7 Steps for Writing Knights & Dragons Fantasy

7 Steps for Writing Knights & Dragons Fantasy

7 Steps for Writing Knights & Dragons Fantasy

Joey Madia
Joey Madia
6 years ago

Prologue: Venturing Forth

7 Steps for Writing Knights and Dragons Fantasy

The PROTAGONIST. Often a simple, unassuming person at least somewhat content in their everyday life, is given a quest. A journey must be made—both physical and psychological. Leaving the familiar, they cross the threshold into a new and dangerous world, where they will be tested time and again. Allies and enemies abound. The stakes are high. Will they prevail?

All fantasy is based on some form of this opening paragraph. Not coincidentally, it is also the “formula” for our oldest myths.

Fantasy is driven by a handful of tropes. It looks familiar. It unfolds for us in a way that hits us in our gut, because it is our oldest form of storytelling. And it is beloved, for that reason and many others. As are its greatest imaginations: J.R.R. Tolkien. Anne McCaffrey. C.S. Lewis. Marion Zimmer Bradley. George R.R. Martin. Ursula K. Le Guin. Dan Parkinson. J. K. Rowling.

Fantasy is large in scope. It gives us new worlds. It often breeds trilogies, or sometimes dozens of books. It lends itself well to long-form narrative, as demonstrated by Game of Thrones, and hours (and hours) of screen-time (The Hobbit/Lord of the Rings and Harry Potter).

Fantasy is, of all genres, our clearest moral barometer. It is based on a past that seems so far removed from modern life, yet is intimately familiar to us. It is in our DNA. It is where we came from. Its politics are not our politics, its culture not our culture, and yet it serves to remind us of our own challenges, our own areas in need of improvement.

Fantasy remains one of the most popular genres, and it shows no signs of slowing. The Harry Potter franchise lives on in stage plays and the Fantastic Beasts films, and as I type this we are not far away from the much-anticipated final season of HBO’s Game of Thrones. More and more television series are situated in a fantasy setting—even History’s Vikings has magic and fantasy elements.

There are abundant opportunities if you can write good Fantasy. I am writing a spec pilot script and outlining a season for television based on my fantasy novel, as well as finishing the novel’s sequel. The following is based on years of workshops I have taught on this rewarding but challenging genre.

It’s time to cross the threshold. It’s time to take the journey. Are you ready?

1) What is the Fantasy Genre (of What Are Such Dreams Made)?

Fantasy traffics in the Macro and the Micro. It is about the Big and the Small. It is about the Community and the Individual. It is about the Evil and the Good. It has a clear Three-Act structure. Using Joseph’s Campbell’s Hero’s Journey, they are the Separation, the Initiation, and the Return.

Fantasy also uses other triads:

  • the Triple Goddess (maiden-mother-crone)
  • the Rite of Passage (page-squire-knight)
  • the Hierarchy (commoners-nobles-gods), just to name a few.

Fantasy gives us new pantheons, new lands, new races of beings. Fantasy readers reward those who can give these worlds the necessary details to make them real (including maps, family crests, genealogies) and still maintain a driving narrative.

7 Steps for Writing Knights  Dragons Fantasy

Fantasy operates on a handful of tropes, mostly situated in something that looks like our own Middle Ages. There are knights, castles, princesses, dragons or other kinds of monsters, sometimes elements of magic, and quests. As I said in the Prologue, the tropes of the Fantasy genre are also the tropes of Mythology.

2) Read/Watch the Very Best (and then DECONSTRUCT them)

Chances are, if you want to write, or are writing, in the Fantasy genre, you’re a fan and have read many of the authors I’ve mentioned. Now it’s time to read them (and watch Fantasy films and TV) with a critical eye. I’ve been doing this all my life. The Hobbit was the first book I ever bought, through Scholastic, in the 1970s. I still have it.

7 Steps for Writing Knights  Dragons Fantasy

Although space does not allow me to go over everything I’ve learned, here are some of the major features:

  • Fantasy works well with the Three-Act structure and Joseph Campbell’s Hero’s Journey: Separation, Initiation, Return.

  • Major mythic elements are easily visible. Use them to your advantage.

  • There’s often a layer of allegory and metaphor. Like the Western, there are plenty of themes to be explored.

  • There are meta and micro journeys. The meta journeys, like the “Nine Walkers” in Fellowship of the Ring and the alliances in Game of Thrones, present a writer with opportunities to enhance the micro journeys, which are the journeys (both exterior and interior) that the traditional hero undertakes, as all the other characters illuminate aspects of the hero.

  • The prevalent theme is Power Politics. In the case of Game of Thrones and Vikings, there is also a clear sexual power aspect, just like in much of the histories of the European monarchies.

  • There are clearly demarcated lines of Good and Evil. That said, characters do change sides and alliances. That’s some of the fun of it.

  • There is a Quest: a throne to claim, an object to find, a monster to destroy. There are endless metaphorical possibilities, as well as the conflicts and climax as the hero or collective fight(s) for what they need.

3) Learn to LOVE Research

Fantasy is at its best when all of the, well, fantastical elements are grounded in a detailed world that the reader/viewer can immerse themselves in.
That means research. The good news is, we have come a long way since I was checking books and VHS tapes out of the library 35 years ago. There are online documentaries, video games, and YouTube channels about everything from Middle Ages diets to building a period castle. Dungeons and Dragons, which I started playing in 1980 in friends’ basements (think Stranger Things) I now play electronically.

7 Steps for Writing Knights  Dragons Fantasy

For inspiration, I also collect and paint miniatures. Museums and Renaissance festivals are another terrific source for research. You can SMELL and TASTE and HEAR inspiration all around.

4) Understanding the Scope, Responsibility, and Opportunity in CREATING ENTIRE WORLDS

It’s a wonderful challenge to create entire worlds. From political and economic systems, to pantheons of gods and goddesses, to unique monsters and races of beings—all while grounding in the familiar tropes of those who’ve gone before—you have a chance to work in detail and fill your world with the textures and nuances that will make it come alive.
I say responsibility because politics and religion provoke strong responses. The Character Continuum I write about in a previous Stage 32 blog post can help. Having all points of view represented ensures that your Scope is big enough and that you will have plenty of opportunities for organic conflict.

Once you’ve created your world, decide how much of it to share and when. Start small. Introduce them to one or two areas and slowly, surely expand outward. Once you create the rules of governance and economic structures, be consistent. Again, concrete realities become the needed familiar for your audience to comfortably take your fantastic journey. This is also the time to define any conventions—Is it a magical world? If so, how does that operate?

In a 2017 Paste interview, Shawn Ryan and Eric Kripke, creators of the TV show Timeless (and many others), said this about world-building: “The audience doesn’t know much about [the] people yet. We had to do some laying pipe for the world, the rules and stakes and all of those things that genre world-building require[s]. … We were then able to focus on the heart and emotion of the people.”

5) Who is Your Audience and What Do They Want?

As with any writing, but especially genre, audiences have expectations. In the case of Fantasy, they’ve seen and read the best, so those expectations are high. Before you write in this genre, think about why people love it…

  • Why do the myths of Camelot endure?
  • What is the romance of the times of castles and knights that makes people love to see and read these works in the millions?

7 Steps for Writing Knights  Dragons Fantasy

Questions like these, and the answers you come up with, will contribute in substantial ways to the stories you create.

6) Bring Something New to the Genre, or Don’t Even Bother

I know this is harsh, but think about it—if you are just replicating what someone else has done, there isn’t any point. It’s like a cover of a classic song that sounds EXACTLY like the original.

So how do you bring something new to a genre whose tropes are numerous and strong?

  • A new point of view. Find an underrepresented archetype in the Fantasy genre to be your lead character.
  • A new race or new type of monster. You can also use a familiar one of these, but provide a new back- or origin story.
  • Change the stakes. Instead of a physical treasure, a psychological one. Instead of everyone being at war, examine the challenges that come with long-standing enemies navigating peace.

In my Fantasy novel, I combined two archetypes, the jester and the knight, into a single character. It had never been done and it’s been a rich playground for looking at the physical/psychological aspects of the hero and working with the history of the court jester to find new expressions of the functions it serves.

7) Within All of this Fantastical Fantasy and Inspirational Illusion, be REAL

I don’t use a lot of magic. It can make creators lazy, allowing them to kill off major characters knowing they can bring them back; using Deus ex Machina (God out of the machine)—the fix that (sometimes literally) comes down out of the sky, solving all the problems; and it sometimes lacks rules and consistency.

Ground your Fantasy in as much Reality as possible. Historical research, clear rules in your world-building, and working out fantastical problems with realistic solutions are essential.
Epilogue: With the heart of a warrior and the wings of a dragon go forth!

In the end, Fantasy is like all other storytelling—people relate best to characters in struggle, on a path of growth. So keep your problems simple and the stakes sky-high.
Frodo Baggins is a simple guy with a straightforward task—drop a ring in the top of a fiery mountain or everything he knows and loves will end.
How he gets there—the people and creatures he encounters, the obstacles he faces, the inner crises he must overcome, the new places he sees and different cultural customs he learns—is what makes Tolkien’s story truly great.

I wish you Greatness in your Fantasy-writing as well.

Other Stage 32 Posts by Joey Madia:

How Blogging [& Networking] on Stage 32 Landed Me Jobs
Preparing For Auditions: 7 [Guided] Script Approaches that Land You the Job
Seven [Less Talked About] Pre-Production Essentials for the Beginning Director
7 Steps for Writing Escape Room Narratives (And How to Find Opportunities to Write Them)

7 Steps for Writing Escape Room Narratives And How to Find Opportunities to Write Them

Joey Madia spent 25 years in the theatre as a playwright, actor, director, and teacher.
Today he is focused on screenwriting, developing an audio drama series,
writing story lines for immersive theatre-based Escape Rooms, and creating Historical
Education programming with a focus on the Golden Age of Piracy and the life of Che Guevara.
Joey is the Artistic Director of Seven Stories Theatre Company and Creative director of
New Mystics Enterprises, a multimedia production company. He is also the author of two
novels and 17 produced plays.

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About the Author

Joey Madia

Joey Madia

Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach

Joey Madia is an actor, screenwriter, playwright, Escape Room designer, podcaster, novelist, and director. He has appeared in, directed, and written well over 100 plays and a dozen projects on camera, including the 2014 remake of White Zombie and his first film as writer/director received an Hon...

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9 Comments on Joey's Article

Evelyn Von Warnitz
Screenwriter
Great post, just loving! All the best for your projects! 
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
Thank you Evelyn! Sorry I am just seeing this. Been on the road.
6 years ago
Great advice!  But I think I'll stick to writing historical fiction -- #6 is the rub, there's hardly anything new left to bring to the fantasy genre anymore (at least, nothing that I can think of!)
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
Sounds good! As I mentioned in the article, when I use elements that break the laws of nature I make them consistent and create rules to govern how and when they are used. Just like you said--so they don't happen outside of plot necessity. AKA no Deus ex Machina.
6 years ago
Thanks!  And never mind -- I decided last night that I actually can have my characters break the laws of nature SOMETIMES (teleportation, faster-than-light travel, resizing) as long as there's precedent for it in other people's works and as long as it's essential for the plot!  (In other words, I'm OK with it when adapting from other people's works and the original makes use of it, but when I write my own from scratch, I do without!)
6 years ago
Imo Chadband
Screenwriter, Author, Songwriter
I respect Fantasy spec writers. It takes a beautiful mind and imagination to put together. Very detailed post Joey. Thanks for sharing. Hope all in this genre of writing get a read of this.
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
Thank you, Imo! very much appreciated!
6 years ago
Leotien Parlevliet
Author, Screenwriter
A quite inspirational article for my script, I had to put aside for some years because  of a n other urgent one Thank Joey
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
Glad it helped!
6 years ago
Olga Kalashnikova
Actor, Producer
Thanks for a fun read! The Hobbit was also one of my first books! I still remember this: “Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?" :))) 
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
Great line! The Hobbit balances the Light and the Dark so well. Thank you for the read!
6 years ago
Nice job, Guiseppe!  
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
Thanks paisan!
6 years ago
My novel series Karistina (Amazon) a teen heroine who can shape shift into a dragon must go on a quest to save her cousin from certain death. She faces monsters and peril as she goes along and ultimately, she must fight her evil uncle who wants to kill her and take her crown.  
6 years ago
I thank your father for his service to our great nation. He is part of the one percent who serve. 
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
A first-time screenwriter could learn a lot through the process. I hope you find the right match. Today is Vietnam Veteran's Day. My father is a service-connected disabled vet. My thoughts are with you today. 
6 years ago
Harri-Pekka Virkki
Author, Stunt Performer
Wonderful post for the weekend! Thanks!
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
Thank you as always for your support, Harri-Pekka! Happy writing this weekend!
6 years ago
Joleene Moody
Screenwriter, Actor, Producer
Love your posts, Joey. Thank you so much for your valuable contributions!
6 years ago
Joey Madia
Screenwriter, Director, Actor, Story Analyst, Author, Acting Teacher, Performance Coach
Thanks Joleene! I appreciate the opportunity! Sending you the Analytical/Intuitive article in just a few minutes!!
6 years ago
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