**Only 5 Spots Left** Get Guidance in Rewriting and Improving Your Half Hour Pilot Script with Experienced TV Writer Meghan Pleticha (SILICON VALLEY) Support Your Fellow Writers As You All Work Together To Hone Your Scripts Before you send your half-hour TV pilot to that representative or exec, is the story in the very best place it can be? Rewrites are truly where a good script becomes exceptional. Yet too often, writers neglect to review their scripts because they don’t want to kill their darlings or reshape their scenes. If you’re truly serious about getting your own series and vision off the ground, though, it won’t happen until you invest in rewriting your work. Meghan Pleticha is television writer with ten years of entertainment industry experience who has most recently worked as a staff writer on HBO’s Emmy nominated comedy series SILICON VALLEY. Her work has also appeared on Cartoon Network’s POWER PLAYERS, and in Escala, AeroMéxico’s official in-flight magazine. Previous to being staffed on television shows, she worked as a writer’s assistant and script coordinator for shows like FX’s MARRIED, ABC’s CHARITY CASE, and VH1’s HIT THE FLOOR. Over 8 weeks, Meghan will help you rewrite your own half hour pilot script by walking you through the entire process and offering support and mentoring throughout. Using her own unique and tested rewrite process as well as a series of thought through and tested homework assignments and exercises, she will help you tackle your own project the right way and leave with a stronger pilot script than what you started with.
Get Guidance in Rewriting and Improving Your Half Hour Pilot Script with Experienced TV Writer Meghan Pleticha (SILICON VALLEY) Support Your Fellow Writers As You All Work Together To Hone Your Scripts Payment plans available - contact edu@stage32.com Limited to 8 spots - 2 spots remain! Before you send your half-hour TV pilot to that representative or exec, is the story in the very best place it can be? Rewrites are truly where a good script becomes exceptional. Yet too often, writers neglect to review their scripts because they don’t want to kill their darlings or reshape their scenes. If you’re truly serious about getting your own series and vision off the ground, though, it won’t happen until you invest in rewriting your work. Meghan Pleticha is television writer with ten years of entertainment industry experience who has most recently worked as a staff writer on HBO’s Emmy nominated comedy series SILICON VALLEY. Her work has also appeared on Cartoon Network’s POWER PLAYERS, and in Escala, AeroMéxico’s official in-flight magazine. Previous to being staffed on television shows, she worked as a writer’s assistant and script coordinator for shows like FX’s MARRIED, ABC’s CHARITY CASE, and VH1’s HIT THE FLOOR. Over 8 weeks, Meghan will help you rewrite your own half hour pilot script by walking you through the entire process and offering support and mentoring throughout. Using her own unique and tested rewrite process as well as a series of thought through and tested homework assignments and exercises, she will help you tackle your own project the right way and leave with a stronger pilot script than what you started with.
Payment plans available - contact edu@stage32.com for details Limited Class Size - Only 4 Spots Remain Get Guidance in Rewriting and Improving Your Half-Hour Pilot Script with Experienced TV Writer Meghan Pleticha of SILICON VALLEY Rewrites can make or break a pilot. It’s the time when you can take your script to be a cut above the rest, or overwork it and undermine its potential. Nowhere is this truer than in the half-hour comedy pilot, where jokes can halt the story's momentum and the plot can overwhelm the characters. But with the guidance of a professional half-hour writer, you can take your script to the next level and kickstart your career with a ground-breaking comedy. In this exclusive Stage 32 lab, you’ll work directly with SILICON VALLEY writer Meghan Pleticha as she mentors you through rewriting your half-hour comedy pilot. In addition to writing for the Emmy-nominated HBO series, Meghan has also worked on Cartoon Network’s POWER PLAYERS, FX’s MARRIED, ABC’s CHARITY CASE, and VH1’s HIT THE FLOOR. You’ll also read successful half-hour comedy pilots to see what made them stand out in the booming television marketplace and will be able to ask Meghan questions directly as you work in a limited setting. With only 12 spots available, you’re guaranteed quality time with Meghan and your new network of fellow comedy writers. Using her own unique and tested rewrite process and a series of assignments and exercises, Meghan helps you tackle your script the best way possible so that you leave with a stronger pilot you can be proud of. Don’t miss out on this incredible chance to be mentored by a professional staff writer on a critically acclaimed show. These spots are filling fast. "Writing pilots is hard! You have to come up with characters, a world, AND a story?! In script after script, I've seen writers spend so much time on the first two, the story gets lost. Even worse, without a strong pilot story, your world and characters won't reach their full potential. I love helping writers find the best structure for their show so their script can most accurately represent them and their idea. And I'm looking forward to doing that with Stage 32. See you in class!" -Meghan Pleticha
Jonathan Taub - Talent & Literary Manager, Creative Executive with Cohn/Torgan Management
If you talk to an exec, a manger, or any other gatekeeper, you may be surprised to find out just how many scripts that are sent to them are turned down before they’re even given a chance. Whether it’s due to formatting errors, unclear descriptions, or other fixable problems, countless scripts fall by the wayside and countless writers lose an opportunity either because they were too eager to submit or because they weren’t able to look at their creation with objective eyes. The good news is this is a problem that can be fixed. Before you send your script off to representatives, executives, or reputable contests, you need to ensure your screenplay is written clearly, formatted correctly, and tells a story that raises the stakes and builds momentum. Too often, writers go on blind faith and hit “send” before it sees a second set of eyes. But you can (and should) be your own second set of eyes with a practice known as self-editing. This is where you take your writer hat off, hang it up for a hot second, and put your editor cap on so you can revise your screenplay in an objective manner. It’s harder than it seems, but there are actually 10 specific things you can learn to read your script for that will help ensure it’s ready to be sent. If you can master the self-edit, you will greatly improve your chances of getting your work seen. Ready to learn how to do that? Nikki Terpilowski is here to help you master self-editing techniques. Nikki is a long time literary agent and owner of Holloway Literary who represents both screenwriters and novelists and is highly experienced at negotiating book-to-film deals for her clients, most recently Argent Pictures and ABC Studios. Her roster of authors have made Amazon, iTunes, Globe & Mail and USA Today bestsellers lists, have been nominated for Goodreads Choice, and RITA Awards and received starred Publishers Weekly reviews. She has also been invited to speak, teach classes and take pitches at ThrillerFest, Sisters In Crime, Romance Writers of America (RWA), Virginia's Festival Of The Book and many more literary events. Needless to say, Nikki is incredibly familiar with writers and their work and knows what it takes for a script to make it through the noise and get her attention. Drawing on her deep literary background, Nikki will teach you an effective way to self-edit your own script and the 10 aspects you need to focus on before sending it off. From more technical issues like script formatting and establishing action to narrative topics like scene structure and character arcs, Nikki will walk you through how to determine if each element in her self-edit checklist is effective. She’ll give you tools to determine where your script’s red flags might be and strategies to fix up each element. With the strategies Nikki provides, you’ll be able to feel more confident in getting your script ready and sending it to reps, execs and contests
This was by far the best webinar on pitch documents that I have experienced. I've seen others where they give certain advice that she warned not to do! - Tiffany C. This is the age of peak TV and you have an incredible, original idea for a show! You have it all planned out: the setting, the characters, what the show will be about... maybe you've even written the pilot script. Now it's time to pitch! Perhaps you have a meeting with a manager or a producer, or someone is already interested in your idea and has asked you to send some "pages." Or you've signed up for a Stage 32 pitch session with the perfect exec who's looking for a show just like yours. You will learn how to write a professional pitch document that can serve as the outline for your in-person pitch to a manager, producer or studio executive, or be sent after your meeting - using the template and requirements the big agencies and studios use. You will also learn how to translate that into a shorter version for Stage 32 pitch sessions, contests, or just to be able to briefly pitch your idea as you're networking. PLUS! Anna will include these handouts for you to download: Stranger Things Pitch Document New Girl Pitch Document New Girl Short Pitch Document Example Lookbook Example This was my first Stage32 webinar, and it exceeded my expectations, both in terms of quality (and quantity) of information and overall value. Anna was personable, knowledgeable, and organized. The slide deck was helpful, and her overall presentation hit all the key topics. Anna and Stage3 2 delivered the goods. - John R. What a thoughtful, thorough and inspiring webinar. It's clear that Anna Henry put an enormous amount of work into this presentation. Not only was the content there, but the structure was also superb. I feel educated and inspired to go back to my own work and do better than what I thought was my best. What could possibly be better than that! Thank you Anna for your genius and your generosity. - Crispin L. See more testimonials below!