Jordan has always loved the arts and the entertainment industry. Initially, Jordan began his career as a performer in musical theatre, having the great fortune to work at such regional theatres as Paper Mill Playhouse, Sacramento Music Circus, and Musical Theatre West as well as shows Off-Broadway and on tour.Following a two-year National tour and Broadway run with Cathy Rigby's 'Peter Pan', Jordan landed in Los Angeles, hoping to find a second passion - which he easily did in the world of casting - cutting his teeth as an assistant/associate on such projects as the Motley Crue biopic The Dirt, the graphic novel inspired film Trailer Park Of Terror, and Boogeyman 2. Shortly thereafter, the partnership that is bass/casting was born. bass/casting, a bi-coastal casting company, opened its doors in 2006. Together the brother-sister team of Lauren & Jordan have worked on many film and television projects. Recent theatrical films include the New Line thriller Annabelle, Lionsgate's Summer Camp, Chris Sparling's The Atticus Institute, and Friedberg & Seltzer's hilarious send-up of the Fast & Furious franchise Superfast. Upcoming releases include HBO's new Project Greenlight feature The Leisure Class, Blumhouse's Martyrs, directed by The Goetz Bros, Sean Nalaboff's Hard Sell and Ryan Schwartz's Still Life. Currently, Bass/Casting is working on three indie films: Cut To The Chase - a gritty noir thriller, House Cat - a glimpse into the developing mind of a young sociopath, and Gringos - a social commentary within a genre setting. Past features include Eli Roth's The Last Exorcism, Joel Schumacher's Twelve, Charles Shyer's Eloise In Paris, the US Casting for James Cameron's Sanctum. Television credits include the Starz drama Spartacus: Blood and Sand, Nickelodeon's Dance On Sunset and Big Time Rush, DirectTV's Suit Up, HDNet's Svetlana, as well as Vin Diesel's The Ropes for Netflix/Crackle and Vuguru's The Temp Agency. Other credits include the Slamdance favorite Weather Girl, My Girlfriend’s Boyfriend, 6 Month Rule, Best Night Ever and Audrey. Full Bio »
Learn directly from Jordan Bass, Casting Director and partner in bass/casting, a bicoastal casting company with feature film and television credits including New Line Cinema's Annabelle, Starz' Spartacus pilot, Lionsgate's The Last Exorcism, and HBO's newest Project Greenlight among others!
For many independent films, the filmmaker also wears the hat of casting director. How do you go about the casting process? How do you choose one actor over another when they both had a good audition? What should you be looking for to create your ensemble cast?
In this Stage 32 Next Level Webinar, host Jordan Bass will breakdown the steps in the general casting process so you have a full comprehension of casting, from script to screen. He will focus primarily on the approach to independent film, and will share his advice on how to best tackle the "puzzle" that is creating a great ensemble cast.
You will leave this webinar knowing:
Jordan Bass is a well-respected casting director, as well as partner in bass/casting, a bi-costal casting company run by brother-sister team Jordan and Lauren Bass. Recent theatrical films include the New Line thriller Annabelle, Lionsgate's Summer Camp, Chris Sparling's The Atticus Institute, and Friedberg & Seltzer's hilarious send-up of the Fast & Furious franchise Superfast. Upcoming releases include HBO's new Project Greenlight feature The Leisure Class, Blumhouse'sMartyrsdirected by The Goetz Bros, Sean Nalaboff's Hard Sell and Ryan Schwartz's Still Life.
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Founded in 2011 by Richard "RB" Botto, Stage 32 is the world's largest online platform connecting and educating film, TV and new media creatives and professionals worldwide. Stage 32 works with over five hundred industry professionals and executives who provide education, instruction and professional opportunities for members of the platform. Stage 32 currently has over 1,200 hours of exclusive film, television and digital craft and business education in its library. Stage 32 members use the platform daily to build their network, take online webinars, classes and labs, find work and cast and crew their projects. Stage 32 members range from students to Emmy, BAFTA and Academy Award Winners. We work tirelessly to ensure that you know that Stage 32 is your online home to stay connected with over 600,000 creatives and professionals from across the globe. Now, we are excited to present a virtual panel featuring some of the top minds in the Stage 32 community to discuss the current state of animation, as the industry adapts to a new development and production landscape after the COVID-19 pandemic. In this panel discussion you will hear the point of view of top animation minds including Mike Mitchell (THE LEGO MOVIE: 2, TROLLS, THE SPONGEBOB MOVIE: SPONGE OUT OF WATER), Conrad Vernon (THE ADDAMS FAMILY, SAUSAGE PARTY, SHREK) and Harland Williams (Disney's PUPPY DOG PALS, Netflix's SKYLANDERS ACADEMY), all moderated by producer, and Stage 32 Managing Director, Amanda Toney. Stage 32 is proud to be putting the "social" in #SocialDistancing. Please share this event on your social media and tag @stage32 on Twitter and @stage32online on Instagram.
With numerous financing options available and platforms for distribution, there's never been a better time for $3 million and under films from great new talent. With guidance from a producer and financier on over 45 films and television projects, you won't have to wait for a studio green light to bring your low-budget film to reality. Is your desire for your script to be a commercial film holding you back from producing it yourself? Are you overwhelmed by the thought of coming up with those big numbers and convinced only a big studio could bring your project to life? Whether you're making an intimate character study or a high-concept comedy, there's no need to wait to produce your film. Investors and producers avoid films in the $1 to $3 million range as these lower budgets are riskier, but the returns have the greatest rewards if you produce them correctly. In this exclusive Stage 32 webinar, you'll learn the optimal way to finance your $1 to $3 million film and make a profit by choosing the best project for the market, attaching great talent to build a package, and assembling a great business plan that attracts investors. You'll understand the financing, production, and distribution options available to low-budget films, how to secure and structure the various finance sources, and how to optimize distribution agreements. Showing you the ropes is acclaimed producer Jeanette Milio, who has worked on over 45 film and television projects with major studios and producers, such as Netflix, Disney, Sony, Paramount, HBO, Showtime, and many more. Her films have starred major stars, including Academy Award-winning performers Halle Berry, Adrien Brody, Forest Whitaker, and Mickey Rourke. As a member of the Producer's Guild of America, Women in Film, and the Cannes Film Festival Producer's Network, Jeanette has deep industry knowledge for domestic and international markets at every budget level. Jeannette brings extraordinary knowledge for your benefit and will be available for questions so that you can ask for information specific to your project. You'll also have access to the recording to revisit the lessons and be provided with exclusive handouts from Jeanette, including: Financial Planning Tools Sample CAMA (revenue/profit) agreement Sample story rights agreement (option) Sample talent offers for director and cast (pay-or-play) Praise for Jeanette's Previous Stage 32 Teaching: "Jeanette has invaluable knowledge and made me feel like seeing my movie on the big screen was possible." -- Phillip F. "This webinar is truly amazing and informative. Jeanette is such an expert!" -- Margaret M. "She was very knowledgable, thorough and wise. The content was well organized and she explained things well. I learned a lot." --Heidi H. "I finally learned the language of the banks. I had operated in lower budget arenas where 100% equity was the name of the game. As I move up in budget range, having a working knowledge of where the money comes from , when it comes, and what it is called (as well as what it costs) made this worthwhile. What I didn't learn (because time ran out) was the HOW." -- JK "I've been trying to figure out how to make a low budget film and didn't realize how much I DIDN'T know until I took this course from Jeanette. Thank you for your wisdom and guidance." -- Zachary M.
Learn How To Secure Distribution For Your Film From A Producer Guild of America Member Who Has Worked On Over 25 Films If you’re making a movie, the ultimate goal is getting it distributed. And, in today's current climate there are more distribution options than ever with theatrical, streaming, AVOD and SVOD - it's important that you set yourself up for success so you can get a return on investment for your film.In an exclusive 4-session Stage 32 on-demand class, you will learn how to find distributors and sales companies, where to find them, who in the company to contact and what to say.And, when your offers come pouring in, you'll know what to look for in contracts, what to expect in cash flow and charges, and how to prepare yourself and your project for the big part of the filmmaking process, distribution. To guide you on this journey is a top PGA Producer (Producers Guild of America) who's worked on 25 independent films, Michelle Alexandria. Over the course of four weeks, Michelle will show you how to harness your determination and make a clear plan of action. She will teach you how to take strong steps to create relationships, get distribution, make money, and have fun doing it from anywhere in the world. You will get a clear plan of action and learn how to take strong steps to create relationships, get distribution, make money, and have fun doing it from anywhere in the world... TESTIMONIALS FROM PREVIOUS EDUCATION FROM MICHELLE: "Sure, everyone thinks their film is the next My Big Fat Greek Wedding or some other independent blockbuster. Sure, everyone believes that they have THE idea that is going to get them the money. Michelle just gave me the map as to HOW to get the money by being REAL. I can't wait to get started and to bounce ideas off my team. This was so much fun. Thank you!" - Denise P.
One of Stage 32's most popular programs - Get one-on-one mentoring and guidance from an accomplished producer on getting your own project made! Payment plans available - contact firstname.lastname@example.org for details Plus! Receive exclusive handouts, including an up-to-date list of in-demand writers and directors to reach out to, pitch deck examples, and outreach email templates. Limited Class Size - Get In Now Every year, thousands of films are successfully developed, produced, and released that did not go through the studio system, and your film could be one of them. If you have a project you’re passionate about, it’s never been a better time to produce independently, and we want to show you how to make it happen. Whether you’re a filmmaker, producer, writer, or actor, you can shepherd a feature. You just need to know the right steps. In this exclusive Stage 32 lab, you’ll work in an intimate setting with a small team of fellow creatives, guided by an industry veteran, to learn how the pros get a project market-ready and attractive to co-producers, financiers, talent, distributors, and more. Returning to host one of Stage 32’s most sought-after labs is Aimee Schoof, the co-founder of Intrinsic Films. She has produced over 35 movies, with many premiering at Sundance, Tribeca, SXSW, Toronto, Venice, and more. Intrinsic Films develops, produces, and sells independent films for worldwide distribution, and Aimee is here to show you how they get it done. In this four-session lab, Aimee will work directly with you to cover: Getting your script ready for the market Understanding how to market your story Finding the right partners to mobilize your project Utilizing resources to find new contacts, companies, and opportunities Assembling a successful film pitch deck How much material you should send, depending on who you’re sending it to Anatomy of successful outreach, with examples and a practice session And more Plus, Aimee will provide helpful and confidential resources exclusively for you and other attendees that you can download and use for your projects, including: An up-to-date list of in-demand writers and directors to reach out to Pitch deck examples Outreach email templates You’ll complete this lab knowing how to make your script marketable with a plan of attack to find the right team to produce it. Join today to grab one of these limited spots to work directly with Aimee and get your film moving toward the finish line. PRAISE FOR AIMEE'S PREVIOUS STAGE 32 EDUCATION: "I really loved Aimee’s lab. She’s such a delight and so full of useful information that pertains to everyone’s individual projects, and she's so encouraging! I highly recommend this class and/or working with Aimee in general. I came out with loads of actionable steps to take my project further." -- Patricia S.
As creatives, we tend to focus on the writing, the directing, the creative producing, basically all the creating aspects of a film or television series. But it’s important to understand what happens after a film is released or TV series is aired. All those big box office numbers sound great, but who gets all that money and in what order? Who gets paid and in what order is called the “recoupment schedule” also known as “the waterfall.” It’s important to understand this schedule, so that you know your place in the waterfall. Some people may find the recoupment schedule confusing, because there are several factors and various agreements that go into determining the order of recoupment. Those includes sales agency agreements, co-production agreements, finance agreements, talent agreements, interparty agreements, security agreements, and collection account management agreements. Plus there’s the consideration of domestic and international revenue, and what gets allocated through the waterfall. But if your head is already spinning, fret not. With the right guidance, all of this will make much more sense and David Zannoni is the best at breaking this down. David Zannoni is an international business specialist for Fintage House in the US, Europe, Canada and Latin America territories. Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management globally on hundreds of productions. David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David is going to help you understand the ins and outs of a recoupment schedule and how to make sure you are on top of your finances for your own project. He will first go into what exactly a recoupment schedule looks like and what kind of projects they are normally used for. He will delve into the agreements that recoupment schedule is based on. He will also go into how the payments are executed, how to determine the order of payments, and which funds you should be allocating. You’ll walk away with a solid foundation and understanding of “the waterfall” and where you may fall in the waterfall.
It can be more exciting to focus on the creative side of developing and producing your film or TV project, but if you’re a producer, you know this is not the only aspect you need to cover. Navigating business and legal aspects can truly make or break your project. Handling IP, chain of title, contracts and legal documents, setting up production entities, domestic and international negotiations with producers, financiers, talent agents and law firms—the list goes on, and not one element can be overlooked or handled haphazardly. No matter the size of your project, understanding the business and legal affairs that come with it is of the utmost importance and can be the difference between your film making it to the screen and falling apart in the process. Business and legal affairs are a different story for larger independent production companies and studios. They will have in-house staff and lawyers to handle these matters or can hire outside production council. This is likely not be possible for your smaller independent project. As a result, business and legal affairs are often overlooked in smaller productions—to the production’s own detriment. Yet it doesn’t need to be this way. You don’t need to hire a team of attorneys in order to ensure your indie project is covered and protected. Instead, you need to understand which aspects of business and legal affairs are important, what support there is available for independent producers, and how to best navigate the process to ensure every other aspect off your production stays on track. David Zannoni is an international business specialist for Fintage House in the US, Europe, Canada and Latin America territories. Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management globally on hundreds of productions. David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David will discuss both business and legal affairs that will be involved with your independent production. He’ll dive into how to deal with multiple players in the industry while putting together your project, how to negotiate and make deals, and the other business knowledge and expertise that is important for you to know when putting your film or series together. On the legal side, David will explain the different types of agreements you’ll need to have and the process of navigating many agreements at once. He’ll also go into the trickier aspects of legal affairs including domestic vs. international jurisdiction, distribution rights and licensing, recoupment schedules, and even arbitration and legal proceedings. Through David’s advanced and wide-stretching presentation, he will share with you countless tools that you can take to ensure that your own project is protected and can ultimately come together.