Crash Course: Writing Dynamic Scenes

It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!

Hosted by Max Adams

$49

On Demand Webinar - For immediate download. Unlimited access for 1 year.

Rating   | Read reviews

Start Learning

Please make sure you use the same email address as the one you use to sign in to Stage 32
apply Your coupon will be applied after you agree to terms below.

- or -

$49.00
TOTAL PRICE:
Overlay Icon

Satisfaction Rate:

Max Adams

Webinar hosted by: Max Adams

Screenwriter, Author and Founder of The Academy of Film Writing

Max Adams is a screenwriter, author, mentor, and teacher. Recipient early in her career of an Academy Nicholl Fellowship in Screenwriting, an Austin Film Festival Screenwriting Award, and an America’s Best Screenwriting Award, Max was dubbed “Red Hot Adams” by Daily Variety for selling three pitches over a Christmas holiday. Max’s produced feature films include Excess Baggage, The Ladykillers, One For the Money and she recently appeared in Tony Tarantino’sUnderbelly Blues. She has worked on concepts and pitches with industry luminaries including pitch king Bob Kosberg, producers Robert Evans (The Godfather), Gale Anne Hurd (The Terminator), David Valdes (The Green Mile) and Wendy Finerman (Forest Gump, The Devil Wears Prada). She is the author of The New Screenwriter’s Survival Guide, is a former WGA online mentor, is the founder of two international online screenwriting workshops and the founder of The Academy of Film Writing. Max’s students and workshoppers have been featured on The Black List, have won three Academy Nicholl Fellowships, two Austin Film Festival Screenwriting Awards, a Stage 32 Happy Writers award, and most recently a Tracking Board 2015 Launch Pad Feature Award. Many of Max’s students are working professionally in the industry today. You can read more about Max on her websites http://seemaxrun.com and http://theafw.com. Full Bio »

Webinar Summary

Back by popular demand, Stage 32 Next Level Education brings you Max Adams, 20-year working screenwriter and acclaimed author who has worked with Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures!

 You will also learn about static locations vs. clear, wider, more open locations and how they can work for and against you in your writing. You will also have a clear understanding on how to use motion and action to move your screenplay forward.

You will walk away having all the tools and techniques necessary to apply to fiction, nonfiction, screenplays, teleplays, and stage plays to make visuals and action “real” on the page - an art unto itself and something that can separate your work from the pack. You will learn how to create compelling visuals on the page that will catapult your writing into an unforgettable — and visual — experience for your readers on the page, and your audience on the screen.

The immediacy of motion on a film screen, and its necessity, sets film writing apart from every other written medium on the planet. And is the difference on the script page — and film screen — between selling — or that script dying in a drawer, and that film never being made.

 

What You'll Learn

  • How to differentiate between static (small and/or enclosed) locations and dynamic locations (wide open spaces and spaces in which characters’ motion is augmented).
  • What the strengths and weaknesses of both static and dynamic locations are and how both can work for — or against — a scene’s intensity and strength.
  • Recognizing the difference between using an event and using a location.
  • How events and locations can work together to up a scene’s intensity and interest levels, or cancel each other out.
  • Identifying the danger signs of “talking heads” scenes.
  • How to use motion and action to offset dialogue heavy scenes.
  • How action can replace dialogue to up the intensity level of emotions expressed on the screen.
  • Recognizing the importance and benefits of putting characters in rooms together when important tension elements are in play in a scene.
  • How character separation on the screen removes scene intensity and immediacy.
  • How to use filters (telephones, computer screens, cameras) to augment tension — and when to remove them because they are tension killers.
  • How to utilize space on the screen and in scenes to intensify dramatic and dynamic scene and story tension.
  • When and how car chases and fist fights are your friend — and when and why they are not.
  • How to use the parameters and dimensions of a screen and how these can help or hinder the intensity of characters and action in a scene.
  • How to use perspective to augment the emotional impact of screen events.
  • How to use intercuts to increase motion during static scene events.
  • Recorded Q&A with Max!

About Your Instructor

Max Adams is a screenwriter, author, mentor, and teacher. Recipient early in her career of an Academy Nicholl Fellowship in Screenwriting, an Austin Film Festival Screenwriting Award, and an America’s Best Screenwriting Award, Max was dubbed “Red Hot Adams” by Daily Variety for selling three pitches over a Christmas holiday.

Max’s produced feature films include Excess Baggage, The Ladykillers, One For the Money and she recently appeared in Tony Tarantino’sUnderbelly Blues. She has worked on concepts and pitches with industry luminaries including pitch king Bob Kosberg, producers Robert Evans (The Godfather), Gale Anne Hurd (The Terminator), David Valdes (The Green Mile) and Wendy Finerman (Forest Gump, The Devil Wears Prada). She is the author of The New Screenwriter’s Survival Guide, is a former WGA online mentor, is the founder of two international online screenwriting workshops and the founder of The Academy of Film Writing.

Max’s students and workshoppers have been featured on The Black List, have won three Academy Nicholl Fellowships, two Austin Film Festival Screenwriting Awards, a Stage 32 Happy Writers award, and most recently a Tracking Board 2015 Launch Pad Feature Award. Many of Max’s students are working professionally in the industry today.

You can read more about Max on her websites http://seemaxrun.com and http://theafw.com.

FAQs

Q: What is the format of a webinar? 
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer 

Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A. 

Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year! 

Testimonials

Max Adams is the kind of smart, engaging teacher that made me want to be a better writer — and she helped me do it.” – Alvaro Rodriguez, Machete, From Dusk Till Dawn: The Series

Max Adams is the real deal. I’ve taken three of her classes so far and they’ve upped my game as an author and a screenwriter. I still refer to her class lectures as I work on new projects. Max offers real tools you will continue to use over and over again in your career.” – Doug Solter, Skid, My Girlfriend Bites, Legends

You laid the foundation, Max. Best teacher ever.” - Debi Yazbeck, 2015 Tracking Board Launchpad Feature Winner

Max Adams is one of the most knowledgeable and talented people in screenwriting that I know, all writers need to hear what Max Adams has to say.” – Kerry Valderrama, Garrison, Sanitarium

The brilliance of taking Max Adams’ classes is that you start seeing improvement in your writing almost immediately. She has that indescribable knack for finding methods and exercises and examples that break open your understanding of how to be the best writer you can be, how to improve on your voice without mimicry, and how to get your story on the page in such a way that you start getting those “wow” responses… and sales. Not long after Max’s classes, I sold a three book deal to St. Martin’s Press on a pre-empt, hit the USA Today Bestseller list, and am now considering offers on my fourth book.” – Toni McGee Causey,Charmed and Dangerous, Girls Just Wanna Have Guns, When A Man Loves A Weapon

I’ve taken all of Max’s classes and quite simply, her focused methods and attention to detail blow every other screenwriting class out of the water.” – Jules Howe, Best Comedy Screenplay Austin Film Festival, Best Family Film Screenplay

The input I got from Max Adams lifted my script, “Redemption,” from a SemiFinalist to a Nicholl Fellowships in Screenwriting award winner. She is smart, savvy, experienced, and generous. She is a fabulous teacher. If you’ve got what it takes, she will pull it out of you. ” – Patricia Burroughs, Winner Academy Nicholl Fellowships in Screenwriting

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.
 

Reviews Average Rating: 4.5 out of 5

  • Excellent resource. Thanks for making it available to listen again.

Other education that may be of interest to you:

Crash Course: High Concept Writing

Learn directly from acclaimed author and screenwriter Max Adams who has worked with companies such as Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures and Max’s students have won three Academy Nicholl Fellowships, two Austin Film Festival Screenwriting Awards, a Stage 32 Happy Writers Award and more! We continuously hear from the executives that we work with that concept is the most common mistake in spec scripts today. Readers see so many spec scripts that have no chance of becoming films not because the writing isn’t great, but because the writer did not spend enough time on concept. It is one thing to fall in love with a story idea. It is another to stick with it during the uncomfortable phase of working on that idea to make it bigger, badder, better and more enticing to the world. How can you ensure you consistently develop ideas that excite readers and push your script toward a sale? How do you know if your idea is “high concept” enough? What exactly does “high concept” even mean? Stage 32 Next Level Webinars is thrilled to bring you acclaimed screenwriter and writing coach Max Adams to teach you how to create compelling concepts and re-craft existing concepts so that they garner instant attention through one sentence descriptions alone. Dubbed “Red Hot Adams” by Daily Variety for selling three pitches over a Christmas holiday, she will teach you how to pull a story out of the “been there seen that no thanks” file and into the “I have got to read that” file. You’ll learn how to break your story into individual components to find its strengths and weaknesses, which gives you tools to analyze your future writing projects and raise stories’ impact. This will be your complete crash course in high concept writing, and you will leave this webinar knowing how to make your stories more interesting and enticing for readers, buyers, producers, editors, representatives, cast and industry players!

Mastering Story Momentum: How to Jump Start Dramatic Tension & Pacing

One of the weakest elements in screenwriting is story momentum. Without story momentum, pacing drags, plots lose focus, second acts die, and story climaxes are – anticlimactic. Achieving story momentum is not addressed often enough in screenwriting classes. Nor is the direct correlation between dramatic tension and the cause and effect elements needed to link scenes and scene sequences. This relationship is the cornerstone of achieving dramatic tension and mastering story momentum. In this Stage 32 Next Level Webinar, Max Adams, a 20-year working screenwriter and acclaimed author who has worked with Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures, will explain why linear plotting fails and will give you practical tools and techniques you can immediately apply to you writing. You will leave this webinar knowing how to fix story holes, correct pacing, create driving story engines and achieve rising story momentum to maintain a feature film script straight through to a riveting story climax!

60 Minutes With Literary Manager Spencer Robinson

Join literary manager Spencer Robinson from Art/Work Entertainment as he talks about the state of the comedy writing industry for film & TV and answers questions exclusively for the Stage 32 community!

60 Minutes With Emmy Award Winning Producer Kip Konwiser

I was born for this. Started on street corners tap dancing, doing comedy, telling stories & holding an audience until they pay me J A Masters Degree from USC Film School and three decades later there hasn’t been a day when I wasn’t writing, directing, producing or managing as an executive a feature film, television, documentary, live event and/or new media program.  I’ve been blessed to learn from and collaborate with some of the luminaries of sports and entertainment producing and business management. For these efforts, I picked up a shelf full of awards & trophies, maintained an upward financial trajectory and learned to enjoy the ride. A few of the collaborations in my career include: Netflix, YouTube, NBC, CBS, ABC, Univision, HBO, Showtime, TNT, MTV, VH-1, Sony Pictures, Paramount Pictures, 20th Century Fox, Lionsgate Studios, Legendary Pictures, Blizzard Entertainment The Grateful Dead, Quincy Jones, Michael Jordan & David Falk, Phil Knight/NIKE, Magic Johnson, Peter Guber/Mandalay, Dr. Dre, Snoop & Eminem, Arthur Miller, Michael Bloomberg, Laurence Fishburne, the NFL, MLB and NBA, and most of the financing entities in Hollywood. I’ve established tax incentives that spark states into profitable production while structuring large scale financing. Easier said than done, trust me!      Now, I’m thrilled to join with Stage 32 to talk about my journey and share my experiences from over the years. I love to give back to up and coming filmmakers and I’ll be holding an online Q&A to talk with you, the Stage 32 community, and tell you about the things I’ve learned along the way. If you’re in the middle of your filmmaking journey, now, no matter where you live in the world, I’ll be taking questions from you live, so ask away! So relax, this opportunity to not give up on your daydream just got a lot closer.     Clint Eastwood, Kip & Kern Konwiser Kip & Virginia Madsen Kenny Ortega (director/choreographer), Jim Belushi, William Levy, Emilio Estefan Kip, Ron Shelton (director/writer), Pete Rose, Kurt Soderling (DP) Pre-production at Legendary Studios "The Konwiser Bros." Kern & Kip Konwiser 

Deconstructing Oscar-Winning Films: Spotlight, Network & All The President's Men

Over the past few decades as the media landscape has changed, so have methods for reporting and information gathering. Your Stage 32 Next Level educator, award-winning director, James Kicklighter, has personally learned this while directing his new documentary film, Digital Edition, profiling the digital tools changing media as we know it. In “Deconstructing Oscar-Winning Films: Spotlight, Network & All The President’s Men,” we will evaluate and deconstruct common methods deployed in these three groundbreaking films to tell stories about journalism and media. Through this process, we will identify the successful techniques from these masterpieces for directing and writing movies about the media we consume.  While filmmaking isn’t typically thought about as “investigative,” to create a film about journalism and media, it requires extended research that goes beyond writing the fictional screenplay. We will evaluate the preparation process of interviewing industry professionals, utilizing research to inform the written narrative, and how to visually manifest the themes on screen. You will walk away learning techniques to help your directing, writing, acting and producing to help you improve your projects! As an added bonus  - ***Get 3 FREE Oscar-Winning Scripts: Spotlight, All The President's Men & Network***

What Makes Me Interested In Your Script? A Development Executive's Perspective

Agustine’s day-to-day role at RatPac is to help develop screenplays and projects. Whether it’s shaping the story of a script in order to attract a director or actor, breaking down a script in an effort to maximize its marketability, or simply working with the writer to ensure that the script has the best chance of success, Augustine is hands on in every step of the creative process. But before Augustine, or any other creative executive, can get to work, he has to love and see the potential of the material. And that raises the question: What makes someone like Agustine interested in a script? Understanding every aspect of how and why a film goes from the page to the screen is crucial to being a professional in the film industry. It truly can make the difference between a “Pass” or a “Yes”. If you are a writer looking to learn what exactly gets a Development Executive interested in your material or if you are a producer and want to understand the mindset of a Development Executive as it relates to developing your project, look no further – you will learn the entire truth straight from someone working in the trenches every single day. This is material designed to give you a competitive advantage in a crowded marketplace! And as if that wasn’t enough, Agustine will hosted a Q&A session as well!  

register for stage 32 Register / Log In