Charlie Charbonneau is an accomplished television writer and producer whose credits include the 1-hour dramas The Secret Circle, The Vampire Diaries, and its spin-off The Originals. Born in Las Vegas but raised in the sleepy horse track town of Saratoga Springs in Upstate New York, he moved to California at 17 where he earned degrees in Screenwriting and Spanish from University of Southern California. A born self-starter and anxious to learn the business from the ground up, Charlie quickly continued his Hollywood education as an assistant at The William Morris Agency. There, his work garnered him an intimate and expansive knowledge of the entertainment business and a litany of agents, attorneys, and talent with whom he proceeded to construct his writing career. He cut his TV teeth by assisting and then writing and producing for the likes of writer and Executive Producer Kevin Williamson (Scream, I Know What You did Last Summer, Dawson’s Creek, FOX’s The Following) and Julie Plec (The Vampire Diaries, The Originals, Containment), eventually earning the title of Executive Story Editor on The Originals. During a time when Network TV saw gradually decreasing ratings, over 3 million viewers from all over the world tuned in live for his episodes week-to-week. In production on its 7th season, The Vampire Diaries can still frequently be found among the most downloaded episodes on iTunes as well as the most watched series on Netflix. Full Bio »
Ever wondered what daily life is like for a TV Writer? Looking for ways to manage and maximize your schedule to output great, useful material without losing your mind? Wondering how the hell you’re supposed to write when you’ve got a full-time job? Tune in for this exclusive 2-Part Stage 32 Next Level Webinar taught by TV Writer/Producer Charlie Charbonneau (CW shows: The Secret Circle, The Vampire Diaries, and its spin-off The Originals) to hear about life and work of TV writers, on AND off the clock. You'll gain insight that will help you succeed in finding your next assignment and how to excel in the position.
In Part 2 the followup to So You Want To Be A TV Writer? An Inside Look - Part 1, Charlie will unpack all the ups, downs, problems, and pleasures that come in the daily life of a working TV writer.
Hear insider advice and information about writers room etiquette, climbing the title ladder, taking notes, rolling with the punches when your material doesn’t impress the powers that be, and making sure you get paid. He’ll even discuss the best way to interact with those hot-shot actors in your show. As usual, get ready for some horror stories from the trenches!
PART 2 —LIFE OF A WRITER ON-THE-CLOCK
Plus, an in-depth pre-recorded Q&A with Charlie to answer all of your questions!
To see Part 1: click here.
"Very informative!" - Carisia S.
"I liked his down to Earth manner." - Margo T.
"Great real life examples - much appreciated!" - Paul B.
"Charlie put a lot of heart in his presentation... that's everything!" - Matthew R.
"This was exactly what I need. I'm totally new to the industry and I wanted insight into how to best prepare for pitching my projects. Charlie, thanks for doing such an excellent job of providing that insight." - Cam Clark
"Merci beaucoup Charlie. Very clear and informative information, which will most definitely help grow pitching potential." - Romain R.
"Charlie has a great demeanor and delivery. Very comfortable. Great insight on structure of a good pitch." - James R.
On "Get In The Writer's Room":
"I'm grateful for how generous he was with his knowledge and time. He was awesome." - Joanne L.
"This was by far one of the better webinars I've attended on Stage 32. The information was relevant (which was of upmostimportance) and Charlie was an enjoyable presenter." - Matthew M.
"I think he managed to balance the 'luck' part of this business with the 'talent,' and what we need to do." - Kerry F.
"Charlie was outstanding. He was organized, helpful and extremely insightful." - Kimberly E.
You’re a writer. Your work is entertaining, informative, thought provoking — heck, it’s even clever. You dream of tapping away on your lap-top in a cabin, sending off your material to a publisher or a producer, and collecting your check from the mail-box in the evening before pouring yourself a glass of Malbec red wine and walking your dog by a river. It’s a beautiful dream. But the reality is, no matter how good your writing is, no matter how brilliant your ideas are — if you’re ever going to have that cabin, not to mention enough cash to cover dog food every month, you have to know how to pitch well. In this Stage 32 Next Level Webinar, TV Writer/Producer Charlie Charbonneau (CW shows: The Secret Circle, The Vampire Diaries, and its spin-off The Originals) will teach you how to successfully pitch your ideas as a writer. You’ll learn about the many different scenarios where you’ll have to translate that spectacular idea in your brain to someone who’s never heard it before. This webinar will lay out the rudimentary yet vital skills used by the pros to win over the show-runners, buyers, and agents. You’ll hear about the nitty gritty do’s and don’ts of pitching in places like the TV Writers Room, a studio or network executive’s office, and at lunch with the agent or manager you’ve been dying to meet with. Also, Charlie will be giving you tips on how to nail your 8-minute pitch so you can take advantage of the Stage 32 Script Services pitch sessions offered every week. He'll guide you through how to start, cultivate interest and leave the executives wanting more. He'll not only cover live pitching but how to deliver a superb written pitch! You will get to examine the biggest enemies to a great pitch — fear and anxiety — and strategies to neutralize them so you can keep your cool. And, of course, those who tune in will get to catch some horrific pitch fails from the trenches of TV staff writing. Writers in any medium and at every experience level will benefit from this webinar — from novices to experts. And anyone else looking to hone their sales tactics in the entertainment industry or elsewhere will walk away with strategies to bring their pitch games to the next level. "The pitching webinar was fantastic. Every I was dotted every T crossed. It helped me to really understand the process than to be afraid of it. I still have lots more work and practicing to do, but it was great. Thank you." - Mindy G "Great real life examples - much appreciated!" - Paul B.
Do you suffer from writer’s block? Do you ever get stuck on a scene — at odds with how to proceed, what your character should do or say — for hours, days, sometimes weeks? Do you ever read a scene and think, something’s just not working? Join the illustrious club of every writer ever. Luckily, this very common problem has a simple solution. In this webinar, you will dig down to the building blocks of excellent scene work, those elements which are fundamental to establishing character, advancing plot, capturing tone, and planting memorable moments. By using iconic scenes from landmark film and TV and by citing examples from his 5+ years of TV writing and producing experience, Charlie will offer an array of tools and skills that will harden any writer against the obstacles and pitfalls that come with attacking any scene. Perhaps more importantly, participants will come away with some vital ways to overcome the feared writer’s block that plagues us all.
Ever wondered what daily life is like for a TV Writer? Looking for ways to manage and maximize your schedule to output great, useful material without losing your mind? Wondering how the hell you’re supposed to write when you’ve got a full-time job? Tune in for this exclusive 2-Part Stage 32 Next Level Webinar taught by TV Writer/Producer Charlie Charbonneau (CW shows: The Secret Circle, The Vampire Diaries, and its spin-off The Originals) to hear about life and work of TV writers, on AND off the clock. You'll gain insight that will help you succeed in finding your next assignment and how to excel in the position! In Part 1, attendees will learn what life is like when TV writers are between jobs or trying to get that first job. Join Charlie as he discusses ways to manage your own writing schedule, find out how to decide which projects to focus on, and get some tips to stay relevant and visible to the big players and decision makers when you’re not employed. He’ll even lay out some strategy to position yourself for the highly coveted freelance script, whether you’re an assistant or a working writer between gigs. In Part 2, Charlie will unpack all the ups, downs, problems, and pleasures that come in the daily life of a working TV writer. Hear insider advice and information about writers room etiquette, climbing the title ladder, taking notes, rolling with the punches when your material doesn’t impress the powers that be, and making sure you get paid. He’ll even discuss the best way to interact with those hot-shot actors in your show. As usual, get ready for some horror stories from the trenches!
Do you see yourself writing for a television show? 543 shows were broadcast last year and thousands were picked up for development. Now, more than ever, is the golden age of television and it’s your opportunity to be able to be staffed on a television show as a writer. But, how do you get there? We’re not going to lie, it’s difficult, but it’s not impossible if you understand the path it takes. In this Stage 32 Next Level Webinar you’ll learn how to make it happen by learning what type of education you need, how to stack the deck in your favor, how to get your scripts in order and how to seize your opportunity. By learning from Charlie Charbonneau, who’s worked in three television writers' rooms, you’ll be armed with what you need to know in order to break into your first writers' room. No matter your background or level of experience, you will come away with a deeper understanding of the obstacles and the many surprising solutions to getting and keeping a spot at that table in the television writers’ room. "I'm grateful for how generous he was with his knowledge and time. He was awesome." - Joanne L. "This was by far one of the better webinars I've attended on Stage 32. The information was relevant (which was of upmost importance) and Charlie was an enjoyable presenter." - Matthew M. "Charlie was outstanding. He was organized, helpful and extremely insightful." - Kimberly E.
This month we welcome Lindsay Schwartz the Director of Development at FullyFormed Entertainment, the venture from producers Brad Fuller and Andrew Form, who co-founded Platinum Dunes with Michael Bay in 2001. Fuller and Form are the producers behind the hit film A QUIET PLACE and sequel, as well as THE PURGE franchise, OUIJA, A NIGHTMARE ON ELM STREET, and THE AMITYVILLE HORROR. FullyFormed Entertainment's latest project, THE FOLLOWER is set up at Paramount Pictures. They are eagerly anticipating the release of A QUIET PLACE 2, and are developing numerous features and series with studios such as Paramount, Sony, MGM, Universal, and Amazon, amongst others. Before FullyFormed and Platinum Dunes, Lindsay worked at Paramount Pictures and Happy Madison Productions with Adam Sandler. As you can imagine this Executive Hour webcast is packed with a wealth of stories, insights, and advice from Lindsay! She discussed the inside story of how A QUIET PLACE came together and sold to Paramount, how she approaches development with writers, how Horror and Thriller are very similar to Comedy, and what writers can be doing to break out in a crowded market!
You’ve heard that the opening pages of your pilot script are the most important – hook your audience early and they’ll be invested in your show, fall short and producers, managers and executives might not even finish reading your script. At many companies, your script will be handed off to a member of the development team whose job is to just read the first act, then decide whether to pass or flag your script for further consideration. Having a great first act isn’t just a good way to get your pilot noticed; it might be the only way. When you watch a pilot, though, whether on Netflix, HBO or ABC, it can feel like every show is so different, it’s hard to see a pathway to success. Or even if you master one aspect of your opening act, somehow it can still feel like you’ve not done enough. In a TV pilot, that crucial first act is the most challenging because there is so much you have to do really well, really quickly: you have to introduce your characters, set up your world, and launch your story. What’s more, the first act sets your pilot on solid footing – nail this section and the rest of the pilot seems to develop and flow easily. Get stuck on how to start, and you might never finish writing the pilot that could launch your career. You’ve probably watched outstanding pilots where 10-15 minutes in you’re already making plans to binge the season. What do all those pilots have in common? What techniques do experienced show creators use to give them that early edge? And what exactly do producers, managers development execs and other professionals expect to see in a first act? We have the answers to those questions and much more. Anna Henry is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, ITV America, OddLot Entertainment, Corus, and others. Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. Anna will analyze pilots more deeply so you can see the tools successful writers use to set their show on the right path from the start. She’ll discuss the ingredients of a pilot in general, including the basic structure, identifying the type or genre of your show, meta-themes, and crafting characters to serve as the audience's entry point. Anna will then delve into the key elements of a first act, as well as a great teaser or cold open, including using framing devices, and a strong out. She will go over tips to writing memorable character descriptions, using physical descriptions, elements of identity, and putting thought into how you name each character. She'll next focus on introduction scenes and using them to generate interest in your characters, using dialogue to establish their voices, and introducing relationships. A vital aspect of a pilot's first act is creating character moments, and Anna will go over effective examples of many different types of these moments, including meeting heroes, meeting villains, meeting supporting characters, establishing the right amount of backstory, and the benefits of having your characters argue. She will then discuss how to create exposition and communicate your world effectively, crafting a mystery and building the rules of your universe, as well as how to avoid overused crutches. Anna will then offer her take on implementing and incorporating tone and themes into the script and how to sneak them in subtly through details and character moments. She will finally lay out how to best use your first act to bring the audience into your story and world, where exactly your story should start, and how to launch your 'A' story and introduce your 'B' and 'C' stories. Examples will be used from one-hour and half-hour shows on network, cable and streaming platforms, PLUS! you will receive pilots for each after the class: THIS IS US - NBC ONE DAY AT A TIME - Netflix / Pop MARVELOUS MRS. MAISEL - Amazon ATLANTA - FX KILLING EVE - AMC THE EXPANSE - Syfy / Amazon Praise for Anna's Stage 32 webinar: "The webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F. "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G.