Jake Detharidge is currently the head of development and production at 3311 Productions (In A World... starring Lake Bell, Eva Longoria and Big Sur starring Kate Bosworth). Jake began his career at Marty Katz Productions as a development exec, transition next to the then newly formed WME. At WME, Jake became the head story analyst in the story department, overseeing the entire literary catalogue for the agency as well as all coverage and submissions. During this period he began working with Eric Reid in the Film/TV Rights department and eventually oversaw all property rights for the Beverly Hills office. After WME, Jake moved on to run development for director Luke Greenfield (The Animal, Girl Next Door, Role Models, Something Borrowed) and WideAwake Inc. Here, Jake helped Luke develop his studio feature Let's be Cops with Simon Kinberg producing and shot through 20th Century Fox. Jake also worked on the 2012 ABC pilot Prairie Dogs, as well as 3 other studio features. Still hoping to broaden his horizons, Jake then moved on the newly formed financing company, 3311. During his time at 3311 Jake has helped oversee the post-production and sale of their first two feature films as well as the development of 5 other projects in various stages of pre-production. Mr. Detharidge's experiences have given him a unique opportunity to sample material from all areas and arenas of the industry, as well as providing him with a wealth of contacts and information. Full Bio »
Learn directly from Jake Detharidge, Head of Development and Production at 3311 Productions (In A World... starring Lake Bell, Eva Longoria and Big Sur starring Kate Bosworth)
In times of financial crisis, people will still go and see movies - it will always be an affordable luxury. Most scholars and critics will say the golden age of the studios was in the late 20’s through early 30’s, some say it was post WW2 through the 50’s…but the real ‘Golden Age’ was circa 1998 – 2008. Studios were spending at an all-time high and had a strangle hold on domestic theatrical distribution. Meaning: you either made a movie through a studio, or your movie wasn’t ever seeing the light of day in the states. There were the few small (literally, small) exceptions, but for the most part it was working with a Big Major - or nothing.
Now, however, we’re in this new frontier of feature films. There are literally dozens upon dozens of film financiers and sales agents all over the world with more money looking to invest in film than there are actual, legitimate film projects to be made. With more financiers then ever before, how do you navigate the roaring waters of getting your ‘independent’ movie made? What are the budget levels you should realistically be considering, and how does that directly relate to the finished product that you hope to achieve?
In this Stage 32 Next Level Webinar, Jake Detharidge will go into detail describing the current market place of independent film financing, how it is shifting, and how to apply that to your specific project. You will learn how and why independent financing, investing, packaging and distribution are the future of feature films in the US, and the world.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Jake's feedback is so valuable." - R. Canty
"Great information. So many take-aways." - C. Joseph
"Seldom have I met execs in LA who know what they're talking about but don't throw around their ego. Jake loves the process, nice perspective with a positive spin." N. Kellis
Learn directly from Development & Production Executive Jake Detharidge, a feature film executive that has recently made a splash into the mini-series space with projects set up at History Channel, Spike, and MGM! "Jake's feedback is so valuable. I enjoy every webinar and class Jake does. He's always informative and always presents information in a very smart and succinct way. Great webinars/classes..." - R. Canty "Seldom have I met execs in LA who know what they're talking about but don't throw around their ego. Jake loves the process, nice perspective with a positive spin." N. Kellis "This was one of the more beneficial seminars with current relative information in the industry. Really enjoyed it." - M. McLinn In this Stage 32 Webinar, host Jake Detharidge will first take you through a brief history of the ‘Mini Series’ in the US, along with analyzing the current television marketplace (Event Series vs. Limited Series vs. Mini Series), and why this platform is experiencing resurgence. After, Jake will break down the creative and development process for several different, current projects, to help you understand and identify the right stories, IP and general concepts that are viable right now. This will make up the bulk of the webinar, breaking down the creative/development/packaging process, in hopes that any and all who attend will leave with a formidable understanding of how they might create their very own compelling Mini-Series project. Don’t get confined to one narrative structure, feature or TV series, look for bold new ways to tell stories – the possibilities are endless! You Will Leave The Webinar Knowing: What exactly is a Mini-Series, versus a Limited Series and Event Series and why each is unique? Why did the ‘Mini-Series’ disappear for the most part from US television and why is it now making a strong comeback? What is the current landscape for this platform – the nuts and bolts. The major companies and players around town currently looking for these types of projects and what moves the needle for them. Narrative Basics – what and why certain stories, ideas and concepts are better suited for a mini-series versus the traditional feature film or scripted television series. What types of IP you should be looking for and how you can obtain the rights to potentially develop it. Developing – what goes into this step and exactly how much…or how little…do you need before trying to sell, and where to sell. Packaging – what the process is for a mini-series, and what elements you can attach to add value that are obtainable. Outside the box ideas!' Your host Jake Detharidge will take you through the realities and pitfalls of navigating the exciting resurgence of a classic narrative platform. Jakes comes primarily from a feature film background, but he recognized – along with the rest of the industry – the creative domination currently taking place in television and forged a way to put his skill sets to work. He has developed, packaged and set up half a dozen mini-series projects with more on the way. Through his unique viewpoint on narrative structure and current audience viewing trends, Jake believes the Mini-Series resurgence is only just beginning.
Writers writing in this space so often struggle with keeping these stories character driven and grounded while also creating a hook and blending the comedy and drama. So many executives are on the hunt for the next Silver Linings Playbook and Little Miss Sunshine, but it's getting harder and harder to sift through the mountains of scripts to find distinct dramedies with commercial appeal. Stage 32 is excited to bring you the previously-recorded 4 part class: How to Write Indie Dramedies That the Industry Will Embrace – Writing the Next Breakout Hit taught by Jake Detharidge, who's been an executive for over a decade at places like 3311 and Drive Films. Learn what it takes to make your indie dramedy stand out and capture the industry's attention. Purchasing gives you access to the previously-recorded live class.Although Jake is no longer reviewing the assignments, we still encourage all listeners to participate!
What's going on, Creative Army? It's been a moment since we last had the time to interact in a live setting. Let's remedy that with another AMA (Ask Me Anything), pre-Cannes style. We got together for another inspiring, motivating and energy-packed question and answer session. For 2 hours I left you with tips, tricks and actionable information to help you move forward with your 2019 (and beyond) goals. Remember, no matter what your discipline, skill level, geographical location, etc, this AMA is for ALL! As always, registering for my AMA is completely free. Spreading some positive vibes. Cheers! RB
This special fellowship season workshop will focus on the architecture of the dreaded fellowship submission materials! "In this competition driven town, Tawnya Bhattacharya is a breath of fresh air. She's smart, funny and extremely generous with her knowledge. I walked out of the workshop knowing exactly how to approach my Fellowship essays and bios - and I look forward to doing them. She made what I've previously viewed as a horrendous chore seem fun. If you haven't checked out a class, you should." - Lisanne Sartor (more testimonials below!) Your host, Tawnya Bhattacharya, an alumna of both NBC Writers on the Verge and the FOX Writers Intensive, is currently a writer/producer on Freeform's "Famous in Love," and has also written on TNT's “Perception," NBC's "The Night Shift, Lifetime's "The Client List," and "Fairly Legal" for USA with her writing partner, Ali Laventhol. Tawnya has also taught for the Disney|ABC Writing Program for the past two years. She is repped by ICM Partners, Heroes and Villains Entertainment and Morris Yorn. Over the years Tawyna has taught hundreds of writers on how to put together successful, winning bios & essays. In this Stage 32 Next Level Webinar, Tawnya will deconstruct successful fellowship bios & essays, analyze why they work, and help you articulate the symbiotic relationship between your life story and your brand as a writer in 500 words or less. Here's just some of the things we’ll cover: How your bios and essays serve your career, not just fellowships. What the program heads have to say about bios and essays. How you can mine Your Unique Story and stand out. Dos and Don’ts. Examples from Winning Fellowship Candidates. Your Bio & Essay Checklist… and more! Q&A PLUS! You will get handouts: Mining your personal story Worksheet Bio Essay Statement of Purpose Checklist Actual examples of Fellowship winners essays & bios Bhattacharya’s company, Script Anatomy is a TV writing school taught solely by working TV writers and has launched the careers of many writers. Alum have been in every single Fellowship Program (including 5 in 2016/2017) and have sold pilots and staffed on shows such as American Crime, The Handmaid’s Tale, Chicago Justice, The Blacklist, Blindspot, The 100 and more… For more info about Script Anatomy, visit www.scriptanatomy.com
Have you ever been to these industry events? Film: The Cannes Film Market, The American Film Market, The European Film Market TV: MIPCOM, NATPE, Real Screen What do you really know about these events? Do you know how projects really get bought, sold and funded? Do you know how to work these markets? Strategically? Do you know how to best position and pitch your projects to the industry - to move your career forward? This Stage 32 Next Level Webinar, How to Work the Film & TV Markets is taught by former IFTA liaison for the American Film Market, Heather Hale. In this jam-packed webinar Heather takes independent filmmakers, television and digital content creators on an online tour of the circulatory system of the global media landscape. She is breaking down the entertainment industry’s trade show circuit – where content is bought and sold around the world, year after year. Heather demystifies these markets, makes them less intimidating, less confusing and less overwhelming. She shows you how to strategize and navigate these events, making them far more accessible, productive – and fun! She contextualizes her state-of-the-art, from-the-trenches insights into immediately implementable practical advice if you’re hitting the markets, and even if you're not. This webinar highlights the most significant annual entertainment industry events around the world, dossiers all the players you will run into. You will learn how to best work with them before, during and after the market. She reveals the elements that establish the market value and predict profitability of entertainment properties – and how you can raise the bar for your own projects to be more successful. You will walk away knowing how to make the most of your investments of finite funds, time and creative energy attending markets. Take the step to optimize your odds for success in this mainstream, business-to-business market ecosystem!
Learn directly from Indiegogo Film Campaign Specialist, John T. Trigonis! Raising funds. Every filmmaker, director, screenwriter, even actors, has experienced the frustration. The introduction of crowdfunding through sites such as Kickstarter and Indiegogo has brought an incredible new opportunity to those looking to find funding for their films. However, running a successful campaign is not easy! Crowdfunding has revolutionized the way film and video projects are funded by taking the power from the corporations and putting it back into the hands of the creators. Because of this, it's not enough to run a simple, run-of-the-mill campaign on crowdfunding platforms like Indiegogo. Today, running a campaign must be an experience for the campaign owners and especially the contributors, and that's where innovation and creativity come into play, oftentimes spelling the difference between a short-lived stint in crowdfunding and a memorable communal experience. In this Stage 32 Next Level Webinar, you will learn the history of crowdfunding, how to pre-market your campaign and you will walk away with basic & advanced techniques of running a crowdfunding experience!