What Makes Your Logline Attractive to A-List Actors, Producers, Directors, Managers, Agents, Financiers and Development Execs?

Hosted by Christopher Lockhart

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Christopher Lockhart

Webinar hosted by: Christopher Lockhart

Story Editor at WME

Christopher Lockhart is Hollywood’s foremost story professional. As Story Editor at WME, the world's largest diversified talent agency, Chris curates projects for A-list actors such as Denzel Washington, reading and exploring through piles of screenplays, magazines, books, old movies, TV shows, and pitches in search of potential film projects. Chris began his career at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr. Chris later moved to the venerable William Morris Agency, which eventually merged with Endeavor to form WME. As an educator and consultant, Chris has lectured around the world on the craft and business of screenwriting, and he has advised on countless feature films. Chris graduated from New York University's Tisch School of the Arts with an MFA in dramatic writing and was awarded the school's Public Service Prize for his dedication to public education. He is an adjunct professor at National University's Professional Screenwriting Program. He has also taught at LA Valley College and UCLA. His writing workshop The Inside Pitch was filmed for Los Angeles television, earning him an Emmy Award nomination. Chris's creative counsel has been used on many hit films such as the 2016 Sundance Film Festival sensation The Birth of a Nation. Chris crossed over into film producing with the cult horror hit The Collector (2009) and its sequel The Collection (2012), which opened in the top ten box-office. He also wrote and produced the award winning documentary Most Valuable Players (2010) which was acquired by OWN (Oprah Winfrey Network), and that Matt Roush of TV Guide reviewed as the “Sleeper of the week...Charming and disarming…A genuine treat.” Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller. Chris is a member of the Writers Guild, the Producers Guild, and the Television Academy. He lives in Beverly Hills, CA and has a ten-year-old son. Full Bio »

Webinar Summary

 

Exclusive to Stage 32, Chris Lockhart, one of the most legendary and revered agency story editors in the business teaches for the community. Chris has read over 60,000 scripts in his career for WME and has the database to prove it! 

 

A logline is the way your screenplay is introduced to the world. It’s rare that anyone will read your script without knowing something about it first. A-List Actors, producers, directors, managers, agents, financiers and development execs will often lean on hearing a logline before ever asking for or agreeing to read a screenplay. If your logline doesn't sing, the script usually doesn't get opened. Even more important, if the logline doesn't work, it's a signal to those who read screenplays for a living that the script probably doesn't either. Delving into a logline can help you identify problematic elements of a screenplay, enabling solutions to fix them.

Simply put, there is no one better to help teach this subject than Chris Lockhart. As Story Editor at William Morris Endeavor (WME), the world's largest diversified talent agency, Chris has curated projects for A-list actors such as Denzel Washington, Liam Neeson, Mel Gibson, Matt Damon, Rachel McAdams, Ben Affleck, and countless others over the last 20+ years. He's accomplished this reading and exploring through piles of screenplays, magazines, books, old movies, TV shows, and pitches in search of potential film projects. If you've seen one of these actors in just about anything, chances are Chris was the first stop for the screenplay (of which he's read over 60,000), but only after he heard the logline and deemed it worth of a read!

Chris began his career at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr. Chris later moved to the venerable William Morris Agency, which eventually merged with Endeavor to form WME. Chris is the Story Editor for A-list talent such as Denzel Washington, Michelle Williams, Richard Gere and more! 

As an educator and consultant, Chris has lectured around the world on the craft and business of screenwriting, and he has advised on countless feature films. Chris graduated from New York University's Tisch School of the Arts with an MFA in dramatic writing and was awarded the school's Public Service Prize for his dedication to public education. He is an adjunct professor at National University's Professional Screenwriting Program. He has also taught at LA Valley College and UCLA. His writing workshop The Inside Pitch was filmed for Los Angeles television, earning him an Emmy Award nomination. Chris's creative counsel has been used on hundreds of hit films Chris is a member of the Writers Guild, the Producers Guild, and the Television Academy.

In a jammed packed and often hilarious webinar (trust us, Chris is a character and a half), Chris will not only teach you how to write a logline, but how to tailor it in such a way that it is appealing to talent, representation and the money. He'll break down the mechanics of a logline to determine what makes one work. He'll show you what aspects A-List actors, directors, managers, agents, producers, financiers and development execs look for in a logline that makes them want to take the next step and read your script. Chris will then take you on a broader discussion of the elements of successful screenwriting and how your logline can betray what you've written or reveal the shortcomings in your script. As a bonus, Chris will then play a recording of an interactive logline pitch shop he recently held where he broke down several loglines to show what worked and what didn't. All this followed by a fun and informative Q&A filled with even more actionable information.

 

"Amazing seminar loved it. It was the best I have ever watched or ordered!"

- Robert M.

 

"Chris was clear, concise, helpful, and focused. Loved his enthusiasm and humor."

- Lori H.

 

"Oh my god, I was laughing all the way through. In between writing about 10 pages of notes. SO much fun and a wealth of knowledge."

- Denise G.

What You'll Learn

  • Chris will breakdown the mechanics of a logline to determine what makes one work.
  • From a logline, what catches the eye of an A-list actor, director, manager, agent, executive or producer? What do they look for?
  • A broader discussion on the elements of successful screenwriting and how you can learn that from your logline.

 

 

Chris speaking at the Seattle Film Summit with Sean from Broken Road Pictures, Josh Adler from Circle of Confusion and Kevin Parker from Artists First Management.

 

 

About Your Instructor

Christopher Lockhart is Hollywood’s foremost story professional. As Story Editor at WME, the world's largest diversified talent agency, Chris curates projects for A-list actors such as Denzel Washington, reading and exploring through piles of screenplays, magazines, books, old movies, TV shows, and pitches in search of potential film projects.

Chris began his career at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr. Chris later moved to the venerable William Morris Agency, which eventually merged with Endeavor to form WME.

As an educator and consultant, Chris has lectured around the world on the craft and business of screenwriting, and he has advised on countless feature films. Chris graduated from New York University's Tisch School of the Arts with an MFA in dramatic writing and was awarded the school's Public Service Prize for his dedication to public education. He is an adjunct professor at National University's Professional Screenwriting Program. He has also taught at LA Valley College and UCLA. His writing workshop The Inside Pitch was filmed for Los Angeles television, earning him an Emmy Award nomination. Chris's creative counsel has been used on many hit films such as the 2016 Sundance Film Festival sensation The Birth of a Nation.

Chris crossed over into film producing with the cult horror hit The Collector (2009) and its sequel The Collection (2012), which opened in the top ten box-office. He also wrote and produced the award winning documentary Most Valuable Players (2010) which was acquired by OWN (Oprah Winfrey Network), and that Matt Roush of TV Guide reviewed as the “Sleeper of the week...Charming and disarming…A genuine treat.” Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller.

Chris is a member of the Writers Guild, the Producers Guild, and the Television Academy. He lives in Beverly Hills, CA and has a ten-year-old son.

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Testimonials

Chris was so bang on with his advice for crafting a logline. I redid my two most cumbersome ones within ten minutes after this webinar. In turn, that process has prompted a whole cascade of new scenes to fix everything within those screenplays! - Sarah G.

Chris was clear, concise, helpful, and focused. Loved his enthusiasm and humor. - Lori H.

Excellent webinar. Really helped with my logline. - Martin R.

Very informative. Clarified a lot of questions I've always had regarding loglines. Well worth the money. - Emmit R.

It was very informative and insightful. - Mays S.

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.
 

Reviews Average Rating: 5 out of 5

  • Loved it. Chris really broke it down with great examples. Lovely guy. So informative. Highly recommend
  • Brilliant. Loved how Chris simplified this... Just amazing. He's an excellent teacher.
  • This webinar is one of the best I have experienced. Chris is incredible, and the information he provides is clear and oh so helpful.
  • What an informative webinar on loglines. I learned that the logline should only cover the first act. Chris is a master of screenwriting development from concept to distribution. An amazing talent and mine of information.
  • This was the best primer on loglines I have ever seen, heard, or read.
  • This webinar was Amazing, Brilliant and Clear! Chris Lockheart clearly states what a logline is, clearly shows you how to write one, but most importantly he shows how not to write one. I've taken a few logline courses and classes that also had you write a logline, but no one, and I mean no one, explained it as well as Chris Lockheart. I graciously thank you, Chris, because I've struggled. I FINALLY GET IT and I finally understand what I was doing right and wrong!
  • Great information. Made me realize that I desperately need to re-write my loglines. Oh, and I didn't fall asleep during Chris' webinar, not even once.
  • Not every Hollywood professional is a great teacher, but Christopher is. This webinar took my screenwriting skills to the next level.
  • I had high expectations and it was better!
  • Amazing the best ever. Thank You.

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