On Demand Webinar - Available for immediate viewing and unlimited access.
On Demand Webinar - Available for immediate viewing and unlimited access.
Michael Mandaville has worked for 25 years as a line producer, production manager and production supervisor. These films include “Taken”, “Taken 2” and “Taken 3” written and produced by Luc Besson, “Havoc” with Anne Hathaway, “The Kiss” with Terence Stamp and Billy Zane, (“American History X” (New Line Cinema) with Edward Norton and Edward Furlong, “Friends of Friends” with Bruce Davison and Sherilynn Fenn, “Blood and Wine” (Jack Nicholson, Director: Bob Rafelson), “Millenium’s Child” (Disney/Miramax) with William Windom and Karen Black, “Sensation” with Eric Roberts, Ed Begley Jr., Paul Le Mat and Ron Perlman. “Hail Caesar” with Anthony Michael Hall, Robert Downey, Jr. and Judd Nelson. “Pumpkin Head II” (MPCA) with Ami Dolenz and Steve Kanaly. Michael also produced “The Almighty Fred”, an independent film. He has directed commercials, shorts, a documentary and industrial films. He has also worked on “Manahi” an Arabic language comedy which was the first film shown in Saudi Arabia in 35 years. He recently directed two ultra low budget feature films – “Conviction: Murder in Four Parts” and “Into the Flames”. His web series “Beer Pong Coach” now has ten episodes. He wrote the thriller novel “Stealing Thunder” and the activist nonfiction book, “Citizen Soldier Handbook: 101 Ways For Every American To Fight Terrorism”. He has worked on numerous feature films in physical production, primarily as a Line Producer or Unit Production Manager in the Directors Guild of America. Mandaville has had 14 scripts optioned or hired to write. His “Stealing Thunder” series is an international thriller about an FBI agent stopping a legendary Russian spy to start World War III between China and the United States. His second novel, “A Cold Death” is in discussion for a TV Show in France. His third novel, “Journey” is almost finished for publication. Mandaville directed the short film, “The Big Bucks.” His short, “Winning the Race” was show at the Liberty Film Festival. The documentary “Guards of Honor” showed volunteer veterans at the Riverside National Cemetery. He received a B.A. in Philosophy from UC Santa Barbara and attended the B.A. Cinema program at Columbia College – Hollywood. He received his M.A. from USC in Professional Writing. Full Bio »
Creating a realistic budget can make or break a film before it ever makes it into production. Where should you spend? Where can you cut? How do you stretch your dollar? In short, how can you assure you're creating the highest quality film for the lowest price?
Listen, not everyone can afford a line producer. And even if you can, you want to make sure he or she is protecting your vision and your money! Understanding this aspect of the business and how a film can be put together is everything! Let's make this complex aspect of filmmaking easier, shall we?
Michael Madaville (Taken, Taken 2, Taken 3 to name a very few) is one of the most respected line producers in the business. Michael has created budgets from some of the most successful indie darlings, mid-majors and studio films in the business. And now, exclusively for Stage 32, he will take you by the hand, help you problem solve just about every issue that may arise, and help you toward financial success no matter what your budget may be.
Using examples from his decades in the business, Michael will walk you through examples of micro to major budget films and discuss how to reduce costs for crew, locations, materials and more and how to apply that information to get your schedule tight and your budget to where it needs to be.
No more chasing funds or getting caught short during filming! Michael will show you how to get on the path to a smooth shoot well before yelling "Action!"
The “Filmmaking With a Calculator” Mentality
The VIDCON Mentality
Problem Solving Your Overall Project
Problem Solving Your Production Crew
Where Should You Shoot Your Film?
Budget & Schedule
Q&A with Michael
Michael Mandaville
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Learn the essential skills to enter the lucrative career of line producing from an accomplished line producer with over 25 years experience producing blockbuster films. The job of a line producer certainly involves its fair share of number crunching and pre-planning, but it doesn’t end there. A large part of the job is to understand the ‘path of compromise’, which is especially necessary in the independent film and indie streaming worlds. The director will often have may have a vision or demands that exceed the resources and funding available, and it’s up to the line producer to find the middle line and retain the artistic vision without going outside of the project’s financial means. This is no easy task, and excelling in this area is what separates the great line producers from the rest. But how do you develop this skill? And how can you break into the field of line producing in the first place? For over 25 years, Michael Mandaville has worked as a line producer on countless projects, ranging from shorts and independent features to large blockbusters like the TAKEN, TAKEN 2 and TAKEN 3 starring Liam Neeson. His other producing credits include HAVOC with Anne Hathaway, THE KISS with Terence Stamp and Billy Zane and AMERICAN HISTORY X with Edward Norton. In addition to producing, Michael has directed commercials, shorts, a documentary and industrial films. He has also worked on MANAHI, an Arabic language comedy which was the first film shown in Saudi Arabia in 35 years. Michael’s long history in the world of line production makes him the perfect person to speak to this industry, and he’s keen to share what he knows with the Stage 32 community. Michael will walk you through the role of line producer, how to find opportunities and how to best to succeed in this position. He will begin by explaining the reason for the line producer position and how it differs from the role of unit production manager. He’ll go through common challenges of the line producer and how best to overcome, including mastering the “Line Producer Mindset”. Next Michael will explain what the career pathway looks like for aspiring producers and how you can find opportunities in the microbudget, independent and studio worlds. Michael will dive deep into the line producing process, going into scheduling, budgeting, and dealing with rates. Finally he’ll provide tips on how to find work as a line producer. Through Michael’s rundown, you’ll leave with a much clearer idea not only to how to find work as a line producer, but how to succeed and build a career for yourself once you do.
As a filmmaker, you know that every opportunity to shoot your story is precious. The days when your team is working, your cameras are rolling and your actors are in hair and make-up are days of golden opportunity. But they can also be days of stress and frustration if you haven't prepared properly during pre-production. We want you to have the best shoot days possible and that's why this webinar is invaluable for filmmakers. In this webinar, accomplished director Heath Cullens shares his process of preparing for a shoot exclusively with the Stage 32 community. As a filmmaker, the importance of preparation during pre-production cannot be overstated. Here is your chance to learn how best to prepare from a world-class director. Heath Cullens is a director best known for directing IT’S ALWAYS SUNNY IN PHILADELPHIA, AP BIO, GREAT MINDS WITH DAN HARMON, and FX’s YOU’RE THE WORST. Currently, he is directing MYTHIC QUEST for Apple TV. A good filmmaker is a prepared filmmaker. Filmmakers must focus on getting the story they envision onto the screen, but that vision will unravel if you don’t prepare before. However, if you do prepare properly, you give your film the best chance for success. You’ll receive a step-by-step approach to utilize on your projects to ensure a smooth, productive, and creatively rewarding on-set experience for you and your production team. You’ll cover how to: Hire the best team Communicate your vision Prioritize what you need to shoot Structure your shoot day Create a strategy with your DP Properly use rehearsal time and table reads And much more By the end of this webinar you’ll have a process you can use - and the ability to revisit the lesson on Stage 32 - to ensure the confidence to lead your team as a filmmaker. PRAISE FOR HEATH'S TEACHINGS: "I thought it was on point and very informative. Heath was great." -Frank L.
In a rare online appearance and for the 2nd time Stage 32 is proud to bring back the award winning author and teacher Quincy Jones calls "Aristotle of our time" Robert McKee. Now, for the first time online with Stage 32 he'll be going over concepts from his latest book, STORYNOMICS! "You just don't get Robert McKee like this for this kind of price. Kudos to Stage 32 and thank you Mr. McKee" - Burton B. PRAISE FOR ROBERT'S TEACHINGS: "Just wanted you to know that McKee's webinar was fantastic. One of the best lectures I have heard on the craft. He was brilliant. And irascible." - Anthony R. "Was a pleasure to hear from him in this setting given it is hard for me to make it out to LA or NY for his Story seminars. Thanks again for a positive experience!" - Adam K. "Always inspired and impressed by the knowledge and information that comes from a McKee lecture! Bravo for offering a webinar!" - Julie S. "It put real flesh and blood to all the self-studying I've done over the years that has led to the publications of my stories. It was an honor to meet him live and in action. His closing words were inspirational, and I hope to be able to participate in future Stage 32 webinars of this nature." - Tarra K "Thank you RB and your awesome teem, and a big thanks to Robert McKee who is truly a Master of the craft! This webinar could be hard one to top in the writers field." - Scott W.
This webinar has a 100% Satisfaction Rating! Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max, FINAL SPACE on TBS and BLOOD OF ZEUS on Netflix are hugely popular, and this is just the beginning. Scores of upcoming animated shows are in the pipeline and just around the corner. Considering this appetite, it doesn’t look like this trend is fading any time soon. And more interest in animation means there are more opportunities for your own project to get noticed and get picked up. The opportunities may be extra plentiful right now, but you still need to do your homework and understand the animated TV industry and what they’re looking for if you want to be noticed. This means nailing down a great concept, a fantastic pitch deck, and a strategic and effective pitch. And all of these elements don’t need to just be good; they all need to lend themselves to the format and industry that is animated TV. But if you can ace all of these elements, you may have just found your way in and the piece of material that will fire you off the launch pad. Brad Graeber is the CEO and co-founder of Powerhouse Animation Studios, recognized as a leading producer of action animation for its work on Netflix original series like CASTLEVANIA and SEIS MANOS, as well as a multitude of video game cinemas, trailers, and commercials. Through Powerhouse, he has also produced several shows in the children’s space including Nickelodeon's THE ADVENTURES OF KID DANGER and Disney's IT'S A SMALL WORLD: THE ANIMATED SERIES. Based in Austin, TX, Brad is currently overseeing the highly anticipated upcoming Netflix series MASTERS OF THE UNIVERSE: REVELATION, based on the HE-MAN cartoons from the 1980s and produced by Kevin Smith. Few people know better than Brad what it takes to turn an idea into a successful animated show, and he’s going to share his knowledge with the Stage 32 community. Brad will draw from his deep experience in the world of animated TV to break down how to best develop your animated series and pitch and sell it to a streamer or other network. He’ll first teach you what animated TV looks like today, what networks are looking for and where we’re headed. Next he’ll dive into what you should do to get your own animated series market-ready. He’ll address the three questions you NEED to answer before you try to sell your show, and will give you for shaping your character descriptions, plot outlines, structural elements and unique viewpoint. Brad will also talk about how to get the meeting with an interested network or studio. Next Brad will go into crafting your pitch documents including an effective pitch deck and accompanying artwork. He will also go through the 8 biggest mistakes he sees writers make when putting together their animated shows and give you tips on how you can avoid these pitfalls. Brad will even share the pitch deck he used for his original series SEIS MANOS that got it picked up by Netflix and will break down the process of developing the show and getting the streaming giant on board. If you are working on an animated show, you’re going to want to hear what Brad has to say! Testimonials for Brad's Teaching and Stage 32 Education “Brad is fantastic. There is so much to consider in the animation world and this webinar taught me how to succeed in that journey." -- Mark R. "I was blown away by Brad's attention to detail throughout the class." -- Kayla M. "I couldn't recommend enough anything that Brad teaches. He's so knowledgable and is a great resource for your career. Thanks, Stage 32." -- Amanda L.
Getting your work seen and considered is a SLOG, as any writer can attest. No matter how great your script is, even if it has placed in contests, even if you’re repped by a manager or agent, it is hard to break through the noise and get execs or studios interested in what you have to offer. Part of the problem, though, is that execs are often scared to move forward with an original story. It’s more of a gamble than relying on remakes, sequels, or other projects that already have brand awareness and a built-in audience. Yet this doesn’t have to be a deal breaker for you or your script. Instead, you can use this to your advantage. Like it or not, production companies and studios big and small are moving forward overwhelmingly with projects based on IP, or intellectual property—in other words, films that feature characters, worlds, and stories that already exist in other formats or other films. IP is the name of the game now, so let’s play the game! How? Turn your script into IP. It’s actually more possible than you think. Whether it’s a novel, a podcast, a web series, or other formats, you can prove your story’s worth and independently build your own audience so that execs start coming to you and that dream script of yours can actually get made. It’s been done, it continues to be done, and you can do it too. Don’t believe us? Listen to writer Matt Harry. When his original fantasy script SORCERY FOR BEGINNERS was going nowhere, he turned it into a novel that became a hit. The novel was described as “J.K. Rowling meets V.E. Schwab,” and Publishers Weekly declared it “a charming package and drily funny adventure.” Since then, the book was recently optioned for television by Boatrocker Media and Matt was hired to adapt the pilot. Book II in Matt’s series, CRYPTOZOOLOGY FOR BEGINNERS was published in 2019 and his middle-grade adventure novel SUPERKID is slated to be published in June 2021. His first produced feature screenplay, FUGUE, landed on several top-ten lists, won Best Horror Film at the Mississippi Film Festival, and was picked up for distribution by GoDigital. Matt has also written screenplays for Primary Wave, Platform One Media, Co-op Entertainment, and Flynn Picture Co. His short film SUPER KIDS, which he wrote and co-directed, has over 6 million views on YouTube. His TV pilot MONSTER COPS was awarded Grand Prize in the Second City Original Sitcom Contest, and is currently in development. Matt has experienced firsthand what can happen when you turn your own work into existing IP and is ready to give you the lowdown. Exclusively for Stage 32, Matt will teach you how you can turn your own script into IP to prove your story’s worth and get producers and execs interested. He will dig into why IP is so valuable, what types of IP exist, and how time consuming or expensive each type can be to create. Matt will lay out the seven main types of IP you can adapt your story into, all of which can offer your script leverage. Matt will discuss each type of IP and explain the steps you can take to make each happen and will also give you tips on deciding which IP format is right for your own project. He will also lay out what to do after your IP is out there to build your audience, get reviews, and incorporate your success into your pitch for production companies and studios. If you have an original script you believe in, keep at it. Matt will show you how you can use IP to your advantage and beat Hollywood at their own game. Praise for Matt's Stage 32 Webinar: "Overall it was very informative. The fact that there was an actual tried and true professional of the industry willing and able to answer questions and give the talk was a very huge plus for me." - J. Brown "Matt has such a way with words. Articulates concepts exceptionally well." - K. Masters "I loved how well-rounded he was in his creative endeavors. Matt knew about so many avenues to getting a script noticed." - Peter M "Matt Harry is a very knowledgeable person. Matt went into it with a solid plan that made picking up what was left out easier due to him referencing materials to look into for ourselves." - Jaboris B.
Learn how to approach and attach top talent to your projects that will help get them made from a producer who has worked with Emily Blunt, Jon Hamm, Halle Berry, Anna Kendrick, Christopher Walken, and more! Plus! You will receive an exclusive Sample Offer Letter for you to keep! When getting a new project off the ground you often hear about the importance of attaching top talent. There are a number of reasons the industry says you need to get recognizable talent attached to your project - it will help secure financing, land a pre-sale deal before you start filming, help stir up interest in your project from other cast and crew in the industry, and generally make your project more marketable and desirable across the board. While these are all true, it doesn't change the fact that it feels nearly impossible for a first time filmmaker to get a recognizable actor, writer, director, or producer to come on board your project. Most filmmakers early in their careers struggle with even conceptualizing the process to get top talent. How do you get the agent or manager to pay attention? How can you sound professional and knowledgeable so the talent and their reps take you seriously? If you are able to reach the actor and their team, how can you increase your chances of getting an official attachment? Filmmakers constantly grapple with these questions and, unfortunately, often make the wrong choices in going about this process. Many filmmakers waste money on offers to talent who are known but do not have any value in the current film market, or, conversely, make offers to marketable talent that are much too low and won't get the agent's attention. Luckily, this exclusive Stage 32 webinar will equip you with all the tools you need to appropriately approach top talent with the confidence and know-how to get an attachment! Teaching you the art and science of how to attach top talent is Bradley Gallo, the President and Co-Founder of Amasia Entertainment. If there is anyone in the industry that knows how to attach A-list talent to independent films it's Bradley. He has worked with some of the top A-list talent on his independent films including Oscar-winners Olivia Coleman, Halle Berry & Christopher Walken, Oscar-nominee Anna Kendrick, Jon Hamm, Jamie Dornan and many more. Bradley will pull back the curtain on the process and share tips & tricks on everything you need to consider to set yourself - and your project - up for success by getting top talent on board! Whether you are planning to make your movie now or plan to make a movie in the future, Bradley will provide you with the framework to know when is the right time to attach talent, how to evaluate which talent actually has value, how large (or small) your offers should be, and so much more! PLUS! You will receive a SAMPLE OFFER LETTER that you can use when approaching talent on your next project! Praise For Bradley's Previous Stage 32 Webinars: "Bradley was well-spoken, informative, engaging and made me confident in him. I would recommend this webinar to anyone looking to approach talent. Thank you!" -Maeve T. "Bradley is no bullsh*t. He is real, down to earth and tells it like it is. He is proof that anything is possible if you put the work into it." -- Stan S. "Bradley is creative in his approach and that's refreshing!" -- Samantha R. "Keep bringing Bradley back, please. He's one of the most honest voices I've come across in my 10+ years in the business." -- Martin C. "I could listen to Bradley teach all day. He's straight to the point, fun, and inspiring. He makes me believe anything is possible." --Melanie L.