Award-Winning writer/director/producer Joe Russo began his career in production working on commercials, web-series, television and feature films for companies like Nike, FOX, SyFy, A/E, Lionsgate and Universal Studios.In 2010, Joe joined Level 1 Entertainment where he worked for five years with CEO and Hollywood producer, Bill Todman, Jr. (X-MEN, WILD WILD WEST) working his way up to Director of Development, where he was charged with managing a slate of feature films and television programs, working hand-in-hand with major motion picture studios and television networks such as Fox, MGM, Showtime, SyFy, History and Amazon.From 2015 to 2017, Joe served as a Development Consultant for Christina Aguilera and Matthew Rutler’s MX Productions, advising the company on their feature film division and their first-look television deal with Lionsgate Entertainment.Joe has frequently been recognized for his work with writers, developing many acclaimed screenplays over the last several years — including his own — which have been selected by film and television executives for the Young & Hungry List, The Blood List, The Hit List and The Black List - Hollywood’s most prestigious list of the best unproduced screenplays.Joe most recently produced the upcoming horror feature NIGHTMARE CINEMA starring Mickey Rourke directed by genre legends Joe Dante, David Slade, Mick Garris and more.He also directed the 2017 Valentine’s Day short, BE MINE, for Eli Roth and Jason Blum’s Crypt TV and the acclaimed short MIDNIGHT CLEAR which launched on Entertainment Weekly. He also produces the Blumhouse series POST MORTEM, featuring in-depth filmmaker-to-filmmaker interviews with genre legends like John Carpenter, Rob Zombie, Bryan Fuller, John Landis, Mike Flanagan and many more.Joe is repped by The Gersh Agency, Hollander Entertainment and Morris Yorn. Full Bio »
In this Stage 32 Next Level Webinar, host Joe Russo will take writers behind the scenes of 2 horror films and 1 horror pilot. This webinar will be an honest, unapologetic look at the successes and struggles during the development process for each case study so you can you learn what to mimic and what to avoid for your own project.
Learn directly from Joe Russo, producer who has helped steer writers' projects through the development process to land on The Young and Hungry List, Hit List and The Black List and sell to the Major Studios and Networks. Joe’s extensive production background includes working on productions for FOX, SyFy, A/E, Lionsgate Films and Universal Studios!
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Learn directly from Joe Russo, an Independent Producer who has worked on projects with FOX, SyFy, A/E, Lionsgate Films and Universal Studios! You’ve spent days, weeks, months, maybe even years, toiling away on your screenplay. You’ve read all the books. You’ve taken the seminars. You’ve work shopped your script to death. You’ve crafted a sharp pitch and logline for your script – and now someone in the industry wants to READ your work! You celebrate this long awaited victory, but what happens next? What if they don’t just like the script you’ve poured your heart and soul into, what if they WANT it. In this Stage 32 Next Level Webinar, Joe Russo will shine a light and give an executive’s opinion and advice on a Hollywood process you’ve all heard of, but probably don’t know nearly enough about – Development. Joe has been recognized for his “firm grasp of the craft, solid storytelling, and compelling characters”, as well as developing many acclaimed projects. The path to taking your written words and turning them into a major motion picture is a tricky, windy road. You all know the coined phrase “Development Hell”, and too many projects fall into this pit simply because the process isn’t clearly understood at the outset. So join Stage 32 as we explore the complicated and fascinating world of Development, and all of the small victories and bumps along the road that you can experience on your way to the green lighting of your screenplay into a movie.
In the first Executive Hour of 2021, we're bringing in Multi Emmy Award-winning filmmaker and author Shane Stanley! Shane has worked in almost every capacity on and off the set with hit shows like "SEINFELD" and producing films like Sony Pictures’ GRIDIRON GANG starring Dwayne Johnson. For three years, Shane was Vice President of Sheen/Michaels Ent. where he produced several motion pictures starring Marlon Brando, Mira Sorvino, Thomas Hayden Church, Donald Sutherland, Marisa Tomei, Sean Penn, and John Travolta. During the webcast we discuss Shane's time working on - and getting fired from - "SEINFELD", producing for Dwayne Johnson, developing features with Charlie Sheen, and much more!
Theater closures brought on by the global pandemic are now leading exhibition and distribution communities to work together and think outside-the-box in order to preserve the arthouse theatrical landscape. Imagine a world without arthouse theaters. It’s a bleak concept for cinephiles and filmmakers alike. In a world where landing a traditional, theatrical commitment from a distributor is like winning the golden cup, what are our options when none of those theaters are open? More so, how do we keep independent theaters, already operating on thin margins, alive to fight another day and provide filmmakers, producers and financiers viable options to make profits on their films? Thankfully, there's a new an exciting option to explore. Navigating a successful theatrical release is an enormous challenge, in and of itself, when exhibition is operating normally. Add in a global pandemic and those challenges rise even higher. What are the options? Does your distributor simply claim force majeure and rush you into the home entertainment landscape? Will the home entertainment revenues be hurt by the lack of theatrical exposure? How do theaters survive and make money when they can’t have patrons at their physical locations? In times of crisis, it’s always impressive to see innovation born of necessity. Behold the birth of the "virtual theatrical" release, which has emerged and become a key player in these virtual times. But what is that exactly? How does it work? Can you make money and are other digital platforms willing to accept theaters playing in their sandbox? It’s the new Wild West. Kristin Harris is a seasoned entertainment executive who has spent the past 15 years in the independent distribution space. She has held key acquisition, development, and production roles at Starz Media, Overture Films, and Cinedigm Entertainment Group. Kristin currently serves as VP, Distribution and Acquisitions at Good Deed Entertainment, where she oversees all aspects of the company's distribution arm and manages the release slate, which includes EXTRA ORDINARY, JOURNEY’S END, Spirit Award Nominee, TO DUST, and the Academy Award nominated, LOVING VINCENT. Kristin has been at the forefront of this emerging distribution option "virtual theatrical" and will bring her experience to the Stage 32 community for you to understand what it is, how you can make money for your film from it and if it's right for you. Kristin will go over the current theatrical distribution landscape which has been affected by the COVID19 pandemic and discuss current available options for your film's distribution. She will introduce a brand new type of distribution, virtual theatrical, and break down the players, how it works from a macro and micro level and how it makes money. She'll go over how to navigate this new reality and how virtual theatrical folds into traditional and non-traditional release plans, reporting and logistics. She'll go over the pros and cons of a virtual theatrical release and help you decide if it's the right thing for your film. She'll also discuss what the future holds for distribution and buying habits in the current environment. These are challenging, yet exciting times for the industry and especially for those working in independent film. Kristin will give you all the current information and guide you through all scenarios including virtual theatrical to assure that your film has the best chance at profitability. Praise for Kristin's Stage 32 Webinar "Very informative and have learned a great deal. Will definitely put to use for our Feature Film Projects. Thank you!" -Haskell A. "The webinar was cutting edge and valuable information" -Angela G. "Very good practical information detailed enough to get the lay of the land on this topic." -James P. "Great info in a new age." -Mary M.
Only A Few Spots Remaining - Don't Miss Out! Payment plans available - email firstname.lastname@example.org Join a private, small virtual writers group, lead by VP of Production for Ian Bryce Productions, Will McCance -Finding 'Ohana (Netflix), Saving Private Ryan, Transformers: The Last Knight, Almost Famous, The Boys (Amazon), Preacher (AMC) Will will teach you how to form an outstanding five minute pitch for your own project & you will work one on one with him to perfect your pitch! Just because you’re a great writer doesn’t mean you’re also great at pitching. But like any skill, it’s something that you can learn. You may be missing out on opportunities right now because you struggle to get decision makers excited about your story, but this can be remedied, especially with the right one-on-one support and mentorship. And that's where Stage 32 steps in with this hands-on lab to teach you how to pitch just as well as you can write. Will McCance is the Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND and FINDING 'OHANA for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Before working with Ian Bryce, Will worked in development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy). Through his years working as an executive, Will has deep experience with working with writers and choosing to work with them or not based on their pitch. He knows exactly what needs to go into a successful pitch. In this exclusive 5-week lab you will: Be guided through the fundamentals of pitching, including a deep dive of the five minute pitch, how to distill your script into your pitch, and how to ultimately deliver it with aplomb. Work one-on-one with Will in understanding the intricacies and art of your pitch. Build your own five minute pitch for your specific project under Will’s guidance. Whether you’re working on a feature, a series, and no matter the genre, Will is here to help.
Do you want to break in and get staffed in a TV writers' room? Being a successful writer in the world of television is only possible if you’re successful in a writers’ room setting, and as it turns out, you need more than just writing chops to shine in this context. Pitching ideas, working and getting along with fellow writers, story editors, and showrunners, overall presentation and how you hold yourself—all of this plays a role in how well you do in a writers’ room and how you can build your career as a TV writer and producer. For these reasons, it’s critical to understand how writers’ rooms work and how to best to perform. As it turns out, not all writers’ rooms are built equally. Rules and expectations change depending on the genre of the show, the network or platform, who the showrunner is, and how many writers there are. As a result, this is not a one-size-fits-all situation, and writers who might fit in well at a episodic network drama room might have to adjust if they are later staffed in, say, a comedy room for a streamer. That said, there are still strategies, tools, and things you can understand to better break into a room, fit in, and rise through the ranks. Let’s take a closer look. Mike Gauyo is an accomplished TV writer who has most notably written on Netflix’s hit series GINNY & GEORGIA. Originally born in Port Au Prince, Haiti, Mike broke into Hollywood as a production assistant on reality shows like AMERICAN IDOL and SO YOU THINK YOU CAN DANCE until being discovered by Issa Rae who staffed him as a writer on her fiction podcast FRUIT. Mike entered the world of TV writers’ rooms serving as a writers’ assistant on the TNT show CLAWS and currently serves as Story Editor on the final season of HBO’s comedy hit INSECURE. Mike is also developing his own content and at the top of 2021 launched a mentorship program for pre-WGA Black writers, called the Black Boy Writes & Black Girl Writes Mentorship Initiative. Mike’s varied background in TV writing has allowed him to experience many different writers’ rooms and has given him a keen sense on how to best write and perform in these settings. Mike breaks down how different TV writers’ room work, and how you can best break in and interact in these settings to build your own TV writing career. He’ll lay out the different types of writers’ rooms and go through the general hierarchy of any room, from assistants to showrunner. He’ll offer advice and strategies on how you can best break into a writers’ room in the first place and then explain how to work your way up once you’re in, including getting promotions and finding opportunities for set or production experience. He’ll finally teach you what good etiquette in a room is, how to form relationships, pitch and effectively work with everyone else in the room. Whether you're currently in a writers' room looking to advance or move to a different show, or a writer looking for your first television experience, Mike will offer the knowledge, strategies, and perspective to help you take the next step you're looking for.
Literary Manager Jon Hersh has read thousands – yes, thousands – of screenplays in his career. Starting at CAA he was a story analyst covering screenplays, manuscripts books and television pilots, which helped him get a crash course on effective structure for a project. He moved on to be a development executive at Broad Green Pictures and helped develop feature material for their slate. Being around so much material Jon learned one thing – you MUST have solid screenplay structure to get past development and get your project greenlit. In this exclusive webinar Jon is going to show examples and break down beat by beat what needs to be in your outline, plus go in detail on the 13 steps you need to follow to nail your screenplay structure. ***This webinar is a reduced price because 10 minutes of Q&A are not captured on audio***