Rachel Atkinson has been working as a script supervisor since her early 20s, starting on features for Roger Corman's production company. Since then, she has worked on countless film, television, and commercial productions, including Hulu's DOPESICK, Apple TV+'s SWAGGER, Showtime's HOMELAND, AMC's THE WALKING DEAD: WORLD BEYOND and TURN: WASHINGTON'S SPIES. She's also worked with brands including Nike, Guitar Hero, and JC Penny. Full Bio »
Whether for the big or small screen, every production uses a Script Supervisor. This crucial job is needed to track the director’s notes, maintain continuity, and keep everyone from production to post on the same page. However, there are significant changes depending on the kind of production you're working on. This in-depth webinar shows you the distinct differences between features, television, and commercials, so you're ready for every opportunity as a Script Supervisor.
Are you interested in production jobs but unsure of if film, television, or commercials are the best direction?
Are you organized, detail-oriented, and a strong communicator?
If this sounds like you, then you could be a stand-out Script Supervisor, and with so much new content created every day, you have a great opportunity to build a career in a format that works best for you.
In this Stage 32 exclusive webinar, you’ll learn the ins and outs of the job and the differences between working in film, television, and commercials, all from an expert in the field.
You’ll review scripts, forms, breakdowns, and storyboards to see how they’re used from pre-production through post.
This role overlaps with nearly every department and works alongside the director, making you an essential crew member and an asset to any project you work on.
Walking you through the role is Rachel Atkinson, a professional script supervisor with credits on Hulu’s DOPESICK, Apple+’s SWAGGER, Showtime’s HOMELAND, the films CANDYMAN and POISON IVY, and countless commercials.
Rachel will cover:
By the end of this webinar, you’ll know the essential skills and tools to work as a Script Supervisor in film, television, and commercials.
The Role of the Script Supervisor
Commercial Script Supervising
Feature Script Supervising
Episodic Script Supervising
Multi-Cam Script Supervising
Career Paths: Choices and Considerations
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The Script Supervisor. It's a role not taught in film school, yet it might be the most important job on set. From saving your production days and money, to director's notes, to continuity, and more. Its a a great way for you to break into the industry as there is more opportunity for script supervisors right now all over the world than there are people who know how to do the job. See how you can tackle this vital role! Filmmaking is a collaborative experience. So imagine the incredible frustration of getting to the project's release... and seeing a coffee cup that's not supposed to be in a scene sitting on the screen! Script supervisors keep coffee cups out of shots, as well as ensuring there are no other continuity errors. But this is just the tip of the iceberg of what a script supervisor does. From pre-production through post, the script supervisor can bring clarity and help avoid costly mistakes that will sink your small budget film or incur expensive reshoots to bigger budget ones. But, if this is the job you want, or want to hire, how can you understand its importance without training? Stage 32's exclusive webinar will show you how. Rachel Atkinson has worked on countless film, television, and commercial productions, and she's ready to give you everything you need to learn to be a script supervisor. Her recent credits include Hulu's DOPESICK, Apple TV+'s SWAGGER, Showtime's HOMELAND, AMC's THE WALKING DEAD: WORLD BEYOND and TURN: WASHINGTON'S SPIES. She's also worked on commercials with brands including Nike, Guitar Hero, and JC Penny. Every format has a nuanced version of script supervising duties, and Rachel will show you how to be a script supervisor in each. With so many years under her belt, there's no one better to teach you how to operate confidently in this role. In addition to her fantastic expertise, Rachel brings sample scripts, forms, and breakdowns for your hands-on practice! She'll also be available live for your questions. Can't make the live? This webinar will be accessible in your account for an entire year so that you can rewatch it to get the most out of this valuable knowledge!
A year ago, you might not have believed that one of the biggest limited series phenomena of 2020—or ever—was an intimate story about an orphan chess prodigy battling addiction. Yet here we are. The long-time passion project from Allan Scott started in 1989 when he optioned the rights to Walter Trevis' novel THE QUEEN'S GAMBIT. Now, over 30 years, 9 rewrites and countless directors to get the project off the ground later it is the model of perseverance and inspiration to storytellers worldwide. Scott teamed up with Oscar-nominated writer Scott Frank (OUT OF SIGHT, MINORITY REPORT, LOGAN) and THE QUEEN'S GAMBIT was released on October 23, 2020 and quickly became Netflix's most popular scripted limited-series ever. It was watched by a staggering 62 million households in the first 28 days of release and won 15 awards, including the Golden Globe for Best Television Limited Series. But no one has broken down exactly what makes the series such a critical and commercial success...until now. In an exclusive Stage 32 Script Breakdown Webcast our Director of Script Services, Jason Mirch, will break down the first episode of the series live using excerpts of the book and the teleplay, as well as clips from the episode. Jason Mirch is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years in the industry. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, Kenan Thompson, and Carol Kane. Mirch was the Head of feature and television development at Image Nation, a finance and production company based in Abu Dhabi, UAE. There, he supervised the Image Nation contributions in the development of FLIGHT, THE HELP, THE BEST EXOTIC MARIGOLD HOTEL, CONTAGION and more. Prior to his work at Image Nation, Mirch was Co-Head of Development at Zadan/Meron Productions (CHICAGO, FOOTLOOSE, THE BUCKET LIST) where he was actively involved in developing a slate of feature film projects for New Line, Paramount, Summit Ent., and CBS/Paramount. He also developed and sold television projects and mini-series to CBS, NBC, Fox, ABC, and Lifetime. During this FREE Stage 32 Next Level Webcast Jason will take you step by step as he examines the four key elements that make up the protagonist's character, how the opening sequence is designed to hook the audience, how theme and tone are exhibited in the text and on screen, how this first episode lays the foundation for the arc of the entire series, and much more! Plus, everyone who registers for the webinar will receive a copy of the pilot script of THE QUEEN'S GAMBIT to study!
Founded in 2011 by Richard "RB" Botto, Stage 32 is the world's largest online platform connecting and educating film, TV and new media creatives and professionals worldwide. Stage 32 works with over five hundred industry professionals and executives who provide education, instruction and professional opportunities for members of the platform. Stage 32 currently has over 1,200 hours of exclusive film, television and digital craft and business education in its library. Stage 32 members use the platform daily to build their network, take online webinars, classes and labs, find work and cast and crew their projects. Stage 32 members range from students to Emmy, BAFTA and Academy Award Winners. Over the last few weeks, we have been working tirelessly to ensure that you know that Stage 32 is your online home to stay connected with over 600,000 creatives and professionals from across the globe. Now, we are looking forward to bringing you another virtual event to help you stay up-to-date about the state of the entertainment industry featuring some of the top professionals in the business. In this special event webcast we presented a virtual panel featuring some of the top minds in the Stage 32 community to discuss the current state of the entertainment industry as we are all faced with the COVID-19 pandemic. Our Stage 32 Managing Director, Amanda Toney, hosted this incredible lineup, where you will hear the point of view of a production company (Andrew Fried of Boardwalk Pictures), a lender (Viviana Zarragoitia of Three Point Capital), lender counsel (Carolyn Hunt of Barnes & Thornburg LLP), a talent representative (Tracy Christian of TCA Management), all moderated by producer and production company counsel (Elsa Ramo of Ramo Law PC). Stage 32 is proud to be putting the "social" in #SocialDistancing. Please share this event on your social media and tag @stage32 on Twitter and @stage32online on Instagram.
As an independent filmmaker or producer, you likely start working on a new endeavor for creative reasons—the chance to tell an amazing story, build worlds, create something of cultural value. Yet this is, of course, not the only element of filmmaking. Like it or not, your independent film is not just a creative endeavor; it’s also a business. You’re sourcing financing and bringing in investors, building a team, and creating a property that will (hopefully) ultimately make money not only in the present, but for years to come. In short, you’re not just a making a piece of art; you’re also running a business. To operate successfully in the world of independent film and continue to make films that you’re proud of, you need to be able to think like an entrepreneur and understand the dynamics and the relation between financing, distribution and recoupment of film investments. Further, you need to open up your creative mindset to the myriad opportunities available all over the world including hot markets found throughout Europe. The business side of films is often especially difficult for filmmakers and creative producers, but the more you understand, the better your chances of finding a production partner or investor to take your vision forward. Working in the European market, especially with films in the €1MM and sub€1MM range can offer you opportunities you haven't thought of before. But to take advantage of this surging market, you need to understand the variety of production and financing options available and how to tap into them. Whether it's hard money, soft money or other methods toward financing and securing the necessary pieces to greenlight your project, getting a handle on the in's and out's of how to proceed will put you in a powerful and advantageous position. Understanding and executing this business model will open new doors to other productions around the world and serve to create a portfolio of proof that will serve as a calling card moving forward. David Zannoni is an international business specialist for Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management specifically in the US, Latin America and Europe. As an international film business specialist David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David is intimately familiar with how independent films are financed and made profitable all over the world and will share what he knows exclusively about the European market with the Stage 32 community. David will focus on the European market and walk you through what you need to know to finance your independent film, EUR1MM or less, and leave profitable. He will begin by explaining what a EUR1MM or under budget looks like, whether it’s considered a small film or microbudget, and how it compares in the larger worldwide film market. He’ll delve into how film financing works specifically in Europe, including a breakdown of soft money sources versus hard money sources, debt financing versus equity financing, tax and location incentives, and film funds and government support. He will also discuss working with a co-production as a financing tool. He will highlight how European film financing is different compared to other regions and the different levels of film financing to consider: European, national, and regional. David will next demonstrate the importance of language, culture, and collaboration and will then teach you what specifically Europe can offer for both European and non-European productions, including incentives, co-productions, diversity, talent, and shooting locations. He will explain how to approach your film as an asset, how to see yourself as an entrepreneur, and how to see filmmaking as a business. David will then go over the continental circle of financing, distribution, and investment recoupment and will explain how risk mitigation works for European film projects. Next he will discuss managing revenue and rights, as well as managing recoupment as a whole. He will spend time delving into European film contracts, including distribution agreements, CAM agreements, and sales agency agreements. David will ultimately illustrate whether European films can be profitable and how, and analyze with you when a European film can be considered successful, whether it breaks even or finds profitability. Plus, David will show a case study of a real EUR1MM European film to illustrate how a film of this level can be profitable and exactly how the money flows through from beginning to end. He’ll show financing documents and spreadsheets to illustrate the financing structure and demonstrate how money flows in and out. Through this detailed and practical demonstration, you will leave with strategies and a deep understanding of how to approach your own EUR1MM film as an entrepreneur and build a finance structure that will leave you and your investors profitable. This Stage 32 Webinar is Part 2 in David’s "Think Like an Entrepreneur" series. Click here to check out David’s webinar on being profitable in US marketplace with a sub-$1MM film. Praise for David's Previous Stage 32 Webinars "David is incredible and lovely and clearly knows his stuff." - Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." - Gary O. "By far, the best class I've seen on the subject." Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" - Isabella T.
We've brought in Zeke Thomas, a VR producer who recently did the 360 experience for HAPPY DEATH DAY for Universal & Blumhouse and who's clients include: Paramount Pictures, Legendary Pictures, Nerdist Industries, VidCon, Youtube, Outside TV and more. Zeke will be breaking down the business of VR/360 in this exclusive Stage 32 Next Level Webinar. Billions of dollars have been poured into Virtual Reality & 360 spherical capture, but is there really a business for this form of storytelling? If you're already filming in VR/360 or are interested in pursuing this medium, it's important to understand not just the craft, but the business of it.
Stage 32 is proud to continue our partnership with Raindance Film Festival for the 5th year in a row, and while we may not be able to all come together in London to celebrate so many amazing and talented filmmakers, we're thrilled to partner with Raindance to highlight global talent virtually and from the comfort and safety of our own homes. Even in its virtual format, Raindance continues to showcase and champion the best new films from all over the world, and included in this year's incredible program is a collection of remarkable short films. Stage 32 is bringing together some of the world's top up and coming short filmmakers whose most recent films are playing Raindance. Included in this conversation will be Arjan Brentjes, whose animated short film SAD BEAUTY is playing at Raindance, along with almost 30 other film festivals this year alone. Also featured will be London-based director and cinematographer Molly Manning Walker whose debut short film GOOD THANKS, YOU? will be playing this year's Raindance in addition BFI London, Bilbao, and Palm Springs Film Festivals. Rounding out the panel, is Will Niava, an Ivorian-Ghanaian film director based in Montréal, Canada, whose film ZOO won Stage 32's 5th Annual Short Film Contest and is currently selected at over 40 international film festivals. In this FREE Stage 32 webinar, Arjan, Molly, and Will will take part in an exclusive Q&A moderated by our very own Stage 32 Managing Director Amanda Toney to discuss the state of short filmmaking today and how they put together their most recent projects.