to learn from him. Thank you!" - Omar U. "Can't recommend John enough! He's one of my favorite teachers on Stage 32. Take his course and you'll see why." - Mary M.
Learn how to make your unique voice shine in your writing from a Creative and Production Executive at a top production company! We have found ourselves in an age of content overload. As audiences, everywhere we turn we are inundated with stories online, on screen, in podcasts and on the radio. And these are just the stories that make it to these platforms. Script readers and producers are going through much, much more, often reading hundreds of screenplays a month. And yet, with so much content out there, scripts still rise to the top. It’s not theme or content matter that achieves this; it’s authenticity. The industry is changing, but this simple truth never does. Executives, producers, studios, and audiences will always seek out authentic voices. The question, then, is what exactly is authenticity and how does it read on a page? Adding authenticity to your work is a lot harder than adding, say, character headings. It’s not a switch to turn on and it’s not something that can be easily engineered. Cultivating an authentic voice is a challenge every writer faces and takes years of honing your craft. However, there are things you can do right now to better zero in on your own voice and show it off to executives and other gatekeepers. Better understanding what authenticity looks like on a page, how executives identify it, and the steps writers with strong authentic voices take before approaching a script will give you the best possible chance of your project standing out, continuing into production and ultimately premiering to the masses. Sarah Cornelius serves as Creative and Production Executive at award-winning Whitewater Films, helmed by director-producer Rick Rosenthal (HALLOWEEN II, BAD BOYS, TRANSPARENT). This approach has resulted in Whitewater producing numerous notable films which have won Independent Spirit Awards, the Sundance Directing Award, a Primetime Emmy, as well as collecting nominations for an Oscar and the Sundance Grand Jury Prize. Whitewater has produced projects for Paramount Classics, Netflix, Showtime, IFC, Samual Goodwyn Films, The Orchard, CNN Films and more. Whitewater Films recently completed their feature STANDING UP, FALLING DOWN starring Billy Crystal & Ben Schwartz with first-time director Matt Ratner. Their film, THE LAST SHIFT premiered at Sundance 2020 with two time Oscar-nominee Richard Jenkins. In addition they produced FIRST GIRL I LOVED (Sundance winner), HALFWAY THERE (Sundance Episodic Showcase winner) and SMALL ENGINE REPAIR (SXSW premiere). Sarah has been involved with development on each of Whitewater's projects and has the ability to communicate conceptual notes in a direct and effective manner. Sarah will use her extensive experience evaluating scripts and discovering talent to delve into what goes into finding your authentic voice and how to bring it into your script. She’ll begin by discussing the main questions you should ask yourself before writing a script, including how to prevent writer’s block, how to anchor your concept, and the three ‘whys’ you must address before getting started. Sarah will then approach the concept of authenticity from the point of view of an executive, and what specific things they look at to identify a writer’s voice. She’ll speak to format and clarity, imagery and action, dialogue, point of view, and creativity and risk-taking. Sarah will even teach you how to retain your authenticity past the writing phase. She’ll discuss how to ask for and incorporate feedback while still holding on to your voice and how to pitch what you wrote with authentic confidence. Finding your own authentic voice is never easy, but Sarah will give you the tools you need to better understand how to bring your voice forward and hone in on it with more confidence. Plus, you will receive 10 downloads of notable screenplays that exhibit an authentic voice (and 2 downloads of scripts without an authentic voice) that Sarah will use to demonstrate how authenticity reads on the page: Jordan Peele's US CAPTAIN FANTASTIC THE SHAPE OF WATER PARASITE AMERICAN BEAUTY RESERVOIR DOGS WHIPLASH HARRIET TRAINSPOTTING APOCALYPSE NOW SHOWGIRLS CATWOMAN Praise for Sarah's Stage 32 Webinar: "Sarah was incredible! Loved her teaching style and insight. Great webinar!" -David P. "Very informative, well worth it!" -Caroline B. "Great webinar - loved the use of scripts and clips. Wonderful speaker!" -Ron H. "Sarah Cornelius was wonderful. Time well spent today." -Brian B.