There are few actors more prolific or recognizable in the world of fiction podcasts today than Briggon Snow. Perhaps best known for voicing Caleb Michaels in the cult hit podcast THE BRIGHT SESSIONS and its spinoff THE COLLEGE TAPES, Briggon has performed on over ten popular fiction podcasts like THE BIG LOOP and IN STRANGER WOODS and lends his voice to audiobooks including THE INFINITE NOISE and FIRST, BECOME ASHES. Briggon’s experience has allowed him to become a fixture and highly in-demand in the fiction podcast space and he has built an ongoing career from this success. He also has been able to transfer his experience to the world of TV, playing roles on shows like SEAL TEAM (CBS), GAME SHAKERS (Nickelodeon) and MASTERS OF SEX (Showtime). Briggon knows better than most what it means to be an actor for podcasts and is going to share his expertise exclusively with the Stage 32 community. Full Bio »
It’s no secret that finding work and success as a working actor is difficult. Competition is fierce, and even as more production is restarting, jobs can be difficult to come by, especially if you’re just starting out or haven’t found your breakout role yet. However there’s more than one route to success, and more opportunities than you might expect to find work and build your career. One opportunity that continues to grow is fiction podcasts. Over 100 million Americans listen to podcasts on at least a monthly basis, which includes hundreds of fiction podcasts like HOMECOMING, THE BRIGHT SESSIONS, THE LEFT RIGHT GAME and many more. These podcasts not only have devoted fanbases, but engaged film and TV execs, producers and agents who are hungry for this type of content. By entering the fiction podcast space as an actor, you might not only find interesting, rewarding, and lucrative roles to play over a period of episodes or seasons, but also a career track to continue to find new roles and opportunities that can take you to film and TV work as well.
The world of fiction podcasts is still very new and continues to change on an all-too-regular basis. That means despite there being ample opportunity for actors in this space, Finding roles and your ‘in’ is a lot less straightforward than it is for film and TV. Actors that are successful in podcasts understand the podcast community, how to engage with fans and creators, and also know how to use their voice deliver great performances for the medium at hand. It’s certainly different than more traditional acting processes, but it’s not actually as hard as you might think, especially with the right expertise and guidance.
There are few actors more prolific or recognizable in the world of fiction podcasts today than Briggon Snow. Perhaps best known for voicing Caleb Michaels in the cult hit podcast THE BRIGHT SESSIONS and its spinoff THE COLLEGE TAPES, Briggon has performed on over ten popular fiction podcasts like THE BIG LOOP and IN STRANGER WOODS and lends his voice to audiobooks including THE INFINITE NOISE and FIRST, BECOME ASHES. Briggon’s experience has allowed him to become a fixture and highly in-demand in the fiction podcast space and he has built an ongoing career from this success. He also has been able to transfer his experience to the world of TV, playing roles on shows like SEAL TEAM (CBS), GAME SHAKERS (Nickelodeon) and MASTERS OF SEX (Showtime). Briggon knows better than most what it means to be an actor for podcasts and is going to share his expertise exclusively with the Stage 32 community.
Briggon will break down how you can find opportunities in fiction podcasts as an actor, hone your craft for this medium, and build a career in this audio space. He’ll outline what exactly makes a good pocast or voice actor and lay out how you can make a living with your voice. He’ll explain how to find casting opportunities specifically for fiction podcasts and will also give you tips to better audition. Briggon will then show you techniques and craft tips to help you perform on podcasts, including the biggest technical and performance do’s and don’ts. He’ll also discuss how to make the most of both remote recording and recording in person with your cast and crew and will give you advice on the actual equipment you should invest in for your own home studio or auditions. Finally, Briggon will discuss how to best leverage your work in podcasts to find more VO work and jobs in other mediums like TV and film.
If you’re trying to find your foothold and build your career as an actor, you don’t want to leave any stone unturned. Breaking in through podcasts is a huge opportunity you shouldn’t ignore, and there’s no one better than Briggon to break it down for you.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
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A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
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Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the recording, which you can view as many times as you'd like for a whole year!
Whether you're controlling some valuable intellectual property, looking to secure IP, or simply have a valuable property in the form of a spec script, TV pilot, webseries, digital series, or other filmed material, you are likely going to be confronted with signing or distributing an option agreement. It is imperative that you understand the various types of option agreements and what information should be included to assure that you are not only protecting your material, but yourself legally as well. As the content gold rush grows, option agreements have become more and more commonplace. It is the vital piece of the paper trail that will ensure you are exercising and getting all your rights as your project gets made. These agreements are designed to protect both sides of a given deal, but can be complicated and sometimes include unnecessary language or clauses that could serve to hold up your content or payment. before you sign on the dotted line, you need to understand what exactly is an option agreement, who has creative control, how much money can be made and what you need to include to protect your rights up front. Lane Shefter Bishop is an Emmy award winning filmmaker and producer who has set up over two dozen book properties - many of them only on book proposals and early partials - with studios, networks and production companies throughout the entertainment industry. She is the CEO of Vast Entertainment, a book-to-screen company with numerous projects at both studios and networks, including feature films for Fox 2000, Silver Pictures, CBS Films & Lionsgate, and TV films for Lifetime, as well as TV series with Phoenix Pictures, Atlas Entertainment, The Donner Company, Storyline Entertainment and Universal Cable Productions. She has been on both sides of option agreements and knows the ins and outs of what you need to take into account for your own option agreement. Lane will provide you essential practical knowledge on the ins and outs of option agreements and break them down step-by-step and section-by-section. You will know what is included in a typical option, what purchase price can be expected, what royalties can be expected, what reserved rights are and how to handle publishers releases, notarized addendums and author assignments. This is vital for authors and screenwriters who currently have or expect to have their own material optioned and want to know what monies they can expect to make, when, and how. But it is also highly beneficial for producers, directors, and talent looking to acquire their own underlying material for development- books, short stories, graphic novels, articles, etc. Lane will provide you with a comprehensive, but easy to understand deep dive on option agreements. She will remove the fear and anxiety which will allow you to clearly and decisively protect yourself and ask for the important items that need to be included in all your agreements. Praise for Lane's Stage 32 Webinar “Very impressed with Ms. Bishop, both her formal presentation and the Q & A that followed.” - Steve Weintz “The seminar was informative, insightful, well documented, entertaining, well thought out and delivered with a touch of humor. Wonderful!” - Katharine Carter
You have a story idea in your mind and you just know it will make a great movie or TV show. You either day dream or stay awake at night with characters entering your head wanting to be given life on the page. You have notes jotted down of scene ideas, pieces of dialogue or inspiration you could see in a script. Does this sound familiar to you? If so, you are on the path to being a screenwriter, but, where do you start? Screenwriting is a special art form unto itself - it takes a fertile, vibrant mind to develop story and character, yet immense discipline of the writing craft. Too many writers try to jump into this insanely competitive field with little to no training. It takes 5-10 pages of a screenplay for a professional to know whether or not you know the basics of screenwriting, so don't you want to give yourself the best chance to stand out as a professional? It's important you understand the craft to make sure that when you do get your script in front of a decision maker that yo have a competitive advantage to get them past page 10. Mary Cybriwsky produced Joe Dante’s BURYING THE EX, starring Anton Yelchin, Ashley Greene, Alexandra Daddario and Oliver Cooper, as well as executive produced STICKY NOTES starring Ray Liotta, Rose Leslie and Justin Bartha. Prior to opening production/management company Scooty Woop Entertainment in 2009 with Frankie Lindquist, Mary worked in all aspects of film development and production as an executive at Mosaic Media Group / Atlas Entertainment under the prolific producer Charles Roven and his team, on projects such as THE DARK KNIGHT, GET SMART, THE INTERNATIONAL, THE BANK JOB, amongst others. Mary is a disciplined teacher of the screenwriting basics and in an exclusive Stage 32 Next Level Class, Mary broke down in four jam-packed sessions what you need to know about the basics of screenwriting. If you are brand new to the screenwriting profession, or a seasoned writer who wants to brush up on your skills, this class goes over the basics of screenwriting to perfect your craft. The objective of this 4 session class is to cover basic screenwriting formatting, 3 act structure, characters, plots, themes, what to write and what NOT to write, but Mary will go over so much more! Best of all, the class sessions are available immediately to watch on demand at your leisure! You Will Receive These Handouts: Title page format spec sheet Sample screenplay page, broken down section by section with descriptions Screenwriting dialogue tips Plus! You will get these pilots to download for FREE: Feature Film Scripts LITTLE MISS SUNSHINE ALL YOU NEED IS KILL (movie version changed title to: EDGE OF TOMORROW) PARASITE THE TRIAL OF CHICAGO 7 GET OUT GREEN BOOK THE BIG SICK INSIDE OUT Television Pilot Scripts THE QUEEN'S GAMBIT BREAKING BAD MODERN FAMILY FLEABAG BARRY GAME OF THRONES Testimonials about Mary's Class: "Loved Mary's teaching process! Will definitely take other classes if she offers them in the future." - Jessica R. "Very good basic introduction course!" - Diana B. "Mary makes learning the basics of screenwriting easy and welcoming. I have a lot to think about." - Harry M. "After this class writing is no longer scary. I can't wait to type FADE IN!" - Paul M.
The horror genre is one of the only genres that still can open big theatrically. In fact, over the last 5 years or so, the horror genre has provided the industry with some of its most profitable films. And that trend shows no sign of slowing down. Quite the opposite, the trend is accelerating. Horror still lends itself to a shared experience of being scared with a group in the dark. The jump scares, soundtrack and sound effects really play well in theaters, but also lends itself to that adrenaline we all love when sitting home alone streaming a great horror film. Horror can also be produced on a much lower budget than most other genres, so the opportunity for higher margins of profit are always in play. And you don’t need big movie stars as the concept is the star. Additionally, tons of new directors are able to break in through the horror genre and they're all looking for that perfect script with that killer concept. The challenge for most writers is coming up with either a totally new concept (THE CONJURING), or coming up with a new twist on what has already worked in the past (INVISIBLE MAN). But once you have fleshed out the concept, you need to make sure the writing is on point. That includes a perfect opening, a cadre of memorable characters, a plot that keeps those pages turning, and a close that makes a manager want to pick up the phone and schedule a meeting. Jake Wagner is one of the most respected literary managers working in the business today. Jake has also been one of top selling spec script managers of the last decade. Jake was responsible for the largest spec sale of the last 10 years (and one of the biggest in history), with SNOW WHITE AND THE HUNTSMAN which sold for over $3MM to Universal Pictures. After an illustrious and celebrated career at Benderspink and Good Fear and Film + Management, Jake is now the owner of Alibi Management. Jake’s clients have written some of the most popular recent horror films including POLAROID and CRAWL. Now, exclusively for Stage 32, Jake will teach writers of horror screenplays what managers look for in a spec screenplay. As one of the leading sellers of horror specs in the market today, Jake will tell you the common mistakes horror writers make and how to avoid them. To start, Jake will take you through the types of horror scripts attracting financing and producing interest in the market right now and he will explain why certain feature scripts stand out above the rest. Then, Jake will dive into the writing and the reading habits and needs of a manager. He will dive into what your first 10 pages tell a manager and how you can not only make them shine, but how to do so in a manner that keeps a manager turning pages. He will discuss the importance of your first act, the introduction and nuances of your characters, how to make sure your plot is not only interesting, but clear, and how to stick the landing. And, as a bonus, Jake will take you through 10 case studies of some of the most successful horror feature and short film projects of recent years including A Quiet Place, No Good Deed, Meet Jimmy and more. Praise for Jake's Stage 32 Webinar "Jake was terrific, and the value of the webinar was immeasurable." -Erica K. "It was amazing!! It was the inspirational kick in the butt that I needed. The discussion sparked a couple great ideas for fresh twists to the genre. I'm excited for the possibilities and am looking forward to seeing where these ideas take me. Grateful to Jake for making me believe in the power of my ideas. Thank you!!" -Lisa H. "Jake was terrific...knowledgeable, insightful and passionate about the subject mater. There were many great, simple takeaways. One of the best webinars I've participated in, in terms of being on point and offering actionable advice." -Michael H. "Outstanding! Informative and entertaining. Thoroughly covered the topic from my perspective. Gave me a lot of ideas and direction to new plans. Inspirational. Great speaker--seemed very genuine and down-to-earth." -Shelley A.
Being an actor means constantly evolving. It means being open to new ideas. It's realizing that to be the best, as perfect as one can be, one must pay attention and learn from those who keep landing roles. The goal is not only to do the best work, but to have that work recognized in a way that brings longevity to your career. Ron Marasco has had that kind of career. Ron has been making his name in film and TV for over 25 years appearing in successful films and television shows such as The 40 Year Old Virgin, Entourage, Lost and Bones. As if that wasn't enough, Ron has a Ph.D in Theater and teaches acting at prestigious Loyola Marymount University in Los Angeles, California. His book Notes for an Actor, has become a bible for many. In short, the man knows acting inside and out. The secret to Ron's success? Well, it's his 9 secrets to getting your best performance. And they're a secret no longer. Right here, exclusively for Stage 32, Ron shares all the information that has led to his massive success. Ron’s approach is not so much a “method” as it is “tool-kit” of tricks that provide fast-fixes to an actor’s work, doable techniques that quickly increase an actor’s on-stage/on-screen command, and gems meant to spark an actor’s inspiration. This webinar will be what Ron calls “shop-talk,” just one actor talking to other actors about the “secrets” he’s learned that are the base-work of every good performance. “This is the stuff,” Ron says, “they don’t tell you in acting classes." So settle in, let your guard down, open your mind, and let Ron's techniques sink in. Here's to better auditions and more jobs! "All I can say is, wow. I'm rewatching tomorrow and the next day and the next." - Angela Z. (Note: webinar is visuals only, not webcam)
We have found ourselves in an age of content overload. As audiences, everywhere we turn we are inundated with stories online, on screen, in podcasts and on the radio. And these are just the stories that make it to these platforms. Script readers and producers are going through much, much more, often reading hundreds of screenplays a month. And yet, with so much content out there, scripts still rise to the top. There is a reason why projects like FLEABAG, OZARK, PARASITE, and Jordan Peele's US cut through the noise, with or without big budgets or names. It’s not theme or content matter that achieves this; it’s authenticity. The industry is changing, but this simple truth never does. Executives, producers, studios, and audiences will always seek out authentic voices. The question, then, is what exactly is authenticity and how does it read on a page? Adding authenticity to your work is a lot harder than adding, say, character headings. It’s not a switch to turn on and it’s not something that can be easily engineered. Cultivating an authentic voice is a challenge every writer faces and takes years of honing your craft. However, there are things you can do right now to better zero in on your own voice and show it off to executives and other gatekeepers. Better understanding what authenticity looks like on a page, how executives identify it, and the steps writers with strong authentic voices take before approaching a script will give you the best possible chance of your project standing out, continuing into production and ultimately premiering to the masses. Sarah Cornelius serves as Creative and Production Executive at award-winning Whitewater Films, helmed by director-producer Rick Rosenthal (HALLOWEEN II, BAD BOYS, TRANSPARENT). This approach has resulted in Whitewater producing numerous notable films which have won Independent Spirit Awards, the Sundance Directing Award, a Primetime Emmy, as well as collecting nominations for an Oscar and the Sundance Grand Jury Prize. Whitewater has produced projects for Paramount Classics, Netflix, Showtime, IFC, Samual Goodwyn Films, The Orchard, CNN Films and more. Whitewater Films recently completed their feature STANDING UP, FALLING DOWN starring Billy Crystal & Ben Schwartz with first-time director Matt Ratner. Their film, THE LAST SHIFT premiered at Sundance 2020 with two time Oscar-nominee Richard Jenkins. In addition they produced FIRST GIRL I LOVED (Sundance winner), HALFWAY THERE (Sundance Episodic Showcase winner) and SMALL ENGINE REPAIR (SXSW premiere). Sarah has been involved with development on each of Whitewater's projects and has the ability to communicate conceptual notes in a direct and effective manner. Sarah will use her extensive experience evaluating scripts and discovering talent to delve into what goes into finding your authentic voice and how to bring it into your script. She’ll begin by discussing the main questions you should ask yourself before writing a script, including how to prevent writer’s block, how to anchor your concept, and the three ‘whys’ you must address before getting started. Sarah will then approach the concept of authenticity from the point of view of an executive, and what specific things they look at to identify a writer’s voice. She’ll speak to format and clarity, imagery and action, dialogue, point of view, and creativity and risk-taking. Sarah will even teach you how to retain your authenticity past the writing phase. She’ll discuss how to ask for and incorporate feedback while still holding on to your voice and how to pitch what you wrote with authentic confidence. Finding your own authentic voice is never easy, but Sarah will give you the tools you need to better understand how to bring your voice forward and hone in on it with more confidence. Plus, you will receive 10 downloads of notable screenplays that exhibit an authentic voice (and 2 downloads of scripts without an authentic voice) that Sarah will use to demonstrate how authenticity reads on the page: Jordan Peele's US CAPTAIN FANTASTIC THE SHAPE OF WATER PARASITE AMERICAN BEAUTY RESERVOIR DOGS WHIPLASH HARRIET TRAINSPOTTING APOCALYPSE NOW SHOWGIRLS CATWOMAN Praise for Sarah's Stage 32 Webinar "Sarah was incredible! Loved her teaching style and insight. Great webinar!" -David P. "Very informative, well worth it!" -Caroline B. "Great webinar - loved the use of scripts and clips. Wonderful speaker!" -Ron H. "Sarah Cornelius was wonderful. Time well spent today." -Brian B. Like what you heard from Sarah during this webcast? Send your script to Sarah and speak with her for a full hour by clicking here.
PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch. WEEK #1 – Introduction, Pitch Docs, Character This week we will cover the syllabus, your instructor's background and experience, your goals for this eight-week lab and launch into a discussion on creating strong characters for your pilot. We will discuss the types of drama pilots and how they differ from network to network. We will go over how to create effective loglines and pitch documents. Then we will delve into character – what makes for strong characters and weak ones. The assignment for this week will be to create a pitch document and write a detailed description (around half a page) on each of your series regular characters. WEEK #2 – Pilot Outline and Series Bible This week we will break down pilot structure, plot and subplots. Pilot structure varies depending on the type of drama pilot (procedural or serial) and the network (broadcast, cable, streaming, digital, etc.) We will identify what kind of network to target for your story idea and structure the pilot accordingly. We will also discuss the function of your series bible and what it needs to include to support your pilot. The assignment for the week is to complete a pilot outline and start work on your bible. WEEK #3 – Pilot Outline (One on One Consultations – No Online Class) This week will consist of one-on-one consultations regarding pilot structure. Each writer will send in their pilot outline in advance and will have a 10-minute call to discuss what works and what doesn’t. The assignment for the week is to address any notes given on the outline before proceeding with next week’s class and to continue working on your series bible. WEEK #4– Scenes, Beats, Dialogue, This week we will address the qualities of effective (and ineffective) scenes, story beats, and dialogue. The assignment for the week will be to write three complete scenes from your outline: the teaser/opening scene, a scene with heavy dialogue, and a strong character scene. WEEK #5– Acts 1 and 2 We will discuss both the four-act and five-act structure. You will decide which works best for the pilot that you are developing. This week we will go over all the necessary story beats that exist in acts 1 and 2 of a drama pilot, including exposition, number of scenes per act, traditional page count, inciting incidents, acts 1 and 2 breaks, etc. The assignment this week will be to complete Acts 1 and 2 of your pilot. WEEK #6– Acts 3, 4 and 5 Similarly to last week, we will cover the necessary story beats that traditionally exist in acts 3 and 4 of a drama pilot. If your pilot structure has five or more, as some broadcast network shows do, there will be time allotted for further instruction on how to proceed. The assignment this week is to complete the first draft of the entire pilot and to turn in your series bible. WEEK #7–Consultation for Revision (No Online Class) This week will consist of one-on-one consultations. Please turn in your pilot at least 24 hours before your scheduled call, and each writer will have a 10-minute call to go over notes. Your assignment this week is to address any notes. WEEK #8– One-on-one Feedback and Polish (No Online Class) This week will consist of 10-minute one-on-one phone calls as well. Please submit your revised pilot at least 24 hours before your scheduled call. Final notes and next steps for your pilot will be given. Payment plans are available - please contact email@example.com for more information.