Jordan has always loved the arts and the entertainment industry. Initially, Jordan began his career as a performer in musical theatre, having the great fortune to work at such regional theatres as Paper Mill Playhouse, Sacramento Music Circus, and Musical Theatre West as well as shows Off-Broadway and on tour.Following a two-year National tour and Broadway run with Cathy Rigby's 'Peter Pan', Jordan landed in Los Angeles, hoping to find a second passion - which he easily did in the world of casting - cutting his teeth as an assistant/associate on such projects as the Motley Crue biopic The Dirt, the graphic novel inspired film Trailer Park Of Terror, and Boogeyman 2. Shortly thereafter, the partnership that is bass/casting was born. bass/casting, a bi-coastal casting company, opened its doors in 2006. Together the brother-sister team of Lauren & Jordan have worked on many film and television projects. Recent theatrical films include the New Line thriller Annabelle, Lionsgate's Summer Camp, Chris Sparling's The Atticus Institute, and Friedberg & Seltzer's hilarious send-up of the Fast & Furious franchise Superfast. Upcoming releases include HBO's new Project Greenlight feature The Leisure Class, Blumhouse's Martyrs, directed by The Goetz Bros, Sean Nalaboff's Hard Sell and Ryan Schwartz's Still Life. Currently, Bass/Casting is working on three indie films: Cut To The Chase - a gritty noir thriller, House Cat - a glimpse into the developing mind of a young sociopath, and Gringos - a social commentary within a genre setting. Past features include Eli Roth's The Last Exorcism, Joel Schumacher's Twelve, Charles Shyer's Eloise In Paris, the US Casting for James Cameron's Sanctum. Television credits include the Starz drama Spartacus: Blood and Sand, Nickelodeon's Dance On Sunset and Big Time Rush, DirectTV's Suit Up, HDNet's Svetlana, as well as Vin Diesel's The Ropes for Netflix/Crackle and Vuguru's The Temp Agency. Other credits include the Slamdance favorite Weather Girl, My Girlfriend’s Boyfriend, 6 Month Rule, Best Night Ever and Audrey. Full Bio »
Learn directly from Jordan Bass, Casting Director and partner in bass/casting, a bicoastal casting company with feature film and television credits including New Line Cinema's Annabelle, Starz' Spartacus pilot, Lionsgate's The Last Exorcism, and HBO's newest Project Greenlight among others!
For many independent films, the filmmaker also wears the hat of casting director. How do you go about the casting process? How do you choose one actor over another when they both had a good audition? What should you be looking for to create your ensemble cast?
In this Stage 32 Next Level Webinar, host Jordan Bass will breakdown the steps in the general casting process so you have a full comprehension of casting, from script to screen. He will focus primarily on the approach to independent film, and will share his advice on how to best tackle the "puzzle" that is creating a great ensemble cast.
You will leave this webinar knowing:
Jordan Bass is a well-respected casting director, as well as partner in bass/casting, a bi-costal casting company run by brother-sister team Jordan and Lauren Bass. Recent theatrical films include the New Line thriller Annabelle, Lionsgate's Summer Camp, Chris Sparling's The Atticus Institute, and Friedberg & Seltzer's hilarious send-up of the Fast & Furious franchise Superfast. Upcoming releases include HBO's new Project Greenlight feature The Leisure Class, Blumhouse'sMartyrsdirected by The Goetz Bros, Sean Nalaboff's Hard Sell and Ryan Schwartz's Still Life.
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Ready to make the transition into TV work? Or looking to start your career in TV? Even the best actors can stumble when faced with starting out in a new medium. Especially if your experience or training is mostly in theater, there are key differences between the audition styles. Most actors start with co-star roles, which are often short scenes that can be especially challenging to prepare well. Breaking into TV also requires a strong working knowledge of the business, how to build relationships with casting directors and agents, and how to best market yourself. In this Stage 32 Next Level Webinar, actors Uma Incrocci and Christian Pedersen will walk you through each step of the TV casting process, from submissions to auditions to producer sessions to bookings. They’ll discuss practical strategies on how to get in the audition room, how to prepare for the room, and how to book the room. They’ll focus on how to tackle a co-star audition – with specific tools and tips on preparing the material, even if you only have one line. They’ll share the tactics they use themselves on how to deal with nerves, how to ace the chit chat in the room, and how to be a smart actor that casting directors will want to call in again and again! They’ll also offer a preview of what to expect on your day on the set. Self-taped auditions are becoming more and more the norm, so they’ll also review how to make a high-quality audition video. After attending over a hundred casting director workshops and classes, going on hundreds of auditions, and booking many TV roles, Uma and Christian offer a unique insider perspective on getting started in TV work.
Learn directly from Producer Michael Wormser, whose online distribution projects have reached over 30 million viewers! Never has there been a more opportune time than now for filmmakers to directly reach a global audience. YouTube has not only provided the mechanics to do so, but also provides the bandwidth, platform, and global audience - all at the low low cost of FREE hundred dollars! Yes, that's right, FREE. Thousands of people across the world are using this platform to earn a living telling their stories, creating content based on their vision and their voice… Now it’s your turn to help carry your message to the masses. Many people create wonderful YouTube channels that go unseen. Stage 32 is here to help make sure that doesn't happen to you! In this Stage 32 Next Level Webinar, your host Michael Wormser will teach you how you can harness YouTube to create your own network of content for your film and build a massive fan base. Michael will show you brick by brick how you can turn your film into tangible content, culminating that into a functioning channel, and ultimately helping you get to your target goals and have your film reach an audience of millions of viewers. Your host Michael Wormser operates Level 10 Films, a film and digital production company. Prior to that he served as Head of Production at Maker Studios, Executive Producer at BlackboxTV and recently partnered with YouTuber/Actor Joey Graceffa to produce the hit web series Storytellers, which has received over 6 Million views to date. Michael also produced the YouTube Movie Smiley, starring Shane Dawson and Toby Turner, that currently boasts over 30 Million trailer views, and the Hulu series Tease for Fox Television Studios.
Payment plans available - contact firstname.lastname@example.org for details It’s time to take the reins and make your story a reality by producing your independent film. Independent films that cost between $700K and $2 million are proving to be a fantastic way for up-and-coming filmmakers to get noticed as new paths to distribution grow hungrier daily for more content. Before you start shooting, you must prove on paper that you can produce your story with limited funds. This four-part intensive class guides you through what you need to know, shows you how to avoid rookie mistakes, provides real example budgets for you to learn from, and more. This exclusive Stage 32 class is a hands-on intensive course that will teach you how a budget your film at a price point between $700K and $2 million. This will allow you to have meaningful and productive conversations with investors and production companies. Guiding you each week is Julie Buck, a producer and filmmaker whose work has played at festivals including Tribeca, SXSW, London, and Sundance. She has budgeted and scheduled hundreds of independent films. In each session you’ll learn a vital step in the process of creating your budget, receiving example handouts of real budgets and assignments that will help you put into practice the wealth of information covered. Over four sessions, you’ll go in-depth on: Transforming a schedule into a budget Above the line vs. below the line costs Scheduling and budgeting software Pros and cons of working with unions How to budget post-production Rookie mistakes and overlooked costs Tax incentives available to you And more By the end of this intensive course, not only will you have a budget for your own film, but you’ll also have the knowledge to create budgets and schedules for future productions, and handouts to keep and utilize in the future.
Aerial images go back to when hot air balloons first went up in the 1700s, but the use of aerial images has exploded in the 21st century with the now ubiquitous Unmanned Aerial Vehicles, better known as drones. In very little time, drone photography has become widely—perhaps too widely—used in countless films, television shows, commercials, and other media projects. And along with this wide adoption of drones has come a demand for those who can successfully and artfully operate them. This presents a potentially lucrative and rewarding opportunity for cinematographers looking to expand their reach and build their skill set. Yet with the clear overuse of drone photography in media today, each to varying effects, it’s evident that not all drone shots are created equal, and standing out requires a deeper level of skills. Adding drone cinematography to your film, tv or new media project can breathe new life into shots that may, in the past, have cost your budget heavily to rent the necessary equipment to get. In the same way, finding success with drones requires more than knowing simply how to pilot one; a cinematographer needs to have the eye and well-developed instincts and they need to understand how to work with clients and artists to get those perfect shots. It's important to know that the term ‘drone operator’ is often used for those that use these vehicles to capture video or images, but just as cinematographers are never simply referred to as ‘tripod operators’, neither should anyone simply be seen as a ‘drone operator’. A drone is just a new way to place the camera in incredibly exciting places, a tool in a tool belt. Better understanding the steps that can take you to this point can prove exciting and promising for a cinematographer’s career. Chris Tangey is one of the most sought after drone cinematographers in the world. His impressive career as a cinematographer has him working for Netflix, Warner Bros. Columbia Tristar, BBC, National Geographic, Discovery, Lonely Plant and more. He recently won "Best Aerial Cinematography" in the European Cinematography Awards, and both "Best Drone" and "Best Scenography" In the New York International Film Awards. He was also awarded a Jury Commendation in the World Drone Awards in Siena Italy. He has 2 Gold and 4 silver awards from the Australian Cinematographers Society. Chris has quickly become a leader in the field of aerial imagery and is ready to share what he knows exclusively with the Stage 32 community. Chris will give you the knowledge and tools to get you started to becoming a successful aerial cinematographer. He’ll begin by giving a brief introduction on drone photography, offering a history and understanding of what exactly drones, as well as how they have affected the current state of helicopter-based cinematography. He’ll explain the benefits and exciting potential of drone cinematography and how that has come into play in media today. He’ll lay out how drones and drone photographers work within small and large productions and their crews. Next Chris will give a rundown of how drones work, what the main types of drones are, what the main drone manufacturers are, and what the notable parts of a drone are. He’ll explain what features are offered for different drones and what features are needed for different types of projects. He’ll also give tips on where to buy your own drone as well as how to obtain a licence to legally operate them. Chris will then outline the safety and legal aspects of operating drones. He will teach you the governmental rules and regulations in most countries, including vertical separation rules and how both controlled and uncontrolled aerodromes are treated. He’ll give you tips on how to navigate these rules while still working with your clients and how to understand what your licence gives you the right to do. He’ll also provide strategies to work within the confines and limits to still get the shots you need as well as strategies to keep yourself and your crew safe. Chris will go over how to break into the industry as an aerial cinematographer. He’ll explain the current marketplace and help outline what level of the marketplace you should be targeting. He’ll give you tips on how to build a reel and display your ability to find opportunities and will teach you how to find and stick to your rate, including ways to not undercut the market, manage value-added rates, and offset licence rights against day rates. Chris will even offer case studies from his own career to demonstrate how best to work with clients and get the shots you’re after. Expect to leave with the knowledge and confidence you need to kick start your own aerial cinematography career. "My career as a cinematographer has been “elevated" greatly by incorporating drones and knowing how to use them properly to get the best possible shot. I'm so excited to share my experiences with the Stage 32 community and give everyone the knowledge to use this powerful tool to their creative and financial advantage" -Chris Tangey
International co-productions, or “co-pros,” can be the perfect tool for bringing dream projects to life. But these ventures come with their own unique rules and requirements, which not everyone has experience with. In this webinar, attorneys Lorraine D’Alessio and Liz Profumo will deconstruct the co-pro process, sharing practical tips for launching a successful cross-border production. Participants will learn about key steps such as finding business partners, capitalizing on tax incentives, protecting creative rights, and securing work visas for foreign staff. The webinar will also explore the impact of current U.S. policies surrounding trade and immigration. Lorraine has practiced law since 2010, with a particular focus in entertainment immigration. She is the Founding Partner and CEO of D’Alessio Law Group, a global firm which has helped thousands of artists and entertainment professionals to launch careers in the U.S., Canada, and beyond. Born in Canada, Lorraine was a successful Ford model before turning her focus to law. Her entertainment background, as well her personal experience with immigration, allows her to deeply understand the legal and logistical needs of global artists. She is excited to partner with the Stage 32 community and help support its members in achieving their goals.
In this Stage 32 Next Level webinar, Simon Graham-Clare will discuss 10 business steps for giving your project momentum and creating a viable package that feels right to investors. Having been involved in the production and/or financing of over 200 projects, Simon will discuss how a filmmaker can benefit by teaming up with a producer who understands this world, and he looks at all projects from an international point of view to give you a full spectrum idea of film financing. The last two films The Future Film Group produced were both first time directors, so Simon knows exactly what it takes to get your project in production, no matter if it is your first film or one of many. Simon Graham-Clare is a Producer at The Future Film Group, established in London in 2000 as a film financier, utilizing the expertise of its principles in both the entertainment and business worlds. It quickly established itself on the UK scene through its involvement in films such as Bend It Like Beckham (starring Keira Knightley), The Queen (starring Dame Helen Mirren) and Mrs. Henderson Presents (starring Dame Judi Dench and Bob Hoskins). The company quickly formed a production division to work alongside its financing arm and, through an ever-expanding structure, has since been involved in the production and/or financing of nearly 200 films and television shows. Some of The Future Film Group’s notable productions include Transsiberian (starring Woody Harrelson and Sir Ben Kingsley), 50 Dead Men Walking (starring Jim Sturgess and Sir Ben Kingsley) and Flawless (starring Sir Michael Caine and Demi Moore).