Elizabeth Guest is an actor, writer, director and producer based in Los Angeles. She attended USC's school of Cinematic Arts and has spent the past few years writing and performing her own material. She has put up numerous plays at the Upright Citizens Brigade theater one of which was called NICE GIRLS which was eventually turned into a digital series by Funny or Die. She also wrote/directed/produced and starred in the digital series GUEST APPEARANCES that won the Best Scripted Digital Series Jury Award at Austin Film Festival and the Best Short Form Jury Award at the Nashville Film Festival. She was named by Moviemaker Magazine as one of the "25 Screenwriters to Watch in 2017." Season one and season two of GUEST APPEARANCES will soon be streaming on FICTO. Other credits include THE MENTALIST, REAL ROB, and SUPERSTORE. She has two feature films that are currently in post production and you can catch her in the third season of the NBC show "A.P. Bio" out this summer. Elizabeth is a big believer in creating her own opportunities and would love to inspire actors in the Stage 32 community to do the same. Full Bio »
All actors want representation. It’s often the first step actors take in their careers. After all, agents and managers are the ones that are connected to the industry. They know who is casting and where the auditions are, and they’re positioned to help you succeed—at least in theory. Many reps are incredible allies and partners for actors and transform careers for the better, but not all are created equal. Some reps unfortunately don’t carry their weight and fail to champion a client—sometimes they’re not as connected and in-the-know as they suggest, sometimes they might not be as invested in you as they should be. It can be common for actors in this position to blame themselves for lack of opportunities, even if the fault lies out of their control. But having a bad rep doesn’t mean you’re untalented and it doesn’t mean you can’t make it in the industry; it just means it’s time to recognize where the problem lies and to take back your own power. And, if you've decided to go without a rep, it's important to know that you have the power to move the needle on your career.
Many actors will sign with an agent or manager immediately because they feel it is better to be represented than have no rep at all. However, it’s important to make sure you and your rep have the same goals for your career and that you both will do what needs to be done to get those goals accomplished. If that’s not in the cards, it’s time to make a change. Every actor should first and foremost consider themselves their own representative—managers and agents will inevitably come and go throughout your career, but you will always need to be your best advocate. It’s therefore critical to understand, as your own representative, when the people in your corner are really in your corner, and when perhaps there is more you can do as an actor to find more success. When making these difficult decisions, remember that an actor’s world doesn’t start and stop with their rep; there is so much you can do before signing, after, and in between. It’s time to understand how to take control of your own career and hold both yourself and your representative accountable (if you have one).
Elizabeth Guest is an actor, writer, director and producer based in Los Angeles and has appeared on Netflix's REAL ROB, the Emmy-winning CALIFORNICATION, NBC'S A.P. BIO, CBS's THE MENTALIST and more. She attended USC's School of Cinematic Arts and has spent the past few years writing and performing her own material. She has put up numerous plays at the Upright Citizens Brigade theater, one of which, called NICE GIRLS, was eventually turned into a digital series by Funny or Die. She also wrote/directed/produced and starred in the digital series GUEST APPEARANCES which won the Best Scripted Digital Series Jury Award at Austin Film Festival and the Best Short Form Jury Award at the Nashville Film Festival. She was named by Moviemaker Magazine as one of the "25 Screenwriters to Watch." Season one and season two of GUEST APPEARANCES will soon be streaming on FICTO. She has two feature films that are currently in post production. Elizabeth is a big believer in creating her own opportunities and is ready to inspire actors in the Stage 32 community to do the same.
Elizabeth will draw from her own experience to teach you how to find your own power as an actor and how to know when to leave a rep that isn’t doing their job. She’ll begin by going over the roles and expectations of both managers and agents, what the differences are between the two, what an ideal agent and manager look like, and what a beneficial relationship between a rep and an actor should feel like. She’ll also discuss the separation of responsibilities that are standard between reps and actors. She’ll then talk about what to how to know when your rep isn’t doing their job. She’ll give you 6 red flags to keep a lookout for with your rep to determine if they might not be holding their end of the bargain. She’ll also share five things you should be asking yourself as a self check-in to make sure you’re doing all you can before blaming your rep. Elizabeth will teach you strategies you should try with your rep to repair the relationship and will give you tips on when to know it’s finally time to leave. Next, she will discuss the proper way to end your relationship with a manager and how to understand the legal aspects to avoid complications. Elizabeth will give you the tools and wherewithal to move forward with your career after leaving your manager or agent, including creating your own opportunities and finding ways to get yourself discovered without outside help. Finally, Elizabeth will explain what it means to take back your own power, how to craft the career you want and focus on the work to achieve your goals independently. It’s so important for actors in this industry to feel empowered and know their worth, and Elizabeth will give you the tools to do just that.
"The life of the actor can constantly feel like one in which you need to look outward for opportunities but I know how important it is to create your own. I'm so excited to help actors at Stage 32 access their own power and creativity and in turn attract the right team to support them."
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Class Space Limited: Maximum 20 Writers August 13, 20, 27 and Sept 10 from 1pm-3pm. Your TV Series Bible is an extremely important, and often overlooked tool for selling your pilot in the industry. It’s a document which explains in detail – who your characters are, what they will be up against, where future conflict will come, and what themes your show will be exploring. It gives studio and network executives confidence that you know what you’re doing, and that the show has the story potential to live on for multiple seasons. The problem is that there isn’t a lot of literature out there detailing how to construct a bible. This Stage 32 Intensive is aimed to give you the information and guidance that you need to write a strong bible that can be used when sending out and selling your pilot script. Each week, your instructor Michael Poisson (Director of Development at Silent Machine Entertainment, Krysten Ritter’s production company that has a first look deal at Universal TV) will be giving a lecture about how to write one section of your series bible, and then you’ll be assigned to write that section for a project of your own. The following week Mike will offer one-on-one skype sessions to discuss your work, give you any notes, and answer any questions that you may have. So, at the end of this Intensive, you will have a strong and well-executed bible that you’ll be able to use as a selling tool for your own TV series. Mike has worked at CAA, two production companies, and as a showrunner’s assistant on a TV series, and at each job he has seen the importance of bibles and how they have been used to get series sold and on the air. As a writer, Mike has also used them in his own writing career, and a well-written bible of helped him to secure his manager, and get multiple production companies interested in his work.
Kristi Speiser, Certified Image Consultant and Life Coach for actors has been in the business 25 years and worked with stars such as Jennifer Lopez, Will Smith and Gerard Butler! Now she brings her extensive knowledge and experience in honing, refining and defining an actor's image exclusively to Stage 32. Examples of Kristi's Image Consulting Work “Going within is the most challenging place one will ever go. But this brings the biggest payoffs and sets you up for more success in life both personally and professionally” - Kristi Speiser When you're an actor, you're seemingly being given advice at every turn. Whether it's who to take acting classes with, how to address casting directors in and out of the room, or what roles you are or aren't a fit for, the opinions never seem to stop coming. It can be overwhelming. But one piece of advice that is golden is that understanding your brand and assuring that you are doing everything possible to put that brand on display will undeniably give you an advantage in a very crowded field. Simply put, most actors go into headshot sessions, auditions, and meetings with no clue or definitive idea as to what they're putting out there or how they are being perceived. That's something that's fully in your control and something that you can begin honing, shaping, and changing starting today. Kristi Speiser is a certified image consultant and life coach with the International Coaching Federation. After a hugely successful 20 year career working with actors in fashion advertising, Kristi moved on to become Chief Operations Manager in her husband’s acting studio. For 25 years she had an insider’s access to the business side of acting and entertainment. Exposed to thousands of actors, she played a part in the rise of major directors, producers, and stars like, Jennifer Lopez, Will Smith and Gerard Butler. Exclusively for Stage 32, Kristi will teach you how to gain a full understanding of you who are and use that to help you define your brand. She will show you how you are likely perceived by decision makers and gatekeepers and how you can change that perception so you stop wasting time and money pursuing the wrong roles or markets. She will show you how clothes, voice patterns, communication behavior and more can be altered and modified to any situation to increase your chances of success. She will discuss how you can build effective and important relationships so you stay top of mind of casting directors and producers. Kristi will even get down into your headshots - telling you the real truths - and what photos and information should be on a personal website. In short, Kristi will teach you how to treat your career as a business and how embracing that mentality alone, and implementing these strategies toward that end, will result in more work and more happiness! This is a major deep dive into your image and brand designed to help actors of all experience and skill levels. This information will leave you refreshed, reinvigorated, and ready to tackle any audition or meeting! She helped me realize the image I was putting out there was not an accurate representation of who I was. She opened my eyes to a world of color, silhouettes and accessories. Through her nurturing, I not only discovered the ability to reflect my essence outwardly, but also how to own it. – Leena H. She is an expert at what she does but most importantly someone who truly desires to see her clients succeed in the industry. – Stephanie F. I felt like I was being pulled in a dozen different directions when it came to my career: my look, my characters, my goals, my personality… Kristi brought all that into focus. – Shayna R.
4 part class taught by WGA Award-nominated writer John Shepherd, Director of Development at Cross Creek Pictures. AVAILABLE ON DEMAND! The first 10 pages and the last 10 pages of a script are the most important. Making an executive walk away from a read of your script with a powerful impression is crucial to getting your script made. The last pages of a script come with their own web of problems (how to tie everything together, how to complete a character's arc, how to create a powerful final image, etc.). Sometimes a time crunched executive will read the first and last 10 pages of a script before deciding to read the whole thing. A writer has to make sure that they "stick the landing." Stage 32 Happy Writers is excited to bring you the previously-recorded 4 part class: “Always Be Closing” - How to Write a Killer Final 10 Pages taught by John Shepherd, Director of Development at Cross Creek Pictures (Black Swan, The Woman In Black, Ides of March). Learn how to make your last act resonate for your characters, your audience, yourself and the executive reading it. Purchasing gives you access to the previously-recorded live class.Although John is no longer reviewing the assignments, we still encourage all listeners to participate!
Using the investigation scene from The Wire or the AI & Wu scene from Deadwood as inspiration, craft a scene where characters communicate using as few words as possible. As a second option, use the initial meeting between Sean and Will in Good Will Hunting or Annie's wedding shower meltdown from The Bridesmaids, and write a scene where your character snaps!
This week we welcome playwright and TV writer who is the author of over forty plays! His television credits include Executive Story Editor on Season 2 of the Starz drama "MAGIC CITY", and serving as Executive Story Editor on two seasons of the HBO television show "HUNG". He wrote and directed the film EXILES IN New York, which played at the A.F.I Film Festival, South by South West, The Santa Barbara Film Festival and The Latin American International Film Festival in Havana, Cuba. He has also has sold his original television projects to Starz, Amazon and AMC, among others. During this incredible Executive Hour, Eduardo talks about working with Oscar-winner Al Pacino on the film SCARFACE in his early 20's, how to write compelling characters for stage and screen, what it is like being in a writers room for HBO, and offers a exercise in breaking character and story that brought one of our members to tears!
Back by popular demand, Stage 32 Next Level Education brings you Max Adams, 20-year working screenwriter and acclaimed author who has worked with Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures! You will also learn about static locations vs. clear, wider, more open locations and how they can work for and against you in your writing. You will also have a clear understanding on how to use motion and action to move your screenplay forward. You will walk away having all the tools and techniques necessary to apply to fiction, nonfiction, screenplays, teleplays, and stage plays to make visuals and action “real” on the page - an art unto itself and something that can separate your work from the pack. You will learn how to create compelling visuals on the page that will catapult your writing into an unforgettable — and visual — experience for your readers on the page, and your audience on the screen. The immediacy of motion on a film screen, and its necessity, sets film writing apart from every other written medium on the planet. And is the difference on the script page — and film screen — between selling — or that script dying in a drawer, and that film never being made.