David Shecter has has been in the industry for over a decade. David was first acclimated into TV production when he worked on season 5 of “IT’S ALWAYS SUNNY IN PHILADELPHIA". Eventually David landed on the pilot of the CBS show 2 BROKE GIRLS where he worked his way up as a staff writer on the 6th and final season of the show. He has written and produced two episodes of 2 BROKE GIRLS. From his early years in the industry he has cultivated strong relationships with Emmy winners Michael Patrick King (SEX AND THE CITY, THE COME BACK, 2 BROKE GIRLS) Max Mutchnick & Dave Kohan (WILL AND GRACE), Greg Malins (WILL AND GRACE), and John Riggi (30 ROCK, THE COMEBACK). He is currently developing a female driven action comedy cop show with New Form and STX Entertainment. Most recently David was named one of the WGA TV Writer access honorees for his script FOR WORSE. Full Bio »
For far too long women have been over-sexualized in print, TV, and film.
I'm here to show you there’s much much more to the gender and a better way to write for them that isn’t so CLICHE. It’s true, sex sells, but don’t rely on that and put yourself in a box. Color outside the lines and think of the bigger picture. In this webinar I'll go over the keys to writing funny female characters. And never limit yourself to “Well a woman wouldn’t or couldn’t do that.” It’s 2019. Anything is possible. So don’t perpetuate a stereotype of just sex, or the damsel in distress. Help pave the way for new characters to be seen.
And I know what you’re thinking… “Who the hell is this MAN telling me how to write women characters?” Well, let me tell you a little bit about myself.
I love writing funny female characters. I've worked on of IT’S ALWAYS SUNNY IN PHILADELPHIA and 2 BROKE GIRLS and am now developing a female action comedy cop show with New Form and STX Entertainment. And, I'm here exclusively for Stage 32 to teach you how to make female characters in comedies pop.
The difference between men and women when writing comedy:
Don’t be cliché:
How to make a female driven concept POP:
One dimensional vs. multidimensional:
Case Study: My STX Entertainment & New Form pilot LADY COPPED:
Still don’t believe me? Watch Beyoncé’s Lemonade and you’ll see why even The king of the jungle shouldn’t mess with a lioness.
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Producer Tiegen Kosiak joins our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
Learn directly from Danny Manus, an in-demand script consultant and CEO of No BullScript Consulting. He will cover the 10 lessons you can learn from one of the best films of 2014. Everyone wants to write that Academy Award-winning original screenplay, right? The best ways to learn how to write great scripts of that caliber is to READ great scripts of that caliber, study those movies, and learn the lessons these projects can teach. Nominated for 5 Oscars, one of the most acclaimed films of 2013 is HER, written and directed by Spike Jonze, who has already won the Golden Globe and WGA Award for Best Original Screenplay, and is a frontrunner for the Academy Award. In this Webinar, we will go deeper into many different aspects of the film and I will break down the script and go through 10 lessons you can learn from one of the best, most original films of the year that will help you improve your own writing and scripts, no matter what genre you write. Note: If you haven’t seen the movie already, there will be spoilers throughout the class.
***Sorry, the lab is filled!*** This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea. With the TV market exploding right now, 30-minute and 60-minute TV drama and dramedy pilots are in demand. Many, if not all, managers and agents are looking for writers that can write in this space, and with more and more production companies heading into TV, knowing how to write a strong TV pilot will give you a competitive advantage and help you find success as a TV writer! Stage 32 is thrilled to have our Writing Lab: Write Your TV Pilot and Lean How to Pitch it in 10 Weeks taught by Anna Henry who is a veteran TV development executive that's worked with ABC, CBS, Nickelodeon, SONY, 20th Century FOX Television, Amazon, Starz, EOne, OddLot Entertainment, Corus, ITV America and more. This hands-on intensive lab will guide you through picking a concept, creating engaging characters, structuring and outlining your pilot, writing the pilot, polishing and pitching it! You must have a solid understanding of screenwriting to participate. We will not be going over the basics. The main objective of this 10-week lab will be to have a solid completed script that is market-ready to start pitching. You will meet online with Anna for 2 hours a week in a class setting, plus have phone or Skype consultations during some of the weeks when you don't have an online class. This will be accompanied by weekly homework assignments to guide you on your way to creating a marketable, unique pilot that will grab the industry's attention. Payment plans are available - please contact firstname.lastname@example.org for more information. This Lab is Limited to 10 People.
Stage 32 is dedicated to diversity and toward seeing that the imbalance of female creatives finding work changes permanently. That is why we are proud to present our Women In The Room series and the first installment Breaking In As a TV Writer! You can join this live webinar for FREE! It continues to be Stage 32's mission to give you access to this incredible information and talent working in the industry. Hosted by the Script Coordinator for FOX's Shots Fired, Courtney Smith, Women In The Room - is designed to show you how to break in and get paid as a television writer. Joining Courtney will be Sonia Kharkar, Showrunner's Assistant of such acclaimed programs as FOX's The Mindy Project and NBC's The Blacklist, Nicole Ranadive, Staff Writer for TNT's The Librarians and Script Coordinator for FOX's Sleepy Hollow, Solange Morales, a Writer's Assistant on FOX's Shots Fired, and Nicole Brides Ockman, a Script Coordinator for FOX's Blindspot If you’re interested in taking the first step toward landing a job in a TV writer’s room these ladies will give you advice on breaking in, breaking story and navigating the politics and personalities. We’ll go over what to expect once you’re in an assistant or script coordinator role – the good, the bad and the sleepless – straight from the dynamic ladies who help keep the train on the tracks. Plus, we’ll open up the floor so you can ask questions during a Q&A session at the end. With more television being created just about everywhere, this is actionable information for everyone, no matter where you live in the world! Your accomplished instructors are: Sonia Kharkar - Showrunner's Assistant - FOX's The Mindy Project - NBC's The Blacklist Sonia began her career at WME and moved on to be a showrunner's assistant for ABC's The Blacklist and now is a showrunner's assistant for Mindy Kalig on The Mindy Project. Nicole Ranadive - Staff Writer - TNT's The Librarians, Script Coordinator - FOX's Sleepy Hollow Nicole has been active in the TV industry for years having worked in various writing positions on 24, Everybody Loves Raymond, Hawaii Five-O, Smallville and Dawson's Creek. Solange Morales - Writer's Assistant - FOX's Shots Fired Solange is currently a writer's assistant on FOX's Shots Fired. She started at Fox Searchlight Pictures as an assistant to screenwriters, producers and directors for the feature films Notorious and The Secret Life of Bees. Her next stop was the world of documentaries, casting her as associate producer of ESPN’s One Night in Vegas, a doc chronicling the parallel lives of undisputed heavyweight boxing champ, Mike Tyson and iconic rapper, Tupac Shakur. Melissa Brides Ockman - Script Coordinator - NBC's Blindspot Melissa is currently the Script Coordinator for NBC's Blindspot. From New York, Melissa graduated from City University of New York-Hunter College with a Bachelor's degree in Film, Cinema and Video Studies.
Taught by Director of Development at Supergravity Pictures, Mike Flavin, who's worked on films such as Sony/CBS's Faster with Dwayne Johnson and Billy Bob Thornton, and The Enivitable Defeat of Mister & Pete with Jennifer Hudson and Anthony Mackie which was screened at the White House. Hollywood has found itself looking inward at the plummeting returns from the "Blockbuster Months". Why did a relatively "starless" movie like Guardians of the Galaxy print money, while Tom Cruise's Edge of Tomorrow flopped? Why would seemingly well known Intellectual Property like Peabody and Sherman tank while another brand, Lego, do so well? (besides the world's obvious affinity for Chris Pratt!) The answer lies in one confirmed fact about the movie industry: you never, ever know what will be a hit and what won't. BUT, in saying that, there is a way in which you can give your project the absolute best chance of success by looking analytically at successful films from the past and implementing these dynamics into your project. If you've seen the film, Moneyball, you'll remember Jonah Hill's character found a way to statistically determine the best odds for his team's sucess. Our webinar host, Mike Flavin, has been able to analytically and statistically apply a method to do the same for a script or film - and he's found success as a Director of Development by doing just that. Join Mike as he teaches you his methodology to apply components in a script that make it more sellable. In this webinar, we will break down several successful movies in a number of genres and draw statistical conclusions on what made them so successful. It's the Moneyball-ization of Hollywood; let's play the house against itself!
Learn directly from Scott Stoops, a manager at Benderspink who recently sold a pilot to CBS. Benderspink sold more spec scripts last year than any other management company and are best known for producing The Hangover franchise, The Ring franchise, We’re The Millers, Horrible Bosses 2, among many others! With the recent success of films such as It Follows, Insidious Chapter 3, Poltergeist and The Visit, it is evident that horror is becoming one of the most profitable and exciting genres in the industry. This is because horror films can be made on the cheap and still yield spectacular returns at the box office. Horror doesn’t rely on big IP, superheroes, or movie stars – all horror needs to deliver is a compelling story, told well, packed with plenty of chills and thrills. However, delivering on this is far easier said than done, and many writers miss important story elements that keep their horror scripts dead in the water. In this exclusive Stage 32 Next Level Webinar, Scott Stoops, a manager at Benderspink who is passionate about genre films, will teach you what makes a horror film successful, from developing a marketable and commercial plot, to unique and scary set pieces, to properly structuring and formatting your script to tell the best story possible. You will learn high-level story concepts, tips and tricks to help make your horror script scary and effective, and get an insider perspective on what concepts and types of horror films are currently selling in the marketplace. You will leave this webinar with an understanding of not only how to make your existing scripts stronger, but how to develop and come up with the next big horror hit film!