Jonathan Pope is a Los Angeles based Cinematographer and Motion Graphics/Title Designer, born in Morristown, NJ, and raised in the Atlanta, GA, suburbs with an eye for dynamic lighting and camera angles that both enhance and propel the most important aspect of all . . . the story. Jonathan earned his MFA in Film & Television Production from the University of Southern California's School of Cinematic Arts and graduated Magna Cum Laude with a Bachelor's degree in Digital Filmmaking from Georgia Southern University. His cinematography work spans features, shorts, music videos, commercials, documentaries, and web series, including THE JOSH ROBERT THOMPSON SHOW - an improv variety TV pilot starring Josh Robert Thompson (THE LATE LATE SHOW WITH CRAIG FERGUSON) - THE FAME GAME - a dark-comedy pilot starring Mali Monae, Kristanna Loken, Kevin Farley, and Adrienne Wilkinson - AFTER HOURS - a short drama exhibited at the 2013 Cannes Film Festival - and HOLD ON - a dramatic feature film with Beth Grant, Luis Guzman, Maurice Benard, and Flavor Flav. His accolades include the 2011 Charles Lang Endowed Scholarship for Cinematography, the 2012 Thomas B. Bush Memorial Scholarship for Cinematography, the official University of Southern California nomination for the 2012 KODAK Cinematography Scholarship, and the USC submission to the 2013 ASC Heritage Award, and a DGA Best Cinematography nomination for the comedic short film CHICKEN SUIT. Full Bio »
The job of the Cinematographer is to bring the Director’s vision to life. As a DP, your work is silent, but can speak volumes. You are both craftsman and technician - needing to have a keen eye as well as a sharp understanding of your tools.
Few tools are more important to the Cinematographer than Pre-Production. It’s an often overlooked and underutilized process that can save your production immense amounts of heart ache, heartache, and money.
In this Stage 32 Next Level Webinar, LA-based Director of Photography, Jonathan Pope, will guide you through the Cinematographer’s vital role in Pre-Production. He'll discuss a variety of processes within pre-production, including compiling a lookbook, choosing your camera, location scouting, creating a shot list and overheads, and much more. You'll get a breakdown of the basics and discuss tips and tricks on how the Director of Photography can help the production avoid some common (and sometimes very costly) pitfalls from Jonathan's own experience. He will use documents and case studies from his most recent projects to give you an inside look at the preparation it takes to ensure you get that cinematic look on any budget.
Whether you're shooting your first feature film, your passion-project short film, your tenth music video, or you're just branching into the commercial world, this webinar will benefit both indie Directors and Cinematographers.
***All attendees will receive examples of lookbooks, shot lists and camera/lighting overheads so you will be able to create your own!
Plus, an in-depth Q&A with Jonathan!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A in about 48 hours after the live session. Your purchases are located in your My Education folder on the lefthand panel.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
As we always say at Stage 32, perfecting your craft is only half of your job - the other half is networking! So, how do you meet the right people to move the needle on your career when you don't know anyone? We've brought in industry veteran Jessica Sitomer, who has over 20 years in the industry as a development executive, producer of 3 TV shows, writer and career coach for the Cinematographers Guild. Through the years she has perfected the art of networking - helping creatives grow their networks from one to two people to hundreds. When she moved to Los Angeles, she knew two people and one of them moved the day after she got to LA. She made it her mission to learn how to survive and thrive in the creative industry. In this Stage 32 Next Level Webinar Jessica will go over the eight concrete strategies for breaking in when you don't know anyone and will offer plenty of tips for successful networking. There are exercises and actionable information you can use to help you start connecting and thriving!
Learn the impact of film editing from international director/editor Max Leonida whose films have been screened and awarded at a range of festivals including the Sundance Film Festival, the Cannes Film Festival, the International Salerno Film Festival, the Columbia Gorge International Film Festival and the L.A. Short Films Festival, to name a few. “I love editing. I think I like it more than any other phase of filmmaking. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.” (Stanley Kubrick) Some of the greatest, most iconic filmmakers of all times (like Scorsese, Hitchcock, Kubrick, Tarantino, Coppola, Lynch, Fellini, Gilliam and many others) used to spend hours, days and sometimes months into the dark secrecy of the editing room, sitting next to their faithful editor, enjoying the guilty pleasure of reshaping – over and over again – a world of their own. The post-production phase is the most critical one throughout the entire film production process… and editing, in particular, is a pivotal moment where as a filmmaker you should be able to understand that you are writing the final version and destiny of your movie. In this Stage 32 Next Level Webinar, international director/editor, Max Leonida will use his years of experience to give you a more profound knowledge of the artistic nature of the editing process, together with a clear, up-to-date and technical expertise about the most important digital editing systems on the market. Max's most recent films include Run (winner at 2013 MIFF and double winner at the 3D International Festival) and the feature film “What Separates Us”, Best Feature at the Machetanz Film Festival. Editing is not just a simple matter of pace, rhythm, and mere image composition: editing pertains to the core of storytelling itself. Every professional filmmaker knows that a closeup placed in the right place, at the right moment, can definitely chance the course of a narrative process. Editing includes re-defining the story, reconstructing the characters, reshaping the very structure to the point of even changing and re-dubbing the dialogue in a totally different way from the original script… all for the sake of beauty. And this webinar aims to give you these tools.
Learn directly from David Landau, 30 year Lighting director and Director of Photography. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Good lighting makes things look real, while real lighting often makes things look fake. Good lighting supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. So, no matter how good a script, how good a director, how good the actors – the lighting needs to be as good if not better. The fact is, we can’t usually make good pictures without good lighting, no matter how good the newest cameras are. Yes, we can sometimes get lucky. But while shooting under available light gives exposure, it often lacks depth, contrast, contour, atmosphere and often separation. Well-crafted lighting helps establish the illusion of reality that is necessary for the viewer to forget they are watching a screen and get lost in the story. In this Stage 32 Next Level Webinar, host David Landau will go over the ten things all filmmakers need to know about lighting, sharing some of the techniques to artistic and effective lighting that he has learned both from working with a wide range of cinematographers and through his own career as a Lighting Director and Director of Photography. David will demonstrate live from the Fairleigh Dickinson University sound stage lighting techniques that will make your images shine like a Hollywood feature without a big Hollywood budget. David Landau has over thirty years of professional lighting experience working on feature films, TV shows, sit-coms, game shows, commercials, documentaries, industrial films, music videos and direct-to-consumer DVDs. David worked as one of the gaffers on the TV series Project Runway and is a five-time Telly Award winner for lighting and cinematography. He is a member of IATSE Local 52 (gaffer) and the University Film & Video Association and Media Communications Association International. He also is the author of the new book Lighting for Cinematography: A Practical Guide To The Art And Craft Of Lighting For The Moving Image from Bloomsbury Press.
We are well into the digital revolution in filmmaking. The least known and least understood aspect, but arguably the most important, of the digital revolution is the digital master of your film via a Digital Cinema Package. More than cameras or editing or access to great equipment, the one factor that allows the indie filmmaker to truly be on a level playing field is the ability to screen your film at festivals and any theater in the world via DCP. In this Stage 32 Next Level Webinar, experienced filmmaker, Stephen van Vuuren, will teach you all secrets, tips, and best practices that everyone involved in film productions must know to end up with a quality digital master of your film. The information in this webinar is not available all together in one place anywhere on the internet until now! Many film festivals, large and small, now require DCP screeners and nearly all theaters in the world require your film on DCP. A DCP is the single most important master of your film that you will ever make. However, many indie filmmakers have limited experience and understanding of how they must plan from the very beginning stages of a film to insure their film – short, feature, documentary – is ready for DCP. You only have one chance with your audiences to make a great impression – and today that chance depends on your DCP.
What's going on, Creative Army? It's been a moment since we last had the time to interact in a live setting. Let's remedy that with another AMA (Ask Me Anything), pre-Cannes style. We got together for another inspiring, motivating and energy-packed question and answer session. For 2 hours I left you with tips, tricks and actionable information to help you move forward with your 2019 (and beyond) goals. Remember, no matter what your discipline, skill level, geographical location, etc, this AMA is for ALL! As always, registering for my AMA is completely free. Spreading some positive vibes. Cheers! RB
Now that the barrier to entry is lower than ever to start creating your own content, it's imperative to learn how to capitalize shooting on digital. Whether it's understanding the needs of digital services like Netflix, or platforms like YouTube, there is a spot in the market for you to make it a career. In this exclusive Stage 32 webinar your host Stephen Balsley will be going over the technology side of the Industry, with a specific focus on the shift from Film to Digital. We will also be learning to look at Media as a whole, from how each piece is interconnected, to how technology is affecting extraordinary change in every area of Media. We will go over specific examples of Filmmakers who have successfully capitalized on the shift to Digital, and will provide useful steps to ensure your projects are taking full advantage of the available Technology to give you the best possible chance at creative success. The Technical side can be one of the most difficult and daunting areas of any Industry (like opening up the hood of a car), but Stephen's goal for this webcast is to inspire an overall curiosity into all of the change that is currently happening, and to begin to gain a firm understanding of how the Industry works around, and is very often driven by, the Digital Age in which we live. Stephen Balsley began his career at a RED Digital Cinema nearly 9 years ago, and has watched it grow from a small startup company into one of the leading Cinema brands in the world. During that time, the RED One camera was largely credited with driving the shift from Film to Digital, with RED cameras now being used in a large number of films and other projects across the Industry. Although Stephen’s expertise is in RED, he is well experienced in all types of cameras, including Arri, Canon, Nikon, Blackmagic, and more.