Tripper Clancy is a working writer that has found success in both film and, more recently, television. Earlier in his career, Tripper wrote the screenplay for the Kumail Nanjiani and Dave Bautista action comedy STUBER before deciding to make the switch to television. Since then, Tripper served as staff writer for the Netflix hit I AM NOT OKAY WITH THIS and VARSITY BLUES, a modern day reimagining of the original movie. Tripper also created and wrote the action-comedy series DIE HART, starring Kevin Hart and John Travolta. Tripper has found longevity and deeper success for his writing career by making the jump from film to television and will share exclusively with Stage 32 what goes into this transition. Full Bio »
It makes sense why more creatives than ever before want to make the jump from film to television, ESPECIALLY writers. As a TV writer you can dive into longer form storytelling and explore characters more fully. And with the massive popularity of streamers like Netflix and Hulu, your work can likely reach more people in the TV space. And that’s not to mention the fact that TV writing usually provides a much more stable and long-running form of income. All this to say: the pilgrimage from movie writing to TV writing is no longer uncommon and can be an exciting or lucrative development for any working writer. This a switch that is more than possible to undertake, but you need to know how best to accomplish it first.
The path from film writing to TV writing is absolutely doable, but that doesn’t mean the door is wide open. No matter who you are, breaking into television is no easy feat and your background in film can serve as an advantage OR disadvantage, depending on how you approach it. Instead of waiting for HBO or Netflix to roll out the red carpet for you, it’s important you tackle this transition with realistic expectations and an understanding of how best you can fit in.
Tripper Clancy is a working writer that has found success in both film and, more recently, television. Earlier in his career, Tripper wrote the screenplay for the Kumail Nanjiani and Dave Bautista action comedy STUBER before deciding to make the switch to television. Since then, Tripper served as staff writer for the Netflix hit I AM NOT OKAY WITH THIS and VARSITY BLUES, a modern day reimagining of the original movie. Tripper also created and wrote the action-comedy series DIE HART, starring Kevin Hart and John Travolta. Tripper has found longevity and deeper success for his writing career by making the jump from film to television and will share exclusively with Stage 32 what goes into this transition.
Tripper will teach you how you can expand your writing career by making the switch from film to television. He’ll go over his own journey from film to TV and then break down what writing for both features and TV actually looks like, including the advantages and disadvantages of each. He’ll discuss using your reps to make the jump and whether you can do so without a manager or agent and will give you advice on how you can sell your film experience to stand out when pursuing TV opportunities. Tripper will give you a sense of what expectations are realistic when making this shift and where you can expect to start out. He’ll discuss how you can find currency from your film background and what sort of unique challenges film writers might face in television. Expect to leave with a hopeful but realistic idea of what you need to do to find your next opportunity on a TV show.
Praise for Tripper's Stage 32 Webinar
"Tripper Clancy was an awesome presenter who cut to the chase in a clear, understandable webinar."
"Tripper's webinar was terrific - he's a great conversationalist and his open, candid, honest, accessible and very knowledgeable presentation & Q&A were very empowering."
"Tripper was really engaging. The conversational tone was enjoyable. Sometimes a seminar can feel like a stranger reading me their powerpoint, just slower than I would read it myself. That wasn't the case here."
"Tripper was phenomenal. Within 1 hour he gave us a whole course in something I knew nothing about before. Another Stage 32 phenomenal webinar."
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the recording, which you can view as many times as you'd like for a whole year!
Week 1: Introduction & Concept/Theme – Every script begins with an idea. I’ll give an intro to the workshop process and discuss the basics of crafting a script with a strong central premise. Week 2: Character – Great scripts revolve around great characters. In this session, we’ll explore how to create compelling, three-dimensional characters that jump off the page and attract talent. Week 3: Plot/Structure – Plotting and structure are among the most difficult elements for any writer to master. We’ll dive into examples and determine how it’s best to craft a strong (but not necessarily conventional) storyline. Week 4: Dialogue & Where to Go From Here – Truthful and natural-sounding dialogue is the secret weapon of any screenplay. We’ll end the workshop by discussing the subtle ways dialogue can improve any script, and writers will determine their plans moving forward. In addition to the scheduled topics, I’ll also speak on general dos and don’ts in the industry, advice on getting representation, and other issues creatives commonly face. Writers are encouraged to participate and ask any questions that would be helpful for their projects or overall career goals.
Learn directly from Jon Reiss, a distribution and marketing specialist who's worked with Paramount Pictures, Screen Australia, Film Independent, and is the year-round distribution and marketing lab leader at the IFP Filmmaker Labs. Filmmakers all over the world are confronted with a changing distribution landscape for their work – how are they to approach the myriad of options whether traditional or emerging? No matter how you release your film filmmakers must be grounded in what their goals are and knowing how to engage their audience. This webinar will cover the essentials that all filmmakers need to consider before marketing and distributing their film: goals and audience. We will first examine the five main goals possible for a films release followed by three steps of the Think Outside the Box Office (TOTBO) audience engagement process: identification, connection, value.
Learn directly from Jen Grisanti, acclaimed Story/Career Consultant, Writing Instructor for Writers on the Verge at NBC, and a former 12-year studio executive, including VP of Current Programming at CBS/ Paramount and Spelling Television! Many writers wonder what it’s going to take to get them from being a non-working writer to a working writer. You’ve written great scripts. You’ve entered competitions and writing programs. You may have placed, been a finalist, or even won. However, you’re still waiting for your professional career to start. What is it that makes a TV pilot or screenplay hit it out of the ballpark and get sold? What can you do to your writing to make it more sellable? In this Stage 32 Next Level Webinar, your host Jen Grisanti will teach you the 7 Pillars of Story. What exactly is that? It's the fundamental story components necessary to take your script from good to great. Jen will teach you from the studio executive/analyst perspective how to see your story differently and identify what is currently missing in your script. Jen herself has gone through analyzing countless Oscar and Emmy award-winning scripts and has applied that to her writer's techniques. This has led to over 30 of her clients selling pilots, five of which went to series. After being mentored by Aaron Spelling for 12 years, Jen has emerged as a pro in breaking down story and helping you, as a writer, get the most out of your script. Plus, for Stage 32 members, she will provide case studies for you to learn from! She will be using examples from her clients’ work and how they successfully implemented the 7 pillars to get their scripts sold. Under the guidance of Jen, you will leave this webinar fully prepared to write a marketable story that can help you go from good to great and make the move from non-working to working writer!
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
There's a fine line between introducing a writer to a new world or ruleset and spouting exposition. We’ll break down how writers created the fantasy world of “Game of Thrones”, the frigid winter of WIND RIVER, the digital dystopia of THE MATRIX, and the 1919 England of "Peaky Blinders".
We love to hate them...or hate to love them! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Antagonists! During one of our character building webcasts, we noted that many of our examples of great characters, were characters who we traditionally see as antagonists! So let's dig in and really explore what makes these baddies so good. Stories need conflict, certainly, but conflict doesn't have to come at the hands of a cackling, mustache-twirling supervillain. There's more than one way to shape your story's antagonist! During this webcast we'll discuss 4 types of antagonists, 6 ways in which to develop a well-rounded and authentic antagonist, how to intrude your antagonists and explore our favorite antagonists from film and television, and a whole lot more!