Jim Uhls is the screenwriter behind FIGHT CLUB (directed by David Fincher, starring Brad Pitt and Edward Norton, based off of the critically acclaimed Chuck Palahniuk novel) as well as the Doug Liman film JUMPER, which has grossed over $222 million worldwide. Next up, Jim is the screenwriter for the new Shane Black film, THE DESTROYER, and THE LEVIATHAN at 20th Century FOX. Full Bio »
Just some of what Jim will be teaching you includes:
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
When putting together a deal as a writer or producer there are many things to think about when it comes to your contracts - between option agreements, purchase agreements and negative pickups it's important you understand what deal you're getting yourself into before you start development. We will cover three different types of contracts: purchase agreement, option agreement, and negative pickup. We will discuss terms in both a legal and practical matter so that you get the information needed to be prepared to negotiate your next agreement. Such things will include material and boilerplate terms, what can or can't be negotiated, and how lawyers themselves will be reading and reviewing your agreement. This will be an in-depth, but accessible, legal discussion walking you through each part of a standard purchase and option agreement. Plus! You'll get 5 contract templates to download! Your Stage 32 Educator is entertainment attorney Jordan Barel, who's a California attorney that has worked with AMC, New Line Cinema, Generate and Alloy. He is also a producer who develops projects based off IP and started out as the television coordinator at Verve Talent & Literary Agency. Whether you're a producer, filmmaker or writer learn the overview of contracts to give you a competitive advantage in your next negotiation! **All materials have been prepared for general information purposes only to permit you to learn more about certain types of contracts within the entertainment industry. The information presented is not legal advice and is not to be acted on as such, please consult your lawyer for issues specific to your contract.
Art/Work Entertainment Manager, Spencer Robinson joins our panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
Learn directly from a studio executive, Nikki Levy, Vice President of Wedge Works at FOX! They say “write what you know” and then we sit there racking our brains for story ideas. What’s that big silver bullet, high-concept idea that will get me noticed? That will sell? That will put me on the map? STOP! There is a better saying, “If you survived childhood, you have enough stories to last for the rest of your life.” And that’s where my money is. Some of the most important screenplays and TV shows in the last two decades have come from complete TRUTH. Think of Seinfeld or the groundbreaking movie (500) Days of Summer. We don’t have to look outside ourselves for great ideas. What we have to do is look inwards, at our own life and pain and joys, to create great story ideas, comedy and dialogue. In this Stage 32 Next Level Webinar, Nikky Levy, veteran feature film executive and creator of the critically-acclaimed comedy event Don’t Tell My Mother!, will teach you how to turn your life into a killer story that gets YOU noticed. She will look at ways to find the gems of struggle and victory in your life, and how to translate those into cohesive stories with an arc, a strong narrative structure and characters we love. Nikki will examine how to keep our work from becoming a therapy session, and instead crafting it into an emotional, funny, relatable story. She will examine movies that did this successfully, and why. She will also discuss how to spin your own personal history into an engaging “story” so you wow executives, agents, managers and talent.
Hey screenwriters and creatives! Mark your calendars and come hang out online with Stage 32 Director of Script Services, Jason Mirch on Tuesday, November 12th at 1pm (Pacific). If you're a screenwriter and looking for support for your writing or your career, this is the online hangout for you! What is a Stage 32 Writer Hangout? This is an online webcast where screenwriters and creatives gather to share what you're working on, things that are inspiring you and give you a forum to ask questions you have about your craft, the business or the industry. For over a decade, your host, Jason Mirch, has worked in nearly every aspect of the business, including representation, development, production, and film finance. He has worked with Academy and Emmy Award winners on studio and independent projects.
Payment plans are available - contact email@example.com for details 4 Spots Left! If you have to miss a class, don't worry. Each class is recorded and you can watch on-demand PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your comedy pilot. Start to prepare for your pilot pitch. Class #1 – Introduction, Character, World This week we will cover the syllabus, your instructor's background and experience, your goals for this eight-week lab and launch into a discussion on creating strong characters for your pilot. We will discuss the types of comedy pilots and how they differ from network to network. This will include a discussion about Single-Camera and Multi-Camera comedies. Then we will delve into character – what makes for strong characters and weak ones. Also knowing the world your show takes place in. You will have a writing assignment this week. Class #2 – Pilot Outline, Pitch Document This week we will break down pilot structure, plot and subplots. Pilot structure varies depending on the type of comedy pilot (single-camera or multi-camera) and the network (broadcast, cable, streaming, digital, etc.) We will identify what kind of network to target for your story idea and structure the pilot accordingly. We will also discuss the function of your pitch document. This will include incorporating your character descriptions as well as the pilot storyline, and arc of your show. You will have a writing assignment this week. One-On-One Consultations - Pilot Outline Review (No Online Class) This week will consist of one-on-one consultations regarding your pitch document. Each writer will send in their pitch document in advance and will have a 10-minute call to discuss what works and what doesn’t. The assignment for the week is to address any notes given on the pitch document before proceeding with next week’s class. Class #3– Structure, Scenes, Dialogue. Time to Write your Pilot! We will discuss both the Single-Camera and Multi-Camera structure. You will decide which works best for the pilot that you are developing. We will address the qualities of effective (and ineffective) scenes, dialogue, and jokes. We will also go over all the necessary story beats that exist in a comedy pilot, including traditional page count, act breaks, tags, etc. After this class, you will have 3-4 weeks to complete the first draft of your pilot. Spencer will be available during this time with any questions you have during the process. One-On-One Consultations - Pilot Notes (No Online Class) The assignment this week will be to incorporate any notes given on the pilot before proceeding with next week’s class. Class #4– After You Write Your Pilot Last online class. We will discuss what happens when you take meetings with managers, agents, and showrunners, and how to pitch a comedy pilot. We will also discuss other kinds of TV comedy writing (late-night talk shows, sketch, political comedy talk shows, etc.)
Victor Bui, Kristi Shuton & Adienne C. Thomas are on the Disney | ABC Creative Talent Development & Inclusion Team where they oversee the Writing and Directing Programs. We discuss what writing programs and fellowships, writer development, and how to create a personal brand/story, plus a live Q&A!