If you’re a horror writer, you may have tons of great set pieces you can’t wait to terrify audiences with, but unless those pages are compelling and maintain the readers interest, your script will remain just a collection of words. The first priority of ANY writer, horror or otherwise, is storytelling. Before you make a classic horror film, you’ll need an effective and readable screenplay. Horror movies are no exception to the importance of structure. It’s not just about terrifying the audience; it’s most importantly about telling a story. The story is what makes us care about the characters and the hell they are about to go through. You could have the most original scares imaginable, but if we don’t care about the story then we won’t care about the characters who have to endure those horror set pieces. Most importantly, without elements of structure, a producer may stop reading your screenplay. If that happens, it’s highly unlikely they’ll be interested in making your film. So how do successful horror screenplays nail story structure? What are the major pitfalls most horror writers fall into and what can you do to make your script stand out from the rest? David Ian McKendry is a professional screenwriter, script consultant, and script doctor who has worked for Universal, Blumhouse, Lifetime Networks, and The Hallmark Channel as well as numerous independent production companies. He began working in the entertainment industry as a video producer and writer for Fangoria Entertainment before later putting together his own horror films, including the recent ALL THE CREATURES WERE STIRRING, starring Constance Wu (CRAZY RICH ASIANS). Through his own experiences writing and producing horror films as well as fixing other writers’ scripts and teaching screenwriting and production to countless students and aspiring filmmakers, David has a keen sense of what makes a script successful in the horror genre and will be sharing what he knows exclusively with the Stage 32 community. David will dive deep into how to write and structure an effective horror screenplay. He will begin by first teaching you what the horror industry looks like today, how to find work within it and what sort of horror trends are important to note right now. He’ll then break down effective structure in horror, including dissecting the cold open, Act One, Act Two and Act Three. David will conclude by providing tips on what to do with your script after you’ve written and re-written it to get it out into the world and find the attention it needs. David will be using the screenplays for 1980’s FRIDAY THE 13TH and 2017’s HAPPY DEATH DAY as case studies as he continues to break down horror film structure. Everyone who signs up for this webinar will receive these screenplays to download for free.
Founded in 2011 by Richard "RB" Botto, Stage 32 is the world's largest online platform connecting and educating film, TV and new media creatives and professionals worldwide. Stage 32 works with over five hundred industry professionals and executives who provide education, instruction and professional opportunities for members of the platform. Stage 32 currently has over 1,200 hours of exclusive film, television and digital craft and business education in its library. Stage 32 members use the platform daily to build their network, take online webinars, classes and labs, find work and cast and crew their projects. Stage 32 members range from students to Emmy, BAFTA and Academy Award Winners. We work tirelessly to ensure that you know that Stage 32 is your online home to stay connected with over 600,000 creatives and professionals from across the globe. Now, we are excited to present a virtual panel featuring some of the top minds in the Stage 32 community to discuss the current state of television, as the industry adapts to a new development and production landscape after the COVID-19 pandemic and a continuing battle between the WGA & ATA. In this roundtable discussion you will hear the point of view of a production company (Tracy Mercer, Senior Vice President, Television at Amasia Entertainment), a television packager (Stuart Arbury, Director of TV & Episodic Content at Ramo Law), a literary manager (Raquelle David of Elevate Entertainment), a writer, producer, Stage 32 CEO (Rich “RB” Botto), all moderated by producer, writer, and the Stage 32 Director of Script Services (Jason Mirch). Stage 32 is proud to be putting the "social" in #SocialDistancing. Please share this event on your social media and tag @stage32 on Twitter and @stage32online on Instagram.
During this hour-long webcast, Jason explores the uses of this technique to drive plot, reveal character and deliver exposition using some of our favorite films and television series including "Fleabag", Deadpool, Spaceballs, "House of Cards", Fight Club, The Big Short and more to find out how these projects break the fourth wall without throwing us out of the narrative. We discuss the how screenwriters weave this storytelling device into scripts and Jason gives you specific types of wall breaks to consider when writing as well as tips on how to write them!
Writing scenes come naturally to many of us especially when we have an outline of what we are aiming to accomplish. Scenes require us to describe setting, introduce characters, establish tone, and achieve a list of other key elements. We are tasked with making the words in each scene exciting and engaging with a few precious moments - urging the reader to keep turning the page and for the audience to keep watching. The words that we use should guide the reader and allow our voices to shine through our work. Understanding the importance of the words you use is imperative to how well your script ultimately translates to the screen. Scenes are a building block to the narrative of your story. Without well-written scenes, the foundation of your story will crumble. It is important to examine each scene of your story and analyze what ways it can be enhanced so that it really adds to the overarching points you are trying to get across as a writer. This comes with proper execution of infusing your own personality and authentic voice in a way that uniquely connects with your readers. Although this can be difficult, there’s no need to run away from this challenge. We have the tools and resources to help your words spring off the page instead. Steve Desmond is an established award-winning and represented screenwriter who wrote the thriller feature ON YOUR DOORSTEP that sold to Treehouse Pictures which has worked with incredibly talented actors like Zac Efron, Michael B. Jordan, and Henry Cavill and he also created the horror feature, TWISTED AVENUE, which made 2015 Hit List honoring the best spec screenplays of the year. His successful portfolio of films continues with his current project, MONSTERS, that won the Comic-Con International Film Festival for Best Horror/Suspense Film and Best Overall Film and has been accepted into over forty film festivals. Steve’s well-renowned success has landed him amazing representation with APA who is connected to partners such as the Global Production Network, The Gotham Group, that produced projects such as THE SPIDERWICK CHRONICLES and THE MAZE RUNNER franchise, and Eclipse Law Firm which has represented projects like NARCOS, KING KONG, WATCHMEN, and YOUNG ROCK. Steve will instruct you how to effectively craft the scene descriptions of your story to make them truly come to life. After providing you with the critical Do’s and Don’ts when writing scenes, Steve will show you how to guide your reader on an exciting journey, set your tone so that readers can feel the words on the page, and craft character introductions that leave memorable impressions with your audience. He will also discuss directing on the page, rewriting scene descriptions, and the importance of reading scripts. Steve will provide you with several resourceful writing exercises that will help you generate ideas for your own prose writing. You will walk away from this session with your words leaping off the page! Steve is beyond excited to share his tools and expertise with members of the Stage 32 community.
**This video presentation contains English closed captions. To view the webinar without captions, click here. Stage 32 + Netflix join forces to bring you an exclusive television pitch workshop Learn best practices to make your pitch work and what your pitching document should look like You do NOT want to miss this! For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively. It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen. In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively. Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others. In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix. He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document. He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.
This is the 1st installment of the Stage 32 + Bondit Media Capital Masterclass featuring Matthew Helderman (CEO of Bondit Media Capital) and Robert Ogden Barnum (Co-Founder of Fortitude International and e2b Capital).