Micky caught the eye of Alison Eastwood and Warner Bros. with a script she wrote entitled RAILS & TIES. Directed by Eastwood, the film starred Kevin Bacon and Marcia Gay Harden. It premiered in the U.S. in the Telluride Film Festival and overseas at the Toronto International Film Festival. Since then, Micky has completed several book adaptations, including AMISH GRACE for which she received a Humanitas Prize nomination. Other adaptations include NOBODY from the award-winning book by Caryl Phillips, DANCING IN THE DARK, THE COINCIDENCE MAKERS from a best-selling novel by Israeli author Yuav Blum, and STOLEN WATERS from the Romanian short story collection by Ada Shauluv. Micky’s directorial work in film includes the shorts, PAGE’S GREAT AND GRAND ESCAPE, distributed by Virgin Produced, and UNION, starring Sean Patrick Thomas, which Micky adapted from a story by best-selling author, Steven Heighton. Full Bio Ā»
Learn how the pros acquire the rights to books or other intellectual property and adapt them into your favorite films and television shows, from a writer who’s worked with Clint Eastwood, Kevin Bacon and more!
IP, short for “intellectual property,” has become the buzzword in recent years. Sometimes it seems like there aren’t any originals left. So if IP is what producers want, how are you supposed to get them to read your original pilot?
Maybe it’s time to adapt that short story, magazine article, or epic fantasy novel you’ve had on your mind for years.
Now, where do you begin?
How do you lock down IP before someone else does? What does it cost to get the rights to the source material? And once you do get the rights, how do you attack it so that it has your voice but stays true to the original?
In this exclusive Stage 32 on-demand webinar, you’ll learn the ins and outs of landing the rights to every kind of source material, including understanding the chain of title, how to approach the author or reps of the IP, and the different rights agreements available to you. You’ll know how to break the story in a way that audiences will love while still making the story your own, and how to attract talent to create a package that sells.
Taking you through the journey of adaptation is Micky Levy, a screenwriter who launched herself in the industry with the script RAILS & TIES, which was directed by Clint Eastwood, starring Kevin Bacon and Marcia Gay Harden. She has a long history of adapting IP, including AMISH GRACE, which earned her a Humanitas Prize nomination, NOBODY by Caryl Phillips, DANCING IN THE DARK, THE COINCIDENCE MAKERS by Yuav Blum, and STOLEN WATERS by Ada Shauluv.
Micky will take you through the process of securing IP, her own process of breaking the story, and how to launch your own writing career or package the project to produce. Micky will even provide examples of decks and mood boards that help emerging writers and producers sell their projects and that you can use to create a buzz for the next hit film or series created by you.
You’ll also have the opportunity to ask Micky any questions you have during the live webinar about your own adaptation, writing process, or breaking into the industry. With Micky’s incredible industry experience, you can use this webinar to get ahead of the trends and snag the next juggernaut project based on IP that you had the foresight to discover.
PRAISE FOR MICKY'S TEACHINGS:
"Micky Levy was really well prepared and gave tremendous advice. Not only an experienced screenwriter and a skilled communicator, but just a fine human being too." -John D.
"The webinar was very informative and helpful. I appreciated the inclusion of the instructor's own pitch deck during the presentation to have as an example."
-Ardith M.
"GREAT info - I will have to watch the replay to get it all again! Thank you!" -Paolina M.
The First Step: Getting the Rights
The Development Process
The Treatment
The Materials
Examples: Decks and moodboards
Q&A with Micky
Micky Levy
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"Micky Levy was really well prepared and gave tremendous advice. Not only an experienced screenwriter and a skilled communicator, but just a fine human being too." -John D.
"The webinar was very informative and helpful. I appreciated the inclusion of the instructor's own pitch deck during the presentation to have as an example."
-Ardith M.
"GREAT info - I will have to watch the replay to get it all again! Thank you!" -Paolina M.
Learn from the Academy Award-nominated screenwriter of TOY STORY, CHEAPER BY THE DOZEN, EVAN ALMIGHTY, GOODBYE LOVER, and more... You've heard of The Hero's Journey, a concept created by Joseph Campbell after studying mythology and storytelling from thousands of years of civilization and from cultures all over the world. It's been applied by writers to some of the most successful films and franchises of all time, including STAR WARS, HARRY POTTER, TOY STORY, THE MATRIX, and countless others. However, knowing what The Hero's Journey is one thing, but understanding how to apply it to your work is a much more challenging task. In this exclusive Stage 32 on-demand class, you'll dive deeper than the books and online videos on The Hero's Journey to engross yourself in every step, study how it's been successfully applied to scripts, and learn how to use it in your own work. The more you understand these essential storytelling building blocks, the stronger your story will become, winning over readers, buyers, and, most importantly, the audience. The Hero's Journey is the study of how a protagonist transforms over the course of a story, and guiding you through this transformation for four sessions is Oscar-nominated screenwriter Alec Sokolow. Alec is an expert in the Hero's Journey and has used it in his work, ultimately netting over $2 billion in worldwide receipts. His credits include TOY STORY, CHEAPER BY THE DOZEN, EVAN ALMIGHTY, and many more. He's also produced feature documentaries, directed animation shorts, and written children's books using Joseph Campbell's mythical structure. You'll see how you can use the Hero's Journey to infuse your script with the right tone, an immersive setting, entertaining characters, stakes, tension, memorable moments, and more. Don't miss out on your chance to learn from an Oscar-nominated screenwriter in this 4-part class and take your screenwriting skills to the next level. PRAISE FOR ALEC'S WORK AND STAGE 32 EDUCATION: "Alec Sokolow is one of the world's great storytellers, screenwriters, and teachers, and that's a wonderful combination for anyone to learn from." -- An Award-Winning Producer "Wonderful insights. Made lots of notes. Thank you." -- Mark M. "Alec is the best! What a world of knowledge!" -- Selina R. "Great session with Alec. Thanks for the insights and wisdom from your storytelling experience. Oh, and for the films!" -- David L.
As animators we pour our heart and soul into creating content we can be proud of. What most people don't realize is how many hours, days, months and even years it takes to create even the shortest form animation content to showcase your skills. Often you aspire to be noticed, not only by a viewing audience, but also by professionals who can help move the needle on your career. So how can you be assured that all your time and effort will pay off by not only reaching the widest audience possible, but by those who can help you get to the next level? Writing, boarding and creating animation content takes immense discipline. It takes the distinguished voice of a storyteller, the skillful eye of a director and the polished chops of an artist to make your vision come to life on screen. Once you've decided to embark on the path of creating content, how do you go about getting noticed? Animation is difficult to break into, but it's certainly not impossible and you CAN be seen by people that matter if you take the right steps to creating your content and getting it out there online. You have powerful tools in your hands and at your disposal through platforms like Vimeo, YouTube, Instagram and more - if you know how to use them to your advantage. Mike Disa knows a thing or two about animation. He's been working in the industry for over two decades and is currently the lead director on Netflix's hit show Paradise PD. He's worked with companies such as Disney, Dreamworks, Warner Bros., Paramount, and many others on feature films, television shows and digital series. Before he got his start, he knew no one in animation or entertainment and used his own methods to get noticed and sustain a nearly twenty five year career, which he will share with you. Mike will teach you what type of content you can create that will help you stand out online to those working in animation. You will learn how online platforms can be best utilized to show your content and learn to set clear goals of what you are trying to get out of creating content and reach your target audience. You will know what to expect if you embark on the path for the genre of animation you work in. Mike will walk you through the development process to make sure your time is worth it before you start investing your time creating content. And, Mike will even walk you through how to promote yourself to get noticed! Remember, it just takes one champion of you and your work to kick start your career and Mike will help you know what type of content you can create and how you can get it out there in the right places to capture the right person's eye! PRAISE FOR MIKE'S TEACHINGS ON STAGE 32: "Mike Disa was amazingly generous with his time and information. And he was real. It doesn't get better than that. I'll be able to apply his insights and the information he shared immediately. I'm so glad I decided to participate." - Elizabeth A. "The webinar was excellent and very well paced. I truly appreciated the honesty and straightforwardness of the presenter. I learned a lot and look forward to the next one." - Jerry M. "Excellent webinar. I think that I learned more than I expected to about animation writing and how it relates to working in the industry. I had a good time watching this and appreciate how kind everyone was with their time." - Kari H. "I believe such given information was highly inspirational, utterly legit and true regarding the industry and show business. I've always wanted to learn what it takes to write an idea for an animated series, and how to put it on screen, and this webinar truly answered these vital questions. Conclusively, I would really take these tips into consideration during the writing of my ideas, and would highly recommend them to those who are ambitious to spread their stories world-wide." - Mohammed H.
Learn how you can keep the stakes high at all times in your screenplays from the Emmy-nominated writers of the critically acclaimed series THE HANDMAID'S TALE PLUS! You'll receive a downloadable copy of the pilot script for THE HANDMAID'S TALE! Do you ever wonder why you are so drawn to your favorite series and films? What is it about the story that hooks you and keeps you glued to the screen? What makes you fear for your favorite characters while hoping they accomplish their goals and defeat their foes? While there are a number of facets that make a story compelling - nuanced characters, solid world building, and sound story structure to name a few - there is one fundamental aspect of storytelling that keeps audiences engaged: maintaining high stakes. If you’ve ever heard the term “raise the stakes” you’re familiar with the notion of putting your characters in situations that provide the greatest risk if they do not accomplish their goal. While obvious examples of high stakes can be seen in most action films (i.e. defusing the bomb, saving the planet, winning the war), high stakes don’t need to be existential or life threatening; rather, the stakes are as big as their meaning to the characters. While the stakes can vary from story to story, it is critical that you, the writer, maintain high stakes for your characters no matter what you are writing. However, how can you create high stakes and maintain them throughout the course of your story? How can your characters face their stakes in a way that is meaningful and doesn’t feel cheap to the audience? How can you milk the conflict for as long as possible to draw out the tension? Here to answer all these questions and teach how to keep the stakes high in your writing are John Herrera and Nina Fiore, Emmy-nominated writers and producers on Hulu’s critically acclaimed series THE HANDMAID’S TALE. John and Nina are instrumental in keeping audiences engaged in the show and are excited to share their screenwriting knowledge with the Stage 32 community. John and Nina have also written on BLOOM, a new show for Netflix that will be coming soon - and on USA’s THE PURGE, Syfy’s NIGHTFLYERS, BLOOD DRIVE, ALPHAS, and EUREKA. PLUS! You will receive a copy of the pilot script for THE HANDMAID'S TALE. If you’re a screenwriter looking to tell an engaging story that will keep your audience begging for more, this webinar is a must!
It’s no secret that television is a hot commodity right now. The “golden age of television” that began ten or so years ago has since exploded, and with new networks and streamers like Quibi, HBO Max, and Disney Plus coming into the fold, the volume of TV content has hit unprecedented levels. In fact over 500 scripted shows were broadcast or streamed in 2019 alone, more than any other year prior. And with more shows, there are more paths for writers to break in. After all, virtually all of these 500+ shows have their own writers' room. Yet even with this influx of opportunities, it’s still not exactly easy for new writers to land a job in this industry. Everyone’s path is different, but a tried and true route is to enter in as a writer’s room assistant and work your way up. Yet this, too, requires some wherewithal, skill and strategy. Being an assistant affords you the opportunity to learn first-hand how a writers' room works without the pressure of having to contribute to the same level as staff writers. It can be an incredibly valuable and educational step in your career. In fact, as your career advances, this experience will allow you to contribute more than just stories and ideas; you’ll now know how rooms operate, how things run smoothly, and how to keep workflow productive. Yet this journey is easier said than done. Getting into the room as an assistant is one thing, but holding your own, standing out, demonstrating your value, and carving a place for yourself and your future can be even more challenging. So how do people actually get the gig as an assistant in a writer’s room, and how do they find success and further opportunities in the process? Marcelena Campos Mayhorn is a former television assistant turned WGA writer, most recently staffed on the Netflix show SELENA: THE SERIES. The best part? Marcelena got her start outside of a major entertainment hub, working for the Austin Film Festival, before transitioning to working in television full time. She began her career as a line producer's assistant for Jerry Bruckheimer's CSI: CYBER on CBS, and went on to assist the writing for CBS's CRIMINAL MINDS, FOX's APB, and finally serving as the Writers' Room Assistant for Shonda Rhimes' STATION 19 on ABC. By moving up the ranks, Marcelena has gained a comprehensive understanding of the television writing landscape and how to be successful within it, and she’s excited to share what she knows with the Stage 32 community. Marcelena will give you the lowdown of how writers’ room assistants work, how to navigate these jobs, and ways to use them to get ahead in your own writing career. She will begin by explaining the four main types of TV assistants, including the Writer’s Production Assistant, the Script Coordinator, the Showrunner’s Assistant, and the Writers’ Room Assistant. She will illustrate what these roles do and what they look like day to day, including primary responsibilities and general expectations. She will then teach you about writers’ room etiquette, including unspoken rules, how the four main assistant roles work within the ecosystem, who is actually in the room when and when to speak up and when to blend in. She will go over what the standard rates are for these positions and go over the main benefits of each position, including some you might not have thought of before. Next, Marcelena will explain how to find and apply for these assistant roles, including tried and true routes, and other strategies that are always worth a try. She will teach you how best to shine in each of these four roles and will also propose two additional positions—researcher and personal assistant to a writer—you could also consider in working to break in. Marcelena will detail what the future of TV writing looks like post-pandemic, specifically for assistants, and go over whether it’s important to live in LA for these roles. Finally Marcelena will talk about how assistants have used these positions to take next steps in their careers and become staff writers in their own right. Breaking into television is always going to be hard, but Marcelena will provide you what you need to know to approach it through a tried and true path that may just give you a step up you’re looking for. Praise for Marcelena's Stage 32 Webinar: "Marcelena was very informative and organized. She was also very thorough and informative when answering questions. One of the best hosts in a Stage 32 webinar that I have seen." -Eric Z. "Marcelena did such an excellent job describing the four roles and talking about the writer's room in general. Really enjoyed it and appreciate all of the information she shared." -Patricia W. "Marcelena was a great host, very informative without holding anything back." -Rebecca M. "Marcelena was a fantastic person to learn from. Thank you so much for having her lead this topic. I have so many notes. She's so gracious and I didn't realize how similar our life situations would be before joining this webinar, so it was a treat. She's wonderful." -Amelia S.
In this Break Down we are seeing what it takes to build a world during the Breakdown Webcast: World Building! This comes as a request from several of our members who want to discuss how to build worlds in your writing...and pre-writing. World Building is one of most important tasks in writing - it lays the foundation for everything that occurs in your story. So how can you do it within your screenplay without feeling expository or over the top? We're going to talk about how to avoid common mistakes in World Building, key ways to get better at World Building, and even look at some examples of World Building from both script and screen to see how your favorite screenwriters and filmmakers tackled this difficult task. During this webcast, we watch clips and analyze the scripts for features including TITANIC, BLADE RUNNER, JOKER and more!
As an independent filmmaker, screening your project at a film festival may be the best opportunity to put your film (and yourself) on display. It remains a powerful platform for filmmakers of all levels to have their work seen. In fact you’d be hard-pressed to find a successful filmmaker working today who didn’t get their start at a festival. It’s where films get sold, where talent gets discovered, where reputations are crafted, where communities are built, and where the best networking can happen. And with the current movement away from the theatrical model and towards streaming, festivals can also often be the only possible way to physically show your film on the big screen to an audience during its life cycle. Yet despite festivals serving as a lifeblood of the film industry and a launching pad for so many, it’s still a relatively enigmatic and opaque landscape and a difficult one for even the savviest of filmmakers to navigate. Perhaps because festivals can feel so enigmatic, it’s common for filmmakers not to consider the workings of a festival or the rules and goals they operate under before submitting. After all, you already spent a huge chunk of time learning the rules and goals of filmmaking. You put in time, money and resources to make something good and that you’re proud of. Shouldn’t that be enough for a festival? Can’t they just say ‘yes’? Unfortunately, like with any aspect of this industry, there’s more to it. Programmers do a lot more than “find the best films” and they have to balance a lot more than simply choosing things because they’re “good”. To set yourself up for success, it’s time to better understand how festivals tick and what you can do while submitting, or even while making your film, to be better positioned for success and to hopefully get that long awaited acceptance letter. For nearly a decade Harrison Glaser has been immersed in the professional film industry working for Austin Film Festival and Stage 32. As Austin Film Festival’s Film Competition Director, he programmed the festival’s films for five years and discovered his passion for identifying deserving projects and championing exciting and unrecognized talent. During Harrison’s tenure as AFF’s Film Competition Director, over 100 films he programmed went on to secure distribution, six short films were later nominated for Oscars, and one that he qualified ultimately won the Academy Award. His work with Austin Film Festival and Stage 32 allows him to champion undiscovered storytellers and help them amplify their work. He also serves as a professional moderator for many different film related industry panels both online and offline. Through his many years leading AFF’s film selection and working closely with other film fests, he has become intimately familiar with the inner workings of larger festivals, as well as the common missteps many filmmakers make when working with them. He’s excited to share what he knows exclusively with the Stage 32 community. Harrison will pull back the curtains on how film festivals are organized and how they select films, and will give you tips and strategies to better position your film for success once it’s time to submit. He’ll begin by going over at the most basic level who festival programmers are and what drives them. He’ll then offer a bird’s eye view of how a festival’s selection process normally works, including who watches your film, how many times it’s usually watched, and whether it’s watched in its entirety. He’ll also give you a sense of how films are declined, shortlisted, or accepted. Next he will spend time discussing what programmers look for when evaluating films. He’ll go over what appropriate runtimes for both shorts and features are how programmers may react to specific themes and topics. He’ll also talk about festivals’ identities and audiences, premiere status requirements, and other content issues they consider. He’ll bring up copyright issues that sometimes come up as well as how to navigate submitting your film as a work-in-progress. Then Harrison will teach you tips for submitting your film, including how to navigate deadlines, how to work with FilmFreeway and other services, and what you need to have ready beyond just the film when submitting. He’ll also touch on press kits and cover letters. Harrison will delve into how to best communicate with festival programmers. He’ll talk about best practices, appropriate circumstances to reach out and situations when you should refrain from contacting them. He’ll also discuss what to do when you need to change your submission's Vimeo password and how to navigate updating your submitted cut. Finally, Harrison will explore the complicated, notorious world of fee waivers. Expect to leave with a comprehensive lay of the land of how festivals operate and a toolkit to better position your own projects for success on the festival circuit. Praise for Harrison's Stage 32 Webinar: "Very informative and honest. Good coverage and great to hear form someone who knows." -Paula M. "Absolutely Great! It was really helpful to hear Harrison's insights & wisdom after having gone through the 2019 International Festival Season. I will definitely take all this with me into my next journey into the festival circuit!" -Becca G. "Excellent and insightful." -Elease P. "Super helpful in a LOT of ways! I will be sharing these insights with the production team of the short film I recently directed. We'll take many of these suggestions into account when we start hitting the submission circuit." -Peter M.