It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!
Michael Mandaville has worked for 25 years as a line producer, production manager and production supervisor. These films include “Taken”, “Taken 2” and “Taken 3” written and produced by Luc Besson, “Havoc” with Anne Hathaway, “The Kiss” with Terence Stamp and Billy Zane, (“American History X” (New Line Cinema) with Edward Norton and Edward Furlong, “Friends of Friends” with Bruce Davison and Sherilynn Fenn, “Blood and Wine” (Jack Nicholson, Director: Bob Rafelson), “Millenium’s Child” (Disney/Miramax) with William Windom and Karen Black, “Sensation” with Eric Roberts, Ed Begley Jr., Paul Le Mat and Ron Perlman. “Hail Caesar” with Anthony Michael Hall, Robert Downey, Jr. and Judd Nelson. “Pumpkin Head II” (MPCA) with Ami Dolenz and Steve Kanaly. Michael also produced “The Almighty Fred”, an independent film. He has directed commercials, shorts, a documentary and industrial films. He has also worked on “Manahi” an Arabic language comedy which was the first film shown in Saudi Arabia in 35 years. He recently directed two ultra low budget feature films – “Conviction: Murder in Four Parts” and “Into the Flames”. His web series “Beer Pong Coach” now has ten episodes. He wrote the thriller novel “Stealing Thunder” and the activist nonfiction book, “Citizen Soldier Handbook: 101 Ways For Every American To Fight Terrorism”. He has worked on numerous feature films in physical production, primarily as a Line Producer or Unit Production Manager in the Directors Guild of America. Mandaville has had 14 scripts optioned or hired to write. His “Stealing Thunder” series is an international thriller about an FBI agent stopping a legendary Russian spy to start World War III between China and the United States. His second novel, “A Cold Death” is in discussion for a TV Show in France. His third novel, “Journey” is almost finished for publication. Mandaville directed the short film, “The Big Bucks.” His short, “Winning the Race” was show at the Liberty Film Festival. The documentary “Guards of Honor” showed volunteer veterans at the Riverside National Cemetery. He received a B.A. in Philosophy from UC Santa Barbara and attended the B.A. Cinema program at Columbia College – Hollywood. He received his M.A. from USC in Professional Writing. Full Bio »
Creating a realistic budget can make or break a film before it ever makes it into production. Where should you spend? Where can you cut? How do you stretch your dollar? In short, how can you assure you're creating the highest quality film for the lowest price?
Listen, not everyone can afford a line producer. And even if you can, you want to make sure he or she is protecting your vision and your money! Understanding this aspect of the business and how a film can be put together is everything! Let's make this complex aspect of filmmaking easier, shall we?
Michael Madaville (Taken, Taken 2, Taken 3 to name a very few) is one of the most respected line producers in the business. Michael has created budgets from some of the most successful indie darlings, mid-majors and studio films in the business. And now, exclusively for Stage 32, he will take you by the hand, help you problem solve just about every issue that may arise, and help you toward financial success no matter what your budget may be.
Using examples from his decades in the business, Michael will walk you through examples of micro to major budget films and discuss how to reduce costs for crew, locations, materials and more and how to apply that information to get your schedule tight and your budget to where it needs to be.
No more chasing funds or getting caught short during filming! Michael will show you how to get on the path to a smooth shoot well before yelling "Action!"
The “Filmmaking With a Calculator” Mentality
The VIDCON Mentality
Problem Solving Your Overall Project
Problem Solving Your Production Crew
Where Should You Shoot Your Film?
Budget & Schedule
Q&A with Michael
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Click here to see system requirements.
If you are running on an outdated operating system, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch. WEEK #1 – Introduction, Pitch Docs, Character This week we will cover the syllabus, your instructor's background and experience, your goals for this eight-week lab and launch into a discussion on creating strong characters for your pilot. We will discuss the types of drama pilots and how they differ from network to network. We will go over how to create effective loglines and pitch documents. Then we will delve into character – what makes for strong characters and weak ones. The assignment for this week will be to create a pitch document and write a detailed description (around half a page) on each of your series regular characters. WEEK #2 – Pilot Outline and Series Bible This week we will break down pilot structure, plot and subplots. Pilot structure varies depending on the type of drama pilot (procedural or serial) and the network (broadcast, cable, streaming, digital, etc.) We will identify what kind of network to target for your story idea and structure the pilot accordingly. We will also discuss the function of your series bible and what it needs to include to support your pilot. The assignment for the week is to complete a pilot outline and start work on your bible. WEEK #3 – Pilot Outline (One on One Consultations – No Online Class) This week will consist of one-on-one consultations regarding pilot structure. Each writer will send in their pilot outline in advance and will have a 10-minute call to discuss what works and what doesn’t. The assignment for the week is to address any notes given on the outline before proceeding with next week’s class and to continue working on your series bible. WEEK #4– Scenes, Beats, Dialogue, This week we will address the qualities of effective (and ineffective) scenes, story beats, and dialogue. The assignment for the week will be to write three complete scenes from your outline: the teaser/opening scene, a scene with heavy dialogue, and a strong character scene. WEEK #5– Acts 1 and 2 We will discuss both the four-act and five-act structure. You will decide which works best for the pilot that you are developing. This week we will go over all the necessary story beats that exist in acts 1 and 2 of a drama pilot, including exposition, number of scenes per act, traditional page count, inciting incidents, acts 1 and 2 breaks, etc. The assignment this week will be to complete Acts 1 and 2 of your pilot. WEEK #6– Acts 3, 4 and 5 Similarly to last week, we will cover the necessary story beats that traditionally exist in acts 3 and 4 of a drama pilot. If your pilot structure has five or more, as some broadcast network shows do, there will be time allotted for further instruction on how to proceed. The assignment this week is to complete the first draft of the entire pilot and to turn in your series bible. WEEK #7–Consultation for Revision (No Online Class) This week will consist of one-on-one consultations. Please turn in your pilot at least 24 hours before your scheduled call, and each writer will have a 10-minute call to go over notes. Your assignment this week is to address any notes. WEEK #8– One-on-one Feedback and Polish (No Online Class) This week will consist of 10-minute one-on-one phone calls as well. Please submit your revised pilot at least 24 hours before your scheduled call. Final notes and next steps for your pilot will be given. Payment plans are available - please contact email@example.com for more information.
Are you a screenwriter, producer, director, storyboard artist, animator, voiceover artist or composer interested in making animated films? Then you need to join us for this exclusive Stage 32 Masters of Craft Webinar taught by Conrad Vernon, screenwriter, voice actor, director and producer of some of the highest grossing animated films of the last 20 years including the Oscar-nominated SHREK 2 and BOSS BABY in addition to SAUSAGE PARTY, THE ADDAMS FAMILY and more! Animation is one of the hottest sectors in film, TV and digital content right now. From major film studios to independent production companies to networks, streaming platforms and digital online streaming platforms, animation is red hot. So, how can you stake your claim in this growing area of entertainment? By learning from one of the successful and brilliant creative minds working in the animation industry today, 25-year animation film veteran, Conrad Vernon! In what is sure to be the most comprehensive animation webinar anywhere in the world, Conrad will peel back the curtain and take you behind the scenes of his most recent film, THE ADDAMS FAMILY, to show you step-by-step how an idea went from script to storyboard to filming to screen. This is a never seen behind the scenes breakdown of Conrad's work process and includes a breakdown of how ALL departments work in bringing an animated project to the masses. If you work in animation, always wanted to work in animation, or have wondered how the sausage (party) is made, this is the webinar for you! This webinar is exclusive to Stage 32 members only. Conrad will be sharing and teaching from his private script pages and storyboards. Here are just a few!
With the gap between independent films and studio films constantly growing, it has become quite a challenge for independent producers to finance their films. As a result, more and more producers are looking outside of their home territories for additional sources of finance. Europe, in particular, is very attractive for international producers: not only does it have diverse landscapes and excellent crews, but the different European countries offer fantastic funding and tax incentive schemes that can be accessed by foreign producers to finance their films. This Stage 32 Next Level Webinar will provide you with an understanding of how you can finance your film by partnering with a European producer and accessing European funding and tax incentive schemes. You will walk away with a better understanding of the European co-production landscape, the ability to evaluate the potential of your project for a co-production in Europe, the knowledge of how to set it up and find the right partners, and an understanding of how much you could potentially get. Anouk van Ghemen has been working in the field of film financing for almost 7 years. She consults a range of German and international clients, such as Sony Pictures Releasing, Wild Bunch Germany and Radical Media.
Doug Curtis can boast that the films he's been involved with have earned nearly a half billion dollars at the global box office. Over the past 20 years, Doug has had a hand as a director, producer or line producer in over two dozen features (including Save the Last Dance, Freddy vs. Jason, Next Friday, Cellular, Shoot em Up and Sorority Row) and over 200 commercials. Think about that. He's been on the set of over 250 projects! Needless to say he's learned a thing or two. And now he's thrilled, as are we, to pass his extensive knowledge on to you in this exclusive Stage 32 Webinar. Doug is a firm believer that the success or failure of any film is mostly tied to actions taken during pre-production. From properly budgeting, pulling together a reasonable, yet tight production schedule, hiring the best crew and other tips, tricks and golden rules he's amassed through the last 2 decades, Doug will teach you everything you need to know to assure your production runs smoothly from start to wrap. Doug has worked on the studio level (Paramount, Fox), with the independents (New World, New Line) and even with the premium networks (HBO), so no matter what kind of material you are working with, no matter what budget, no matter what targets you're positioning yourself to hit, Doug will have you ready and armed to head into battle.
Have you ever been to these industry events? Film: The Cannes Film Market, The American Film Market, The European Film Market TV: MIPCOM, NATPE, Real Screen What do you really know about these events? Do you know how projects really get bought, sold and funded? Do you know how to work these markets? Strategically? Do you know how to best position and pitch your projects to the industry - to move your career forward? This Stage 32 Next Level Webinar, How to Work the Film & TV Markets is taught by former IFTA liaison for the American Film Market, Heather Hale. In this jam-packed webinar Heather takes independent filmmakers, television and digital content creators on an online tour of the circulatory system of the global media landscape. She is breaking down the entertainment industry’s trade show circuit – where content is bought and sold around the world, year after year. Heather demystifies these markets, makes them less intimidating, less confusing and less overwhelming. She shows you how to strategize and navigate these events, making them far more accessible, productive – and fun! She contextualizes her state-of-the-art, from-the-trenches insights into immediately implementable practical advice if you’re hitting the markets, and even if you're not. This webinar highlights the most significant annual entertainment industry events around the world, dossiers all the players you will run into. You will learn how to best work with them before, during and after the market. She reveals the elements that establish the market value and predict profitability of entertainment properties – and how you can raise the bar for your own projects to be more successful. You will walk away knowing how to make the most of your investments of finite funds, time and creative energy attending markets. Take the step to optimize your odds for success in this mainstream, business-to-business market ecosystem!
If you're thinking about attending some of the major film markets - including Cannes, TIFF, AFM or EFM - it's important to understand how to navigate the commerce of the markets. We're bringing in international producer Alexia Melocchi, who has over a decade of experience at the markets to go over each of the markets and how you can get the most out of attending!