Elizabeth Guest is an actor, writer, director and producer based in Los Angeles. She attended USC's school of Cinematic Arts and has spent the past few years writing and performing her own material. She has put up numerous plays at the Upright Citizens Brigade theater one of which was called NICE GIRLS which was eventually turned into a digital series by Funny or Die. She also wrote/directed/produced and starred in the digital series GUEST APPEARANCES that won the Best Scripted Digital Series Jury Award at Austin Film Festival and the Best Short Form Jury Award at the Nashville Film Festival. She was named by Moviemaker Magazine as one of the "25 Screenwriters to Watch in 2017." Season one and season two of GUEST APPEARANCES will soon be streaming on FICTO. Other credits include THE MENTALIST, REAL ROB, and SUPERSTORE. She has two feature films that are currently in post production and you can catch her in the third season of the NBC show "A.P. Bio" out this summer. Elizabeth is a big believer in creating her own opportunities and would love to inspire actors in the Stage 32 community to do the same. Full Bio »
All actors want representation. It’s often the first step actors take in their careers. After all, agents and managers are the ones that are connected to the industry. They know who is casting and where the auditions are, and they’re positioned to help you succeed—at least in theory. Many reps are incredible allies and partners for actors and transform careers for the better, but not all are created equal. Some reps unfortunately don’t carry their weight and fail to champion a client—sometimes they’re not as connected and in-the-know as they suggest, sometimes they might not be as invested in you as they should be. It can be common for actors in this position to blame themselves for lack of opportunities, even if the fault lies out of their control. But having a bad rep doesn’t mean you’re untalented and it doesn’t mean you can’t make it in the industry; it just means it’s time to recognize where the problem lies and to take back your own power. And, if you've decided to go without a rep, it's important to know that you have the power to move the needle on your career.
Many actors will sign with an agent or manager immediately because they feel it is better to be represented than have no rep at all. However, it’s important to make sure you and your rep have the same goals for your career and that you both will do what needs to be done to get those goals accomplished. If that’s not in the cards, it’s time to make a change. Every actor should first and foremost consider themselves their own representative—managers and agents will inevitably come and go throughout your career, but you will always need to be your best advocate. It’s therefore critical to understand, as your own representative, when the people in your corner are really in your corner, and when perhaps there is more you can do as an actor to find more success. When making these difficult decisions, remember that an actor’s world doesn’t start and stop with their rep; there is so much you can do before signing, after, and in between. It’s time to understand how to take control of your own career and hold both yourself and your representative accountable (if you have one).
Elizabeth Guest is an actor, writer, director and producer based in Los Angeles and has appeared on Netflix's REAL ROB, the Emmy-winning CALIFORNICATION, NBC'S A.P. BIO, CBS's THE MENTALIST and more. She attended USC's School of Cinematic Arts and has spent the past few years writing and performing her own material. She has put up numerous plays at the Upright Citizens Brigade theater, one of which, called NICE GIRLS, was eventually turned into a digital series by Funny or Die. She also wrote/directed/produced and starred in the digital series GUEST APPEARANCES which won the Best Scripted Digital Series Jury Award at Austin Film Festival and the Best Short Form Jury Award at the Nashville Film Festival. She was named by Moviemaker Magazine as one of the "25 Screenwriters to Watch." Season one and season two of GUEST APPEARANCES will soon be streaming on FICTO. She has two feature films that are currently in post production. Elizabeth is a big believer in creating her own opportunities and is ready to inspire actors in the Stage 32 community to do the same.
Elizabeth will draw from her own experience to teach you how to find your own power as an actor and how to know when to leave a rep that isn’t doing their job. She’ll begin by going over the roles and expectations of both managers and agents, what the differences are between the two, what an ideal agent and manager look like, and what a beneficial relationship between a rep and an actor should feel like. She’ll also discuss the separation of responsibilities that are standard between reps and actors. She’ll then talk about what to how to know when your rep isn’t doing their job. She’ll give you 6 red flags to keep a lookout for with your rep to determine if they might not be holding their end of the bargain. She’ll also share five things you should be asking yourself as a self check-in to make sure you’re doing all you can before blaming your rep. Elizabeth will teach you strategies you should try with your rep to repair the relationship and will give you tips on when to know it’s finally time to leave. Next, she will discuss the proper way to end your relationship with a manager and how to understand the legal aspects to avoid complications. Elizabeth will give you the tools and wherewithal to move forward with your career after leaving your manager or agent, including creating your own opportunities and finding ways to get yourself discovered without outside help. Finally, Elizabeth will explain what it means to take back your own power, how to craft the career you want and focus on the work to achieve your goals independently. It’s so important for actors in this industry to feel empowered and know their worth, and Elizabeth will give you the tools to do just that.
Praise for Elizabeth's Stage 32 Webinar
"Liz was informative and inspirational! Great ideas about content creation!"
"Elizabeth is terrific, and inspiring. Plus she is experienced and knowledgeable"
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
During this Executive Hour Webcast, we speak with with Literary Manager Scott Schulman of Schulman Management! Scott was at More/Medavoy Management for four years, representing both talent and literary clients. Prior to More/Medavoy, Schulman worked at A3 Artist Agency as a junior packaging agent. He started his career at Fremantle in business affairs in both scripted and non-scripted television.Scott recently staffed one of his clients on Season 2 of "FBI: MOST WANTED" for CBS. He also manages two upper-level producers on the smash hit "THE UMBRELLA ACADEMY" series for Netflix. During the webcast, Scott discusses how he came to be a literary manager, what writers can be doing to get their material into the market, how to overcome a pass on your material and a lot more!
The post-production phase is the most critical one throughout the entire film production process… and editing, in particular, is a pivotal moment where as a filmmaker you should be able to understand that you are writing the final version and destiny of your movie. Some of the greatest, most iconic filmmakers of all times (like Scorsese, Hitchcock, Kubrick, Tarantino, Coppola, Lynch, Fellini, Gilliam and many others) used to spend hours, days and sometimes months into the dark secrecy of the editing room, sitting next to their faithful editor, enjoying the guilty pleasure of reshaping – over and over again – a world of their own. Editing is not just a simple matter of pace, rhythm, and mere image composition: editing pertains to the core of storytelling itself. Every professional filmmaker knows that a closeup placed in the right place, at the right moment, can definitely chance the course of a narrative process. Editing includes re-defining the story, reconstructing the characters, reshaping the very structure to the point of even changing and re-dubbing the dialogue in a totally different way from the original script… all for the sake of beauty. In this Stage 32 Next Level Webinar, international director/editor, Max Leonida will use his years of experience to give you a more profound knowledge of the artistic nature of the editing process, together with a clear, up-to-date and technical expertise about the most important digital editing systems on the market. Max will use clips as case studies from some of his most recent films. This webinar will give you all these necessary tools to truly understand your process when going in to edit your film. “I love editing. I think I like it more than any other phase of filmmaking. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.” -Stanley Kubrick “Without question Max Leonida’s work has been met with audience approval, critical praise and media exposure – all of which serve to substantiate his amazing ability. He has truly emerged as one of the field’s most influential filmmakers." - Jamie Weissenborn, Senior Vice President Sony Picture Television)
With more and more content being created and more avenues for films to be seen, the overall distribution market is changing at a rapid pace. But, the classic in-theater experience is still alive and well – if you have the right type of film and you understand how tailor your approach to the market. Don't think for a second that your film is not a fit for theatrical distribution or that all theaters and screens are controlled by the studios. There still IS an opportunity for a film to be distributed to the US market in theaters. Independent film acquisitions with the intent to distribute in the US theatrical market still make up a profitable part of today’s film business. Unfortunately, many filmmakers aren’t aware of the elements a film must have to be considered for theatrical distribution. Understanding everything from where your content fits to how to put your film in the best position to be acquired is absolutely necessary in order for you to give your project the best chance to attract a buyer and give you the opportunity to have your masterpiece, the film you worked so hard to make, seen in a theater. Jason Resnick is the Executive Vice President of Acquisitions for Aviron Pictures and has had decades of experience in theatrical distribution on films of all budget levels. He Jason was formerly the GM of Worldwide Acquisitions for the Universal Pictures Group and in charge of all acquisitions for Universal, Focus Features, Rogue Pictures and Universal Home Entertainment. Now, exclusively for Stage 32, he'll go over what the current US theatrical market looks like for film acquisitions. And, it's more accessible than you think! To fully understand how the market has shifted and how the old thinking has become obsolete, Jason will break down the last 10 years of theatrical distribution to show you what's still working and what has dramatically changed. This information alone will give you a competitive advantage in the space and make you more attractive to buyers. He will also make you understand limited, wide, and day-and-date releases and identify the key players in each. He will show you the proper way to approach these reps and buyers so you stand out in a competitive market. Most importantly you will learn how a film is acquired for US theatrical release and what can hurt and help your chances of getting acquired. You will walk away knowing exactly makes your film look attractive for an acquisition for the US theatrical market. "I learned a lot. Really appreciate Jason's experience and expertise. Jason's presentation was considered, articulate, to the point and very informative. Was well worth the class fee." - Rebecca D.
Learn directly from an Oscar & BAFTA winner exclusively on Stage 32. Think VFX is only for films or digital projects with high budgets? Think again. In fact, understanding how VFX can be worked into your project can help you save costs before you ever step on set. Understanding (and removing your fear of) VFX ahead of time can actually help you trim some shooting days, save money and give you more opportunity to make your film shine and stand out from the crowd. Independent filmmaking and the creation of quality digital content calls for being creative with your budget. But for most producers and filmmakers, the idea of adding VFX to their projects seems like a budget breaker. The reality is quite the opposite. Not only can VFX be quite affordable, but also be a game changer for your project. Accounting for VFX in pre-production may also allow for less "fix it in post" issues which, in turn, will actually help you save money and stay on schedule! Christopher M. Anthony is an Oscar and BAFTA winner and the Senior Director of Kayfabe Films. He is also one of the most sought after VFX masters in the business. Just some of the films Christopher has worked on include Guardians of the Galaxy, the X-Men franchise, Harry Potter, and The Jungle Book. But don't let those big budget films fool you. Christopher cut his teeth on smaller independent shorts, features and digital projects. He gets hired because he knows how to save money and bring projects in under budget. And now, exclusively for Stage 32, Christopher is going to teach you all his tricks of the trade. Chris is going to lead you through the entire VFX process in an easy to understand format. Using 19 carefully chosen VFX clips and examples, Chris will distill VFX down to the nuts and bolts. You will easily see how VFX can work for you no matter what format or budget you're working with. "Chris is quite the gent and a caring one at that. You can see how much time and effort he put into this webinar. The examples were priceless and opened my mind to an entirely new world that, to be honest, I thought was unattainable for me as a filmmaker." - Antonio C.
Only 12 Spots Available! You will record co-star sides and guest star sides and send them in as a mock audition review with a casting director to get feedback! Exclusively through Stage 32 "5 out of 5 stars!" - Morgan M. Today, more than ever, self tape auditions are an integral part of the casting process. This is even more true in the age of social distancing. And due to the convenience self tapes provide and tight deadlines casting directors often operate under, more roles are cast via self tape auditions than ever before. Understanding how to set up, craft, and shoot a self tape can be the difference between landing more roles and having your talents fall by the wayside. There is a legitimate art form and craft that goes along with preparing a self-tape audition, and it’s not necessarily the same process or skill set as in-person auditions. To 'pop' on the screen and to stand out to casting directors out of all the other tapes is no small feat. And like any discipline, this requires practice, forethought, strategy, and a focus on craft. As the industry continues to move towards more self tape auditions, and now that production is beginning to resume, pilot season is around the corner, and new roles and opportunities are finally available for actors, there is no better time to hone this skill set than right now. Taylor Nichols is an award winning filmmaker, theater director and actor with over one hundred credits to his name. He is currently on the Emmy-nominated Hulu show PEN15 and the HBO smash-hit PERRY MASON. Taylor has also appeared on shows such as Emmy and Golden Globe nominated THE WALKING DEAD and PRISON BREAK, the cultural hit DIRTY JOHN, Emmy-winning MODERN FAMILY, 24, Golden Globe nominated THE MENTALIST and many more. In addition to acting, Taylor is an award winning short filmmaker and an experienced producer with feature credits including THE NEXT STEP and CASE 219. Taylor brings to Stage 32 more than 30 years of experience in the entertainment industry and is ready to share with the community the skills and lessons he’s developed throughout his career. Over the course of three weeks, Taylor will work one on one with you on practicing and mastering the art of self-tape audition, all from the comfort of your own home. Taylor will begin by breaking down how best to put together your own self-tape, from performance tips to slating to where to place the camera to how to actually export and safely send the video. Taylor will provide you with both costar and guest star sides from current TV shows and work with you one-on-one in a class setting to hone your self-tape audition. Finally, Taylor will hold a mock self-tape audition by sending you brand new sides for you to prepare and tape ahead of the final class. In the final session, Taylor and a currently working casting director will review your tape and offer valuable feedback to take with you. With the casting landscape is changing so much, Taylor will offer vital guidance for you to stay ahead of the curve and do the work right in order to nail self-tape auditions and get the parts you’re after. WHAT TO EXPECT This lab is designed for actors of all levels interested in improving their craft and audition skills This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar. ***Only 12 Spots Available*** This class will consist of three weekly sessions. There will be an additional session on the third week where Taylor and a currently working casting director will review your self-tape audition. In this session you will receive valuable feedback and have the opportunity ask questions. Mock audition is strictly for education purposes and not for any employment opportunities Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the TV project development process. To see the full acting lab schedule, see below under "What You Will Learn". PLEASE NOTE: This exclusive Stage 32 lab is limited to 12 students and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with an award winning and nationally recognized actor is an incredibly valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Amanda at email@example.com for more information Praise for Taylor's Past Stage 32 Acting Lab: "As a working SAG-AFTRA actor, I've begun to lean toward one-on-one coaching sessions with trusted local resources but my experience with Stage 32 and Taylor Nichols was one of the highlights of 2020 for me. I wish this was an on-going class. As a teacher, I found Taylor to be extremely generous with his time, and refreshingly insightful with his feedback and guidance. In many ways it felt like a one-on-one class but with the added bonus of learning while watching other talented actors of different age groups, and styles work and evolve with Taylor's suggestions. My experience from beginning to end is something I'm grateful for and am now actively seeking out my next Stage 32 class." -Lisa R. "I thought Taylor's Monologue lab was fantastic, he was super friendly and inviting and created a safe place for everyone to comfortably practice and not be afraid of judgement. The class felt like a small little family learning and growing together. I give the class 5 out of 5 stars for being everything I hoped it could be and learned exactly what I needed to learn in it. Which is rare." -Morgan M.
Take an epic Master Class online with one of the top DGA AD's in the business: Jason Roberts who's worked with Michael Bay, Doug Liman, Alexander Payne, Angelina Jolie and more! Jason will be calling upon his 30+ years of experience to teach the mechanics of an AD’s role - including prep, shooting, working relationships with the director, producers, cinematographer, actors, and all tools you need (learn more below!). Plus, Jason will: Break down 6 pages of the Jurassic World shooting script Leave you with an AD Production Packet - templates that you can use on your own projects: Script Pages, Call Sheet, Production Report, Story Boards, Partial One-Line & Shooting Schedule See Jason's "60 Minutes With" Q&A here: "Jason's webinar was fantastic. I really enjoyed it. I loved his work ethic. That's why he's where he is today." "Jason was and is wonderfully inspiring!" "It was fascinating to hear Jason's perspective from his vast experience!" "I thought it was great. There's never enough time when someone like Jason is on, but for the limited time we did have, it was well handled and very much appreciated." **see more below!